4 Shots From 4 Holiday Classics: The Godfather, Rabid, Lethal Weapon, Eyes Wide Shut


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Merry Christmas!

‘Tis the season for….

4 Shots From 4 Holiday Classics

The Godfather (1972, dir by Francis Ford Coppola)

Rabid (1977, dir by David Cronenberg)

Lethal Weapon (1987, dir by Richard Donner)

Eyes Wide Shut (1999, dir by Stanley Kubrick)

 

Once Again, It’s Time To Watch Santa Claus Conquers The Martians On The Shattered Lens!


Watching the 1964 holiday sci-fi epic, Santa Claus Conquers The Martians, is a Christmas Eve tradition here at the Shattered Lens!  So, sit back, turn on Kid TV, and get ready to sing!

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HOORAY FOR SANTY CLAUS!

Lifetime Film Review: Recipe For Danger (dir by Lisa France)


What’s the perfect recipe for dangers in a Lifetime movie?

Well, you need a pinch of melodrama, a dash of empowerment, a tablespoon of a wimpy spouse, and a quart of psycho energy.  Sorry, I’m not really much of a cook and you can probably already tell.  Perhaps that’s why I’ve always been obsessed with cooking shows and movies about professional chefs.  I watch and I think to myself, “How come they can do that when I can’t even make toast without nearly burning down the kitchen?”  And, of course, I always take a bit of pleasure when Gordon Ramsay catches a professional chef trying to serve up raw lamb.  “See!?” I shout at the TV, “It can happen to anyone!”

But to get back to my recipe.  Here’s what you need to cook up some danger, Lifetime-style.

You need a protagonist who has a glamorous job and an attractive family.  In the case of Recipe for Danger, Vanessa (Bree Williamson) is the head chef at a very successful restaurant.  Vanessa has a super supportive husband (Adam Hurtig) and a super loyal best friend (Kate Yacula).  Vanessa also has an adopted daughter named Lacy (Annelise Pollman).

You need to have a bit of a moral panic.  In this case, Vanessa is warned that she’s oversharing on social media.  She’s constantly posting pictures of her life and writing about Lacy’s accomplishments.  She’s warned that, if she’s not careful, she’s going to end up with a stalker.  Vanessa laughs off the danger.  She’s proud of her daughter.  She has a great life.  Why shouldn’t she share?

And, of course, you need a psycho!  In this case, that psycho would be Taryn (Sarah Lind).  Taryn’s is Lacy’s birth mother and she wants her daughter back.  Due to Vanessa’s habit of oversharing, Taryn has been able to track them down.  (Who’s laughing now, Vanessa!?)  Taryn manages to get a job working in Vanessa’s restaurant and soon, she and Vanessa are besties!  Everyone tries to warn Vanessa that something is off about Taryn but Vanessa refuses to listen.  Of course, eventually, Taryn kidnaps Lacy.  Can Vanessa rescue Lacy and how many people will end up in the hospital before Taryn’s rampage ends?

This was a pretty standard Lifetime kidnapping film, though I did like the fact that, rather than passively going along with being kidnapping, Lacy was always looking for an opportunity to escape and she got a chance to prove herself to be considerably more clever than even her own birth mother gave her credit for being.  Sarah Lind’s been in quite a few Lifetime films and she does a pretty good job as Taryn, providing a nice balance between charm and psychosis.

In the end, Recipe for Danger is a filling if rather traditional meal.

 

Lifetime Film Review: He’s Out To Get You (dir by Nadeem Soumah)


So, put yourself in the shoes of Megan (Samaire Armstrong).

You had a wonderful husband.  You had a young child.  You were out driving one day and, because you took your eyes off the road, you ended up having a head-on collision with another vehicle.  You survived.  Your husband did not.  Your child is dead.  What do you do?

Well, Megan decides to check herself into a mental hospital and it’s there that she stays for the next four years.  Because she checked herself in, she can also check herself out.  Eventually, she decides to do just that.  Her doctor thinks that Megan isn’t ready to reenter society but Megan is determined to return to her hometown and reunite with her brother.

