Falsely accused of murder, Rod Drew (John Wayne) and his buddy Wabi (Noah Beery, Jr.) jump off a train and end up in the Canadian wilderness, where they eventually find a deserted cabin, a map to a gold mine, and plenty of trouble when French-Canadian outlaw Jules LaRocque (Robert Frazer) decides that he wants the map and kidnaps Wabi’s girlfriend, Felice (Verna Hillie), to get it.
This was one of the many B-westerns that John Wayne made in between 1930’s The Big Trail and 1939’s Stagecoach. The film finds the youngish Wayne playing a slightly less upright character than usual. He’s still the hero but he’s also wanted by the police and spends much of the film fleeing from them. The movie is only 55 minutes long and the action moves quickly. The film’s Canadian locations and Robert Frazer’s over-the-top villain gives The Trail Beyond a slightly different and quirkier flavor than most the Duke’s 1930s output. I think this might be the only film to feature Wayne working with the Mounties. Even in this low-budget production, John Wayne is a strong hero who just looks like he belongs on a horse and traveling across the frontier. For someone who was the president of his high school’s Latin Club., Wayne had an automatic authenticity when it came to playing cowboys, even in the years before Stagecoach made him one of the biggest stars in the world. This is also one of the few films to feature both Noah Beery Sr. and Noah Beery Jr. While Beery Jr. plays Wayne’s sidekick and is in the film almost as much as John, Berry Sr.’s role is much smaller. He’s the store owner who is also Felice’s father.
Obviously, this is a film for fans of the genre only but it’s a good example of how John Wayne could make even his Poverty Row productions entertaining and watchable.
Through the Shattered Lens 