X-Men: The Last Stand (2006, directed by Brett Ratner)


Just as the world seems to be finally on the verge of accepting mutants, industrialist Warren Worthington II (Michael Murphy) announces that he has developed a shot that will suppress the X-gene, therefore “curing” mutants of their mutation. Magneto (Ian McKellen), Mystique (Rebecca Romijn), and a host of other mutants break out of prison to try to stop Worthington from offering up his cure. Meanwhile, at Charles Xavier’s school, Rogue (Anna Paquin) wonders if maybe she should take the shot and become a “normal” person.

Professor Xavier (Patrick Stewart) and Logan (Hugh Jackman) have an even bigger concern than Magneto and the cure. Jean Grey (Famke Janssen), thought to have died at the end of the previous movie, has returned but has given in to her dark side, the so-called Phoenix. She’s already destroyed Scott (James Marsden), and it doesn’t take her long to disintegrate Professor X. Can Logan and the Beast (Kelsey Grammer) rally what’s left of the X-Men to defeat both Magneto and the Dark Phoenix?

I can still remember seeing X-Men: The Last Stand on the day that it was first released. As an X-Men fan, I was excited to see how the Dark Phoenix storyline would be adapted for the big screen. It’s difficult to put into words how disappointed I was when Jean killed Scott. That one scene told me that X-Men: The Last Stand was not going to do the story justice. In the comic books, Jean and Scott’s relationship was the heart of the X-Men. When Jean became the Dark Phoenix, she proved herself capable of destroying an entire planet, but she couldn’t bring herself to kill Scott. She chose to destroy herself rather than him. (Marvel being Marvel, Jean was resurrected a few years later.) The X-Men films never really knew what to do with the characters of Scott and Jean. They weren’t as flamboyant as Logan or even Rogue, but fans of the comic knew who Scott and Jean were and understood their importance to the series, and having Jean destroy Scott showed that, unlike the previous two films, the third X-Men film was not being made for the fans.

A large part of the problem was that director Brett Ratner didn’t seem to be interested in the characters. X-Men: The Last Stand is a collection of action scenes with none of the small character moments that made the first two films memorable. Kelsey Grammer is a welcome addition to the cast as the Beast. (The Beast always was basically Frasier Crane with blue fur.) Otherwise, this is the most forgettable of all the X-Men films.

Even though the Dark Phoenix saga is one of the key X-Men storylines, it’s never really been given its due onscreen. A second attempt to tell the story, in Dark Phoenix, also failed to capture the drama and emotion of Jean’s transformation. The X-Men are now officially a part of the MCU, so I imagine the story will probably be told again. Maybe the third time will be the charm.

Shattered Politics #78: American Dreamz (dir by Paul Weitz)


Americandreamz

Nothing ages worse than heavy-handed satire and, if you need proof of that, just try watching the 2006 film American Dreamz.  American Dreamz is a satire of two things that are no longer exactly relevant, the presidential administration of George W. Bush and Simon Cowell-era American Idol.

Dennis Quaid plays President George W. Bush Joseph Stanton.  Stanton has just been reelected to a second term.  One morning, he impulsively decides to read a newspaper for the first time in his life and he ends up having a nervous breakdown.  “The world isn’t black-and-white,” he declares, “Instead, it’s gray.”  Sinking into a deep depression, Stanton isolates himself from the American people and his approval rating starts to plunge.  His evil Chief of Staff (William DaFoe, made up to look like Joe Biden but, I’m assuming, meant to be Dick Cheney) comes up with a plan to restore Stanton’s popularity.  President Stanton will serve as a guest judge on his favorite television show, American Idol American Dreamz!

(To be honest, I think Obama would be more likely to show up as a guest judge than Bush.)

The host of American Dreamz is a self-loathing Englishman named Martin Tweed (Hugh Grant).  Tweed hates both the show and himself.  Early on in the film, he’s literally seeing begging for American Dreamz to be canceled.  However, American Dreamz is the number one show in the country and the show must go on.

Along with President Stanton, the latest season of American Dreamz features a group of contestants who all have dramatically compelling backstories.  Sally Kendoo (Mandy Moore) emerges as a favorite, largely do to her ability to manipulate the camera and the fact that her well-meaning but simple-minded boyfriend (Chris Klein) was wounded in Iraq.

Oh wow — reality shows manipulate reality and contestants are rarely as innocent as they seem!?

Tell me more, American Dreamz!

Also competing on American Dreamz is Omer (Sam Golzari), a former jihadist who proved to be too clumsy to take part in the various propaganda videos being shot by his terrorist cell.  Omer was sent to America, where his love for show tunes eventually landed him on American Dreamz.  With the finale rapidly approaching, Omer has been instructed to blow both himself and the President up on national TV.

The satire of American Dreamz really wasn’t all that sharp when the film was first released and now, 9 years later, it feels even weaker.  Quaid and Grant both give good performances but the film’s attempts at humor largely fall flat because they’re all so predictable.  It’s not exactly mind-blowing to say that reality TV is fake or that politics has a lot in common with show business.  The film attempts to add some bite to its message by ending with a surprisingly dark twist but it’s just not enough.  Even a dark ending has to be earned.