Her brother, Greg, lives in a house on a hill that overlooks the ocean.  It’s a big house that towers over the otherwise dead end small town below.  As Duke (Rob Mayes), the local bartender puts it, it doesn’t look like it belongs in the town.  Greg has lived in the house since the death of his and Megan’s parents but when Megan arrives, Greg is nowhere to be found!

When Mega asks around town, everyone insists that they’ve never heard of this mysterious Greg.  At first, Megan thinks that it might be because Greg was always a bit of a recluse.  But, as the days drags on and she can still find no sign of her bother, Megan starts to think that something has happened to Greg.  Could it be a conspiracy or could it all be coincidence?

Or ….. is it possible that Megan never had a brother to begin with!?  That’s certainly what the unhelpful sheriff (Bart Johnson) seems to think.  In fact, the only person who seems to have any faith in Megan is Duke but Duke has a shady history of his own.  Duke not only is a former burglar but he has plans that require more money than he probably possesses.  Is Duke to be trusted or is he lying about what he knows?

And who put that rattlesnake in Megan’s car!?

Yes, the plot of He’s Out To Get You raises a lot of questions.  They’re all answered and some of the answers are more satisfactory than others.  This is one of those films that sets up an intriguing mystery but which doesn’t quite come up with a satisfying solution.  To be honest, though, none of that really matters because — OH MY GOD, THE HOUSE IS FREAKING GORGEOUS!

I have often stated on this site that one of the main things that I love about Lifetime films is seeing the huge houses in which they take place.  I mean, Lifetime has featured a lot of truly stunning homes.  But I don’t know if Lifetime has ever featured house quite as impressive as the one in He’s Out To Get You.  Seriously, this house is huge and it’s tastefully decorated and it has a nice pool and, most importantly, the view is absolutely to die for!  Would I kill to own that house?  Well, maybe not quite but I’d definitely consider it.

As for the rest of the film, it’s well-acted and the villains are properly hissable.  I liked Duke, the morally ambiguous bartender and I thought Rob Mayes did a great job with the role.  That said, the house is definitely the star.

Seriously, it’s beautiful.

Lifetime Film Review: Most Likely To Murder (dir by Kaila York)


Oh Hell Yeah!  Now, seriously, this is the perfect Lifetime movie!

Welcome to Lifetime High School!  It’s a school where students plot to win awards, the mean girls are at war with the one nice girl, the cheereleaders determine who is popular and who is a pariah, and where social media is both a great equalizer and a deadly weapon.  It’s just like any other high school, except it’s a Lifetime high school.  That means that everything is juts a little bit more extreme than usual.  Whereas regular high school cheerleaders might inspire someone to develop an eating disorder, Lifetime cheerleaders plant drugs on their rivals and arrange for season-ending injuries.  And, if that doesn’t work, there’s always murder….

Poor Casey (Madison McLaughlin)!  She used to be popular.  She used to be a cheerleader.  She used to be the one making other people insecure and giving them eating disorders.  But, things happens.  Things change.  Her father was killed in a housefire and now, Casey wears a wig to cover up her own scars.  Casey’s mother (Heather McComb) now works as a waitress and is dating a loser named Harlen (Brendan McCarthy).  Casey’s former best friend, Hailey (Ava Allan), is now her greatest enemy, which means that Hailey not only delights in stealing Casey’s wig but she also plots to make each and every one of Casey’s humiliations go viral.

(You can tell this is a Lifetime High School film because, whenever anyone looks at their phone, they immediately exclaim, “You’re going viral!”)

