Today is the date that will forever become a date of remembrance for me and my family.
My father, Fernando Sandoc, passed away after losing his battle with cancer. He’s been a huge influence in my taste in music. I remember listening to him when I was younger singing songs by Frank Sinatra, Dean Martin to The Beatles, Tom Jones, The Temptations right up to The Eagles and Elvis Presley. His was an eclectic taste in music, but one that I didn’t appreciate at a young age.
Yet, as I grew older I began to listening to the very same bands and singers and really become fans of them as well. It was one of many ways he and I bonded throughout the years. This was especially true as I grew into adulthood.
One song which always stood out for me was of the Sammy Davis, Jr. song “Ive Gotta Be Me”.
I remember him singing this song with as much enthusiasm and vigor as Sammy himself. It became a sort of anthem (in addition to Frank Sinatra’s “My Way” which was another favorite of his and mine) as if he tried to live his life just how the lyrics spelled them out. I can’t say whether he succeeded or not, but he definitely lived his life “his way” and remained to being true to himself.
He and those he called his closest friends were lived to be their very own Rat Pack.
So, I shall be forever grateful for having such a loving, understanding father and a great friend and mentor who will remain eternal as I take up the mantle he has finally set down to rest.
I’ve Gotta Be Me
Whether I’m right or whether I’m wrong Whether I find a place in this world or never belong I gotta be me, I’ve gotta be me What else can I be but what I am
I want to live, not merely survive And I won’t give up this dream
Of life that keeps me alive I gotta be me, I gotta be me The dream that I see makes me what I am
That far-away prize, a world of success Is waiting for me if I heed the call I won’t settle down, won’t settle for less As long as there’s a chance that I can have it all
I’ll go it alone, that’s how it must be I can’t be right for somebody else If I’m not right for me I gotta be free, I’ve gotta be free Daring to try, to do it or die I’ve gotta be me
I’ll go it alone, that’s how it must be I can’t be right for somebody else If I’m not right for me I gotta be free, I just gotta be free Daring to try, to do it or die I gotta be me
Just going to be brief with the description of the latest “AMV of the Day”. The latest pick was the winner of Anime Weekend Atlanta (AWA) 2012.
“See Who I Am” is the title of the video and also the title of the song used by the video’s creator (Speedy180). This particular song is a favorite of mine from symphonic metal band Within Temptation and also used in one of the very first AMV’s I watched (Alchanum) and one which got me into the scene to begin with. The video itself is an anime mix of so many anime titles that I could only recognize some of the one’s that I’ve actually seen. I’m sure there are many more I missed.
It’s a well-done video that uses Sheryl Nome of Macross Frontier singing to sub in for Within Temptation’s Sharon den Adel. It’s a very dramatic song and the anime visuals picked and they’re put together more than matches the emotional content of the song.
Anime:Guilty Crown, Macross Frontier, Fairy Tail, Fate/Stay Night, Fafner in the Azure, Tengen Toppa Gurren Lagann, Bleach and many others…
“And I ask for no redemption in this cold and barren place.” — Ben Nichols
[some spoilers]
Season 4 of The Walking Dead, from the very beginning, has been exploring the theme of whether those who have managed to survive this far into the zombie apocalypse could ever return to who they were in the past. Could they return from the brink of having to do some unthinkable acts in order to survive? It’s this running theme which has dominated this first half of the season, so far.
We’ve seen Rick trying to leave behind the “Ricktatorship” of Season 3, but only to find out that this new world won’t allow him to go back to the way he used to be. He has changed, and so has everyone, some of the better and some for the worst. We’ve seen several main characters of the show go through this very crucible and some have turned out much colder while others have seen their moral center strengthened.
The series has been hinting that the Governor was still out there and last week’s episode ended with a sudden reveal that he’s back and has now set his sight back on the prison. While quite an ominous moment considering the Governor’s past actions towards Rick and the prison group, tonight’s episode has put some ambiguity on what the Governor’s agenda in regards to the prison really is.
