AMV of the Day: RadioAkshun (Neon Genesis Evangelion)


VsIepqq

The latest “AMV of the Day” pretty much was the hit of Sakura-Con 2013 a couple weeks back.

“RadioAkshun” by AMV creator IleaiAMVs won not just Best Technical, but won both Judges’ Best in Show and Audience Best in Show. It’s a rarity that an AMV in competition wins both Best in Show. AMV judges tend to vote on whats best in competition a little differently than the general public who watches the videos more as fans and not judging them on technical, artistic and creative merit. IleaiAMVs definitely earned her wins by creating one of the best AMVs I’ve seen.

Her work on this video uses scenes and sequences from the Rebuild of Evangelion anime films (three out with a fourth still forthcoming) and edits it around the Imagine Dragons song “Radioactive” and she does an excellent job. She doesn’t rely on flashy effects to make her video interesting and unique. She just does an impeccable job in timing the beats and tempo of the song with the appropriate scenes from the anime films. She also makes sure that she doesn’t just slapdash together the best scenes from the films. IleaiAMVs makes sure that each sequence fits not just the beats and tempo of the song but the lyrics as well. Best example of all three is early in the video when the character of Shinji takes a deep breath and then his Evangelion Unit exhales just as the singer in the song does the very same thing.

Enough talk…just go watch and enjoy.

Anime: Rebuild of Evangelion

Song: “Radioactive” by Imagine Dragons

Creator: IleaiAMVs

Past AMVs of the Day

Scenes I Love: District 9


district9_m

With the release of the first trailer of Neill Blomkamp’s follow-up to his District 9 I thought it was time to look back at one of my favorite scenes from that film. In fact, I rather think this scene was and, still is, one of the greatest scenes in cinematic history.

District 9 was such a great film with so many scenes and sequences that I consider favorites. Yet, it’s one particular scene that happened very quickly that it left many audiences staring at the big-screen (or small screen) wondering if they just saw what they just saw. I’m talking about a brief sequence during the climactic fight inside District 9 as Wikus tries to provide fire and cover for Chris Johnson and his young son to make it back to the alien shuttle and get back to the mothership.

Even now just watching the clip one really has to watch it more than once to truly appreciate the insanity that went into this action-packed final reel of the film. To put it simply, District 9 and Neill Blomkamp introduced the world not just to live-action mecha action but to the Spider Jerusalem-esque weapon I have simply dubbed: “The Pig Cannon”.

Watch and be amazed.

Trailer: Elysium (Official)


Elysium

It’s not often that a filmmaker makes such a major splash in the industry with their initial full-length film becoming not just a commercial success but one which gained widespread critical-acclaim. South African filmmaker Neill Blomkamp is one such filmmaker. Initially tapped by Peter Jackson to direct the planned HALO film adaptation Blomkamp ended up doing District 9 (based off of his own short film Alive in Joburg).

The film became the sensation of San Diego Comic-Con 2009 which raised the hype for it’s inevitable release a month later. It’s now been 4 years since District 9 and we finally get a chance to see the first official trailer (a 10-minute film reel was shown to invited industry and press which showed a bit more of what the film will be about) for Blomkamp’s much awaited follow-up to his hit first film.

Elysium looks to continue Blomkamp’s attempt to bring social awareness to the scifi genre and do so with a mixture of real-world gritty realism and scifi fantasy. just looking at the trailer the space station Elysium where all the rich and privilege live in a paradise-setting look like an amalgam of the HALO ringworlds and the Citadel Station from Mass Effect.

It’s still months away, but just this teaser of a trailer has just raised Elysium to the top of my list for most awaited films of 2013. If it’s as good or better than District 9 then Blomkamp will cement himself as one of his generation’s best instead of a flash in the pan like so many of his contemporaries.

Elysium is set for a wide release date of August 9, 2013.

Trailer: Only God Forgives (Red Band)


OnlyGodForgives

It looks like we the makings of a new Scorsese/DeNiro combination with Nicolas Winding Refn and Ryan Gosling partnering up once again for another film after their critically-acclaimed neo-noir crime thriller with Drive.

Only God Forgives transplants Refn and Gosling away from the smog and seedy glamour of Los Angeles to the anything-goes locales of Thailand. Refn has described this follow-up to Drive as a modern Western set fully in the Far East with Gosling in the role of the cowboy antihero. The red band trailer once again shows that Refn will not be skimping on the beautifully shot violence and ramps up on the film’s look of heightened reality that made his previous film such a unique viewing experience.

