Guilty Pleasure No. 125: In Death Series (by J.D. Robb)


If you’ve ever wondered what would happen if you mashed up a gritty police procedural with a futuristic New York City and a slow-burn romance that somehow never gets old, J.D. Robb’s In Death series is your answer. Now 62 books deep and still going strong, this series is a masterclass in how to take well-worn tropes—brilliant but emotionally closed-off detective, deadly serial killers, found family, and a romance that simmers across dozens of books—and make them feel fresh, addictive, and weirdly comforting every single time. It’s the kind of series you can binge like comfort food, but with a side of cybernetic enhancements and murder so creative it’ll make you side-eye your toaster. And yes, it’s absolutely a guilty pleasure—but not because it’s badly written or because Robb has lost her touch. It’s a guilty pleasure like that extra slice of pie you know you shouldn’t have but can’t resist, or buying a lottery ticket despite the astronomical odds. You know it’s not good for you in the grand scheme of things, but dang it, it feels good in the moment.

The series kicks off with Naked in Death, where we meet Lieutenant Eve Dallas, a homicide detective in 2058 New York who’s all sharp edges and zero patience for nonsense. She’s the kind of cop who’d rather work a double shift than talk about her feelings, which is convenient because her past is a landmine of trauma she’d prefer to ignore. Enter Roarke, the Irish billionaire with a shady past, a face that could melt glaciers, long black hair, deep blue sea eyes, and an Irish brogue that could charm the pants off a saint. He’s the billionaire playboy whose dubious criminal past built his legitimate business empire, and he’s the perfect foil to Eve’s law-abiding, no-nonsense demeanor. Their dynamic is the heart of the series and the ultimate embodiment of the “opposites attract” trope. Here you have two diametrically opposed characters—a by-the-book cop and a former criminal turned businessman—who somehow end up being perfect for each other. Their push-and-pull of trust, loyalty, and simmering tension is what makes their relationship so compelling. Robb (a pseudonym for Nora Roberts) takes her time with Eve and Roarke’s romance, letting it develop over the first handful of books in a way that makes their eventual partnership feel earned. And even when they’re officially together, their relationship keeps evolving—through marriage, career shifts, and the occasional murderous ex-lover trying to ruin their day. It’s the kind of slow-burn romance that makes you sigh happily every time they share a quiet moment, even if you know it’s all a little ridiculous.

What’s wild about In Death is how effortlessly it blends its genres while still finding new ways to retell similar stories. The sci-fi elements are often window dressing—hover cars, androids, and off-planet travel exist, but the focus is always on the murders, the investigation, and the people solving (or committing) them. The police procedural side is where the series shines, and Robb’s ability to take familiar setups (a killer targeting a specific demographic, a conspiracy within the police force, a cold case resurfacing) and twist them into something fresh is impressive. You’d think after 60-plus books, the well would run dry, but Robb consistently finds inventive angles, whether it’s the method of murder, the killer’s motive, or the personal stakes for Eve and her team. The supporting cast is a huge part of the charm, too. There’s Delia Peabody, Eve’s former rookie turned trusted partner, whose growth from wide-eyed newbie to seasoned detective is one of the series’ most rewarding arcs. Then there’s Captain Ryan Feeney, the gruff but lovable former cop turned consultant, whose gruff exterior hides a heart of gold (and a love for old-school tech). Even the villains often have depth, with motives that range from tragically relatable to straight-up unhinged.

But let’s talk about the tropes, because In Death has them in spades—and yet, they never feel lazy. Eve and Roarke are the poster children for the “opposites attract” trope, and it works because Robb gives them enough depth and chemistry to make their connection feel real. Eve is the classic “genius detective with a dark past” trope, but Robb gives her enough nuance and growth that she never feels like a caricature. She’s stubborn, yes, but she also learns—slowly—to let people in, to trust her team, and to accept that she doesn’t have to carry the weight of the world alone. Roarke, for his part, could easily have been a one-note “rich love interest” character, but instead, he’s a fully realized partner who respects Eve’s independence while also being unapologetically protective. Their relationship is built on mutual admiration and a shared sense of justice, and it’s refreshing to see a romance in a long-running series that doesn’t devolve into drama for drama’s sake. Even the recurring themes—like Eve’s struggle with her abusive childhood, or the way her job constantly tests her emotional boundaries—are handled with a deft touch that keeps them from feeling repetitive.

