Tag Archives: Cameron Bright

X-Men: The Last Stand (2006, directed by Brett Ratner)

Posted on by Jedadiah Leland

Just as the world seems to be finally on the verge of accepting mutants, industrialist Warren Worthington II (Michael Murphy) announces that he has developed a shot that will suppress the X-gene, therefore “curing” mutants of their mutation. Magneto (Ian McKellen), Mystique (Rebecca Romijn), and a host of other mutants break out of prison to try to stop Worthington from offering up his cure. Meanwhile, at Charles Xavier’s school, Rogue (Anna Paquin) wonders if maybe she should take the shot and become a “normal” person.

Professor Xavier (Patrick Stewart) and Logan (Hugh Jackman) have an even bigger concern than Magneto and the cure. Jean Grey (Famke Janssen), thought to have died at the end of the previous movie, has returned but has given in to her dark side, the so-called Phoenix. She’s already destroyed Scott (James Marsden), and it doesn’t take her long to disintegrate Professor X. Can Logan and the Beast (Kelsey Grammer) rally what’s left of the X-Men to defeat both Magneto and the Dark Phoenix?

I can still remember seeing X-Men: The Last Stand on the day that it was first released. As an X-Men fan, I was excited to see how the Dark Phoenix storyline would be adapted for the big screen. It’s difficult to put into words how disappointed I was when Jean killed Scott. That one scene told me that X-Men: The Last Stand was not going to do the story justice. In the comic books, Jean and Scott’s relationship was the heart of the X-Men. When Jean became the Dark Phoenix, she proved herself capable of destroying an entire planet, but she couldn’t bring herself to kill Scott. She chose to destroy herself rather than him. (Marvel being Marvel, Jean was resurrected a few years later.) The X-Men films never really knew what to do with the characters of Scott and Jean. They weren’t as flamboyant as Logan or even Rogue, but fans of the comic knew who Scott and Jean were and understood their importance to the series, and having Jean destroy Scott showed that, unlike the previous two films, the third X-Men film was not being made for the fans.

A large part of the problem was that director Brett Ratner didn’t seem to be interested in the characters. X-Men: The Last Stand is a collection of action scenes with none of the small character moments that made the first two films memorable. Kelsey Grammer is a welcome addition to the cast as the Beast. (The Beast always was basically Frasier Crane with blue fur.) Otherwise, this is the most forgettable of all the X-Men films.

Even though the Dark Phoenix saga is one of the key X-Men storylines, it’s never really been given its due onscreen. A second attempt to tell the story, in Dark Phoenix, also failed to capture the drama and emotion of Jean’s transformation. The X-Men are now officially a part of the MCU, so I imagine the story will probably be told again. Maybe the third time will be the charm.

We Watched The Twilight Saga: Breaking Dawn Part 2 (2012, Dir. by Bill Condon)

Posted on by Dazzling Erin

Earlier today, Lis and I finished up the Twilight Saga with Breaking Dawn Part 2.

Bella (Kristen Stewart) is now a vampire and a mother to Renesmee (Mackenzie Foy), who is developing quicker than a normal child because she is half-vampire. Before Edward (Robert Pattinson) even lets Bella see her daughter, he takes her hunting, and he has to stop her from attacking a mountain climber who has scratched his arm on a rock. While Bella adjusts to being a vampire, Jacob (Taylor Lautner) adjusts to being Renesmee’s soul mate, and the Volturi prepare to make their move against the Cullens.

I’m going to get in trouble with my sister for saying this, but I was a little disappointed with the second Breaking Dawn movie. It bothered me that the entire movie was about the Cullens bringing together allies for their inevitable battle with Aro (Michael Sheen) and the Volturi, but then, when the big battle finally happens, it turns out that it was just one of Alice’s visions, and they end up deciding not to fight. After two hours of everyone talking about this huge battle and how everyone had to be prepared to fight for the lives, it was anticlimactic not to have a real one. It seemed like the whole movie could have just been 30 minutes long without really losing anything important. I really didn’t see the point of splitting the book into two movies because hardly anything happened during the second one.

Breaking Dawn Part 2 might not work as a standalone movie, but it does work as an end to the saga. After four movies and the longest senior year on record, Bella and Edward are finally together and they’re happy. And Jacob is happy too. At the end of the movie, when they showed everyone who had appeared over the course of the entire saga, I was really touched.

