Retro Television Review: Homicide: Life on the Street 5.8 “The True Test”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, a special guest star ends up in the Box.

Episode 5.8 “The True Test”

(Dir by Alan Taylor, originally aired on November 22nd, 1996)

At the end of this week’s episode, Pembleton finds out that he has finally passed his firearms exam and he’s been cleared to return to active duty.  Excusing the suspension of disbelief necessary to buy that Pembleton has recovered that quickly from his stroke, it’s a good thing that Pembleton and Bayliss will be working together again.  Because, seriously, Bayliss spent this episode acting like an unprofessional ass.

There’s been a murder at the exclusive Larchmont Academy.  Fifteen year-old Marshall Buchanan, the only black student at the entire school, has been found on the athletic field, stabbed to death.  It’s Lewis’s case but his temporary partner, Bayliss, takes charge.  Bayliss is convinced that Marshall was killed by a student and that the killing was racially motivated.  Bayliss is rude to the headmaster.  He’s rude to Marshall’s 12 year-old roommates.  He gets angry in the cafeteria and starts banging his hand on a table while everyone is trying to eat.  Lewis finally asks Bayliss what his problem is.  Bayliss explains that he grew up near Larchmont.  His cousin desperately wanted to go to Larchmont but was rejected because he wasn’t from an old money family.  Bayliss has never forgotten the way his cousin cried after getting his rejection letter.

Hey, Bayliss, you know what?

Big freaking deal.  None of that matters!

Your cousin wasn’t accepted?

Oh, boo hoo.  That has nothing to do with the case!

Usually, I like Bayliss and, even more importantly, I like Kyle Secor’s performance as Bayliss.  But, in this episode, Bayliss was just kind of whiny.  Pembleton would have told him to knock it off.  Lewis just ignores him.

Bayliss is right about one thing.  The murderer is a student, a 17 year-old sociopath named McPhee Broadman.  (Seriously, Homicide, you couldn’t have come up with a less on-the-nose name?)  McPhee is a sociopath who is looked up to by a bunch of the younger students.  His mother (Sagan Lewis) is a judge and therefore, he thinks he’s untouchable.  McPhee is played by a young Elijah Wood and Wood, it must be said, gives a chilling performance as the young murderer.  Towards the end of the episode, a smirking McPhee confesses to the crime.  Even after hearing him confess and say that he wants to kill her, McPhee’s mother still immediately starts making plans to defend him and to suppress his confession.

And she’ll probably succeed.  Bayliss has an obvious personal issue with McPhee.  And, as far as I could tell, neither Bayliss nor Lewis bothered to Mirandize him before interrogating him.  Way to let a murderer back out on the streets, guys!

Seriously, thank God Pembleton is back.

As for Kellerman, he is still on restricted duty but he did buy Dr. Cox a drink at the Waterfront and it’s kind of easy to see where things are heading with those two.  But if Pembleton can recover from a stroke in eight episodes, Kellerman can beat those bribery charges.  I have faith.

Scenes I Love: The Final 3 Laps From F1


A lot of people rolled their eyes with F1 received a nomination for Best Picture.

Those people have obviously never known the need for speed.

Today’s scene that I love is from F1 and it’s all about speed, strategy, and sacrifice.

4 Shots From 4 Films: Special Joseph Kosinski Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to director Joseph Kosinski!  It’s time for….

4 Shots From 4 Joseph Kosinski Films

Tron: Legacy (2010, dir by Joseph Kosinski, DP: Claudio Miranda)

Only The Brave (2017, dir by Joseph Kosinski, DP: Claudio Miranda)

Top Gun: Maverick (2022, dir by Joseph Kosinski, DP: Claudio Miranda)

F1 (2025, dir by Joseph Kosinki, DP: Claudio Miranda)

Late Night Retro Television Review: Saved By The Bell 2.1 “The Prom”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Saved By The Bell, which ran on NBC from 1989 to 1993.  The entire show is currently streaming on Tubi!

This week, we begin season 2!

Episode 2.1 “The Prom”

(Dir by Don Barnhart, originally aired on September 8th, 1990)

It’s time for the prom!

Wow, the second season really jumps into things, doesn’t it?  Most high school shows tend to take the “each season is one school year approach” but the second season of Saved By The Bell opens with prom.

