TV Review: Twin Peaks 2.21 “Miss Twin Peaks” (directed by Tim Hunter)


Twin Peaks

Here we go, with the second to last episode of the season.

“Miss Twin Peaks” starts with Leo (Eric Da Re), chained up as punishment for attacking Windom Earle (Kenneth Welsh – The Day After Tomorrow). While chained, he unlocks the chains for Major Briggs (Don Davis), and sets him free.

“Save Shelly.” he whispers, as Major Briggs rises to his feet and wanders off. Some time later, Windom Earle returns, asking how Briggs escaped. He would normally use the taser user he has on Leo, but has come up with a better idea – a better game – one that involves a bag of something he shakes with a sinister smile. A bag, worse than electricity? Doesn’t seem so bad, so far.

We cut to the Double R Cafe, where Norma presents some pies to Annie (Heather Graham – Horns, The Hangover) and Shelly (Madchen Amick) for the Miss Twin Peaks event. She tells them that she expects to see them in the Winner’s Circle. The pagent would be good for the town, to heal over the loss of Laura Palmer (Sheryl Lee). When asked if the town will honor her on the 20th Anniversary of her Miss Twin Peaks win, Norma laughs it off as bribery, as she’s a judge this year.

ShellyAnnie

At the Great Northern, a barefoot Audrey Horne (Sherilyn Fenn) is sitting by the fire and dressed in red, a very subtle suggestion to her being a new woman. Ben (Richard Beymer) steps into the room with a series of books in each hand. He tells her they are the collected religious works of the world – The Bible, The Koran, The Talmud, The Tao-Te-Ching, among others. He carries these in the hopes that he’ll find the good within himself on reading them, but in explaining this to Audrey, she appears distracted. He notes this to be because of Jack (Billy Zane), who’s flown off to Brazil. She still misses him fondly, and fears she’ll never see him again. Ben promises her she will, but Audrey waves it off.

Changing the subject, Audrey informs her father that there’s a connection between the bank and the Packards, which Ben will look into. Ben asks Audrey if she’s considered joining the Miss Twin Peaks Pageant. Although Audrey scoffs at the idea, Ben explains that they could use the Pageant to voice the town’s concerns over preserving the wildlife and the Horne family plans. She reluctantly agrees to do so.

Meanwhile, Andy (Harry Goaz) is in the precinct, staring at the drawing recreation from the Owl Cave. Agent Dale Cooper (Kyle MacLachlan) explains to Truman (Michael Ontkean) that on the night of Josie’s (Joan Chen – Demolition Man) death, he saw BOB (Frank Silva) appear. He theorizes that perhaps Josie’s fear is what attracted BOB, and ultimately caused her death. Listening in via the hidden mic in the room, Windom Earle now has what he needs. If he can reach the Black Lodge and BOB, his vengeance against Dale Cooper will be complete. He celebrates this briefly, and we can see that the bag he had is now empty. As he approaches Leo, he bids him farewell, telling him he liked him, but that he has to pay for letting Briggs free.

leo-line

We follow a line of string that appears to be tied to Leo’s teeth, going up and over him and leading to a box full of tarantulas! Nope! Nope, a million times, Nope. I would have rather Windom Earle just set the cabin on fire and leave Leo inside. Poor Leo. Yeah, he was a douche, but even he didn’t deserve all that, whatever his fate becomes.

A dance rehearsal for the Pageant. Donna and Shelly can’t help but laugh at all of the awkward positions that Tim Pinkle (David L. Lander) has the girls doing, while Nadine (Wendy Robie) and Lucy Moran (Kimmy Robertson) are upset at it all. Tim has a tiny loss of composure when questioned about his methods. Lana (Robyn Lively) appears to be really into it, however, probably under the impression she’s already won. She also happens to be the only dancer in heels, for some reason.

Judges

The judges – Norma, Mayor Dwayne Milford (John Boylan), and Dick Tremayne (Ian Buchanan) are looking on. Norma has to step away to handle some business, which leaves just the right opening for Lana to step in and improve her chances on becoming Miss Twin Peaks She mentions there’s something she’s looking for in the storage room, and asks Dick for some help. He joins her in the storage room with a flashlight. Lana’s communication style is through touch (because let’s face it, it’s easier to convince someone of something if there’s the slightest physical contact involved), and through this, she finds what she’s looking for. She doesn’t even need the flashlight to do so.

In Cooper’s room, Cooper records a message to Diane explaining that they’re working hard on the cave etching, and that Windom Earle is looking for the same source that they are. Should it fall into his hands, the ramifications could be disastrous. On a side note, Cooper praises Annie, who he’s very much warming up to.

Annie appears at Cooper’s door. He lets her in and she states she needs help with the Public Speaking part of the contest. Cooper explains that the Ghostwood Development could cause some problems for the town and the wildlife. In the midst of their conversation, Cooper makes a move.

“I don’t want to talk about trees anymore.” He simply says before kissing her. She leads him to his bed and they have a passionate moment together. I hope he remembered to pause his tape to Diane.

We’re watching a home movie, of Nadine and how she tackled Mike Nelson (Gary Hershberger) in wrestling class and fell in love. She and Nadine are in a room with Dr. Jacoby (Russ Tamblyn), Ed (Everett McGill) and Norma. Ed reveals to Nadine that he’s going to get married to Norma. Nadine’s stare is intense, but she smiles through it, holding on to Mike’s hand a little too tightly.

“Really?! Well that’s wonderful Eddie, ‘cause me and Mike are getting married, too!”, she says. You can hear the bones in Mike’s hand crack, and he wails in pain.

Major Briggs stumbles through the forest, finally making it to a road. He arrives just in time for Hawk (Michael Horse) to almost hit him with his Patrol Truck. Hawk gets out and puts Briggs into the truck.

The next scene has Briggs shivering and drinking water. It’s almost the same kind of shiver that Pete had. Cooper inspects Briggs and notes that he’s been shot full of Haloperidol, the same drug that the One Armed Man used to keep MIKE at bay. They try to find out where Windom Earle took Briggs, but they can’t get much from him. Andy comes back into the room, checking on the pictograph. Cooper says that if they aren’t at the right place at the right time, they might be able to find their way into the Black Lodge.

Catherine Martell (Piper Laurie), Pete (Jack Nance), and Andrew (Dan O’Herlihy) are trying to open the little box that was inside of the original black box given to Catherine. After a bit of frustration, Andrew throws the tiny metal box to the ground and shoots it with his revolver. This breaks the mini box open and reveals a key. Catherine puts the key inside a glass cake container, in full sight so that no one will steal it.

Donna comes downstairs in the Hayward house, dressed for the Pageant. She confronts her parents, demanding to know what the deal is between her mom (Mary Jo Deschanel) and Ben Horne. The parents won’t tell her, so she decides to get her answers from Ben.

Back at the precinct, Cooper realizes that one element was misread. He’s able to deduce that the map refers to Jupiter and Saturn coming into conjunction. They also learn that entering the portal requires Fear and/or Love (“Fear and Love open the doors.”, Briggs mumbles). If Windom Earle takes the Queen – in this case, Miss Twin Peaks – to the doorway, he should be able to get it to open. At least, that’s what I made of it. As they discuss this, Andy has a relegation, but is unable to share it, as Andy knocks over the bonsai plant. The plant breaks, and reveals Windom Earle’s bug. Now aware that he’s been listening in the whole time, Cooper, Truman and Andy head over to Miss Twin Peaks Pageant.