There’s still no announced release date for Only God Forgives, but we will surely be on the look out for when it does finally come out.

The Daily Grindhouse: The Evil Dead


TheEvilDead

This weekend we see the release of another horror remake. A remake of a film that’s considered a grindhouse and exploitation classic that’s sure to anger its legion of fans. Well, that anger seem to have dissipated as hype and buzz about the remake started to spread throughout the film blogging community with emphasis from those covering genre.

The Evil Dead by Sam Raimi still remains one of those horror films that horror fans love to talk about. It’s an exercise in the low-budget, guerrilla-style filmmaking that didn’t just introduce Raimi to the genre crowd, but also gave us all the greatest gift in the form of Bruce Campbell aka “God When He Takes Human Form”.

The franchise which grew around the original film may have morphed into classic horror slapstick, but nothing beats the original in being a truly brutal film. Yes, it’s a horror film that some find quite entertaining but it’s also a film that seems to relish in punishing its audience. There’s not much slapstick about this first film in the series and for some it continues to be one of the top horror films ever made.

So, for everyone who go out this weekend to watch the remake, Evil Dead, but who have never seen the original should go find a copy of the dvd (there’s like a bazillion different editions of it) and see why it remains a true horror and grindhouse classic.

5 New Pacific Rim Promo Posters


PacificRim

It’s still just a little over 3 months before we get the premiere of Guillermo Del Toro’s return to the big-screen. It’s hard to believe that it’s almost 5 years since he last made a film (Hellboy 2: The Golden Army). His time wandering the world of Middle-Earth for three years and the last two developing his upcoming film and we now just have 3 months to wait for what could either be one of the biggest films of 2013 or a colossal failure.

Pacific Rim looks to introduce the well-worn and popular concept of the giant robot vs. kaiju from Japan to the rest of the world. Fans of this very Japanese pop-culture phenomena have been excited over this film since it was first brought up by Del Toro a couple years ago and more since then. Some have nitpicked that the trailers and teasers have made the film look like an offspring of the Michael Bay Transformers series, but then again all we’ve seen so far have been the robots. There’s still the surprise of how the kaiju will end up looking.

One thing I’ve learned about Guillermo Del Toro’s films have been that whether one likes them or not they’re never lazy affairs. He gives everything to the project and makes sure that his overall vision never get compromised by studio interference (one reason why he seems to back out of doing his dream project At the Mountain of Madness).

So, below are some of the latest promotional posters that show the five giant robots from five Pacific Rim nations who have volunteered to help fight the kaiju.

Striker Eureka from Australia

striker_eureka_jaeger_pacificrim_poster

Cherno Alpha from Russia

ChernoAlphaRussia

Crimson Typhoon from China

CrimsonTyphoonChina

Coyote Tango from Japan

CoyoteTangoJapan

Gipsy Danger from the USA

GipsyDangerUSA

Trailer: This Is the End (Red Band)


ThisIsTheEnd

This Is the End looks to put a comedic touch on the end of the world genre as fictional versions of the cast as themselves try to survive all sort of disasters (from the trailer it looks like it may involve everything from volcanoes, lava, aliens and maybe raptors) while partying over at James Franco’s house.

I know for a fact that at least one person at this site will be seeing this because it has a certain Franco in it.

Looks like Emma Watson has definitely doing everything she can to prove to all Potter fans that she is now all grown up.

This Is the End is set for a June 12, 2013 release date.

Review: The Walking Dead S3E16 “Welcome to the Tombs”


TheWalkingDeadS3E16

“In this life now you kill or you die…or you die and you kill.” — Philip “The Governor” Blake

[some spoilers within]

We’ve finally made it to the finale of season 3 of The Walking Dead.

There’s something about tonight’s episode that was both good and bad. It had the hallmarks of this season’s showrunner, Glen Mazzara, who wanted the series to get back down to basics after a season 2 where there had been too much philosophizing and existential angst. Mazzara delivered on bringing more action to the show. The first couple episodes of this season and the mid-season finale episode showed just how action-packed the show could be and fans responded enthusiastically about this change in the show’s narrative.

Yet, with a 16-episode season there was bound to be some break in the action and it’s here that Mazzara still fell in the same trap that got Darabont removed as the showrunner and what I think got Mazzara removed from the position as well. While Mazzara’s leadership of the show’s writers weren’t as bad when it came to the more slower and introspective part of the season he still couldn’t get rid of the meandering and wheel-spinning in some of the less-action episodes. It didn’t help that while most of the characters in the show had made some great strides in characterization the one main lead who remained an enigma and a problem: Andrea.