And that’s it for the story of Bella, Edward, and Jacob.

We Watched The Twilight Saga: Eclipse (2010, Dir. by David Slade)

Posted on by Dazzling Erin

Lis and I have been rewatching the Twilight movies this October. Yesterday, we watched New Moon and then Eclipse.

In Eclipse, Edward (Robert Pattinson) and the Cullens have returned to Forks because Edward was just so depressed not being near Bella (Kristen Stewart), and Bella somehow flew all the way to Italy to be with him without getting in very much trouble with her father. Edward has asked Bella to marry him, but Bella is upset that Edward won’t “change me,” and she’s also wondering if maybe she and Jacob (Taylor Lautner) are meant to be more than just friends. The first time I saw this movie, I was Team Edward all the way, but now I see Jacob as being the better choice because he could provide her with a stable and protective home without having to transform her into a supernatural creature beforehand.

While Bella is trying to choose between Edward and Jacob, vampire Victoria Sutherland (Bryce Dallas Howard) is gathering an army of “newborn” vampires to attack the Cullens and kill Bella to get revenge for the death of her lover, James, in the first Twilight film. Alice (Ashley Greene) is having visions of the newborns attacking. The Cullens enter an alliance with the werewolves to keep Bella safe.

There’s a lot going on in this movie. I feel bad for anyone who watched Eclipse as their first Twilight movie because they probably had no idea why Dakota Fanning showing up with her red eyes was such a big moment. Even while Bella is trying to pick between Edward and Jacob and get ready for the big battle, life goes on in Forks. She goes to her high school graduation, where Jessica (Anna Kendrick) is the valedictorian. She’s living both the life of a teenager and being vampire-stalked at the same time. Her father even tries to have “the talk” with her, but it’s not necessary. Edward doesn’t want to turn her into a vampire and he doesn’t want to have sex before marriage. He’s a 104-year-old virgin. That’s how strongly he believes in waiting for someone you love. That’s one of those things that seems sweet the first time you hear it and then obsessive the second time.

I liked Eclipse, even if parts of it seem pretty dumb now. My sister and I both agreed that it was foolish of Bella to ask Edward to make her a vampire before she even knew if they were sexually compatible. Becoming a vampire is an even bigger commitment than going exclusive. But it’s a fantasy. The big battle at the end is exciting and it actually happens instead of just being Alice having a vision. Edward proves that he can fight just as well as Jacob. I still think Jacob would be the better provider.

Tomorrow, we will move on to Breaking Dawn!

We Watched The Twilight Saga: New Moon (2009, Dir. by Chris Weitz)

Posted on by Dazzling Erin

Today, Lis and I continued to rewatch the Twilight movies on Netflix.

New Moon was the second part of the Twilight Saga. Because people in town are starting to notice that he hasn’t aged in ten years, Carlisle (Peter Facinelli) decides that the Cullens need to move to a new location. Edward explains to Bella that the worst thing a vampire can do is allow humans to discover that they exist. Edward also says that Bella can’t come with the Cullens because it would raise suspicion and it would also put Bella in danger, since even the members of his family are tempted to drink her blood. Bella says, “Change me!” and Edward says not unless they’re married.

The Cullens leave and Bella has a breakdown, and even her father wants to send her back to Florida to live with her mother. Finally, Bella starts hanging out with Jacob (Taylor Lautner), a member of the Quileute Tribe who is also revealed to be a werewolf. Werewolves and vampires hate each other, but the Forks werewolves had arranged a truce with the Cullens where they wouldn’t attack them as long as the Cullens didn’t bite any humans. If Edward had changed Bella, the truce would have been canceled and the werewolves would have had to attack Bella.

When Alice (Ashley Greene) misinterprets a vision of the future and thinks that Bella is dead, Edward leaves wherever it is he’s living and goes to Italy to ask the ruling vampire council to destroy him. Even though Jacob’s in love with her, Bella goes to Italy to try to save Edward’s life.

I remember really liking New Moon when I saw it because I was in a long-distance relationship and I could relate to what Bella was going through. When we rewatched it, I had forgotten how long the movie was and how little actually happens until Bella goes to Italy, which doesn’t even happen until the movie’s nearly over. The other thing I forgot about this one was that they really overdid the vampire makeup on Robert Pattinson at the start of the movie. He was so pale and wearing so much lipstick that everyone should have been able to figure out that he was a vampire just by looking at him.