Here we are at the Miss Twin Peaks Pageant. The ladies of Twin Peaks are having an opening dance number. The show is underway, and there are a number of things occurring. Bobby Briggs (Dana Ashbrook) notices the Log Lady (Catherine E. Coulson) sitting by the bar, but then also notices her standing about 30 feet near him, by the restroom. When Bobby approaches the log lady by the door, we find it’s actually Window Earle, who bonks him on the head with his log, knocking him out.

MissTwinPeaks

Meanwhile, Lucy is dancing on stage. For someone due to have a baby in less than a year, she handles herself well on stage. Cooper and Truman arrive, and Truman notes that they have deputies surrounding the place. After her number is Lana’s, which is a bellydance that entrances the audience and the male judges. Lana’s gaze is focused primarily on Dick and Dwayne as she dances. Andy arrives on the scene, looking for Cooper to tell him what he was unable to say before.

Audrey gives a short speech on fighting for the environment, before leaving and seeing her dad before heading back out. Backstage, Donna confronts Ben, and asks him for the truth. We all learn that she is in fact Ben Horne’s daughter and Audrey’s half-sister. She runs off in tears before any major explanation can be given.

Annie gives a moving speech, one that catches Dick’s attention. Audrey also has a great speech. Lucy meets with Dick and Andy backstage to inform them that Andy will be the father of her child. Andy is surprised, and Dick is elated. Andy promises to be a great father, but he has to locate Cooper, and he leaves her standing there. It’s a humorous moment in the mix of everything.

The announcement is underway. The winner and the new Miss Twin Peaks is…..Annie Blackburn!! There’s applause from the crowd as Annie accepts her award. Lana peeks out from behind the crowd to stare at Dwayne as if to say “What happened?”.  Dwayne turns to Dick and asks him about the vote. Dick replies that Annie’s speech won him over.

The lights suddenly go out, and then flicker like a strobe. Very similar to Brian DePalma’s Carrie, we have pandemonium as everyone tries to evacuate. Nadine, standing under a ladder, is hit on the head with a sand bag, knocking her unconscious. Cooper catches sight of Windom Earle, but in trying to reach him, Earle sets of a flashbang that disorients Cooper. This gives Earle enough time to capture Annie with some chloroform and get out of the building. When Cooper comes to his senses, he tells Truman, who starts to get a perimeter setup. It’s here that Andy is finally able to reach Cooper and tell him what he found.

Windom-Annie

The puzzle they’ve been studying isn’t a puzzle at all, but a map!

So now, we come to the Season Finale (and ultimately the Series Finale) of Twin Peaks, which Lisa will close out tomorrow. Can Cooper save Annie? Can he catch Windom Earle? Is Nadine okay? What about Lucy and Andy? What about that blooming key? Will Donna confront all of her parents? Will Leo manage to escape the box of tarantulas? Hopefully, all of these will be answered.

This is my final piece on Twin Peaks. I hope that you’ve enjoyed reading about this show as we have writing about it. A lot of work went into this from different sides. This has been an awesome project to be a part of, and I’d like to give a quick thanks to both Lisa and Jeff for having me on board.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman
  29. TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal) by Lisa Marie Bowman

TV Review: Twin Peaks 2.20 “The Path to the Black Lodge” (directed by Stephen Gyllenhaal)


Welcome back to Twin Peaks!

Our latest episode begins with a closeup of Rusty Tomasky’s (Ted Raimi) face as the members of the Twin Peaks police force struggle to get the giant paper mache chess piece out of the gazebo.  While this goes on, one of Rusty’s friends talks to Andy (Harry Goaz), Cooper (Kyle MacLachlan) and Harry (Michael Ontkean).  Rusty was in a band and was supposed to play a gig at Snake River.  On the way there, a tire went out on the van and a man emerged from the woods, wanting to know if Rusty wanted some “brew.”  Rusty’s friend starts to cry, which makes Andy cry.

Cooper says that Windom has taken another pawn but he did not tell them his next move.  “Windom Earle is playing off the board.”

The next morning, at the sheriff’s station, Lucy (Kimmy Robertson) asks Andy what he knows about saving the planet.  Andy says that styrofoam never dies and people need to stop tossing their beer cans into Pearl Lake.  Lucy says that tomorrow will be D-Day,  “Dad day.”  She will be choosing her baby’s father, either Andy Brennan or Dick Tremayne.  She will also be entering the Miss Twin Peaks contest because she and the baby could use the money.

At the Great Northern, Doctor Hayward (Warren Frost) is giving Ben (Richard Beymer) a physical examination.  Hayward tells Ben that he believes that Ben is trying to do the right thing but that he needs to stay away from Eileen.  Ben says he has no choice.  He has to do what his heart commands him to do.  Wheeler (Billy Zane) steps into the office.  He says that he has been looking for Audrey.  Ben says that Audrey should be back any minute but Wheeler does not have a minute.  His business partner has been murdered in Brazil.

In the attic of the Hayward house, Donna (Lara Flynn Boyle) looks over her birth certificate and sees that the identity of her father has been left blank.  She finds a scrapbook, full of pictures of her parents with Ben.

Audrey (Sherilyn Fenn) returns to the Great Northern, where Deputy Hawk (Michael Horse) is waiting for her.  Hawks tells he that Cooper needs to see her at the station, immediately.

In his office, Ben is still talking to Wheeler.  Ben is more concerned about Stop Ghostwood than Wheeler’s dead business partner.  Wheeler says that he has no choice but to go.  Not realizing that Audrey’s back, Wheeler gives Ben a note and asks him to deliver it to her.  Wheeler leaves the office.

At the sheriff’s station, Major Briggs (Don S. Davis) has obtained all of the Project Blue Book files dealing with Windom Earle.  Briggs plays a video tape of Earle ranting about the Black Lodge.  Cooper says that Earle did not come to Twin Peaks to get revenge on him.  Instead, he came to Twin Peaks to find the Black Lodge.  Now, they just have to figure out how the Black Lodge is connected to the drawing found in the cave.

Little do they know that, through the microphone hidden in the bonsai tree, Windom Earle (Kenneth Welsh) is listening to their conversation.  Earle tells Leo (Eric Da Re) that the time has come to invite Major Briggs to a Project Blue Book reunion.

At the diner, an old woman who we have never been seen before is eating cheery pie when her hand starts to shake so uncontrollably that she has to grab it with her other hand to stop it.

In a booth, Shelly (Madchen Amick) reads her Miss Twin Peaks speech on how to protect the environment to Bobby (Dana Ashbrook).  Bobby says that he has been thinking about his relationship with Shelly.  Bobby says that he knows he has not been a great boyfriend but, when he saw Shelly kissing Gordon Cole, something in his brain snapped and he realized how much he loved Shelly.  They share a passionate kiss that is interrupted by a phone call from Cooper.

