Retro Television Review: Dance ‘Til Dawn (dir by Paul Schneider)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1988’s Dance ‘Til Dawn!  It  can be viewed on YouTube.

It’s prom time and the seniors at Herbert Hoover High School are excited!  Patrice Johnson (Christina Applegate) is especially excited because not only did she organize the prom but she’s also the leading  contender to be elected prom queen.  She’s looking forward to having a wonderful night with her boyfriend, Roger (Matthew Perry).

Patrice is especially excited because her only real competition for prom queen, Shelley (Alyssa Milano), has broken up with her jock boyfriend, Kevin (Brian Bloom).  Shelley has declared that she will instead be attending a very mature and very fun college fraternity party.  Meanwhile, Kevin will be attending prom but he will be coming with Angela (Tracey Gold), who has a reputation for being a bit nerdy.  Kevin only asked Angela to prom because he was under the false impression that she’s easy but he soon finds himself falling for her for real.

Meanwhile, Shelley doesn’t really have a party to attend.  Instead, she decides to spend prom night avoiding her friends and watching an old movie at the town’s movie theater.  Shelley is convinced that no one from school will be at the theater.  Instead, she runs into nerdy Dan (Chris Young), who also came to the theater because he didn’t have a prom date.  Dan and Shelley end up having a fun time hanging out together.

While this is going on, all of the parents are having dramas of their own.  Patrice’s embarrassing parents (Cliff de Young and Mary Frann) relive their own youth.  Dan’s father (Alan Thicke) is convinced that Dan is not only the most popular kid at school but that Dan is also having a wonderful prom.  And Angela’s parents (Edie McClurg and Kelsey Grammer) are so paranoid about the idea of Kevin trying to sleep with their daughter that they actually sneak into the prom to try to keep them from getting too close.  Of course, they are mistaken for waiters and are immediately put to work.

I watched this two weeks ago, when I was still struggling to process the shock of Matthew Perry’s passing.  Unfortunately, Matthew Perry is not in much of the film and it’s not really until the end of the film that he really gets a chance to show any of the sardonic wit for which he was best known.  That said, Christina Applegate appears to be having fun as the snooty mean girl and she and Perry do make for a cute couple.  Actually, all of the couples in the film are cute, with Alyssa Milano and Chris Young especially making for an adorable couple.  This is a pleasant and, for many, nostalgic diversion, as long as you’re willing to accept that there is absolutely nothing go on beneath the film’s slick and occasionally colorful surface.  The humor is broad, the messages are obvious, and, as always, it’s amusing to watch Kelsey Grammer running around in a panic.

Dance Til Dawn doesn’t really bring anything new to the high school genre but it’s still worthy of the name of Herbert Hoover.

Retro Television Reviews: Fantasy Island 2.25 “Amusement Park/Rock Stars”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, season 2 comes to a close as we take another trip to the other side of the island!

Episode 2.25 “Amusement Park/Rock Stars”

(Dir by Cliff Bole, originally aired on May 13th, 1979)

Oh crap, it’s another Fantasy Island Sunday Special!

Apparently, in 1979, Aaron Spelling wanted to do a Fantasy Island spin-off for children, one that would have aired on Sunday nights.  The spin-off would have taken place on “the other side of the Island,” which was apparently designed to be very family-friendly.  The previous Sunday Special featured Kimberly Beck as Mr. Roarke’s assistant on the other side of the island.  In the second Sunday Special, Kimberly Beck is nowhere to be seen and the hosting duties are handled by Roarke and Tattoo.

As usual, Tattoo starts the episode by revealing his latest scheme.  He’s read a book on Sherlock Holmes and has decided that he wants to be a master of disguise.  He begins the show by disguising himself as Sherlock Holmes.

Later, he sneaks into Mr. Roarke’s office while disguised as a one-eyed, hook-handed pirate.

By the end of the episode, Tattoo has been reduced to dressing up like a chicken.

Mr. Roarke sees through all the disguises and, as usual, he comes across as being more annoyed than amused by his assistant.  It’s often been said that Ricardo Montalban and Herve Villechaize could not stand working together on Fantasy Island and, having spent nearly a year watching this show, I can say that it’s pretty obvious that was the case.  Even while trading jokes, there’s an undercurrent of hostility to all of their interactions.

But what about the fantasies?  Well, they’re a bit childish but let’s get to them.  As with the previous Sunday Special, the children arrive via hot air balloon.  No, Tattoo does not yell, “The balloon!  The balloon!”  In fact, the whole thing with the balloon seems to be silly and incredibly impractical.  I mean, where is the balloon taking off from?

Departing from the balloon are the Collins Family.  Robbie (Scott Baio), Willie (Jimmy Baio), Scooter (Keith Coogan), and Jodie (Jill Whelan) have come to the Island because Robbie has a fantasy about all of them becoming rock stars.  Upon arrival, Mr. Roarke tells them that he has already taken the demo that they sent him and turned it into an album.  They’re a big hit in the UK and on Fantasy Island.  But can they impress the American record executive that Mr. Roarke has invited to hear them?

It’s going to be difficult because, as Robbie discovers, the album features a remastered version of their demo, one that makes them sound like better musicians than they actually are.  Robbie panics.  “How are we going to sound like that?”  Mr. Roarke tells them to figure it out.  Robbie’s solution is to just lip-sync to the album.

