This cover is from 1949. We’re only a day away from October!
Tag Archives: Horrorthon
Late Night Retro Television Review: Pacific Blue 4.21 “Lucky 13”
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This week, Pacific Blue explores the dark side!
Episode 4.21 “Lucky 13”
(Dir by Emily Skopov, originally aired on April 18th, 1999)
A murder at an occult shop leaves two witches dead. Another witch is found barely alive on the beach, her body branded with alchemical signs. The bike cops are dumbfounded. I’m confused as to why there aren’t any Homicide detectives around. And Granger …. well, Granger’s freaking out because he’s been having nightmares about his dead friend, Tim.
In this episode, Granger reveals that he knows a lot about occult symbols. When TC demands to know why Granger knows so much (as if it’s any of TC’s business), Granger explains that he used to be into Satanism. Obviously, this means that Granger can’t go undercover in this case. As Cory puts it, it would be like sending a junkie into a drug den. So, Jamie is the one who gets a job working at the occult shop and pretending to be into Satanism.
How bad is Jamie at working undercover? Well, let’s ignore the fact that there’s no way in Hell anyone would ever believe that bland, boring, mild-mannered Jamie is into the occult. Instead, let’s talk about the fact that, at one point, Jamie stands in the middle of an aisle of the occult store, where anyone could hear her, and she calls Granger to tell him everything that she’s overheard. Seriously, she couldn’t step outside to do that? Later, when Granger unexpectedly show’s up at the Witch’s Brew coffeehouse, Jamie confront him by loudly asking, “Are you trying to take my case!?” despite the fact that they’re surrounded by the people that Jamie is supposed to be secretly investigating.
This really is a terrible episode for Jamie. When Granger is feeling guilty over the death of Tim (who died shortly after Granger convinced him to give his soul to the Devil), Jamie tells him to stop it with the “self-pity.” Uhmm, Jamie …. didn’t we just spend two episodes listening to you going on and on about growing up in the foster system? Jamie’s not in a position to talk. Jamie then ends up sleeping with Granger, though the show suggests that Jamie’s actions were largely due to the influence of being around magic.
Anyway, it turns out the Satanists are planning on sacrificing a virgin witch on “Lucifer’s birthday.” Granger knows that he has to stop this sacrifice on his own so he gives his superiors a fake address to go to. Then Granger goes to the real sacrifice. Fortunately, Bobby Cruz follows him and shows up in time to help Granger shoot the bad Satanists and save the virgin’s life.
(For all the slut-shaming that goes on in this country, it’s not the sluts who end up getting sacrificed in stupid occult rituals. Promiscuity can save your life.)
With Bobby’s encouragement, Granger goes to Confession. “It’s been seven years since my last confession….” Uh-oh, this could take a while!
This episode deserves some credit for finally giving Granger a backstory. That said, this episode featured some of the least convincing occultists that I’ve ever seen and some of the lamest metaphysical dialogue this side of Baywatch Nights. Actually, if this had been an episode of Baywatch Nights, it would have been a lot more fun. As it is, it’s hard to buy into the idea that the forces of darkness could be defeated by a bunch of bicycle cops.
At one point, Bobby says that too many people have died because of pentagrams. Monica points at his crucifix and asks, “What about the Crusades?” I always find it funny how people seem to think that bringing up something that happened during the Middle Ages is some sort of flex. Bobby could have just as easily replied, “What about Baal worship, you heathen!?” I’m a little upset that he didn’t. That would have been fun.
Oh well. At least this episode had a horror theme. October is just a day away!
Artwork of the Day: Weird Tales (by R.R. Epperly)
Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos
With our annual Horrorthon starting in three days, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.
The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best and scariest of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!
I look forward to inviting you inside the TSL House of Horrors this October.
4 Shots From 4 Films: Special Horrorthon Preview
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
With October approaching, it will soon be time for our annual Horrorthon here at the Shattered Lens. We’ve been working hard getting things ready! Here are 4 shots from 4 of the many films that we will be reviewing this October.
4 Shots From 4 Horror Films
Artwork of the Day: The Shadow (by Charles Coll)
Scenes That I Love: Giovanni Lombardo Radice Dances in The House on The Edge of the Park
Today, the Shattered Lens celebrates what would have been the 72nd birthday of the great Italian actor (and my friend), Giovanni Lombardo Radice!
I’ve shared this scene before but I’ll happily share it again. In Ruggero Deodato’s The House On The Edge of the Park, Giovanni Lombardo Radice shows a bunch of rich jerks how he can dance. Dancing with Radice is his frequent co-star, Lorraine De Selle. Wearing the yellow suit is the equally iconic David Hess.
Scenes That I Love: The Opening of Four Flies On Grey Velvet
I love the opening of Dario Argento’s 1971 giallo, Four Flies On Grey Velvet. This was Argento’s third film as a director and it tells the story of an American drummer who gets caught up in a gruesome murder. In the opening credits, we watch as Michael Brandon drums away and finds time to take care of a distracting fly. In just a matter of minutes, Argento tells us everything we need to know about our hero and the role that he’ll be playing in this film. Like the best drummers, he holds everything together and that’s a good skill to have because, in typical Argento fashion, his entire life is about to fall apart.