At the Roadhouse, preparations are being made for the Miss Twin Peaks Contest.  Mayor Milford (John Boylan) tells Lana (Robyn Lively) that the other two judges are going to be Norma Jennings and Richard Tremayne.  The Mayor says that all they have to do to win is get Lana alone in a room with Richard.  He tells her to wear “a dress slit all the way to Seattle.”  The Mayor then starts to cry, wishing that they could just elope.  Lana says that she will only marry him if she wins Miss Twin Peaks.

At the station, Cooper tells Audrey, Shelly, and Donna that all three of them are in danger.  He orders them to check in with the sheriff at least twice a day and to never go anywhere alone.

At the cabin, Windom is talking about blood-drinking priests while Leo cleans up.  Leo sees a picture of Shelly’s face glued to a playing card.  Windom says that if Shelly wins Miss Twin Peaks, she will die.  He says that Leo can help if he wants.  “No!” Leo says before trying to attack Windom with the zapper, which does not work because, even though Leo has managed to grabbed the zapper, he is still the one wearing the electric collar.  Leo ends up zapping himself.

Audrey returns to the Great Northern, walking through the lobby and barely missing Wheeler, who is checking out.  Audrey goes to Ben’s office, when Ben welcomes her back and then tells her that the Stop Ghostwood Campaign needs a spokesperson.  Ben wants her to enter Miss Twin Peaks.  Audrey wants to know where Wheeler is.  Ben finally tells her that Wheeler had to leave for the Brazilian rain forest and tries to give the letter to Audrey.  Audrey leaves, hoping to catch Wheeler at the airport.

At the sheriff’s station, Cooper, Harry, and Andy are examining the cave drawing.  Cooper says that the symbols suggest a time but a time for what?  Cooper admits that he is having a hard time focusing because he can not stop thinking about Annie.  Suddenly, Cooper’s hand starts to shake until he grabs it with his other hand.

Major Briggs is walking through the woods when he is approached by Windom Earle and Leo, who are wearing a horse costume.  “Hello, Wilbur!” Earle says before shooting the Major with a tranquilizer dart.

At the airport, Wheeler is getting in his private plane.  He stops to take one final look for Audrey.

At the diner, Cooper orders a slice of cheery pie and uses a quote from St. Augustine to encourage Annie (Heather Graham) to enter the Miss Twin Peaks contest.  Cooper confesses that he spends most of his time thinking about Annie.  Annie says she spends all of her time thinking about Cooper.  Cooper asks Annie to go dancing with him and leans in to kiss her.  Dishes all of the counter and syrup ominously drips on the floor.

At the airport, Pete (Jack Nance) drives Audrey across the airstrip, letting her off in front of Wheeler’s plane.  Audrey runs in front of the taxiing airplane, yelling for Wheeler to stop.  Luckily, Wheeler does stop before running her over.

“I’m a virgin!” Audrey says, “I want you to make love to me.”

“Here and now?” Wheeler asks.

“It’s your jet.”

Realizing that Audrey has a point, Wheeler leads her into his plane, while Pete watches from his truck.  Pete has tears in his eyes.  Suddenly, his hand starts to shake uncontrollably.

At the cabin, Earle interrogates the bound Briggs, shooting arrows at him whenever Briggs says that he is not at liberty to divulge any information.  Earle gets annoyed and gives the major a shot of truth serum.  Earle asks Briggs what his greatest fear is.

“The possibility that love is not enough,” Briggs says.

(I would have said salmonella but that’s just me.)

Under the influence of the serum, Briggs says that the signs in the cave mean that “there is a time, if Jupiter and Saturn meet, they will receive you.”

At the Martell house, Catherine (Piper Laurie) is showing Eckhardt’s lunar box to Andrew (Dan O’Herlihy).  Andrew pushes the buttons the box and it pops open, revealing another box.  Andrew smashes that box, revealing yet another box inside.

At the Roadhouse, Annie and Cooper are dancing.  Looking at the decorations for the Miss Twin Peaks pageant, Annie tells Cooper that she has decided to enter.  Annie says that being Miss Twin Peaks would be like being in a fairy tale.  “And you’re the queen,” Cooper says.

Suddenly, time freezes for everyone but Cooper.  The lights go down.  The Giant (Carel Struycken) appears on the stage, shaking his head “NO.”  Cooper looks confused though it should be obvious to him that the Giant is saying, “No, do not enter the contest!”

At the airport, Wheeler’s plane finally takes off.  Pete gets out of his truck and is approached by a newly mature Audrey who says that she finally met the man of his dreams and now he is on his way to Brazil.  Audrey cries that Wheeler offered to take her fishing but he never did.  Pete says he has some tackle in the truck.  Pete tells her that the best cure for a broken heart is trout’s leap at midnight.

At the cabin, Leo is shaking and the Major is screaming.  Earle is singing about mummy wheat.  Earle has figured out that the drawing is actually a map to the Black Lodge.

At the dance, the Giant finally disappears.  As Cooper kisses Annie. Mayor Milford tries to get a microphone to work.  “Something’s not right,” he says, “there’s something wrong here.”

In the woods, Killer BOB (Frank Silva) emerges from a portal while the red curtains are reflected in a nearby puddle.

With only two episodes left, this was a pretty good episode.  All of the disparate plotlines of the latter half of the second season are finally coming together and the appearance of both the Giant and BOB at the end promises that the finale will be a return to the Twin Peaks of old.

Leonard is doing tomorrow’s episode and then Lisa is doing the finale so this is my last recap.  I have really enjoyed rewatching Twin Peaks and sharing my thoughts about the show with all of you.  Thank you for reading!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland
  28. TV Review: Twin Peaks 2.19 “Variations on Relations” (directed by Jonathan Sanger) by Lisa Marie Bowman

 

 

 

TV Review: Twin Peaks 2.19 “Variations on Relations” (dir by Jonathan Sanger)


“Butterfingers!”

— Catherine Martell (Piper Laurie) in Twin Peaks 2. 19 “Variations on Relations”

“Tastes kind of woody.”

— Lucy Moran (Kimmy Robertson), same episode

Well, everyone, we’re coming towards the end.

There’s only a few more episodes to go and then Leonard, Jeff, and I will be finished with our look back at Twin Peaks.  Have you been enjoying it?  I hope so!  And, before you feel too sad about the end of our look back, remember that, on May 21st, a new season of Twin Peaks will premiere on Showtime!  Who knows?  Maybe we’ll even review it on this site.

Today’s episode is the 19th of season 2.  It was the first episode, since Arbitrary Law, to be written by the show’s co-creator, Mark Frost.  It was directed by Jonathan Sanger, who in 1980 produced a film called The Elephant Man.  The Elephant Man was, of course, directed by David Lynch.  It was Lynch’s first mainstream success and it’s totally reasonable to say that, if not for The Elephant Man, Lynch would probably never had a chance to put a show on American television.

We start with the opening credits.  Knowing that the show is nearly over and that this latest review series is about to come an end, Angelo Badalamenti’s opening theme music sounds even more ominous than usual.  Both Joan Chen and James Marshall are still listed in the opening credits, despite no longer being on the show.  Not listed: Heather Graham, Billy Zane, or Kenneth Welsh, despite the fact that the last few episodes have revolved around them.

