Get Out Wins With The Kansas City Film Critics!


On Sunday, the Kansas City Film Critics announced their picks for the best of 2017!

BEST PICTURE: Get Out
BEST DIRECTOR: Guillermo del Toro, The Shape of Water
BEST ACTOR: Timothée Chalamet, Call Me By Your Name
BEST ACTRESS: Sally Hawkins, The Shape of Water
BEST SUPPORTING ACTOR: Willem Dafoe, The Florida Project
BEST SUPPORTING ACTRESS: Laurie Metcalf, Lady Bird
BEST ORIGINAL SCREENPLAY: Get Out
BEST ADAPTED SCREENPLAY: Call Me By Your Name and Logan (TIE)
BEST ANIMATED FEATURE: Coco
BEST FOREIGN LANGUAGE FILM: In the Fade
BEST DOCUMENTARY: Jane
BEST SCI-FI/HORROR/FANTASY: Get Out
BEST LGBTQ FILM: Call Me By Your Name

Here Are The Online Film Critics Society Nominations!


The winners will be announced on December 28th.

It’s interesting to note that The Post is almost totally shut out here.  One thing I’ve noticed that critics who work for newspapers love The Post.  They see it as proof of their importance.  Online critics are far less impressed with The Post.  They tend to view it as a lament for a dead medium, a somewhat stodgy celebration of the past.  Whenever I finally get a chance to see The Post, I’ll let you know who’s right.

Best Picture
Call Me By Your Name
Dunkirk
The Florida Project
Get Out
A Ghost Story
Lady Bird
mother!
Phantom Thread
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Best Director
Paul Thomas Anderson – Phantom Thread
Greta Gerwig – Lady Bird
Christopher Nolan – Dunkirk
Jordan Peele – Get Out
Guillermo del Toro – The Shape of Water

Best Actor
Timothée Chalamet – Call Me By Your Name
James Franco – The Disaster Artist
Daniel Kaluuya – Get Out
Gary Oldman – Darkest Hour
Robert Pattinson – Good Time

Best Actress
Sally Hawkins – The Shape of Water
Cynthia Nixon – A Quiet Passion
Frances McDormand – Three Billboards Outside Ebbing, Missouri
Margot Robbie – I, Tonya
Saoirse Ronan – Lady Bird

Best Supporting Actor
Armie Hammer – Call Me By Your Name
Richard Jenkins – The Shape of Water
Sam Rockwell – Three Billboards Outside Ebbing, Missouri
Patrick Stewart – Logan
Michael Stuhlbarg – Call Me By Your Name

Best Supporting Actress
Mary J. Blige – Mudbound
Tiffany Haddish – Girls Trip
Holly Hunter – The Big Sick
Allison Janney – I, Tonya
Laurie Metcalf – Lady Bird

Best Ensemble
Get Out
Mudbound
Lady Bird
The Post
The Shape of Water
Three Billboards Outside Ebbing, Missouri

Breakout Star
Timothée Chalamet – Call Me By Your Name
Tiffany Haddish – Girls Trip
Daniel Kaluuya – Get Out
Dafne Keen – Logan
Brooklynn Prince – The Florida Project

Best Original Screenplay
Jordan Peele – Get Out
Greta Gerwig – Lady Bird
Paul Thomas Anderson – Phantom Thread
Guillermo del Toro and Vanessa Taylor – The Shape of Water
Martin McDonagh – Three Billboards

Best Adapted Screenplay
Sofia Coppola – The Beguiled
James Ivory – Call Me By Your Name
Scott Nestadter and Micheal Weber – The Disaster Artist
James Gray – Lost City of Z
Aaron Sorkin – Molly’s Game

Best Editing
Paul Machliss and Jonathan Amos – Baby Driver
Lee Smith – Dunkirk
Ben Safdie and Ronald Bronstein – Good Time
Tatiana S Riegel – I, Tonya
Sidney Wolinsky – The Shape of Water

Best Cinematography
Roger Deakins – Blade Runner 2049
Hoyte van Hoytema – Dunkirk
Darius Khondji – Lost City of Z
Rachel Morrison – Mudbound
Dan Laustsen – The Shape of Water

Best Animated Feature
Coco
The Breadwinner
In This Corner Of The World
The LEGO Batman Movie
Loving Vincent