Now, to be honest, this seems like not only a practical solution but it’s also what a lot of bands do in real life.  But Mr. Roarke is scandalized to discover that the kids paid Tattoo ten dollars to play the album back stage while they pretended to perform.  Robbie’s conscience gets the better of him and he confesses his crime to the record exec.  The record exec doesn’t care.  He hires the kids on a songwriters, because who wouldn’t want a bunch of pre-teen songwriters on the payroll?

However, the Collins Family has another problem.  It turns out that they’re runaways!  After their parents were lost at sea, the Collins kids were sent to four different orphanages.  The kids escaped to Fantasy Island but now, Mrs. Ridges (Joanna Barnes) has come to the Island and is planning on taking the kids back.  Fortunately, Mr. Roarke explains that he is the ruler of Fantasy Island and that the law doesn’t apply in his domain.  Even more fortunately, a telegram suddenly arrives, informing the kids that their parents did not drown but instead washed up on an isolated beach in Mexico.  Their parents have been rescued and the kids are no longer wards of the state!  Yay!

(That’s some incredible Dues ex Machina there, no?)

While this is going on, Darius (Jarrod Johnson) wants to run the Fantasy Island Amusement Park.

Wait …. Fantasy Island has an amusement park?

Yep, and it’s kind of a dump.  Seriously, the park looks like it reeks of spilled beer, stale weed, and lost dreams.  It’s a true nightmare alley.

Darius’s main reason for wanting to run the park is so he can give his dad, motorcycle stunt driver The Great Scott (Ted Lange), a job.  The Great Scott is hired to jump over the Fantasy Island lagoon but, when he sees Darius nearly fall off the Ferris wheel, he realizes that it’s more important to be there for his son than to risk his life.  (That said, The Great Scott does risk his life by climbing up the Ferris wheel to save Darius.)  Mr. Roarke then offers The Great Scott a new job, as the manager of the amusement park.  Of course, I watched this whole fantasy thinking to myself that The Great Scott already had a great job, working as a bartender on the Love Boat.

That said, let’s give some credit to Ted Lange, who actually gives a pretty emotional and kind of touching performance as The Great Scott.  Lange may be best known for playing Isaac but he’s also a graduate of London’s Royal Academy and I’ve heard that he was a wonderful Othello on stage.  My point is that, even if he is best known for the way he would point at people while serving drinks, Ted Lange can act and this episode certainly proves that.

Overall, this episode was clearly meant to appeal to kids and, as a result, it felt a bit childish.  This was not only the last episode of season 2 but it was also the last of the Sunday Specials and that’s probably a good thing.

Next week, we start season 3!

Cleaning Out The DVR Yet Again #19: I Know Where Lizzie Is (dir by Darin Scott)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Wednesday, November 30th!  Will she make it?  Considering that she only has a day left, probably not.  But keep checking the site to find out!)

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I recorded I Know Where Lizzie Is off of the Lifetime Movie Network on July 31st.  I also watched it while recording it and it’s a pretty good thing I did because, as the result of a glitch with the DVR, I only recorded the final hour!  So, when you read this review, be aware that at least half of it is being done on the basis of my possibly faulty memory.

I Know Where Lizzie Is is a hybrid of two popular Lifetime genres.  On the one hand, you have an abducted child storyline.  Teenager Lizzie Holden (Madison Iseman) has a fight with her mom, sneaks out of the house, and never comes home.  Her amicably divorced parents, Judith (Tracey Gold) and Martin (Richard Rucculo), desperately try to track down their daughter.  What they don’t know is that Lizzie is being held prisoner by a man wearing what appears to be a Michael Myers mask.

I Know Where Lizzie Is is also an unwanted guest film.  In an unwanted guest film, a seemingly friendly but secretly malicious stranger moves into an otherwise stable household and tries to destroy the family unit.  In the case of I Know Where Lizzie Is, the stranger is a phony psychic named Tracy (Nadia Bjorlin).  Tracy shows up and claims that she’s had visions of Lizzie.  She knows where Lizzie is!  Of course, the reason that Tracy knows all of this is because she’s in on the kidnapping.

(Before you start screaming at me about spoilers, this is all revealed early on in the film.)

On top of all that, I Know Where Lizzie Is is also an anti-media film.  A somewhat smarmy reporter (Robert Scott Wilson) also movies into the Holden household and he is soon providing nearly 24 hour coverage of the Holdens, the kidnappers, and especially Tracy.   I imagine that a lot of viewers will probably respond to the anti-media message.  I mean, the media is pretty much everyone’s favorite scapegoat at the moment, right?

(It’s hard to believe that just 9 months ago, Spotlight was winning best picture and everyone was talking about how much they loved the media.  It’s amazing how quickly things change.)

Anyway, I Know Where Lizzie Is was very much a typical Lifetime film and how much you enjoy it will depend on how much you enjoy Lifetime films in general.  On the plus side, both Robert Scott Wilson and Nadia Bjorlin did well with their untrustworthy characters.  Plus, the kidnapper in the mask was genuinely creepy!

If you like Lifetime movies, keep an eye out for it.