Harry (Michael Ontkean), Cooper (Kyle MacLachlan), Andy (Harry Goaz), and Hawk (Michael Horse) return to the Owl Cave and discover that someone has already turned the lever and caused the cave to collapse.  “Someone’s been here already,” Cooper says, “they did our work for us.”  Because Hawk can basically do anything, he notices a footprint and immediately recognizes it as being the same footprint that was found outside the power station.

“Windom Earle,” Cooper says.

“What would Windom Earle be doing here?” Harry asks.

Hey, here’s a better question — why did they leave the Owl Cave unguarded?  Why didn’t they try to turn the lever themselves?  Why didn’t they at least try to replace the part of the wall that fell off so that the lever wouldn’t just be out there in the open?  I realize that Cooper is supposed to be silly in love with Annie right now but this is still a mistake that he wouldn’t have made during the first season.

(One of the more annoying things about the latter half of the second season is that the characters are much more inconsistent.  Cooper’s level of competence changes from scene to scene.)

Cooper orders Andy to copy the drawing on the cave wall.  (To me, the drawing looks a lot like the mountains around Twin Peaks.)

We fade to Windom Earle (Kenneth Welsh) taking about how there was once a place of goodness called The White Lodge.  As Windom speaks, he smokes a pipe and, not for the first time, I find myself wondering if maybe Windom’s actually a hobbit.  Windom explains that the White Lodge was a ghastly place and then, literally, says “Heh heh.”  I know Windom’s supposed to be some sort of supergenius villain but he’s no Killer BOB.

Leo (Eric Da Re) listens as Windom explains that there was also a Black Lodge and the Black Lodge was a place of pure evil.  Windom intends to find it.  As the camera pans across the cabin, we see that Leo and Windom have a visitor.  We’ll call him Heavy Metal Stoner Dude (HMSD for short) and he’s played by Sam Raimi’s brother, Ted.  HMSD says the story’s cool but he was promised beer and a party.

“In time, young man,” Windom says, “Everything in time.”

Then, Windom starts to play that damn flute of his again.

At the Martell house, Pete (Jack Nance) is staring at a chess board and talking (to himself) about how much he loved Josie.  He even recites a poem or two.  Catherine (Piper Laurie) comes in the room and tells him to stop feeling sorry for himself.  Catherine wants to open the box that Eckhardt left behind but, as Pete quickly notices, there’s no keyhole.  It’s a puzzle box!  Pete tells a long anecdote about going on a date with two twins in Guam and then says that it could take years to open up the box.

At the Double R Diner, Bobby (Dana Ashbrook) tells Shelly (Madchen Amick) that he’s figured out the secret of success.  “Beautiful people get whatever they want,” Bobby says.  (It’s true.  We do.)  “When was the last time you saw a hot blonde go to the electric chair?” Bobby asks.  (Again, Bobby is correct but he’s Bobby so we won’t give him too much credit.)  Bobby has decided that Shelly needs to enter the Miss Twin Peaks Contest.  When Shelly tells Bobby that he’s being ridiculous, Bobby grabs her wrist and says, “Bobby’s in charge!”

Meanwhile, the Mayor (John Boylan) and Lana (Robyn Lively) sit in a booth, letting us know that, despite being with the town’s lethal sex goddess, the Mayor hasn’t had a heart attack yet.  Lana says that she wants to be Miss Twin Peaks.  I just remembered that Robyn Lively starred in Teen Witch.  Top that!

Cooper comes in and, of course, immediately goes to the counter and tells Annie (Heather Graham) that he needs doughnuts and coffee.  Cooper also asks Annie to accompany him on a nature study.  Cooper says he gets a tingling sensation when he talks to Annie.  “Interesting,” Annie says.

Considering that I happen to like both Heather Graham and Kyle MacLachlan, I never thought I would say this but Cooper and Annie have got to be the most annoying couple ever.  First off, MacLachlan — whose performance is usually perfect — goes overboard with Cooper’s awkward shyness.  It’s as if the show is so desperate to convince us that he and Audrey actually don’t belong together that Cooper is now being written like an idiot in an effort to make us go, “So that’s what true love looks like!  People in love don’t have chemistry or intelligent conversations like Cooper and Audrey did!  Instead, they get a blank look in their eyes, grin an empty grin, and talk about nature studies!”

As for Annie, it’s obvious that she was a hastily created character.  Much as Cooper’s competence changes from scene to scene, the same can be said of Annie’s innocence.  Yesterday, Jeff compared Annie to an Amish girl on rumspringa and I think that’s the perfect way to put it.  She didn’t spend the last few years on Mars, after all.  She was just in a convent.

Anyway, back to the show:

As Cooper pays for the doughnuts, Shelly recites the poem that was left for her by Windom Earle.  Cooper recognizes the poem and says that he needs to see it immediately.  Shelly hands over the poem and Cooper leaves but not before promising to pick Annie up at 4:00 sharp.

At the station, Harry reads over the poem and Cooper explains that Audrey, Donna, and Shelly have all been contacted and presumably targeted by Windom Earle.  Cooper also explains that he once sent the same poem to Caroline.  If Windom’s goal is to hurt Cooper, I can understand targeting Audrey but why Donna and Shelly?  Neither one of them has really had anything to do with Cooper.

In the Conference Room, Maj. Briggs (Don S. Davis) watches as Andy draws the cave symbol on the chalk board.  The Major correct Andy’s drawing as Cooper steps into the room.  Cooper says that he needs the Major’s help but that he can’t tell him how or why.

“Go on,” Major Briggs nods.

(It’s interesting how Briggs has gone from being Bobby’s abusive, ultra-strict father to being some sort of seer.  I like the change, though.  Don S. Davis, who died just recently, was far too good an actor to be wasted as just another abusive father figure.  His simple but firm delivery of “Go on,” is a masterclass in great acting.)

Cooper explains that the Twin Peaks Sheriff’s Department is investigating three separate cases: the disappearance of Leo Johnson, the appearance of Windom Earle, and the drawings found in Owl Cave.  (Why would the sheriff’s department investigate cave drawings?  Isn’t that a job for Werner Herzog?)  Cooper says that logic would say the three are unrelated but he disagrees.  Cooper calls them three notes in one big song.

“What can I do to help?” Briggs asks, wonderfully nonplussed.

Cooper says that he needs to know exactly what Windom Earle was doing with Project Blue Book.  Briggs explains that, after his disappearance, his security clearance was revoked.  He also says that there are certain moral values that must be taken into consideration.

“Yes, sir,” Cooper says, “I understand.”

Briggs asks if this information will help to save lives.  Cooper says that it will.  Briggs than asks if the drawing is a copy of what was found in Owl Cave.  Briggs explains that he once saw the same thing in a dream.  Briefly, a monk-like figure wanders across the screen, followed by an owl flying through outer space.

Back in reality, Maj. Briggs says, “I will do what you ask.”

Hawk enters with Leo’s arrest report.  Cooper looks over Leo’s confession and then announces that the poem was transcribed by Leo Johnson.