When this movie came out, everyone was either Team Jacob or Team Edward. I was Team Edward because, again, I was in a long-distance relationship. But rewatching it, I realized that I should have been Team Jacob because he really was nicer to Bella and he wasn’t constantly sulking about everything like Edward. Jacob came with a lot less baggage and he was part of that tribe where you’re apparently not allowed to wear a shirt. No one in the tribe wore a shirt and they all looked like models. They probably all were models. This movie knew what we wanted to see.

I still enjoyed rewatching the movie. The men were all sexy and brooding. Anna Kendrick was funny. Dakota Fanning had red eyes and sent psychic pain waves. Bella said, “Change me,” and Edward looked tortured. It wasn’t as good as I remembered and it probably could have been cut down to 30 minutes without really losing much of the plot but it’s Twilight. If you know, you know.

Now, we’re moving on to Eclipse.

Shattered Politics #82: An American Affair (dir by William Olsson)

Posted on by Lisa Marie Bowman

American_affair

Though the names may have been changed, the 2008 film An American Affair is clearly based on the true story of Mary Pinchot Meyer.

In the early 60s, Mary Pinchot Meyer was a celebrated member of the Washington D.C. social scene.  A talented painter, Meyer was also the ex-wife of CIA officer Cord Meyer and was an early proponent of LSD.  She also happened to the mistress of John F. Kennedy and reportedly use to smoke weed with him in the Oval Office.  It’s also been reported that she kept a diary, which mysteriously disappeared after Mary’s still unsolved murder in 1964.  Needless to say, many a JFK assassination conspiracy theory has featured Mary Pinchot Meyer as a supporting character.

In An American Affair, Meyer is renamed Catherine Caswell (Gretchen Mol) and she lives across the street from 13 year-old Adam Stafford (Cameron Bright).  While Catherine has secret meetings with the President and deals with her alcoholic ex-husband (played, quite well, by Mark Pellegrino), Adam watches from his bedroom window.  Eventually, Adam goes across the street and offers to work in Catherine’s garden.  Realizing that Adam has a crush on her, an amused Catherine agrees.  While the future of America is being determined all around him, Adam learns about life, love, and art from Catherine.

An American Affair is an odd mix of conspiracy film and coming-of-age dramedy but it actually work pretty well.  Gretchen Mol gives a good performance as the poignantly unstable Catherine and, despite the fact that Adam is kind of a creep at times, Cameron Bright manages to make the character sympathetic.  However, the film’s best performances come from James Rebhorn and Pellegrino, playing two menacing figures who always seem to hovering in the shadows.

An American Affair is a surprisingly good film.  I saw it on Netflix and so should you.

Shattered Politics #77: Thank You For Smoking (dir by Jason Reitman)

Posted on by Lisa Marie Bowman

Thank_you_for_smoking_PosterI have always hated those Truth.com commercials.  Truth.com is an organization that claims to be dedicated to eradicating smoking.  Their smug commercials are essentially the height of hipster douchebaggery, a bunch of self-consciously cool people wandering around and harassing random people about whether or not they smoke.  And then, of course, there was the commercial where they all gathered outside a tobacco company and pretended to be dead.  Of course, the truth about Truth.com is that they are essentially the same people who, in high school, would get offended whenever anyone wore a short skirt.  I really can not stand people like that.  (And don’t even get me started on those assholes who appear in the Above The Influence commercials.)  Myself, I don’t smoke because I have asthma.  But, seriously, whenever I see a Truth.com commercial, I’m tempted to run down to 711 and start.

And so maybe that’s why I like the 2005 comedy Thank You For Smoking.

The hero of Thank You For Smoking is Nick Naylor (Aaron Eckhart), a lobbyist for the tobacco industry, who is first seen appearing on a talk show and winning over a hostile audience by announcing that the tobacco industry is going to be investing millions in researching way to keep young people from smoking and shaking the hand of a teenage honor student who is dying from lung cancer.  Over the course of the film, Nick shows us how he does business, everything from defending tobacco companies on talk shows to convincing a former Marlboro Man-turned-cancer-patient to drop his law suit.  When Nick isn’t working, he’s hanging out with his best friends (who are lobbyists for both the liquor and the gun industries), trying to bond with his son (Cameron Bright), or having sex with a reporter (Katie Holmes).

