Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001. The entire show can be viewed on Tubi.
This week, Eddie in trouble!
Episode 2.9 “The Trophy: Part 1”
(Dir by Douglas Schwartz, originally aired on November 11th, 1991)
Awkward teenager Caroline Larkin (A.J. Langer) doesn’t have any friends because her family’s poor and she’s from Ohio. The only person on the beach who shows her any kindess is Eddie the lifeguard. When Caroline tries to impress the rich girls on the beach by claiming to have been seduced by Eddie, the main mean girl makes sure that Caroline’s father finds out. Eddie is shocked when he’s arrested and charged with statuatory rape …. despite the fact the fact that almost the same thing happened to Craig during the first season of the show.
What makes thing particularly awkward is that Eddie is arrested just as he and Shauni are getting ready to go to a chairty gala. Shauni finally got Eddie into a tux and then Eddie gets the handcuffs slapped on.
Meanwhile, parapalegic lifeguard Eric Turner (Daniel Quinn) returns. He’s still in love with Megan (Vanessa Angel), the Australian lifeguard. But he’s also bitter about having to use a wheelchair. This is one of those stories that would be compelling if we had the slightest idea who Turner and Megan were before this episode aired. This is also one of those episodes where totally new people show up and everyone acts as if they were there from the start of the series. (In all fairness, Megan has appeared on the show before but her role has never been particularly large.) Everyone else know who Eric Turner but we, the viewers, have never heard of him before.
Anyway, this is a two-part episode so neither storyline is resolved. Since I’m taking next week off for America’s 250th birthday celebration, Eddie’s going to have to wait in jail for a while. However, two weeks from now, we’ll see if Eddie can clear his name!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #ScarySocial presents Hellraiser II!
If you want to join us this Saturday, just hop onto twitter, start the movie at 10 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Hellraiser II is available on Prime! See you there!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
The shots below are all taken from films based on the work of Cormac McCarthy.
4 Shots From 4 Films
All The Pretty Horses (2000, dir by Billy Bob Thornton, DP: Barry Markowitz)
No Country For Old Men (2007, dir by Joel and Ethan Coen, DP: Roger Deakins)
The Road (2009, dir by John Hillcoat, DP: Javier Aguirresarobe)
Child of God (2013, dir by James Franco, DP: Christina Varos)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!
This week, a mansion is full of …. well, one surprise.
Episode 2.18 “Funhouse”
(Dir by Gilbert Adler, originally aired on February 11th, 1990)
Turk (Todd Allen), the moving man, is busy this week.
In our first story, Turk helps a young married couple, Emma (Robin Greer) and Robert Palmer (Clayton Landey), move into an old mansion. Turk talks about how the previous owners came to a bad end. Emma finds herself having dreams in which both Turk and her former lover, Colin (Joseph Brutsman), come aftter her. She comes to realize that the house is not haunted by a ghost but instead by a man looking for revenge. As is often the case with these type of stories, it all ends with a booby trap involving a bed of nails. Yikes!
In our second story, Turk helps another couple move into the house, Evelyn (Valerie Wildman) and her much older husband, Victor Hall (Robert Dowdell). This time, it’s Turk who ends up getting seduced by both Evelyn and the maid, Jillian (Laura Austin). However, it all turns out to be an elaborate game tht Evelyn, Victor, and Jillian enjoy playing. The bed of spikes booby trap makes yet another appearance and it’s so cool that it doesn’t even matter that Freddy’s Nightmares basically just repeated the twist from the first story in the second story.
This episode was fun. There really wasn’t anything supernatural going on but the cast of both stories seemed to enjoy playing up the noirsh aspects of their characters and Todd Allen was amusing as the cocky but stupid Turk. The bed of nails was an enjoyable macabre little twist.
Even at its best, Freddy’s Nightmares tended to be incredibly uneven but this was actually an enjoyable little episode.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
This week, we begin season 4 of St. Elsewhere!
Episode 4.1 “Remembrance of Things Past”
(Dir by Bruce Paltrow, originally aired on September 18th, 1985)
This week, we start a new season of St. Elsewhere!
From the start of this epiosde, St. Eligius seems like a happier place. A lot of that is because Dr. Westphall is gone. (That said, he’s still listed in the opening credits so we know, from the start, that will return.) Doctors Craig and Aushlander are a bit overworked having to cover Westphall’s duties but still, the residents seem to be a bit more hopeful than usual in this episode. Westphall’s perpetual glumness is no longer there to drag everyone down.
Morrison and Chandler have a conflict over a Vietnamese patient. Morrison wants to give the patient the best care possible. Chandler is upset because his older brother died in Vietnam and he feels like the patient doesn’t appreciate the sacrifice that Americans made during the Vietnam War. Morrison, of course, was an anti-war teenager. (There’s a reason why Helen Hunt calls him “boomer.”)
The whole Morrison/Chandler storyline felt a bit too heavy-handed to be effective. While I can believe that Chandler would have his own strongly-held opinions about the war, I have a hard time believing he would be as unprofessional as he was in this episode. Still, all of this does lead to a great scene where Morrison goes to Craig for the type of advice that he would usually get from Westphall and Craig responds by telling Morrison to get over it and concentrate on his job.
Seriously, I’ve been waiting for three seasons for someone to tell Morrison that.
Alfre Woodward joins the cast as Dr. Roxanne Turner, an OB-GYN. In this episode, she counsels an infertile couple. Dr. Turner wasn’t in much of the episode (and Alfre Woodard is not included in the opening credits) but I get the feeling that both she and the couple she was counseling are going to be around for a while.
The episode’s main storyline featured an amnesiac known as Joe Doe No. 6 (Oliver Clark). After John Doe escapes from the psychiatric ward and steals a suit, he’s mistaken for Dr. Jonas Wisner, who has beent sent to St. Eligius to evaluate its teaching program. John Doe No. 6 has a great time pretending to be Dr. Wisner and the doctors enjoy spending time with him. Unfortunately, the real Dr. Wisner (Joseph Ruskin) shows up and the fun ends.
Oh, how I loved watching John Doe No. 6 interact with the staff. Not only did it allow me to see the show’s characters through someone else’s eyes but it was also just an enjoyable storyline. It was a reminder that the hospital can be an entertaining place when Westpall isn’t wandering around the hallways.
However, towards the end of this episode, Westphall showed up at the hospital. Craig and Auschlander were happy to see him. Westphall asked if he could have his old job back. Of course, he can! Really? Didn’t Westphall walk off the job? But apparently, he can just wander back into the hospital while wearing his hobo cap and all is forgiven.
The episode ends with Chandler taking an impromptu trip to Washington D.C. and visiting the Vietnam War Memorial. As I watched this, it occuured to me that the memorial was still fairly new when this episoe aired. Once I realized that, I understood why the show included the Morrison/Chandler storyline. It pays to know history.
Season 4 is off to a good start! I just hope Dr. Westphall doesn’t drag everyone back down.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? Toxic Shark!
If you want to join us this Friday, just hop onto twitter, find Toxic Shark on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).
Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends. Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime. Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan. In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together. Both of them realize that the time they had is over. And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.