Menawhile, at the Great Northern, the Stop Ghostwood Estates campaign continues with a charity wine tasting.  Ben (Richard Beymer) explains to Dick (Ian Buchanan) that Audrey will not be around to help because she has, quite conveniently, been sent to Seattle.  (This also means that Audrey won’t be around to get in the way of the Cooper/Annie romance.)  Dick is wearing an oversized bandage on his nose.  Ben says that they will also be paying Dick’s medical bills and they’ll be providing him worker’s comp.

“Capital!” Dick says, “I’ll alert my attorney.”

As Dick walks away, Ben mutters that the urge to be bad is hard to resist.  Personally, I prefer evil Ben to this Ben but I do like the fact that, even when Ben tries to be good, he still comes across as being sinister.

At the cabin, Windom Earle is still acting like a cartoonish super villain.  (This is to be expected since Windom is a cartoonish super villain but it’s still hard not to be disappointed that he’s not the calculating genius that Cooper originally described.)  Windom has got HMSD wrapped up in some sort of big paper mache thing.  HMSD thinks that it’s a float for the Lilac Parade so he’s shocked when Windom shoots him with an arrow.  Or, he would be shocked if not for the fact that he’s dead.

(Sadly, HMSD’s last words are: “What’s with the arrow, man?  This isn’t funny.”)

Meanwhile, at the Roadhouse, the Judging and Rules Committee of the Miss Twin Peaks Pageant is meeting.  The committee is made up of Doc Hayward (Warren Frost), the Mayor, and Pete.  (I assume that Laura Palmer was last year’s Miss Twin Peaks since she was everything else in town.)  Ben has asked to address the committee.  Ben suggests that this pageant should have a pro-environmental theme.  Ben says that this year’s question-and-answer session should deal with how to save the forests.

“We’ll take it under advisement,” Doc Hayward says.

The various candidates for Miss Twin Peaks are asked to approach the committee.  There’s Lana and Donna and Shelly and Nadine (Wendy Robie).  Nadine shows up with Mike (Gary Hershberger).  When Bobby (who is there with Shelley) asks Mike what he sees in Nadine, Mike whispers something about the combination of sexual maturity and super human strength in Bobby’s ear that is apparently so impressive that all Bobby can do is shout, “WHOA!”

(Remember when Mike and Bobby were drug dealers who killed people?  A lot has changed since the first season.)

Meanwhile, at the Martell house, Harry is trying to get answers from Catherine.  He’s trying to understand who Josie was.  Catherine gets the puzzle box and says that it might have something to do with Josie.  As Harry looks at the box, Pete comes in the room and says that every beautiful woman in Twin Peaks is competing for Miss Twin Peaks.  Except, of course, for all the ones have died over the past month…

Anyway, Pete takes the box from Harry and accidentally drops it on the floor.  Catherine snaps, in the worst line in the history of Twin Peaks, “Butterfingers!”  However, the box opens as soon as it is dropped.  And what’s inside?  Another box, this one with a weird lunar pattern design on it.

(Maybe the blue key from Mulholland Drive is inside that one.  Who knows?)

Meanwhile, Cooper and Annie are sitting in a rowboat in the middle of the lake.  Annie says that she always struggled to make friends when she was younger.  Annie says that she’s had one serious boyfriend but doesn’t want to talk about him.  Annie explains that she left the convent and returned to Twin Peaks so she could face her fears “where everything went so wrong.”

Obviously, Annie is a lot of fun at parties.

Watching this scene, I again marveled at the total lack of chemistry between Heather Graham and Kyle MacLachlan.  If the Annie/Cooper relationship was meant to make us forget about the fact that Cooper and Audrey were meant to be together, scenes like this one didn’t help.  Even when Cooper and Annie kiss, it’s like watching two mannequin collide.  That’s not meant as an insult to either Kyle MacLachlan and Heather Graham.  I’ve raved about both of them on this very site.  It’s just that the Annie and Cooper scenes are incredibly awkward and unconvincing.

Anyway, after Cooper and Annie kiss, we see that they are being watched by Windom Earle, who is not even bothering to wear a disguise at this point.

At the Great Northern wine tasting, snobby people are drinking wine and Dick is serving as their host.  That this scene works is due almost entirely to Ian Buchanan.  It’s a lot of fun to watch and listen to him as Dick pretentiously describes each wine.  The fact that I don’t drink wine and consider wine tastings to be the height of bourgeois snobbery only served to make me enjoy this scene even more.

(And, of course, I love Dick but you already knew that.)

Andy and Lucy (Kimmy Robertson) are at the wine tasting,  Andy attempts to show off his knowledge by pointing out that, along with red wine, there are also white wines and sparkling wines.  Andy also makes the mistake of tasting his wine before he was supposed to, leading to Dick yelling, “Spit out!”

(I’m resisting the temptation to make a certain joke at this point.  You will thank me later.)

At the diner, Gordon Cole (David Lynch) is out on a date with Shelly.  It’s sweet little scene, actually.  Cole can actually speak in his normal voice and, while he may not be the world’s greatest actor, David Lynch has an oddly likable screen presence.  Interestingly, David Lynch and Madchen Amick have more chemistry than Heather Graham and Kyle MacLachlan.  If the Showtime revival opens with Shelly and Gordon married and living in Portland, I wouldn’t be upset.  (If the show opens with the Mayor of Portland talking about his strange younger brother, Dale Cooper, I’ll be even happier.)

Cooper comes in with Annie so, of course, Cole starts shouting again.  “THIS WORLD OF TWIN PEAKS SEEMS TO BE FULL OF BEAUTIFUL WOMEN!” he announces.  Cole also adds that “PEOPLE WHO NEED PEOPLE ARE THE LUCKIEST PEOPLE IN THE WORLD!”  Cole says that he doesn’t know when he’ll be returning to Twin Peaks, a line that’s extra poignant because, by this point, I imagine David Lynch probably knew his show wouldn’t be returning for a third season.

Just as Cole leans in to kiss Shelly, Bobby walks into the diner, demanding to know what’s going on.

“YOU ARE WITNESSING A FRONT 3/4 VIEW OF 2 ADULTS SHARING A TENDER MOMENT!” Cole replies.

Seriously, they’re so cute together!

Back at the wine tasting, Dick asks everyone what flavor of wine they just tasted.

“Tastes kind of woody,” Lucy says.

“No,” Dick says with a condescending smile.  “Lana?”

“Banana?” Lana suggests.

Yes, Dick says, there is a hit of banana.  At this point, Dick’s nose bandage has become soaked in wine.

From the back of the room, Andy shouts out that he tasted chocolate.

“Why don’t we just skip the wine and have a banana split!?” Lucy shouts.

Way to go, Lucy!  TOP THAT!

Later, Lucy does top that by spitting her wine in Dick’s face, explaining that she’s pregnant and not supposed to drink.

In the Great Northern lobby, Cooper and Wheeler (Billy Zane) stare into the fireplace.  Cooper is thinking about Annie.  Wheeler is thinking about Audrey and it just feels so wrong.  Wheeler says love is Hell.  Cooper replies that “(t)he Hindus say love is a ladder to Heaven.”  Shut up, Cooper.  I never thought I’d say that but I’ve lost a lot of respect for him now that, after making such a big deal about not allowing himself to get emotionally involved with anyone, he has managed to fall madly in love with a blank slate who has only been in town for three days.