“Live Bait” is the title of the latest episode of The Walking Dead and it takes a risky move by concentrating on the Governor only. We don’t see Rick or anyone from the prison community. This episode was all about the Governor and what happened to him after his failed attack on the prison in the season 3 finale. We already know that he massacres pretty much every member of his attacking force with the exception of his two most loyal lieutenants in Martinez and Shumpert. We see during the episode’s cold opening the total breakdown of not just the Governor but also the full destruction of everything he had built with Woodbury both literally and symbolically.
Yet, we don’t see him continue his rampage against those who he sees as having been the architect of his downfall. We see that he has blamed no one else but himself for turning into something that Rick and his people always feared he was: a charismatic, but psychotic leader who would destroy anyone and everything if he can’t have it. Tonight’s Governor has come a long way from Season 3’s version. Tonight he’s become a wandering, disheveled loner who looks to have more in common with the very zombies he hates. He’s on automatic with the barest sense of survival in his mind. Yet, just when we think he has finally given up the image of someone in a second floor window of an apartment complex peaks his curiosity enough to want to live another day.
This begins the meat of this episode as we see the Governor encounter a family who has survived the past year of the zombie apocalypse on their own. A family of a cancer-stricken father, his two daughters and a granddaughter. A group that has managed to survive without having learned just exactly how to destroy zombies they encounter and the true nautre of the infection.
For some this latest episode was too much talking and exploring the state-of-mind of the Governor, but it was actually a very strong episode that shows not every week has to be action-packed. While the episode (written by series regular Nichole Beattie) wasn’t very subtle about having the granddaughter becoming a stand-in for the Governor’s daughter, Penny, it still doesn’t diminish the fact that we see a sort of reset on the Governor as a character. The almost cartoonishly villain that the character had become by the end of Season 3 looked to be getting a sort of rehab to something that retains some complexity. This is not crazy Governor tonight, but a damaged individual who doesn’t see redemption in the future for the sins he had done in the past.
By episode’s end we see him having built a sort of surrogate family from the two daughters and the granddaughter who took him in, but his attempt to try and escape his Woodbury past (going so far as to use a name he had seen during his aimless wanderings) goes for naught as we see his past literally come back to confront him from the bottom of a pit. Like I said, not the most subtle episode, but for the most part the ideas and themes explored stick the landing.
Now, time to see if the sudden change in the Governor in his road to redemption will continue with the next episode which, hopefully, will catch up to the reveal of him watching the prison in episode 5. Some may decry the loss of lunatic Governor, but I prefer my villains to be much more layered in their personalities and motivations. The Governor has come out of this latest episode a sympathetic villain, but who might still have that dark side just waiting in the shadows of his psyche for a chance to assert itself.
Notes
Tonight’s episode was written and directed by series regular Nichole Beattie and series newcomer Michael Uppendahl.
The barn spraypainted with the name Brian Heriot and instructions for this unseen individual on where to go was another reminder of how much the world of The Walking Dead has lost in terms of society and civilization.
The first episode of The Walking Dead where the original cast (those that still remain) don’t make any sort of appearance.
This episode also marks the very first flashback-only episode of the series.
The characters of Lilly and Tara look to be this show’s version of two characters from the comics and the novels. Lilly was one of the Governor’s loyal supporters in the comics while tv version of Tara was much closer to the novel version of the same name.
When the Governor gives the sisters his name as Brian it’s a little detail that fans who have read the novels know as the Governor’s real first name. Philip is actually the name of his brother whose identity and personality he takes.
The episode didn’t have much zombie and gore until the end and much props to KNB EFX for finding new ways to kill zombies. Best kill of the night being the use of a femur bone to rip off the head of zombie by pulling back it’s top jaw off violently like a pez dispenser.
Talking Dead Guests: Ike Barinholtz of The Mindy Project and David “The Governor” Morrissey.