However, Reagan (Bayley Corman) wants to help Casey out.  Reagan’s a cheerleader but, because she went through a lengthy “ugly duckling” phase, she still feels a lot of compassion for the downtrodden.  Reagan befriends Casey.  Regan encourages Casey to tell the entire school about the fire and to reveal that scars underneath her wig.  Reagan defends Casey against the abuse of Hailey and she tells Casey that she shouldn’t be ashamed of her mother’s waitressing job.  She even encourages Casey to believe that she might win the year-end award for “Most Inspiring” student!

Of course, Hailey and her friend, Clair (Ashlee Fuss), keep telling Reagan that Casey isn’t the perfect, shy person that she pretends to be.  They say that Casey shouldn’t be trusted.  Reagan refuses to believe them.  After all, Clair’s just mad because she broken her ankle in a mysterious accident.  And Hailey’s been upset ever since the cops discovered the stash of pills in her backpack.  (Of course, Hailey swears that the pills don’t belong to her, which sounds like something a pill-popping cheerleader would say….)  Reagan has no reason to believe Hailey and Clair but …. what if they’re right!?

Most Likely To Murder is a lot of fun, precisely because, for the majority of the movie, only the viewers are aware that Casey’s not as innocent as she pretends to be and there’s something undeniably enjoyable about watching her yank the wool down over everyone’s eyes.  She may be a menace but she’s a clever menace and that makes her a lot of fun to watch.  Madison McLaughlin does a great job in the role, making Casey not just dangerous but also sympathetic as well.  I mean, as bad as Casey turns out to be, her tormentors aren’t much better.  In the end, everyone’s kind of evil except for Reagan and her snarky friend, Taylor (Kara Royster).  Needless to say, I’m a fan of any film where the snarky best friend is one of the heroes.

Most Likely To Murder provides exactly what you want from a Lifetime film — melodrama, murder, and high school backstabbing.  It’s a lot of fun and one to keep an eye out for.

Lifetime Film Review: My Mom’s Darkest Secrets (dir by Curtis Crawford)


The special bond between mother and daughter is a theme to which Lifetime often returns.  It’s actually one of the reasons why I love the station and its films.  Whether it’s a case of the mother having to save her daughter from a bad boyfriend or a daughter having to prove that her mother isn’t actually a murderer, it’s rare that I can’t find something to relate to whenever I watch one of those films.  I imagine that’s true for everyone but that seems to be especially true for me.

My Mom’s Darkest Secrets is the latest Lifetime mother-daughter film and, before I get too much into the film and its plot, can I just mention how much I love that title?  I mean that title features everything that we love about Lifetime.  You’ve got the mother-daughter bond.  You’ve got secrets.  And you’ve got darkness.  In fact, the title promises us more than the typical Lifetime film.  We’re not just learning about a mother’s secrets.  And we’re not just learning about her dark secrets.  No — this movie is about her DARKEST secret!  It’s like, “I have many secret and they’re all bad but this one is the absolute worst.”  How can you not find that intriguing?

As for the film itself, it’s all about Ashley Beck-Ford (Nia Roam) and her mother, Sara (Laura Fortier).  When Ashley was born, Sara gave up her daughter for adoption.  Ashley was raised by two wonderful women and Lifetime presents Ashley’s adoptive moms in such a positive and lovable light that, even though the film was inevitably made before the recent controversy, it still feels like a massive “take that!” to Hallmark.  (As often as they’re compared, Lifetime has always been more progressive than Hallmark.)  However, Ashley has now tracked down Sara and she soon discovers that her birth mother is into all sorts of drama.

For instance, Sara’s husband has been murdered and the police suspect that Sara may have been the one responsible!  Even worse, because Sara has arranged for Ashley to eventually inherit the dead man’s fortune, the cops also think that Ashley may have been involved as well!  It’s now up to Sara to dig around and discover the truth and, of course, that’ll mean uncovering some of “my mom’s darkest secrets!”