(I mean, seriously, Audrey nearly died trying to help Cooper.  Annie just pours coffee and acts as if living in a convent was the equivalent of getting stuck on Mars with Matt Damon.)

Meanwhile, it’s an awkward dinner at the Hayward house, where Donna (Lara Flynn Boyle) wonders about her mother’s relationship with Ben Horne.  What about happened to Donna’s sister?  She hasn’t been seen since the first season.  Maybe she ran away when it became obvious that everyone who knows Donna eventually ends up either dead (Laura, Harold, Maddy, Leland) or, like James, in San Francisco.

Donna asks her mother (Mary Jo Deschanel) how she knows Ben Horne.  Doc Hayward immediately says, “I told Donna about that benefit that you’re working on….”

(OH MY GOD, DONNA IS BEN’S DAUGHTER!  Which means that she is Audrey’s half-sister.  After reading all the stories about Lara Flynn Boyle and Sherilyn Fenn not getting along behind the scenes, this amuses me.)

Anyway, Donna gives her mother a hard time about seeing Ben while both of her parents try to change the subject.  If only Donna was as concerned about her suddenly missing sister.

That night, the police discover a huge crate has been left in the gazebo.  When Cooper and Harry open it, they discover a giant paper mache chess piece.  And inside the chess piece is the dead body of Stoner Heavy Metal Dude.  A note from Windom Earle is also found, announcing that the next victim will be someone who Dale knows.

Cooper says that Windom appears to be changing the way he plays the game, which is a polite way of saying that he’s a bit of an inconsistent character.

This episode wasn’t bad, though I still find myself cringing whenever Cooper and Annie start flirting.  But the scene with Cole and Shelly were fun and I’m really growing to appreciate Richard Beymer’s performance as the new, conflicted Ben Horne.  Two of my favorite Twin Peaks supporting actors, Ian Buchanan and Don S. Davis, got some good scenes as well.  While this episode can in no way match anything from the 1st season, it’s not bad for a 2nd season episode.

Well, there’s only three more episodes left and then the movie!  Jeff has tomorrow’s episode.  Then Leonard will be covering Sunday and then I’ll be back for the finale.  As for the movie — we’re still playing rock scissors paper to figure out who gets to play it.  We’re doing best out of a 1,000.  It could take a while.

While we figure it out, check out what led us to this point!

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland
  23. TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel) by Jedadiah Leland
  24. TV Review: Twin Peaks 2.15 “Slaves and Masters” (directed by Diane Keaton) by Lisa Marie Bowman
  25. TV Review: Twin Peaks 2.16 “The Condemned Woman” (directed by Lesli Linka Glatter) by Leonard Wilson
  26. TV Review: Twin Peaks 2.17 “Wounds and Scars” (directed by James Foley) by Lisa Marie Bowman
  27. TV Review: Twin Peaks 2.18 “On The Wings of Love” (directed by Duwayne Dunham) by Jedadiah Leland

TV Review: Twin Peaks 2.14 “Double Play” (directed by Uli Edel)


Welcome back to Twin Peaks!

Last episode, Major Briggs (Don S. Davis) returned from the land of missing and brought with him a tale of the White Lodge.  Ben Horne (Richard Beymer) obsessed over the Civil War.  James Hurley (James Marshall) found himself trapped in a second-rate film noir.  Jean Reanult (Michael Parks) was finally killed but, when Cooper (Kyle MacLachlan) and Harry (Michael Ontkean) returned to the sheriff’s station, they discovered that someone had left them a present: a dead man sitting in front of a chess board.

Things start with the station still in darkness.  Doctor Hayward (Warren Frost), Harry, and Cooper are looking over the dead man’s body.  The first thing that they discover is that a chess pawn has been stuffed in his mouth.  When Cooper correctly guesses that the dead man will have a stab wound in his chest, severing the aorta, Harry deduces that this is not the first time that Cooper has seen something like this.

Cooper says that he knows that his former partner, Windom Earle, is responsible.  He guesses that the victim was a vagrant who was offered a lift by Earle.  (In reality, the victim was played by Craig MacLachlan, brother of Kyle.)  Earle stabbed the man and then set off the explosion in the woods.  When everyone was distracted, Earle carried the body into the station.  “Windom Earle has been in this room,” Cooper says, “I can still feel his presence.”

At the Great Northern, Audrey (Sherilyn Fenn) makes a deal with Bobby (Dana Ashrbook).  She wants Bobby to help her bring her father back from “limbo land.”  “From now on, Bobby,” Audrey says, “I’m the one you suck up to.”

“What about Shelly?” Bobby asks.

“What about Shelly?” Audrey replies.

Speaking of Shelly, she is in trouble because Leo (Eric Da Re) has suddenly woken up and now she’s trapped in a dark house, with no power and a very angry husband.  Fortunately, Bobby arrives home right when Leo is about to attack Shelly with an axe.  When Leo attacks Bobby instead, Shelly stabs Leo in the leg with a kitchen knife.  Like an unmasked Jason Voorhees, the wounded Leo staggers off into the woods while Bobby and Shelly embrace.

The next morning, back at the station, Cooper watches as the body is wheeled away.  Harry gives Cooper a cup of coffee and tells Cooper that, until he is reinstated in the FBI, he is still a deputy.  “If you want this case,” Harry says, “it’s yours.”

Out in the front lobby, Andy (Harry Goaz) tells Lucy (Kimmy Robertson) that he has to talk to her about Nicky.  Andy explains that he and Dick have been doing some detective work and they think that Nicky may have murdered his parents.

“He’s nine years old,” Lucy says.

“We know,” Andy nods, “we think he was six at the time of the crime.”

Lucy is not amused.

At the Marsh place, James is working on another one of classic cars when Jeffrey Marsh (John Apicella) walks up and introduces himself.  He says that he’s envious of James’s carefree lifestyle.  He says that he’d love to talk to James about the cars later in the day but James says that he should probably be moving on.  Evelyn (Annette McCarthy) walks up and says that she is sure that she can find all sorts of things for James to do around the house.  James walks back inside the garage and Jeffrey drives away in the car that James just finished working on.  As Evelyn looks off in the distance, there is the sound of screeching tires and a car crash.

At the diner, Ed (Everett McGill) is having a cup of coffee of Doctor Hayward.  Ed is worried because Nadine wants to start dating boys and, since she’s She-Hulk now, Ed worries that Nadine could kill them with her sex drive.  Doctor Hayward suggests that Ed tell her to be home by 9:00 on school nights.  I could be wrong but I don’t think Doctor Hayward is taking Nadine’s condition very seriously.

Doctor Hayward is actually more concerned about Donna, who took the van that morning to go see James.  Ed explains that Donna is taking James some money, presumably all twelve of the dollars that were in James’s bank account.

After the doctor leaves, Norma (Peggy Lipton) sits down across from Ed.  She says that Hank is in the hospital.  He says that a tree fell on him but Ed tells her that Nadine actually beat him up.  Norma is happy because, once Hank gets out of the hospital, he will be going back to prison for violating his parole.