“Welcome to the Tombs” was suppose to be the main battle that would determine who would come up as winner between Team Prison and Team Woodbury. The assault on the prison by the Governor’s larger force was fast and loud. It was sort of a “shock and awe” tactic that was meant to disorient and put the fear of God in Rick and his people. We see from the episode’s cold opening that the group looked to have voted to leave the prison before the attack and the empty cellblocks seemed to reinforce this point. It sure didn’t make for a battle that was meant to give Mazzara a climactic sendoff as showrunner this season. yet, when things were about to get real disappointing with the empty prison and the Governor and his people entering an even more silent and empty Tombs we finally saw that things were not as they appear to be.

It was a nice change that the prison group decided to stay and fight as a group even when given the chance to vote on their fate. The fact that they knew there were going to be outnumbered and outgunned also forced their hand to be more creative and sneaky in how they would counter the attack on their hard-earned home. It’s a fine and noisy welcome the Governor and his people get while in the Tombs and showed just how amateurish his army really is (with small exceptions to his small cadre of minions) when stacked up against the more veteran and hardened smaller prison group. It’s not a wonder that this supposed battle between the two groups felt more anticlimactic than explosive.

The episode itself was more character-driven than action when one got down to its basic. We learn more of the Governor, Carl and Tyreese than see explosions, gore and action during the episode’s running time. For some this was made for a so-so finale while others probably saw it as a good finale that finished off the troubled character arc for one of the show’s most hated and difficult characters to work with: Andrea.

It was her episode in the end as we finally see the reasoning for some of the ridiculously maddening decisions she’s made this season. While it’s still not easy to forgive the character (or even the actor in the role) we do get a definite answer to the question of why is Andrea so stupid (in the extreme) or naive (when one is more forgiving) in a world that eats up such sentimentality. We saw how Rick had had to adjust his personality and decision making to not allow sentiments to rule his every act and decision and we saw how successful the group became, but also distanced him from everyone else. Andrea was almost an attempt to balance out the craziness that was both Rick and the Governor, but Mazzara and his writers were never able to pull off that job. In the end, she remained a lost chance to creating a very complex character that one could sympathize instead of hating even when her actions were well-meaning and logical.

“Welcome to the Tombs” saw the ending of a third season that went a long way into fixing the show’s problems under Darabont’s guidance, but the added episodes from 13 to 16 also meant that Mazzara’s vision for the show began to run out of steam by the finale thus the more subdued (despite an explosive opening) and pensive finale. While the show’s slogging towards the finale can’t be fully laid at Mazzara’s feet as showrunner one cannot just say that his legacy was righting the troubled ship that was The Walking Dead, but also failing to finally find the right balance between zombie mayhem and action with the drama that comes with people trying to survive in a world irrevocably changed for the worst.

The Mazzara Era of The Walking Dead has come to an end. The show has become even more popular under his guidance, but it has also remained a show which remained quite uneven in how it told it’s story and wrote it’s characters. Mazzara’s leadership went a long way into fixing most of it, but time ran out for him and his vision and tonight’s finale showed that attempts to do stand-alone and more character-driven episodes during the season as a way to fill-up a 16-episode schedule should’ve been set aside for doing a finale that went just one episode. Mazzara had the right idea, but in the end he ran out of things to do to pull it off. Now it’s up to incoming showrunner Scott Gimple to continue the improvements done under Mazzara and see about fixing the rest of the problems the show has with him in charge. Maybe fourth time is the charm.

Yet, despite all this I have a feeling The Walking Dead will remain the most popular thing on TV and will continue to do so whether Gimple succeeds or not. Such is the power of the zombie genre over the imagination of people everywhere.