I enjoyed My Mom’s Darkest Secrets.  Both Sara and Ashley had red hair, so I could relate to them both.  Beyond that, though, Nia Roam and Laura Fortier were both very well-cast.  They had enough in common that you could look at them or listen to the talk and think to yourself, “Yes, they could very well be mother and daughter.”  The credibility of their relationship added some depth and some nuance to the film’s central mystery.  You watch the film and you hope that things work out for them because Sara and Ashley really do seem like they deserve to have that type of relationship that so many other people take for granted.

My Mom’s Darkest Secrets was on the Lifetime Movie Network last night and, with Lifetime being Lifetime, it’ll probably air several more time.  So, keep an eye out for it!

Ford v Ferrari races through the Satellite Awards!


Did you know that the winners of the Satellite Awards were announced yesterday?

Yeah, I didn’t know either!

I mean, seriously, what the Hell?

Anyway, it turns out that they really liked Ford v Ferrari so, if Ford v Ferrari gets a best picture nomination, you now know who to thank.

Here’s the winners!  If you want to check out the nominees, click here!

Actress in a Motion Picture, Drama
Scarlett Johansson – Marriage Story

Actor in a Motion Picture, Drama
Christian Bale – Ford v Ferrari

Actress in Motion Picture, Comedy or Musical
Awkwafina – The Farewell

Actor in Motion Picture, Comedy or Musical
Taron Egerton – Rocketman

Actress in a Supporting Role
Jennifer Lopez –  Hustlers

Actor in a Supporting Role
Willem Dafoe – The Lighthouse

Motion Picture, Drama
Ford v Ferrari – Twentieth Century Fox

Motion Picture, Comedy or Musical
Once Upon a Time in Hollywood – Columbia Pictures

Motion Picture, International
Estonia – Truth and Justice

Motion Picture, Animated or Mixed Media
The Lion King – Walt Disney Studios Motion Pictures

Motion Picture, Documentary
63 Up – BritBox

Director
James Mangold – Ford v Ferrari

Screenplay, Original
Marriage Story – Noah Baumbach

Screenplay, Adapted
Joker – Todd Phillips & Scott Silver

Original Score
Joker – Hildur Guonadottir

Original Song
Rocketman – “I’m Gonna Love Me Again”

Cinematography
1917 – Roger Deakins

Visual Effects
Alita: Battle Angel – Joe Letteri, Eric Saindon

Film Editing
Ford v Ferrari – Michael McCusker, ACE & Andrew Buckland

Sound (Editing and Mixing)
Ford v Ferrari – Donald Sylvester, Paul Massey, David Giammarco, Steven A. Morrow, CAS

Art Direction and Production Design
Motherless Brooklyn – Beth Mickle, Michael Ahern

Costume Design
Dolemite Is My Name – Ruth E. Carter

Here Are The Nominees Of The Florida Film Critics Circle!


The winners will be announced on Monday, December 23rd!

BEST PICTURE
1917
Ad Astra
Marriage Story
Portrait of a Lady on Fire
The Irishman

BEST ACTOR
Adam Driver, Marriage Story
Adam Sandler, Uncut Gems
Antonio Banderas, Pain and Glory
Franz Rogowski, Transit
Joaquin Phoenix, Joker
Taron Egerton, Rocketman

BEST ACTRESS
Charlize Theron, Bombshell
Elisabeth Moss, Her Smell
Florence Pugh, Midsommar
Renée Zellweger, Judy
Scarlett Johansson, Marriage Story

BEST SUPPORTING ACTOR
Anthony Hopkins, The Two Popes
Brad Pitt, Once Upon a Time in Hollywood
Joe Pesci, The Irishman
John Lithgow, Bombshell
Tom Hanks, A Beautiful Day in the Neighborhood

BEST SUPPORTING ACTRESS
Annette Bening, The Report
Isla Fisher, The Beach Bum
Jennifer Lopez, Hustlers
Laura Dern, Marriage Story
Margot Robbie, Bombshell
Scarlett Johansson, Jojo Rabbit
Zhao Shuzhen, The Farewell