At the sheriff’s station, Cooper and Harry are staring at the chess board that Windom Earle placed in front of the dead man.  Cooper explains that he and Earle played a game of chess every day for three years.  Earle thought that all the answers to life’s mysteries could be found in the game of chess.

Cooper explains that Windom Earle was his first partner.  Everything that he learned about the law and the bureau he learned from Windom Earle.  Cooper tells the story (the same one that he told Audrey earlier) of how, four years ago, he fell in love with a woman named Caroline who was a material witness to a federal crime and how, when she was attacked, Cooper was not prepared and could not save her life.  Cooper adds the detail that she was stabbed, in the same way as the vagrant.  Cooper also reveals that Caroline was Windom Earle’s wife.

Donna (Lara Flynn Boyle) arrives at a bar called Wallies, looking for James.  James is not there but Evelyn is.  “You look like someone who needs help,” Evelyn says.  When Donna says she’s looking for James, Evelyn says that James did some work for her and then left for Mexico.  Donna leaves, presumably taking James’s twelve dollars with her.

At the Great Northern, Dr. Jacoby (Russ Tamblyn), Audrey, and Jerry (David Patrick Kelly) watch as Ben continues to play with his little army men.  Ben thinks that Jerry is General J.E.B. Stuart.  Ben assures everyone that they are marching forward and only God can stop them.  “The almighty is a Southerner,” Ben declares.  Dr. Jacoby explains that if Ben can reverse the defeat of the Confederacy then he will also reverse his own recent mental defeats.  Jacoby and Ben start to sing Dixie.

At the sheriff’s station, Major Briggs stumbles in, says that he needs to see Harry, and then collapses.

When he comes to, Major Briggs explains to Harry and Cooper that, when his superiors questioned him about his disappearance, they exhibited a degree of “intolerance and suspicion” that apparently left Briggs feeling traumatized.  Briggs goes on to explain that, during his disappearance, he believes that he was taken to the White Lodge.  Briggs goes on to say that there will be much trouble ahead.  “I will return,” Briggs says, “but until that time, I will be in the shadows if you need me.”

As Briggs leaves, Andy enters the office and tells Cooper and Harry that he needs to show them something.  He leads them to the conference room, where Dr. Jacoby announces that he has spent the last few hours talking to Lana Milford (Robyn Lively) and he has found no evidence of her being crazy or cursed.  There is no way that Lana is responsible for Dougie’s death, Jacoby says.  Jacoby goes on to say that Lana has a heightened sexual drive and skills that few men could ever hope to experience.  Jacoby announces that he and Lana are going to go bowling but, as soon as they step out of the office, they run into Mayor Milford (John Boylan), who was a rifle and who demands that nobody move.

The Mayor wants blood but Cooper has a solution.  He takes the rifle and then locks Milford and Lana in the conference room together.  After a few minutes, Lana and the Mayor are in love and talking about adopting a child.

At the Martell house, Pete (Jack Nance) tells Catherine (Piper Laurie) that they forgot to pick up the hot dogs.  Catherine is more interested in telling Pete the true story of how she survived the fire and marshaled the resources to defeat Ben.  She reveals that her brother (and Josie’s husband), Andrew Packard (Dan O’Herlihy), is not actually dead and he’s sitting in the study.  Andrew explains that he and Catherine faked his death in a boating accident because a contract had been taken out on Andrew’s life by Andrew’s former business partner, Thomas Eckhardt.  Catherine also reveals that Josie works for Thomas Eckhardt and that Eckhardt will be returning to Twin Peaks to rescue her from having to work as Catherine’s maid.

At the exact same time, Thomas Eckhardt (DAVID WARNER!) and his assistant, Jones (Brenda Strong), are checking into the Great Northern.

At the sheriff’s station, Lucy is sick of both Andy and Dick (Ian Buchanan) so she brings Doctor Hayward in to talk to both of them.  Doctor Hayward explains that he called the orphanage and that Nicky is no murderer.  Nicky’s mother was a chamber maid at the Great Northern and his father was a man who fled back to Canada following the back alley assault that led to Nicky’s conception.  Hayward explains that Nicky’s mom died in childbirth.  Nicky was adopted by a loving couple who died in an icy car crash.  Six year-old Nicky heroically attempted to pull his adoptive parents to safety but failed.  Andy and Dick both start to cry.

Harry gets an alert from Seattle, telling him that the man who Josie left with, the one who Josie claims that she merely escaped from, has been found murdered.  Since Cooper is now a deputy, Harry orders Cooper to find out if Josie killed him.  For once, Harry gets to order Cooper around.

At the Marsh house, James is packing his stuff when Evelyn comes in and swears the she is in love with him.  Evelyn says that there’s been an accident and Jeffrey’s dead.  James immediately figures out that Evelyn killed her husband and set him up to take the fall.  Evelyn says that it was Malcolm’s idea and that Malcom isn’t really her brother.  As the police arrive outside, Evelyn tells James to run and go find “that young girl who loves you.”

As James tries to sneak out of the house without being spotted by the cops, he runs into Donna, who is hiding behind a tree.  They run off while Evelyn talks to the police.

In the woods, a dazed and confused Leo comes across a cabin.  Inside the cabin, a man (Kenneth Welsh) plays a flute and invites Leo to enter.  The man sits down in front of a chess board and introduces himself as Windom Earle.

End credits.

This episode shares the same flaws as a lot of season 2.  There are a lot of good scenes, like Leo menacing Shelly and Bobby or the introduction of Windom Earle, but there are also scenes that are just too cartoonish, like anything involving the Mayor and Lana.  This episode was the first and only episode to be directed by German director Uli Edel and he does a pretty good job, putting his own unique spin on the show’s signature style.

Tomorrow: “Slaves and Masters,” in which Cooper gets unexpected help in his chess game against Windom Earle.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson
  21. TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel) by Leonard Wilson
  22. TV Review: Twin Peaks 2.13 “Checkmate” (directed by Todd Holland) by Jedadiah Leland

TV Review: Twin Peaks 2.12 “The Black Widow” (directed by Caleb Deschanel)


Twin Peaks

Ladies and Gentlemen, welcome back to Twin Peaks!

Here we are at Episode 12 of Season 2, “The Black Widow” was directed by Caleb Deschanel, who happens to be the father of Emily (Bones) and Zooey (New Girl). The episode opens with Bobby Briggs (Dana Ashbrook) paying a visit to Ben Horne (Richard Beymer). Ben is somewhat down on his luck, having learned the truth about Audrey’s (Sherilyn Fenn) visit to One Eyed Jack’s and Hank (Chris Mulkey) informing him that the brothel has been taken over by Jean Renault (Michael Parks). Ben gives Bobby a mission to follow Hank and get him on film, handing him a camera. Anything mischievous or crazy, Ben needs it for blackmail.

On the way out of Ben’s office, Bobby watches a screaming Lana Milford (Robyn Lively, who I found out is actress Blake Lively’s sister) as she runs through the hallways. Given the title of the episode, I think we may be able to get an idea of what happened.