Best Foreign Film
BPM (Beats Per Minute)
First They Killed My Father
Nocturama
Raw
The Square
Thelma

Best Documentary
Dawson City: Frozen Time
Ex Libris: The New York Public Library
Faces Places
Jane
The Work

Memorial Award
Jonathan Demme
John Hurt
Bill Paxton
George A. Romero
Harry Dean Stanton

Lifetime Achievement Award
Willem Dafoe
Daniel Day-Lewis
Roger Deakins
Christopher Plummer
Agnes Varda

Here Are The Semi-Finalists For The Best Makeup and Hairstyling Oscar!


The big shock?  The inclusion of Netflix’s Bright.  Over on AwardsWatch, Erik Anderson speculates this could mean that the Academy is warming up to Netflix.  If that’s the case, it’s certainly good news for Mudbound.

“Bright”
“Darkest Hour”
“Ghost in the Shell”
“Guardians of the Galaxy Vol. 2”
“I, Tonya”
“Victoria & Abdul”
“Wonder”

The Utah Film Critics Tell A Ghost Story


The Utah Film Critics Association picked one of my favorite films of the year for best picture!  Good for them!

Check out the winners below:

Best Picture
A Ghost Story
runner-up: Dunkirk

Best Director
Christopher Nolan, Dunkirk
runner-up: David Lowery, A Ghost Story

Best Actor, Female
Sally Hawkins, The Shape of Water
runner-up: Frances McDormand, Three Billboards Outside Ebbing, Missouri

Best Actor, Male
Andy Serkis, War for the Planet of the Apes
runner-up: James Franco, The Disaster Artist

Best Supporting Actor, Female
Tatiana Maslany, Stronger
runner-up: Allison Janney, I, Tonya

Best Supporting Actor, Male
Willem Dafoe, The Florida Project
runner-up: Sam Rockwell, Three Billboards Outside Ebbing, Missouri

Best Adapted Screenplay
Hampton Fancher and Michael Green, Blade Runner 2049
runner-up: Scott Neustadter & Michael H. Weber, The Disaster Artist

Best Original Screenplay
Jordan Peele, Get Out
runners-up: Greta Gerwig, Lady Bird and Martin McDonagh, Three Billboards Outside Ebbing, Missouri (tie)

Best Cinematography
Roger Deakins, Blade Runner 2049
runner-up: Hoyte van Hoytema, Dunkirk

Best Score
Alexandre Desplat, The Shape of Water
runner-up: Hans Zimmer & Benjamin Wallfisch, Blade Runner 2049

Best Documentary Feature
Jane
runner-up: Chasing Coral

Best Animated Feature
Coco
runner-up: The LEGO Batman Movie

Best Non-English Language Film
Thelma
runners-up: Raw and A Fantastic Woman (tie)

The Black Film Critics Circle Embraces Mudbound!


Mudbound

The Black Film Critics Circle have added their voices to this year’s increasingly unpredictable awards season!  They named Mudbound the best film of 2017.  Here is the press release, with a full list of winners:

Best Film
Mudbound

Best Director
Jordan Peele, Get Out

Best Actor
Gary Oldman, Darkest Hour

Best Actress
Frances McDormand, Three Billboards Outside Ebbing Missouri

Best Supporting Actor
Willem Dafoe, The Florida Project

Best Supporting Actress
Mary J. Blige, Mudbound

Best Original Screenplay
Get Out

Best Adapted Screenplay
Mudbound

Best Documentary
Strong Island

Best Animated Film
Coco

Best Cinematography
Blade Runner 2049

Best Ensemble
Mudbound

Best Foreign Film
A Fantastic Woman

SIGNATURE AWARDS

Industry Pioneer
Jordan Peele for his “genre redefining film Get Out. Peele has not only defied box office expectations but helped redefine a genre that very few African American filmmakers ever get to work in. This powerful storyteller has reminded the world that while horror films remains a lucrative entertainment genre there is much room for deeper meaning and social commentary within the context of the ‘scary movie’, the very essence of the word Pioneer.”