Now, in most movies, Nick Naylor would be the villain.  However, in Thank You For Smoking, Nick becomes a hero by default, if just because everyone who disagrees with him is even worse than he is.  Add to that, Nick has the benefit of being played by Aaron Eckhart while all of his opponents are played by balding actors with ugly beards.

Another reason that I liked Thank You For Smoking was because the main villain was a senator from Vermont and it’s about time somebody stood up to the tyranny of Vermont.  Ortolan Finistirre (William H. Macy) has built a career out of campaigning against the tobacco industries and why shouldn’t he?  Who, other than Nick Naylor, is willing to defend them?  Finistirre’s latest plan is to change the law so that every pack of cigarettes has to be branded with a skull and crossbones warning.

When Nick and Finistirre finally face off, it’s a battle between those who believe in allowing people the freedom to make their own choices and those who hide their totalitarian impulse behind claims that they’re working for the greater good.

Thank You For Smoking was Jason Reitman’s first film.  And while it may be a bit too episodic and it frequently struggles to maintain a consistent tone, it’s still a lot better than both Labor Day and Men, Women, & Children.

Quickie Review: Running Scared (dir. by Wayne Kramer)

Posted on by Arleigh

Director Wayne Kramer’s follow-up to his directorial debut (The Cooler) shows that he has a flair for drama and suspense that borders the line between reality and surrealism. Running Scared has such a gritty, washed out look right from the get-go that one starts to think it’s a film lifted right out of the 70’s. But that is only part of what Kramer does in creating a look and feel for Running Scared. Kramer actually uses every kind of trick in a director’s book to give his film such an over-the-top sense that the audience really doesn’t know what to expect just around the next dark corner.

Running Scared‘s first ten minutes sets up what the rest of the next two hours are going to be like. Kramer direct’s this ten minutes like a man possessed. The direction and editing is frantic and frenetic. Some have said that it’s all been done before by Tarantino, Woo and a dozen other action-stylists out of Hong Kong, but I disagree. Kramer’s style owes alot more to the grandfather of excessive film violence and that’s Sam Peckinpah. I’m not comparing Running Scared to Peckinpah’s seminal classic The Wild Bunch, but the pace and look of the chaotic shoot-out in the tiny apartment to start the film brings to mind the opening and closing shoot-outs of Peckinpah’s film.

Kramer knows he’s not making a social statement or even an intellectually relevant film. What he does know is that he wants to tell a fairy tale of one man’s hectic day and all the craziness he has to go through during that day. And this is what Running Scared really has turned out to be. A fairy tale set in an modern, dank, urban landscape where our hero (though anti-hero is more like it) and the two kids in his life must travel a surreal place filled with mack-daddy pimps, hooker with a heart of gold, corrupt cops and even a pair of child pedophiles who also turn out to be husband and wife. Running Scared is a like Grimms fairy tale as seen and told in a modern setting.

The cast of actors Kramer has assembled all do a good job in populating this violent, profane modern fairy tale. I’d be the last to think that Paul Walker was an actor who had any talent, but his performance in this film has given me pause to think that maybe its not him, but the projects he’s been doing that’s given him a bad reputation as an actor (which continues to this day as he continues to put himself in bad projects). Gone is the California surfer dude persona he seems to saddle himself with in most of his roles. He actually inhabits the low-level mobster soldier he plays as Joey Gazelle. This film may not be his breakout performance but it will open up some eyes. The boy’s got some skill he’s never been able to show before. The other actor who makes a standout performance is one Cameron Bright who plays Oleg. The neighbor kid whose theft of a mob gun Joey is suppose to make disappear turns Joey’s life upside down. Cameron’s almost like Pinocchio in that its through him that we see all the crazy characters he runs across. It’s a testament to Kramer’s direction that he’s able to get such good performances from Walker, Bright and the rest of the cast in a film that’s as confusing, complicated and surreal as this film turned out to be.

Running Scared was a wonderful surprise of a film for 2006. It’s an unabashed fun, thrilling urban fairy tale that goes for broke in everything it does. Wayne Kramer’s direction shows that his very good work in filming The Cooler wasn’t a fluke and one-time deal. He’s no Tarantino and surely not in the same league as Sam Peckinpah whose films this one owes alot to in style and feel, but he’s slowly making a name for himself as one who can do good work. Oh, Paul Walker does a good job in it as well.