Notes

  • Tonight’s episode, “Welcome to the Tombs”, was directed by series veteran Ernest Dickerson and written by season showrunner Glen Mazzara.
  • Well, it looks like we didn’t have to wait too long to find out if the Governor will confront Milton about being the traitor. The same goes as to whether Daryl was going to make it back to the prison after the vents of last week’s episode.
  • The Woodbury attack on the prison was quite an operation that pretty much forgoes any sort of siege that played out in the comics. Instead the writers decided to go for a more aggressive tactic.
  • Nice to see Ma Deuce in action and where the hell did Martinez get his hands on a Milkor 40mm MGL. Weapon laws in Georgia must be much more lax in Georgia than everyone else. It’s either that or he came across a group of dead Marines.
  • We finally get to the meaning of the season finale title as the Woodbury group moves deep inside the prison and into the less than secured area that Rick and his people have begun calling the Tombs.
  • Some nice trickery from Team Prison to scare and rout Team Woodbury once they were inside the Tombs.
  • Once again, it looks like Team Prison needs a lesson in how to kill living people as opposed to zombies. I don’t think they killed anyone from Team Woodbury, except for Carl, once they were running for their lives in the prison yard.
  • Governor has gone bye-bye and even his two most loyal mions in Martinez and Bowman could see it with his work on the Woodbury Army.
  • Carl has definitely turned into a badass. Quite the boss move (or dick move depending on your stance on Lil Grimes) on the Woodbury teen trying to trick Carl into grabbing the shotgun.
  • Tense moments between Milton and Andrea back at Woodbury and the pay off was something that should please Andrea-haters.
  • Carl looks to be channeling his inner-Shane or Governor with the little speech about doing what needs to be done to his own father. It should make for an interesting season 4 now that Carl looks to be heading towards amoral territory.
  • Love how there’s now a growing rift forming between Carl and Rick. It’s something that was explored in the comic book, but never to a degree that really went anywhere. Here’s to hoping incoming showrunner Scott Gimple does a better job in exploring the father-son relationship in season 4.
  • With Andrea’s passing The Walking Dead now has just one member left from the Darabont acting troupe and that’s Melissa McBride.
  • Zombie Kill Count of tonight’s episode: Too much to count.

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: “Made to Suffer”
  9. Episode 9: “The Suicide King”
  10. Episode 10: “Home”
  11. Episode 11: “I Ain’t a Judas”
  12. Episode 12: “Clear”
  13. Episode 13: “Arrow on the Doorpost”
  14. Episode 14: “Prey”
  15. Episode 15: “This Sorrowful Life”

Scenes I Love: BioShock “Little Sisters: Rescue or Harvest”


BioShockLittleSisters

With today’s release of Irrational Games’ latest title, Bioshock Infinite, I look back with some fondness to the first game in the series: BioShock.

It was a game that blew most everyone away with it’s ease of gameplay, unique art direction and, most important of all, a story that made people think that gaming was close to reaching the level of art for the genre. It was a game that dared to use as one of it’s themes Ayn Rand’s own take on the philosophy of Objectivism. It was a game about choices. A game that put the player into making the moral choice of rescuing the creepy Little Sisters or harvesting them for a rare resource that meant killing them.

I’ve played the game so many times and have made choices both good and bad, but it was always difficult even knowing how things already turned out to make that first decision to either “rescue” or “harvest”. Below are the version of this very scene that fully sold the game and it’s story to me the first time I played it way back in 2007.

Harvest

Rescue

Trailer: World War Z (2nd Official)


WorldWarZ

We see the release of a new trailer for this summer’s epic zombie film based on the equally epic novel of the same name by Max Brooks.

World War Z is already the most expensive zombie film ever made with a budget rumored to be between 125-200 million dollars. Some of this has been due to the delays in filming and most of it seems to stem from a massive rewrite of the third act. Damon Lindelof was first hired to rewrite but due to prior commitments the job went to Drew Goddard. Such a rewrite also meant reshoots had to be done which took another seven weeks of shooting.

All in all, World War Z is one troubled film before it even gets to the general public.

Yet, it is also one of the more anticipated films for this summer. Some from fans of the genre who just can’t get enough of zombie films. Some from people wanting to see just what sort of zombie film ends up with a budget around 200 million dollars. From the trailer we’ve seen some of that money seem to have gone on some massive special effects sequences which includes swarming zombies of the Rage-infected kind. Then again we don’t really see the zombies close-up which tend to make them look like swarming ants from afar. Maybe the look of the zombies themselves have been saved for the release of the film.

This latest trailer actually gives a bit more of the plot of the film which puts Brad Pitt’s UN employee character to travel the world in search for the cause of the worldwide zombie pandemic. The speed by which things happen seems to have compressed all the events in the novel into a film of two hours. This, I’m sure will be a major contention with fans of the novel, but it looks like a decision by filmmaker to try and create a single narrative from a novel that was mostly single-hand accounts of the zombie war from survivors who have no connection with each other whatsoever.

We’ll find out in just under 3 months if this film will be a major flop or succeed despite all the stumbling blocks and problems throughout its production.

World War Z is set for a June 21, 2013 release date.