Rising Star
Daniel Kaluuya whose performance in Get Out “defines exactly what a rising star is, coming from seemingly nowhere his performance help cement get out as the horror film classic that it is. His ability convey humor, pathos, vulnerability and strength signify an actor whose talents will not only be in demand but will greatly enrich any film he is cast in what we believe will be a very long and memorable career.”

Special Mention
Girls Trip, directed by Malcolm Lee, produced by Will Packer with a script by Kenya Barris & Tracy Oliver and featuring an all-black cast “proves beyond the shadow of a doubt that African-American stories are as just as commercially viable as their white counterparts.”

BLACK FILM CRITICS CIRCLE TOP TEN FILMS OF 2017
1. Mudbound
2. Get Out
3. Three Billboards Outside Ebbing Missouri
4. The Shape of Water
5. The Post
6. Dunkirk
7. Marshall
8. Wonder Woman
9. I, Tonya
10. Blade Runner 2049

 

The Las Vegas Film Critics Society Announces Their Picks For The Best of 2017!


The Las Vegas Film Critics Society has announced their picks for the best of 2017!

And what did they choose?

Look below to find out!

Best Picture
Three Billboards Outside Ebbing, Missouri

Best Actor
Daniel Kaluuya – Get Out

Best Actress
Frances McDormand – Three Billboards Outside Ebbing, Missouri

Best Supporting Actor
Sam Rockwell – Three Billboards Outside Ebbing, Missouri

Best Supporting Actress
Laurie Metcalf – Lady Bird

Best Director
Guillermo Del toro – The Shape of Water

Best Screenplay (Original)
Three Billboards Outside Ebbing, Missouri

Best Screenplay (Adapted)
Call Me By Your Name

Best Cinematography
Blade Runner 2049

Best Film Editing
Baby Driver

Best Score
The Shape of Water

Best Song
“Remember Me” – Coco

Best Action Film
Star Wars: The Last Jedi

Best Animated Film
Coco

Best Foreign Film
First They Killed My Father

Best Costume Design
Blade Runner 2049

Best Art Direction
Blade Runner 2049

Best Visual Effects
Blade Runner 2049

Best Comedy
The Big Sick

Best Horror / Sci-Fi
Get Out

Best Family Film
Coco

Best Ensemble
Three Billboards Outside Ebbing, Missouri

Best Documentary
Jane

Breakout Filmaker
Jordan Peele – Get Out

Youth in Film
Brooklyn Prince – The Florida Project

William Holden Lifetime Achievement Award
Lois Smith

The Seattle Film Critics Name Get Out The Best of 2017!


“Get out!”

That’s not just what the city of Seattle told Mayor Ed Murray earlier this year.  It’s also the title of the film that the Seattle Film Critics have officially selected as their pick for the best of 2017!

Check out their nominees here and the winners below!

BEST PICTURE OF THE YEAR

Get Out (Universal)

BEST DIRECTOR

Christopher Nolan – Dunkirk

BEST ACTOR in a LEADING ROLE

Daniel Day-Lewis – Phantom Thread

BEST ACTRESS in a LEADING ROLE

Saoirse Ronan – Lady Bird

BEST ACTOR in a SUPPORTING ROLE

Willem Dafoe – The Florida Project

BEST ACTRESS in a SUPPORTING ROLE

Laurie Metcalf – Lady Bird

BEST ENSEMBLE CAST

Get Out

BEST SCREENPLAY

Lady Bird – Greta Gerwig

BEST ANIMATED FEATURE

Coco – Adrian Molina, Lee Unkrich, directors

BEST FOREIGN LANGUAGE FILM

Raw – Julia Ducournau, director

BEST DOCUMENTARY FEATURE

Faces Places – JR, Agnès Varda, co-directors

BEST CINEMATOGRAPHY

Blade Runner 2049 – Roger A. Deakins

BEST COSTUME DESIGN

Phantom Thread – Mark Bridges

BEST FILM EDITING

Dunkirk – Lee Smith

BEST ORIGINAL SCORE

Phantom Thread – Jonny Greenwood

BEST PRODUCTION DESIGN

Blade Runner 2049 – Dennis Gassner (Production Designer); Alessandra Querzola (Set Decorator)

BEST VISUAL EFFECTS

War for the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Joel Whist

BEST YOUTH PERFORMANCE (18 years of age or younger upon start of filming)

Brooklynn Prince – The Florida Project

VILLAIN OF THE YEAR

Dennis and various multiple personalities – Split – portrayed by James McAvoy

Here Are The Ten Semi-Finalists For The Best Visual Effects Oscar!