The series isn’t without its quirks, though. Some of the later books can feel a bit formulaic, with Eve and her team solving cases in a way that starts to resemble a well-oiled machine. And let’s be real: the number of times Eve gets into physical altercations with suspects who are way bigger and stronger than her, only to come out on top, starts to stretch credibility after a while. But these are minor nitpicks in the grand scheme of things. The real magic of In Death is how it makes you care about these characters, even when the plots start to blur together. There’s a comfort in returning to Eve’s world, where you know you’re going to get a solid mystery, a few laughs, and a healthy dose of heart. The series also does a great job of evolving its characters over time. Peabody’s rise through the ranks, for example, is a slow burn that pays off in satisfying ways, and even side characters like Dr. Morris, the medical examiner, get their moments to shine.

Another standout feature of the series is its ability to balance tone. One minute, you’re knee-deep in a gruesome murder investigation, and the next, you’re laughing at Eve’s sarcastic inner monologue or Roarke’s dry humor. The dialogue is sharp, the banter is frequent, and the chemistry between the characters—both romantic and platonic—keeps the pages turning. And while the sci-fi elements might not be the most hard-hitting or innovative, they serve their purpose: creating a world that feels just different enough from our own to be intriguing, but familiar enough to be relatable. New York in 2058 is still New York, just with more gadgets and a few extra layers of bureaucracy. It’s a world you want to escape into, even if you know it’s all a little indulgent.

At its core, In Death is a series about resilience. Eve’s journey from a traumatized orphan to a woman who’s found love, purpose, and a sense of belonging is the emotional backbone of the series. And while the mysteries are often the driving force of individual books, it’s the characters and their relationships that keep readers coming back. Robb’s ability to weave together sci-fi, police procedural, and romance into a cohesive, engaging whole is no small feat. It’s a testament to her skill as a storyteller that a series this long can still feel so vibrant and alive, even when it leans on familiar tropes. In a genre landscape where so many series fizzle out after a few books, In Death is a rare beast: a long-running saga that manages to stay fresh, fun, and deeply satisfying, book after book. Whether you’re here for the murders, the romance, or the sheer joy of watching Eve Dallas evolve, there’s plenty to love—and plenty more to dive into. And if anyone judges you for binging 10 books in a row? Well, they clearly haven’t experienced the simple joy of curling up with a new In Death novel and letting the rest of the world fade away.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes
  86. The Horror at 37,000 Feet
  87. The ‘Burbs
  88. Lifeforce
  89. Highschool of the Dead
  90. Ice Station Zebra
  91. No One Lives
  92. Brewster’s Millions
  93. Porky’s
  94. Revenge of the Nerds
  95. The Delta Force
  96. The Hidden
  97. Roller Boogie
  98. Raw Deal
  99. Death Merchant Series
  100. Ski Patrol
  101. The Executioner Series
  102. The Destroyer Series
  103. Private Teacher
  104. The Parker Series
  105. Ramba
  106. The Troubles of Janice
  107. Ironwood
  108. Interspecies Reviewers
  109. SST — Death Flight
  110. Undercover Brother
  111. Out for Justice
  112. Food Wars!
  113. Cherry
  114. Death Race
  115. The Beast Within
  116. Girl Series
  117. Gone in 60 Seconds
  118. Swordfish
  119. Marked For Death
  120. The Internship
  121. The Angry Red Planet
  122. 2012
  123. Old School
  124. No Escape

It’s Time For Romance!


Do you still need some help getting in the mood for Valentine’s Day?  Well, don’t worry!  I’m here to help!  Check out these classic romantic covers!  I defy anyone not be in the mood after romance after looking at some of these bodice rippers.

I was sad to learn that trade paperbacks are not being published anymore so we won’t be getting many more covers like this.  Luckily, the Internet will always be here to remind us of the time when the storm was tender.

 

“Okay Google”, Dir. Levi Morgan, Short Film Review by Case Wright


His title card was terrible so I’m using the New York Yankees. Why not? We have a haunted house theme in this story where Google speaker is involved. Alexa’s evil twin. The main character is at his house, which I believe is probably Levi’s residence because his films always take place there. He ask google speaker to help him, but she has turned…..EVIL!!!
The main character asks to google to turn the light back on upstairs and he sees…… a shape. This is kinda scary. Google speaker puts on license free music on for mood; so, evil or not- she is protecting Levi’s shoestring budget. I give him credit for editing in music.

The character unplugs the device and it still talks. It’s a good trope. I don’t hate on that. There is a guy in his house who has a cloak on, which is definitely bad. The shape approaches him. He begs google to turn on the light, but instead she goes rogue and turns off the lights.

I meant to watch a horror comedy, but oops – it’s just horror. I actually might put this in the thriller category because there’s an artificial intelligence working in collusion with the evil shape- is that like a google prime option? I mean I’m not saying that we should pay for google to do evil, but I mean….a little evil? Nothing permanent- mild evil like crappy salsa that never satisfies.