It’s time for Kelly to finally decide who is going to be prom date (and boyfriend), Slater or Zack.  If the first season occasionally featured Kelly acting a bit flighty and, at times, self-centered, the second season introduces us to the new Kelly, who is in love with Zack but who also doesn’t want to hurt Slater’s feelings.  This is also the Kelly who suddenly comes from a huge blue collar family.  Kelly agrees to go to prom with Zack (and Slater, being awesome, accepts her decision with grace).  But when her father is laid off from his job at the defense plant (“World peace has broken out,” he explains — and you can thank Ronald Reagan and the first George Bush for that!  USA!  USA!  USA!), Kelly gives up going to prom because her family needs the money that she would have spent on the evening.

(Kelly, Zack’s superrich!  Just have him pay for everything….)

Zack is upset, until Slater tells him that Kelly’s father lost his job.

“Poor Kelly,” Zack says.

“That’s right,” Slater replies.  “Poor Kelly.  Not poor Zacky.”

HELL YEAH!  I LOVE SLATER!

Slater does go to prom, with Jessie.  (This is an important episode for Slater and Jessie too.)  Meanwhile, Screech asks Lisa to be his date.  When Lisa turns him down, Screech begs her to just see a movie with him.  It’s a zombie movie and Lisa loves it!  But apparently, Screech has an issue with people who love movies because he gets mad at Lisa for talking too much and decides to go to prom alone.  For some reason, Screech becomes the prom’s DJ.  Meanwhile, Lisa bores her date by talking nonstop about the zombie movie ….. wow, this all feels very familiar to me.

As for Zack and Kelly, they do go to prom!  They dance outside of the gym and it’s one of the few genuinely romantic moments to be found in Saved By The Bell.  It’s also one of the few moments that captures the unique mix of melancholy and optimism that goes along with being a teenager.

The second season is off to a great start!

Lisa Marie’s Week In Television: 4/26/26 — 5/2/26


I didn’t watch a hell of a lot this week.  Here’s a few thoughts on what I did watch.

Baywatch (Tubi)

You can read my review here.

Dr. Phil (Pluto TV)

I was bored.  I watched a few episodes this week.  Dr. Phil put bad parents and bratty children in their place.  One episode featured a guy who refused to take a drug test.  Finally, he did take the test and he tested negative.  I respected him for trying to stay true to his beliefs even when it would have been easier just to give in.

Freddy’s Nightmares (Tubi)

You can read my review here.

George Gently (YouTube)

He’s a British policeman and he’s not that gentle!  I watched an episode on Tuesday.

Git It On (PBS)

This was a 70s dance show.  I watched an episode on Friday night.

Hollywood Demons (HBOMax)

I watched the latest episode of this sensationalized but undeniably addictive show on Wednesday.  It was all about child actor and how their adult lives often seem to go off the rails.  Sometimes, I feel bad for all the child actors who went on to live non-tragic, non-scandalous lives.  Nobody ever takes the time to congratulate them on not self-destructing.

Intervention (Tubi)

I specifically tracked down the Ken Seeley episodes because Ken’s interventions always seemed to descend into chaos.

Kyōryū Sentai Zyuranger (Shout TV)

On Friday, I watched three episodes of this Japanese show about teenagers who carried the fighting spirits of various dinosaurs.  The saber-tooth tiger is so cool!

St. Elsewhere (Daily Motion)

You can read my review here.

Who’s The Boss (Prime)

I played this at night whenever I had insomnia.  The theme song always put me right to sleep.

Retro Television Review: Baywatch 2.1 and 2.2 “Nightmare Cove”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Baywatch, which ran on NBC and then in syndication from 1989 to 2001.  The entire show can be viewed on Tubi.

This week, we start season 2 of Baywatch.  Canceled by NBC, Baywatch found a new home in syndication.  The show was re-launched with a special two-hour premiere.  (For subsequent re-airings, the premiere was split into two episodes.)

Episode 2.1 and 2.2 “Nightmare Cove”

(Dir by Gregory J. Bonnan, originally aired on September 23rd, 1991)

A year and half after the final episode of Bayside’s network run, the show returns to the beach.

On the one hand, the basic idea is the same.  David Hasselhoff plays Mitch Buchanan, a divorced father who loves nothing more than being a lifeguard.  Eddie (Billy Warlock) and Shauni (Erika Eleniak) are two young lifeguards who are in love (though their engagement from the previous season is not mentioned).  Don Thorpe (Monte Markham) is Mitch’s no-nonsense boss. The sunsets are still beautiful.  The beaches are still inviting.