Weekend was busy, but still found time to catch a few favorite flicks on TV. One of these happened to be the classic early 90’s western Tombstone starring Kurt Russell and Val Kilmer. I already profiled my favorite scene from this film awhile back, but as I watched the film again I realized there was another sequence that totally made the film for me.
So, the latest “Scenes I Love’ once again comes from Tombstone and it does a great job in showing the darker and vengeful side of Wyatt Earp as played by Kurt Russell. The first scene I loved about this film was more about the cool, calm and badass Wyatt Earp who can spot a bullshitter, blowhard, coward from a miles away. This scene shows Earp in his scary, God’s Wrath mode as he begins his vendetta ride against the Clantons and the Cowboys.
Just love the look of fire and brimstone from Russell’s eyes as he confronts a cowed Ike Clanton and lets him know what he has planned for his clan and group. Better yet, in addition to Kilmer’s Doc Holliday, we also see a younger Michael Rooker aka Merle Dixon. He plays one of the members in Earp’s posse.
Some turmoil of the personal kind of late, but that won’t stop me from sharing a new AMV that has caught my eye. The latest “AMV of the Day” comes courtesy of one TheLastSamurai2011 who seems to realy enjoy making a particular type of video.
This particular AMV creator loves the anime series Black Lagoon and there’s nothing wrong with that. It’s an anime series that’s pretty much great not just because of all the crazy gunplay and hand-to-hand combat action, but for the fact that it’s most badass characters are pretty much all women. These ladies are not your typical cutesy “magical girl” types that’s popular with many anime fans. No, Black Lagoon has ladies that range from psychotic, sociopathic, unstoppable killing machines to just plain old badass.
This AMV focuses on the tragic backstory of one of the series’ most intriguing characters. Roberta could only be described as a lone wolf killer. Her violent past and the tragic loss of her original family was only tempered by being taken in by a soldier who molds her to become the protector of his son. Things happen as they’re wont to happen in violent tales. Roberta’s psychotic side soon becomes unleashed on those who has destroyed her adopted second family and she’ll carve of blood trail to find those responsible.
This video does a great job in telling part of her story.
“If you’re not ready to lose one, then you’ll lose them all.” — Dr. Caleb Subramanian
[some spoilers]
As this season’s of The Walking Dead gets closer and closer to it’s mid-season finale it’s time to take stock on what has happened, so far. There human-on-human conflict w hich dominated season 3 has now been replaced by a new and more insidious danger: disease outbreak. It’s a concept rarely explored in apocalyptic stories and barely even mentioned in zombie fiction. We’ve seen how the progression of the disease going through the population of the prison community has become an even bigger danger to everyone. Glenn said it best in episode 2. Zombies and raiders they can take on and succeed, but this disease is something that they can’t see until it’s too late. With the state of medical healthcare in the zombie apocalypse being horrendous at best and non-existent for the most part, this new wrinkle in this group’s survival since the world went to hell was a good move and start for new showrunner Scott M. Gimple.
We’ve seen characters we;ve grown to love in the first four episode grow in surprising and, at times, disturbing ways. Carol has become a hardened survivor who will do what it takes to protect the group from dangers both outside and inside the fences. We’ve seen Rick deal with trying to shed the mantle of leadership for the sake of his children, but quickly realizing (with some help from Carol) that it’s what he’s good at and something he needs to rediscover once again to help the group survive.
Even Carl has shown that he’s not just marching straight into sociopathy in this new world order. He’s realized what his father has sacrificed to try and bring him back from the brink of losing his humanity. So far, it has worked and we see more and more of his father in how he’s handling situations that in the past he would’ve used violence as a solution.
Tonight’s episode, “Internment”, we get to see the opposite image of what Carol has turned into by focusing on the group’s spiritual leader. Hershel Greene has taken over the spiritual and calming guidance that Dale used to provide. Where Dale seemed too entrenched in trying to live life as if the world still operated under the old rules and morality, Hershel has been more flexible. He doesn’t let his idealism get in the way of doing what’s necessary in the end. Yet, he still believes that saving everyone should still be a goal they as a community need to do. He’s willing to sacrifice his own well-being if it means keeping the sick from dying even if it means just providing that calming presence. He’s not just trying to save their lives but give their soul a semblance of hope that things will work out for the best in the end.