BEST ENSEMBLE
Little Women
Marriage Story
Parasite
The Farewell
The Irishman

BEST DIRECTOR
Céline Sciamma, Portrait of a Lady on Fire
Greta Gerwig, Little Women
Sam Mendes, 1917

BEST ORIGINAL SCREENPLAY
Bong Joon-Ho and Han Jin-Won, Parasite
Céline Sciamma, Portrait of a Lady on Fire
Lulu Wang, The Farewell
Noah Baumbach, Marriage Story
Quentin Tarantino, Once Upon a Time in Hollywood
Ronald Bronstein, Benny Safdie and Josh Safdie, Uncut Gems

BEST ADAPTED SCREENPLAY
Anthony McCarten, The Two Popes
Greta Gerwig, Little Women
Micah Fitzerman-Blue and Noah Harpster, A Beautiful Day in the Neighborhood
Steven Zaillian, The Irishman
Taika Waititi, Jojo Rabbit
Terrence Malick, A Hidden Life

BEST CINEMATOGRAPHY
Claire Mathon, Portrait of a Lady on Fire
Hoyte Van Hoytema, Ad Astra
Jorg Widmer, A Hidden Life
Roger Deakins, 1917

BEST VISUAL EFFECTS
Ad Astra
Avengers: Endgame
Alita: Battle Angel

BEST ART DIRECTION/PRODUCTION
Barbara Ling, Once Upon a Time in Hollywood
Kevin Constant, Christa Munro, Alison Sadler, David Scott and Gary Warsaw, Ad Astra
Simon Elsley, Elaine Kusmishko, Rod McLean, Niall Moroney, Stephen Swain and Robert Voyset, 1917

BEST SCORE
Daniel Lopatin, Uncut Gems
Hildur Guðnadóttir, Joker
Max Richter, Ad Astra
Randy Newman, Marriage Story
Thomas Newman, 1917

BEST DOCUMENTARY
American Factory
Apollo 11
Honeyland
The Biggest Little Farm

BEST FOREIGN LANGUAGE FILM
Long Day’s Journey Into Night
Pain and Glory
Parasite
Portrait of a Lady on Fire
The Farewell

BEST ANIMATED FILM
Frozen 2
How to Train Your Dragon: The Hidden World
I Lost My Body
Toy Story 4
Weathering With You

BEST FIRST FILM
Booksmart
Honeyland
Queen & Slim
The Last Black Man in San Francisco

BREAKOUT AWARD
Florence Pugh, Midsommar, Fighting With My Family and Little Women
Honor Swinton Byrne, The Souvenir
Lulu Wang, The Farewell
Roman Griffin Davis, Jojo Rabbit

The Dallas-Ft. Worth Film Critics Association Names 1917 As The Best of 2019!


Reunion Tower (picture by Erin Nicole)

Here are the winners in Dallas!

BEST PICTURE

Winner: 1917

Runners-up: MARRIAGE STORY (2); PARASITE (3); THE IRISHMAN (4); ONCE UPON A TIME IN HOLLYWOOD (5); JOJO RABBIT (6); LITTLE WOMEN (7); THE FAREWELL (8); THE TWO POPES (9); KNIVES OUT (10)

BEST ACTOR

Winner: Adam Driver, MARRIAGE STORY

Runners-up: Joaquin Phoenix, JOKER (2); Antonio Banderas, PAIN AND GLORY (3); Leonardo DiCaprio, ONCE UPON A TIME IN HOLLYWOOD (4); Robert De Niro, THE IRISHMAN (5)

BEST ACTRESS

Winner: Scarlett Johansson, MARRIAGE STORY

Runners-up: Renée Zellweger, JUDY (2); Charlize Theron, BOMBSHELL (3); Saoirse Ronan, LITTLE WOMEN (4); Awkwafina, THE FAREWELL (5, tie); Lupita Nyong’o, US (5, tie)