And yet, there are a few differences:

  1. Craig, Cort, Gina, Garner, and Trevor are nowhere to be seen.  (Craig, Cort, and Garner will all eventually return.  Gina and Trevor will never be mentioned again.)
  2. Hobie, Mitch’s son, is now played by Jeremy Jackson.
  3. Richard Jaeckel, who played doomed life guard Al Edwards in the pilot film, is now playing Ben Edwards, who apparently is meant to be the same character as Al.  (Mitch specifically mentions that Ben broke his leg when the pier collapsed, retconning Al’s heroic death into a mere injury.)
  4. Cort may be gone but there’s a new money-hungry lifeguard named Harvey (Tim McTigue).
  5. The second season premiere features even more musical montages than appeared in the first season.
  6. The second season premiere features a lot of random shots of women in skimpy bikinis.
  7. The red Baywatch one-piece swimsuits are back but now, they’re considerably tighter and more high-cut.
  8. The new Baywatch was airing in syndication.

I get the feeling that the Baywatch cameraman probably got together and all chanted, “Syndication, baby!” before running out onto the beach.  Even though the second season premiere is still far from what Baywatch would eventually become, one can already see the development of the aesthetic that led to it becoming the number one show for 90s frat boys and dads suffering from a midlife crisis.

As for this episode, there are rumors of an underwater monster and everyone wants in on the action.  Mitch saves an underwater photographer and falls in love for an episode.  Hasslehoff’s then-wife, Pamela Bach, plays a reporter whose editor wants sensationalized stories about the “beast of the bay.”  Of course, the beast of the bay is actually just the creation of an offshore oil company who wants to drill and ruin the environment because why not?  Luckily, one of the lifeguard, Devon (Andrea Thompson), is also an environmental activist.  Of course, Andrea Thompson is not listed in the opening credits so I imagine we’ll never see Devon again.

While Mitch is investigating the monster, Shauni rescues a little girl from drowning and then gets involved in the family’s life.  The family is black and the little girl’s brother is being recruited by a street gang so the very white Shauni arranges from him to join the junior lifeguards instead.  Shauni’s critical father (Albert Stratton) is impressed but I have to admit that I found the storyline to be a bit condescending.  Like a lot of 90s shows, Baywatch was at its weakest when it tried to deal with real-life issues.  It’s hard not to notice that whenever a guest actor who wasn’t white showed up on episode of Baywatch, they were always either being tempted or pressured to join a gang or they were trying to get out of the gang lifestyle.

In this episode, there’s an odd moment when Hobie decides to go into a storm drain and pretend to be the monster, which leads to a panic on the beach and monster hunters showing up with guns.  Mitch shows up and ends the situation before it gets too out-of-hand but you really do have to wonder if maybe Hobie would be better off with his mother.  I mean, seriously, Mitch — what are you doing here?  Your son is apparently an idiot who never learned anything from the dozen or so times his life was put in danger during the first season.

Finally, Thorpe gets promoted and he wants Mitch to take his place as chief.  Mitch argues that the new chief should be Ben Edwards.  Since apparently Ben has the power to come back from the dead, I can see Mitch’s logic.  In the end, Thorpe agrees.

And that’s it for this episode.  It’s definitely Baywatch but it’s still not quite as fun as the show would eventually become once it fully embraced just how ludicrous things could get in syndication.  This episode — and I imagine the rest of this season — feels like a show that is still making the transition from network television to anything-goes syndication.  Eventually, the show will get David Charvet, Pamela Anderson, and David “The Bulge” Chokachi.  During season 2, it was still just Billy Warlock and Erika Eleniak.

Live Tweet Alert: Join #ScarySocial for The Amityville Horror!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  The Amityville Horror!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: Mark Gregory in 1990: The Bronx Warriors


Today would have been the 62nd birthday of actor Mark Gregory, who will always be remembered for playing Trash in 1990: The Bronx Warriors and Escape From The Bronx.

In this scene from 1990: The Bronx Warriors, we’re reminded that everyone loves Trash.

4 Shots From 4 Films: Special Lone Scherfig Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to Danish director Lone Scherfig!  It’s time for….

4 Shots From 4 Lone Scherfig Films

An Education (2009, dir by Lone Scherfig, DP: John de Borman)

One Day (2011, dir by Lone Scherfig, DP: Benoît Delhomme)

The Riot Club (2014, dir by Lone Scherfig, DP: Sebastian Blenkov)

Their Finest (2016, dir by Lone Scherfig, DP: Sebastian Blenkov)