The Academy has announced the ten semi-finalists for the Best Visual Effects Oscar.  And here they are!

“Alien: Covenant”

“Blade Runner 2049”

“Dunkirk”

“Guardians of the Galaxy Vol. 2”

“Kong: Skull Island”

“Okja”

“The Shape of Water”

“Star Wars: The Last Jedi”

“Valerian and the City of a Thousand Planets”

“War for the Planet of the Apes”

Here Are the 70 Songs That Are Eligible For Best Original Song of 2017!


 

Today, the Academy announced the 70 songs that will be eligible to be nominated for best original song!  So, if you’re putting down bets and making out your predictions, here are your best song possibilities:

“U.N.I (You And I)” from “And the Winner Isn’t”
“Love And Lies” from “Band Aid”
“If I Dare” from “Battle of the Sexes”
“Evermore” from “Beauty and the Beast”
“How Does A Moment Last Forever” from “Beauty and the Beast”
“Now Or Never” from “Bloodline: Now or Never”
“She” from “Bombshell: The Hedy Lamarr Story”
“Your Hand I Will Never Let It Go” from “The Book of Henry”
“Buddy’s Business” from “Brawl in Cell Block 99”
“The Crown Sleeps” from “The Breadwinner”
“World Gone Mad” from “Bright”
“Mystery Of Love” from “Call Me by Your Name”
“Visions Of Gideon” from “Call Me by Your Name”
“Captain Underpants Theme Song” from “Captain Underpants The First Epic Movie”
“Ride” from “Cars 3”
“Run That Race” from “Cars 3”
“Tell Me How Long” from “Chasing Coral”
“Broken Wings” from “City of Ghosts”
“Remember Me” from “Coco”
“Prayers For This World” from “Cries from Syria”
“There’s Something Special” from “Despicable Me 3”
“It Ain’t Fair” from “Detroit”
“A Little Change In The Weather” from “Downsizing”
“Stars In My Eyes (Theme From Drawing Home)” from “Drawing Home”
“All In My Head” from “Elizabeth Blue”
“Dying For Ya” from “Elizabeth Blue”
“Green” from “Elizabeth Blue”
“Can’t Hold Out On Love” from “Father Figures”
“Home” from “Ferdinand”
“I Don’t Wanna Live Forever” from “Fifty Shades Darker”
“You Shouldn’t Look At Me That Way” from “Film Stars Don’t Die in Liverpool”
“This Is How You Walk On” from “Gifted”
“Summer Storm” from “The Glass Castle”
“The Pure And The Damned” from “Good Time”
“This Is Me” from “The Greatest Showman”
“The Hero” from “The Hero”
“How Shall A Sparrow Fly” from “Hostiles”
“Just Getting Started” from “If You’re Not in the Obit, Eat Breakfast”
“Truth To Power” from “An Inconvenient Sequel: Truth to Power”
“Next Stop, The Stars” from “Kepler’s Dream”
“The Devil & The Huntsman” from “King Arthur: Legend of the Sword”
“Have You Ever Wondered” from “Lake of Fire”
“I’ll Be Gone” from “Lake of Fire”
“We’ll Party All Night” from “Lake of Fire”
“Friends Are Family” from “The Lego Batman Movie”
“Found My Place” from “The Lego Ninjago Movie”
“Stand Up For Something” from “Marshall”
“Rain” from “Mary and the Witch’s Flower”
“Myron/Byron” from “The Meyerowitz Stories (New and Selected)”
“Longing For Summer” from “Moomins and the Winter Wonderland”
“Mighty River” from “Mudbound”
“Never Forget” from “Murder on the Orient Express”
“Hold The Light” from “Only the Brave”
“PBNJ” from “Patti Cake$”
“Tuff Love (Finale)” from “Patti Cake$”
“Lost Souls” from “The Pirates of Somalia”
“How A Heart Unbreaks” from “Pitch Perfect 3”
“The Promise” from “The Promise”
“Kaadanayum Kaalchilambe” from “Pulimurugan”
“Maanathe Maarikurumbe” from “Pulimurugan”
“Stubborn Angel” from “Same Kind of Different as Me”
“Dancing Through The Wreckage” from “Served Like a Girl”
“Keep Your Eyes On Me” from “The Shack”
“On The Music Goes” from “Slipaway”
“The Star” from “The Star”
“Jump” from “Step”
“Tickling Giants” from “Tickling Giants”
“Fly Away” from “Trafficked”
“Speak To Me” from “Voice from the Stone”
“Walk On Faith” from “Year by the Sea”