The episode played out like a calm before the storm. Some would say that it was unfolding like a throwaway episode that’s trying to give it’s viewers a breather before moving on to the next couple episodes with something more meaty and considerable. But like all slow burns this one exploded into action when we least expected it even though the writers dropped crumbs throughout that something big was about to happen.
Followers of the show won’t be disappointed when that slow-burning fuse finally leads to that gathering explosion. An explosion that once again saw the prison community become smaller and smaller with loses both to the disease that’s overtaken it and the zombies who have awoken inside the prison walls because of it. Showrunner and series writer Scott M. Gimple promised to make the zombies scary once again and in tonight’s episode we finally get the payoff the first four episodes have been working on achieving. Yes, they’re the faceless horde that has made killing them become more a chore than an act of survival, but the way the episode used them tonight made them scary once again. Their numbers will always be legion and this season has shown just how that still remains the scariest part of this show. Human enemies and even diseases are scary as well, but the zombies have once a gain returned as that patient, ever-encroaching symbol for the inevitability of death.
“Internment” has seen one of the more quieter members of the group who was becoming Dale 2.0, but tonight saw Hershel was just as much a badass survivor as Rick, Carl, Carol, Daryl and, his own daughter, Maggie. His faith in whatever plan God has in testing them might have taken a blow, but he still looks to his faith to get him and his friends and family through it all. He hasn’t let his physical handicap slow him and down. He’s even come through the crucible of tonight’s episode with his eyes much more open to the new realities of this new world, but still keeping his faith.
Time to see what the final reveal of tonight’s episode will now mean to the survival of what remains of the prison community.
Notes
Tonight’s episode was written and directed by Channing Powell and David Boyd respectively.
Interesting opening shot of Rick driving back to the prison with a very serious look on his face. Rick almost looked as if he’s steeling himself for the reaction on the news of what Carol did to Karen and David.
Looks like we now know that zombie flesh and blood is not toxic to animals. The two feral dogs feeding on the immobile zombie by the shoulder of the road was a nice detail.
Give Scott Wilson the first star for his incredible performance as Hershel tonight. He pretty much carried the episode from start to finish and there wasn’t a fake or boring section with him in it.
Great to see Rick finally see Carl as someone who is not just willing to provide help and protection for the group, but one who is more than capable of doing so. Carl looked more capable than Rick tonight.
Maggie has been pretty absent this season, but great to see her rush into the teeth of danger just like her father to try and save Glenn and the rest.
This is the second episode this week where half the cast doesn’t get any airtime which more than helps the episode’s pacing.
I still believe that Carol is protecting the real killer of Karen and David by confessing to Rick about it. My money is on scary-sister Lizzie who has taken on some very disturbing habits of treating zombies like pets and then using blood to make patterns on the floor with her shoe. The creepy-meter on this girl is reaching record levels.
Love the use of Ben Howard’s “Oats In The Water” during Hershel’s moment alone after taking down all the zombies in the cellblock and saving Glenn.
The Walking Dead may not be what some critics as great television. Hell, it’s been called boring, pandering and badly-written. It’s popularity has eluded detractors and supporters alike. There’s one thing the show has consistently done well and that’s pick licensed songs to help highlight particular episodes.
Tonight’s episode, “Internment”, is another such episode with a perfectly picked song. This time around the song is “Oats In The Water” by British singer-songwriter Ben Howard.
The song enters the episode as part of the calm which followed one of the most tense and terrifying sequences of the season. Whoever is in charge of licensing songs for this song needs to get a raise because it’s definitely been a highlight of each season.
Oats In The Water
Go your way, I’ll take the long way ’round, I’ll find my own way down, As I should.
And hold your gates There’s coke in the midas touch A joke in the way that we rust, And breathe again.