BEST SUPPORTING ACTOR

Winner: Brad Pitt, ONCE UPON A TIME IN HOLLYWOOD

Runners-up: Willem Dafoe, THE LIGHTHOUSE (2); Joe Pesci, THE IRISHMAN (3); Al Pacino, THE IRISHMAN (4); Shia LaBeouf, HONEY BOY (5)

BEST SUPPORTING ACTRESS

Winner: Laura Dern, MARRIAGE STORY

Runners-up: Margot Robbie, BOMBSHELL (2); Florence Pugh, LITTLE WOMEN (3); Jennifer Lopez, HUSTLERS (4); Annette Bening, THE REPORT (5)

BEST DIRECTOR

Winner: Sam Mendes, 1917

Runners-up: Bong Joon-ho, PARASITE (2); Martin Scorsese, THE IRISHMAN (3); Quentin Tarantino, ONCE UPON A TIME IN HOLLYWOOD (4); Noah Baumbach, MARRIAGE STORY (5)

BEST FOREIGN LANGUAGE FILM

Winner: PARASITE

Runners-up: PAIN AND GLORY (2); THE FAREWELL (3); LES MISÉRABLES (4); PORTRAIT OF A LADY ON FIRE (5)

BEST DOCUMENTARY

Winner: APOLLO 11

Runners-up: ONE CHILD NATION (2); AMERICAN FACTORY (3); HONEYLAND (4); FOR SAMA (5)

BEST ANIMATED FILM

Winner: TOY STORY 4

Runner-up: I LOST MY BODY

BEST SCREENPLAY

Winner: Noah Baumbach, MARRIAGE STORY

Runner-up: Steven Zaillian, THE IRISHMAN

BEST CINEMATOGRAPHY

Winner: Roger Deakins, 1917

Runner-up: Hong Kyung-pyo, PARASITE

BEST MUSICAL SCORE

Winner: Thomas Newman, 1917

Runner-up: Alexandre Desplat, LITTLE WOMEN

RUSSELL SMITH AWARD (best low-budget or cutting-edge independent film)

Winner: THE LIGHTHOUSE

Joker Arises From The Ashes To Be Named Best Picture By The Phoenix Film Critics Society!


Joker picked up its first award for best picture earlier today, courtesy of the Phoenix Film Critics Society!

Here’s a complete list of winners:

BEST PICTURE
Joker

BEST DIRECTOR
Sam Mendes – 1917

BEST ACTOR IN A LEADING ROLE
Joaquin Phoenix – Joker

BEST ACTRESS IN A LEADING ROLE
Renee Zellweger – Judy

BEST ACTOR IN A SUPPORTING ROLE
Brad Pitt – Once Upon A Time in Hollywood

BEST ACTRESS IN A SUPPORTING ROLE
Laura Dern – Marriage Story

BEST ENSEMBLE ACTING
Knives Out

BEST ORIGINAL SCREENPLAY
Knives Out

BEST SCREENPLAY ADAPTED FROM OTHER MATERIAL
Jojo Rabbit

THE OVERLOOKED FILM OF THE YEAR
Hotel Mumbai

BEST ANIMATED FILM
Toy Story 4

BEST FOREIGN LANGUAGE FILM
Parasite

BEST DOCUMENTARY
One Child Nation

BEST ORIGINAL SONG
Into the Unknown – Frozen 2

BEST ORIGINAL SCORE
1917

BEST CINEMATOGRAPHY
1917

BEST FILM EDITING
1917

BEST PRODUCTION DESIGN
1917

BEST COSTUME DESIGN
Rocketman

BEST VISUAL EFFECTS
Avengers: Endgame

BREAKTHROUGH PERFORMANCE
Roman Griffin Davis – Jojo Rabbit

BEST PERFORMANCE BY A YOUTH
Roman Griffin Davis – Jojo Rabbit

PFCS TOP TEN (in alphabetical order)
1917
Avengers: Endgame
JoJo Rabbit
Joker
Knives Out
Marriage Story
Once Upon a Time in Hollywood
Parasite
The Irishman
The Two Popes