The Tioga Kid (1948, directed by Ray Taylor)


Singing Ranger Eddie Dean (played by the same-named Eddie Dean) and his sidekick, Soapy Jones (Roscoe Ates), are sent to track down the Tioga Kid, an outlaw who happens to look just like Eddie.  Soapy suggests that The Tioga Kid could be a long lost twin brother.  Eddie isn’t sure because his parents were killed in an Indian ambush when he was just a baby.  This seemed to be the backstory for many of Poverty Row’s favorite western heroes.

Dean plays both Eddie and the Tioga Kid.  You can tell them apart because the Tioga Kid doesn’t sing and always dresses in black while Eddie dresses in white and won’t stop singing.  Twin rivals were another big thing when it came to B-westerns.  Thanks to then revolutionary split-screen technology, matinee audiences could enjoy the sight of their favorite heroes shooting at themselves.  Eddie Dean was usually cast as a mild-mannered hero so he really seems to enjoy the chance to be bad as the Tioga Kid.

The Tioga Kid is a film that will be appreciated by those who are already fans of B-westerns.  The Tioga Kid was made late in the B-western cycle and there are a lot signs that it was made in a hurry.  There’s a scene involving a stunt man where he’s not even wearing the same shirt as the person he’s standing in for.  Matinee audiences probably didn’t mind.  They were too busy watching Eddie Dean shoot at himself and cheering him on during the movie’s big fist fight scene.  Eddie Dean may not have been a great actor but he could throw a punch with the best of them.

8 Shots From 8 David Lynch Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his birthday, we take the time to pay tribute to one of our favorite directors.  Needless to say, when it comes to David Lynch, there’s an embarrassment of riches.

Here are….

8 Shots From 8 David Lynch Films

Eraserhead (1977, dir by David Lynch, DP: Frederick Elmes, Herbert Cardwell)

The Elephant Man (1980, dir by David Lynch, DP: Freddie Francis)

Blue Velvet (1986, dir by David Lynch, DP: Frederick Elmes)

Twin Peaks: Fire Walk With Me (1992, dir by David Lynch, DP: Ron Garcia)

Lost Highway (1997, dir by David Lynch, DP: Peter Deming)

The Straight Story (1999, dir by David Lynch, DP: Freddie Francis)

Mulholland Drive (2001, dir by David Lynch, DP: Peter Deming)

Inland Empire (2006, dir by David Lynch, DP: David Lynch)

So, I Watched Perry Mason: The Case of the Glass Coffin (1991, Dir. by Christian I. Nyby II)


World famous magician David Katz (Peter Scolari) is accused of murdering his assistant (Nancy Lee Grahn) while performing a trick at a charity show.  The prosecution says that David killed her to cover-up a pregnancy that was the result of a drunken, one-night stand.  However, Perry Mason (Raymond Burr) and Ken Malansky (William R. Moses) discover that there were many people who might have a motive for killing the victim.

After the previous emotionally-charged Perry Mason movie, this entry felt pretty bland.  I liked Peter Scolari as the accused magician but otherwise, this was a little boring.  I guessed who would be playing the murderer as soon as I saw their name during the opening credits.  I did find it amusing that Perry and the prosecutor (played by Bob Gunton) seemed to sincerely dislike each other.  That added some bite to the courtroom scenes but I really do miss David Ogden Stiers’s as Perry’s regular courtroom opponent.

At the end of the movie, Perry took the jury to the theater where the murder occurred and then cross-examined the witnesses in the theater.  I guess the movie’s producers were trying to do something new but it just didn’t feel right for Perry to get his confession anywhere other than in a courtroom.

North of Arizona (1935, directed by Harry S. Webb)


Newly hired ranch foreman Jack Loomis (Jack Perrin) comes to the aid of two Indians who were nearly swindled out of their land during a card game.  The Indians inform Jack that his new boss, George Tully (Al Bridge), is actually a crook and the ranch is just a front for his criminal activities.  When Jack says he doesn’t want to be a part of Tully’s schemes, Tully and his men frame Jack for a robbery.

After you watch enough of these Poverty Row westerns, you start to get the feeling that anyone in the 30s could walk into a studio and star in a B-western.  Jack Perrin was a World War I veteran who had the right look to be the star of several silent films but once the sound era came along, his deficiencies as an actor became very apparent.  He could ride a horse and throw a punch without looking too foolish but his flat line delivery made him one of the least interesting of the B-western stars.  That’s the case here, where Perrin is a boring hero and the entire plot hinges on the villain making one really big and really stupid mistake.  John Wayne could have pulled this movie off but Jack Perrin was lost.

Jack Perrin’s career as a star ended just a few years after this film but not because he was a bad actor.  Instead, Perrin filed a lawsuit after a studio failed to pay him for starring in one of their films.  From 1937 until he retirement in 1960, Perrin was reduced to playing minor roles for which he often went uncredited.  Hollywood could handle a bad actor but not an actor who expected to be paid for his work.

Join #MondayMania For My Sister’s Deadly Secret!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2019’s My Sister’s Deadly Secret!

You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Scenes That I Love: The Pendulum Starts To Swing From The Pit and The Pendulum


Today’s scene that I love is from the 1961 Roger Corman-directed Edgar Allan Poe adaptation, The Pit and The Pendulum!

Not only is that pendulum nightmarish as Hell but check out that set design!  One can see that Corman definitely took some inspiration from the work being done in the UK by Hammer.  Watching this scene, it is easy to see why Corman devoted so much of the early 60s to directing Vincent Price in various Edgar Allan Poe adaptations.

Enjoy!

4 Shots From 4 Films: Special Edgar Allan Poe Edition


by Paul Green

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

217 years ago today, Edgar Allan Poe was born in Boston, Massachusetts.  From his humble beginnings as the son of two struggling actors, Poe would go on to become one of the first great American writers.  (It’s been said that, when Charles Dickens first traveled to the United States in 1842, he specifically wanted to meet Edgar Allan Poe.  Unfortunately, it appears that popular story my not be true but it’s still a good story.)  Poe was controversial in life and even his death generated more questions than answers but no one can deny his strength as a poet and as a prose writer.  Both the detective and the horror genres owe a huge debt to Edgar Allan Poe.

Today, in honor of Edgar Allan Poe’s legacy, TSL presents 4 shots from 4 films that were inspired by the work of Edgar Allan Poe!

4 Shots From 4 Films

House of Usher (1960, dir by Roger Corman, DP: Floyd Crosby)

Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)

The Raven (1963, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

Monday Live Tweet Alert: Join Us For Tripfall!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 2000’s Tripfall! I picked it so you know it’ll be good.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, Tubi, or Prime hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The  watch party community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!