And you’ll find loss And you’ll fear what you found When weather comes Tear him down
There’ll be oats in the water There’ll be birds on the ground There’ll be things you never asked her Oh how they tear at you now
Go your way, I’ll take the long way ’round, I’ll find my own way down, As I should.
And hold your gates As coke in the midas touch A joke in the way that we rust, And breathe again.
And you’ll find loss And you’ll fear what you found When weather comes Tear him down
There’ll be oats in the water There’ll be birds on the ground There’ll be things you never asked her Oh how they tear at you now
In 2011, a little action film from Indonesia directed by Welsh filmmaker Gareth Evans took the world by storm. The film was called The Raid (The Raid: Redemption in the West). It out-actioned every Hollywood blockbuster action film of that year and still manages to hold its own against other action films since.
So, it’s no surprise that a sequel was already in production by the time that film’s theater run was winding down in the West. Gareth Evans will return as director of The Raid 2: Berandal and so will the survivors of the first film.
With filming all pretty much done and the film moving on to post-production the first official teaser trailer for the sequel has been released and all I can say is…WOW.
The Raid 2: Berandal will be punching people in the face sometime around 2014.
Today, over in NYC a special fan event for The Hobbit: The Desolation of Smaug was held which introduced a new one-sheet poster (look above), but also premiere a 3-minute sneak peek trailer to the second entry in The Hobbit Trilogy.
To say that this extended trailer is a vast improvement to all the previous teasers and official trailers for this second film in the prequel set would be an understatement. It still shows the film as being much more darker in tone than the book source it’s being adapted from, but it definitely shows a film that looks and feels much more put together than the first film (still just an assumption, but I have hopes I’ll be correct).
We see more of Luke Evans as Bard the Bowman who looks to fit in rather well instead of looking “too modern” as some feared he would look. I like how the trailer uses the poem, “The King Beneath the Mountains”, but in an altered form to make it sound like it was a prophecy. I know purist will probably rail and scream to anyone who will listen that this wasn’t how Tolkien wrote the poem. If they haven’t figured out by now that these film adaptations have been altering the written work to better fit the story then what have they been watching over the past decade.
I, for one, can’t wait for this middle film in the trilogy to finally come out and come out it shall on December 13, 2013. I saw the first film in every format and watch it in all format I shall for this one as well.
This week the godfather of the zombie genre was interviewed and the question of The Walking Dead was brought up. Well, it would seem that George A. Romero turned down the offer to direct a couple of episodes of The Walking Dead. His answer was that the show was really just a soap opera with the occasional zombie. His answer hasn’t sit well with fans of the show while those who have been major critics and detractors of it feel content at hearing their argument validated. Yet, it’s those very words that probably just gave the best answer as to why The Walking Dead the show continues to get huge ratings and just gain more and more fans with each new season…with each new episode.
Yes, it is a soap opera with zombies and we all know just how ridiculously popular soap operas can be when it hits a particular button with the general public. I think the writers and producers of the show know this to be true.
“Indifference” marks the fourth episode of the new season and it focuses on that very soap opera-ish aspect of the show that Romero spoke about in his interview. Yet, as the show delves more on the character interactions and conflicts with this episode it does so minus the flaws from past attempts which led to nowhere and no growth for the characters involved. Tonight’s episode explores the theme of not just the indifference which has settled on some of the survivors but also the concept of entropy which the zombie apocalypse itself has ultimately brought to the world from it’s very onset.
We see the time spent between Carol and Rick during this episode a battle of wills between two characters who become integral part of the groups survival dynamics since season 1. Yet, we see only true growth with Carol in this season. She has come a long way from the meek, silent abused housewife from season 1 to a battle-hardened leader-type who’s willing to make the difficult decision in behalf of the group. This used to be Rick’s role in the past three season, but the burden of leadership seemed to have weighed too much on this father of two. His decision during the timeskip to stop being the group’s leader and just become a farmer looks more and more like the very indifference and entropy tonight’s episode has been exploring.