The Academy also announced that 141 films will be eligible for Best Original Score.  In the interest of space, I’m not going to post them all here.  You can check out the list on Awards Watch!

Cleaning Out The DVR: Just The Ticket (dir by Richard Wenk)


(Hi there!  So, as you may know because I’ve been talking about it on this site all year, I have got way too much stuff on my DVR.  Seriously, I currently have 193 things recorded!  I’ve decided that, on January 15th, I am going to erase everything on the DVR, regardless of whether I’ve watched it or not.  So, that means that I’ve now have only have a month to clean out the DVR!  Will I make it?  Keep checking this site to find out!  I recorded the 1999 romantic comedy Just The Ticket off of Epix on October 13th!)

Just The Ticket tells the story of Gary Starke (Andy Garcia).

Gary lives in New York City.  He is a tough, streetwise character, loyal to his friends and quick to anger if he feels that anyone is trying to take advantage of him.  He has no time for pretentious posturing or snobbish social gatherings.  Gary’s a man of the people.  He works with and takes care of an aging former boxer named Benny (Richard Bradford).  He looks after a pregnant, former drug addict named Alice (Laura Harris).  When the slick and dangerous Casino (Andre B. Blake) starts to do business in Gary’s territory, Gary is the only person with the guts to stand up to him.  Having never had a family (he’s never even seen his birth certificate and has no idea who his parents were), Gary has adopted the street people as his surrogate family.

That’s not all.  Gary is also a lapsed Catholic who, when he goes to confession, opens by saying that it’s been 25 years since his last confession and that he’s taken the Lord’s name in vain 20 to 30 times that morning.  Gary needs some help because his girlfriend, an aspiring chef named Linda (Andie McDowell), has left him and Gary wants to win her back.  The priest asks Gary if he can get him tickets to see the Knicks…

Why does he ask that?

You see, Gary is a legendary ticket scalper and…

Okay, I probably just lost you when I used the terms “legendary” and “ticket scalper” in the same sentence.  And I’ll admit that, when I discovered this movie was about ticket scalpers, it nearly lost me as well.  Just The Ticket treats ticket scalping with a dignity and reverence that I’m not quite sure it deserves.  I wasn’t surprised to discover that director/writer Richard Wenk apparently based the character of Gary on an actual ticket scalper that he knew.  A lot of bad movies have been made as the result of a director, writer, or producer coming across some mundane activity and thinking, “Wow, this would make a great movie!”

(That’s one reason why, every few years, we suddenly get a dozen movies about race car drivers.)

However, I was pleasantly surprised to discover that Just The Ticket is not a terrible movie.  Admittedly, it’s totally predictable and there are a lot of scenes that don’t work.  For instance, there’s a lengthy scene where Gary and Linda destroy a snobbish food critic’s kitchen.  I could imagine Gary doing that because he has nothing to lose.  But Linda is actually hoping to become a chef in New York City.  Would she really run the risk of making a permanent enemy at the New York Times?  There’s nothing about Andie McDowell’s performance that suggests she would.  The scenes between Gary and his aging partner also tend to overplay their hand.  Richard Bradford gives a good performance as Benny but we all know what’s going to end up happening to him as soon as he starts crying after Gary insults him.

With all that in mind, Just The Ticket still has an undeniable charm.  Some of it is due to Andy Garcia’s dedicated performance.  He is frequently better than the material and he and Andie McDowell have enough chemistry that you do want to see Linda and Gary get back together.  Some of it is because Just The Ticket is not afraid to shy away from being sentimental.  It’s hard to think of any other romantic comedy in which the Pope plays such an important supporting role.  It’s a sweet movie.  It has a good heart.

There’s something to be said for that.