From Four Flies on Grey Velvet:
(Only ten days to go until Horrorthon!)
Thoughts On The Culture — 9/11/26
It’s Been A While
It’s been two months since I last did one of these. With October approaching and horror movies demanding my attention, I decided to get at least one essay in here before the ghosts and the goblins take over for a month. Fair warning: This is not one of my happier editions of Thoughts On The Culture (and some of the earlier drafts were even angrier!) but these are some things that I’ve been trying to say for a few years now. If not now, when?
25 Years Ago
Every September 11th I decide I am going to write about the anniversary, and almost every year I give up after a few sentences. After the first few sentences, I always find myself getting too angry to continue.
There were 2,977 official victims of 9/11. And then there are the people who died in the days, months, years, and decades afterward, some from illnesses related to the toxic dust at the scene, some from the depression and anxiety that followed the attacks, and many in the wars that were fought after the attack. The world changed that morning. That is a difficult thing to deal with in one essay.
I know that a lot of my friends who are a bit more on the Left than me get upset with the patriotic rituals that surround the anniversary. That is because 9/11 sits badly with their preferred narrative, the idea that America is always at fault, that terrorists are simply activists trying to be heard, and that a capitalist society like this one is always one disaster away from collapse.
9/11 showed something else. I do not care if you dislike American foreign policy. That does not justify killing nearly three thousand innocent people. Subsequent investigations did not reveal saintly militants with a message. They revealed a crew of men whose ideas about sex and morality looked to be permanently stuck in early adolescence. And America did not collapse. That day is full of stories of heroism and sacrifice from the kind of ordinary Americans who usually don’t get much respect from our leaders. A society in which people have individual freedom does not come apart because of a disaster. Meanwhile, to take two countries long beloved by the anti-American Left, Venezuela couldn’t survive the loss of Hugo Chavez and Cuba’s power grid cannot even handle a visit from Hasan Piker.
Heroism
Actor Steve Buscemi was an FDNY firefighter with Engine 55 from 1980 to 1984. The day after the attacks, Buscemi put on his old uniform and worked 12-hour shifts for days on end. He did not have his people alert the media. He did not brag about it later. He did it because he thought it was his duty. A lot of other people, who were not famous, did the same. Father Mychal Judge, a fire department chaplain, died while praying over the bodies of those who had crashed down to the streets. The passengers of UA 93 fought back and, at the cost of their own lives, prevented one of the planes from crashing into the U.S. Capitol. That was America on September 11th.
A Few Words From My Father
My dad thought the attacks showed how weak the terrorists actually were. As he put it, flying a plane into a building does not take a genius. It just takes someone willing to do it. He was not intimidated. He took the lack of immediate follow-up attacks to mean the whole operation was sloppier than it looked on television. He thought the terrorists had gotten lucky, and that their leaders would be blown to oblivion soon enough. At the time, everyone assumed he was wrong. “Well, not many people agree with you on that,” one of my cousins said. It turned out my father was largely right.
Who Is More Traumatized?
This week, on Twitter or X or whatever you want to call it, a lot of Zoomers have been complaining that 9/11, an event which they were not even around for, is getting too much attention, and that the COVID years were actually the worst trauma.
The trauma from 9/11 came from not knowing what the future held, and from the feeling that another attack could come at any moment. On 9/11, even those of us who did not live in New York watched the attacks unfold on television. I saw people jumping to their deaths. I saw, and heard, the towers fall. Those images have never left. On that day, they were in the whole country’s head. As for COVID, how traumatized you were depended a great deal on which state you were living in. Not everyone was set free from the lockdowns at the same time.
The weird thing, to me, is this attitude that trauma is a competition. Nothing seems to scare certain people more than the fact that not everyone looks at the world the same way they do.
Is It Okay To Lighten The Mood?
It’s always okay to lighten the mood. In fact, I think there are times when writers have a duty to lighten the mood. Sometimes, I think it’s too tempting (and perhaps too easy) to simply obsess on the bad at the expense of the good. It’s easy to focus on the darkness but we need to be willing to accept that there are reasons to be happy as well. For instance, Big Brother is nearly over. Seriously, this has been a very frustrating season of the show that I love to moderately dislike. This season hasn’t so much been bad as it’s just been overwhelmingly bland. It’s not good enough to get excited about but it’s not really bad enough to hate. Fortunately, it’ll all be over on October 1st, just in time to celebrate the scary season!
Admittedly, this is mostly good news for me and my friend Jim. I introduced him to Big Brother last season and I don’t think he’s ever going to forgive me.
On a Happier Note
Let’s end this edition on a hopeful note. I am already busy watching and reviewing films for this year’s Horrorthon. October is my favorite time of the year, and I look forward to celebrating it with all of you!
4 Shots From 4 Films: Is It October Yet?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
We’re halfway through July, which means that it’s time for me to get ready for October! (Seriously, who cares about August and September?) Here to inspire are….
4 Shots From 4 Horror Movies