Does Carol’s actions in killing both Karen and David make her out to be villain or does it just goes to show that she’s learned not to be afraid to kill if it means saving the rest of the group. She knows that what she did many wouldn’t understand, but she also knows that Karen and David were already dead and a danger to everyone. Her decision to unilaterally kill the two might have been correct when thought through logically, but Rick doesn’t see it that way. His reaction and decision to exile Carol was Rick’s emotional and attempt to hold onto the concept of humanity for the sake of Carl and Judith. Even as he drives away he understand that his decision might be wrong, but his narrow vision on trying to protect his children from calculated and logical decisions was another form of Rick’s indifference at the world as it is now and not as he wants it to be.
There’s change coming on the show’s group dynamics and we just don’t see it between Carol and Rick, but just as important between Tyreese and the rest of the scavenging group, Bob and Daryl and between Daryl and Michonne. We see Tyreese’s continue his change from the compassionate survivor who confessed to not having the stomach to killing the zombies day in and day out. His inconsolable rage from losing Karen (to a certain extent one of his last grasps in keeping his humanity) has made him a liability as he loses focus in his rage. yet, it’s this very indifference to whether he lives or dies that could become Tyreese’s ultimate wake-up call to become a better survivor in the long-run. The same couldn’t be said for Bob who we find out has already seen two groups of survivors not make it through with him being the only survivor. Just like Rick he has retreated back from trying to make things work through the very bottle he himself confessed probably killed Zach in the season’s premiere episode.
The show has improved from season to season. Season 4 looks to be more focused than seasons past. It still has some problems with having too many characters who do nothing but act as cannon fodder and/or plot devices (example Ana and Sam just for tonight’s episode). But even with the show looking like it’s just about talking and more talking it still manages to move the story forward when in the past it led things in circles. Yes, it’s this very dialogue-heavy and interpersonal conflicts that gives the show it’s soap opera label, but this season it’s this very drama that has made it very interesting on top of entertaining.
While Romero’s decision to turn down directing episodes of the show was based on this very soap opera-ish part of the show one has to remember that zombie fiction, even Romero’s very own classic films from Night of the Living Dead, Dawn of the Dead to Day of the Dead lived off of the very soap opera-like narrative and conflicts that The Waling Dead just happens to use and mine with each new episode. I don’t think the show will ever shed this part of it’s storytelling style. It’s a major appeal to the legion of fans who love and follow the show. It’s both a pro and con for the series. The question that continues to be explored with each new episode is whether Scott M. Gimple as the series’ new showrunner will be able to sustain this pace and not lose it in the end the way Mazzara did in season 3.
Notes
Tonight’s episode, “Indifference”, was directed by Tricia Brock and written by Matt Negrete.
A great cold opening with Carol doing her best warrior-mom role to make sure Lizzie doesn’t fear what needs to be done to survive. All the while this is happening we see Rick walking through the crime scene of Karen and David’s death and imagining just exactly how Carol did the deed.
Tyreese is really raging in tonight’s episode and doesn’t bode well for his long-term well-being if he continues to put the rest of the group in danger.
It looks like tonight’s episode will only use a small part of the cast which should keep irrelevant interactions to a bare minimum.
Bob confesses to having to bear witness to two previous groups of survivors he’s been a part of lose their fight against the zombies (and maybe other humans). I know that there’s been no sign of the Governor since the final episode of last season, but could Bob be talking of having been part of the Woodbury group.
We get two new redshirts in tonight’s episode with the very happy and wanting to help to a fault Ana and Sam. The story they told Rick and Carol about how they’ve survived in the housing community for so long sounds credible enough, but one could see Rick and Carol (especially Rick) not believing most of what’s being told to them.
It will be interesting to see how Rick will explain to the group in the prison (and to Daryl) just exactly what happened to Carol and whether he will tell them the truth of why she’s not with them anymore.
Talking Dead Guests: WWE wrestler Chris Jericho and Community‘s own Britta, Gillian Jacobs.
Through the Shattered Lens 