I do admit that I feel bad for Levi Morgan because he hasn’t done anything since 2023 and he’s doing some normal job now. His films are good enough. Levi’s not Hitchcock, but he’s better than Alex Magana and that’s important. I hope he makes it a vibrant hobby. Levi is just not great at writing. His scene angle setups and cinematography is not bad. Levi can make a scene suspenseful and I think he would be a good director of photography. He does need a writer. God doesn’t give with both hands and I would encourage him to pursue a career as a Director of Photography and Directing. I’m not gonna crap on him. He’s has talent and should focus on cinematography.

Horror Novel Review: The Lifeguard by Richie Tankersley Cusick


I read 1988’s The Lifeguard earlier today.  It’s a fast read, which is always a good thing.

The book tells the story of teenage Kelsey, whose father has just died and whose mother is already getting ready to marry her new boyfriend, Eric.  Personally, I think mom is moving a bit too fast but then again, Eric’s rich and he invites Kelsey and her mom to spend the summer on Beverly Island.  Kelsey makes new friends.  She meets the people who might soon become her stepsiblings.  She develops a crush on two of her potential stepbrothers, shy Justin and the intimidating Neale.  And she gets involved in a potential murder when Beth, yet another of Eric’s children, disappears.  Did Beth drown or did she fall victim to the killer of Beverly Island?

This book was so silly.  Can Kelsey solve the mystery?  Even more importantly, can Kelsey decide which one of her future stepsibilings she wants to date?  Justin seems nice but Neal is so dark and mysterious.  Can Kelsey figure out why the mysterious old man keeps yelling at her?  Could he be the killer?  He seems like kind of an obvious choice but Kesley might as well go ahead and break into his boat just to be sure….

Apparently, this book is considered to be a bit of a cult classic, solely because of the cover.  And the cover is pretty cool.  The book itself is nothing special but I probably would have appreciated it more if I hadn’t already read countless old school YA books with the exact same plot.  I can only guess the R.L. Stine read The Lifeguard at some point.

This book also wins some points from me for having a ludicrously “happy” ending.  Everything works out even though, to be honest, nothing should have worked out.  Kelsey should have been traumatized for life and whatever plans her mom had to marry Eric should definitely have been cancelled!  Seriously, there’s some things that not even the best of relationships can survive!  That said, the ending was so over-the-top and — here’s that word again — silly, that I couldn’t help but appreciate it.

Celebrate February With These Historical Romance Covers!


Welcome to February!

Since February is the month of love and Valentine’s Day, I wanted to help everyone get into the spirit by sharing some great historical romance covers!  Whether you call them bodice rippers or gothic romances, they prove that love, romance, and old dark castles have been with us through the centuries.

Here are a few of my favorites!

AMV of the Day: You Can Be King Again (Hotarubi no Mori e)


hotarubi no mori e

In my absence, Lisa Marie did quite a great job picking up the slack when it came time to put up a new anime music video. She had quite the eclectic choice of videos that ran the gamut from comedy, space opera, ecchi to drama.

As I continue my return back I thought it was high time to put up a new AMV and this time from an anime I haven’t even seen. It’s actually an anime that even the site expert pantsukudasai56 hasn’t seen but had heard of. The anime in question is the supernatural romance anime film Hotarubi no Mori e.

Just from researching what the anime was about I knew this was going to be one of those shoujo fares that I would need to find time to watch. It helps that the video’s creator, youlazybum, did such a great job pairing scenes from the anime with one of my favorite songs these past ten years, Lauren Aquilina’s “King.”

So, here’s my latest AMV of the Day, “You Can Be King Again.”

Anime: Hotarubi no Mori e

Song: “King” by Lauren Aquilina

Creator: youlazybum

Past AMVs of the Day

It’s Love, Part 2


0 -- a

Last year, at this time, we shared some classic romance comic book covers.  Starting in the late 1940s, many comic book companies tried to broaden their audience by publishing romance comic books.  These comics told dramatic love stories in which young women had to deal with issues of cheating, divorce, jealousy, heartache, and the search for the one.

By Gene Colan

By Gene Colan

Because it’s Valentine’s Day, here’s more love and romance.

By Bob Oskner

By Bob Oskner

By Bob Oskner

By Bob Oskner

By Jay Scott Pike

By Jay Scott Pike

4 -- Teenage Love

By Nick Cardy

By Nick Cardy

6 -- Young Love

7 -- Haunted Love

8 -- His Hair Is Long And I Love Him

By Nick Cardy

By Nick Cardy

10 -- How

And remember, while you’re searching for love, be careful and don’t accept a ride from the first guy who offers.  Or you could end up with a bad reputation like Toni!

pickup1

Happy Valentine’s Day, everyone!

By Gene Colan

By Gene Colan