Dale Cooper (Kyle MacLachlan) is finally settling down in Twin Peaks, and with a realtor in his office, he’s given two options for Open Houses. Being Dale, he leaves the decision to chance with the flip of a quarter. The quarter spins and lands on the picture of a third property that was left out. The realtor tells him that the property is known as “Dead Dog Farm”, and no one really stays there long. It’s the place for Dale and he asks to see it right away.

Judy Swain (Molly Shannon, SNL)  from the Happy Helping Hands Organization stops by the precinct to speak with Andy (Harry Goaz), Lucy (Kimmy Robertson) and Dick (Ian Buchanan) about little Nicky (Joshua Harris). Judy has some interesting news on Little Nicky. It turns out that his parents were killed by mysterious circumstances, and he was bounced around to various homes. Judy doesn’t say whether Nicky had a hand in his parents death, but we can figure the best course of action here maybe to get those Megiddo daggers from The Omen and take that little kid to a church.

TP-Molly Shannon

Sheriff Truman (Michael Ontkean) calls out to Andy as they have to make a run to the Great Northern. A tragedy has occurred. Sure enough, the next scene gives us the recently deceased Dougie Milford (Tony Jay) laying in bed. Doc Hayward (William Frost) declares it – a heart attack. Apparently, Dougie was in the throes of passion when his heart gave out. Mayor Dwayne Milford (John Boylan) says his brother couldn’t refuse a beautiful woman, and on seeing Lana in the hallway, he calls her out as a witch and a succubus. Hawk (Michael Horse) approaches Lana and attempts to console her, listening to her state that she’s cursed. Her Prom Night date in High School tried to kiss her, but his braces malfunctioned, leaving him with a lockjaw. Knowing a thing or two about curses, Hawk tells her not to worry and that when things go down, he’s the man. The scene ends on a laughable note.

Gym Class at the High School. The coach introduces the newest member of the wrestling team to her peers, Ms. Nadine Hurley (Wendy Robie). She challenges her crush Mike Nelson (Gary Hershberger) to a sparring session. Mike sets Nadine up in a grapple hold, but she easily tackles him to the ground. She manages to also put him in a head lock and even body slam the poor fellow. Mike is down and out for the count, waiting for someone to throw a python on him and call it a day. In the next scene, we see a damaged Mike as he makes his way down the hallways of school. He reaches Donna and begs her to help him get Nadine off his back. She tells him that maybe an older woman is what he needs.

At Evelyn Marsh’s (Annette McCarthy) residence, James (James Marshall) meets Malcolm Sloan (Nicholas Love) Evelyn’s brother and the family chauffeur. If you recall from the previous episode, James is staying with Evelyn to fix her husband’s Jaguar. He was given the job by his sister, and without it would have probably gone on to drink himself into a corner. He alludes to the idea that her husband Jeffrey (John Apicella) beats her often, and to get back at him, she damages his things. Apparently, she was the one to put the Jaguar in traction. Malcolm leaves James to deal with the info he’s just provided.

Irene Littlehorse (Geraldine Kearns) brings Cooper to Dead Dog Farm.

A tiny digression here. Angelo Badalamenti has a sweet eerie tune here that sounds very much like something Charlie Clouser (Saw, The Collector) would have worked on. The closest contemporary sound I could find was as a song called “Talk to Me” by Porcelain Raft. If you get a chance, give it a listen. I wouldn’t be shocked to discover Badalamenti was an influence to them and others. This might also explain how Trent Reznor’s involved in the Revival.

Anyway, Irene and Cooper find that Dead Dog Farm was recently visited. As they go inside, they discover more clues. It appears someone’s been there in the past few hours (how Cooper realizes that is beyond me, but he’s Cooper. He deals in luck and sorcery, we’ll just accept it). He discovers baby laxative in the sink, and cocaine in a chair. With a smile, he tells Irene that they have to contact the Sheriff. The trail has become hot, and he wasn’t even trying.

Dick and Nicky are at their campsite, and Dick is trying to fix a flat. Nicky is being somewhat annoying by playing with the steering wheel and honking the horn. Dick yells at him, and Nicky puts himself out of the way, somewhat happy at the mayhem he’s caused. However, when the jack on the car gives way and almost injures Dick, Nicky runs and hugs him, worried about if he died. Dick seems a little surprised by this, and it’s something of a bonding moment between them. Then again, perhaps Nicky was just setting a trap for Dick.

At the preceinct, Truman and Cooper are talking with Colonel Riley(Tony Burton) regarding Garland Briggs’ (Don Davis) disappearance. There appears to be a connection between some messages from deep space that pertain to Agent Cooper. According to the Colonel, the source of the messages weren’t from space, but from an area very near to, or practically in Twin Peaks. The Colonel mentions that Briggs’ disappearance is a very serious thing with extreme ramifications to national security.

At the Marsh residence, James is finished fixing the Jaguar. He asks Evelyn about her husband, about what he’s done to her. She argues the point, but after a kiss and the honk of a car, she goes on alert. Jeffrey has come home, and she runs out to meet him.

Audrey meets Bobby at the Great Northern, congratulating him on the job he’s acquired with her father. She also asks him if he’d be willing to work with her as well. Misunderstanding the meaning of business, he leans in for a kiss, which she deftly evades. He smiles, saying he likes the way she thinks and heads to Ben Horne’s office.

That scene bothered me a little, and this may have to do with the idea that at the time, Lara Flynn Boyle was dating Kyle MacLachlan. Since the two of them were together, it supposedly caused a bit of a rift between she and Sherilyn Fenn. The setup that would have possibly led to an Audrey / Cooper courtship was derailed and by this point, it looked like the writers weren’t entirely sure of where to put Audrey in the scheme of things. As long as she was far from Cooper, it worked out. That’s just my speculation.

Audrey snoops in on Ben and Bobby from one of the cubbyholes in the lodge. She sees that he was able to get the pictures for Ben, though to what end, we’re not sure.

Josie (Joan Chen) is doing maid duty for Catherine Martell (Piper Laurie) to pay for her scheming against here. There isn’t much to the scene save that Catherine is relishing where she has Josie here.

Cooper records something for Diane, saying that the response to Windom Earl’s first move was printed in the local paper, but he received the response to that move the day before. He understands that Windom is one step ahead of him, and needs to find a way to change that. He also points out that in the time since his suspension, he’s looked for a home, and he has to worry about his defense, which could be a problem.

Just in time, Audrey knocks on the door, presenting Cooper with a package. Inside are the pictures from Ben’s office. Pictures that include Ernie Niles (James Booth). Audrey’s happy here, considering that the information may actually exonerate Cooper, but before she could continue, Cooper’s door knocks again. This time, it’s Denise Bryson (David Duchovny), who is introduced to Audrey.

Tp-Denise-Audrey-Coop

“They have women agents?” she says, shaking Denise’s hand, a glint in her eye that suggests she may have found her calling.

“More or Less.”, Denise responds. Audrey thanks the both of them and kisses Cooper (Finally!!!) before leaving the room. It’s here that Denise points out something I missed in Audrey’s age. Cooper smiles, telling Denise that with her change in perception and identity, he assumed girls wouldn’t factor into all that. Her response is simple and it’s an effective close to the scene:

“Coop. I may be wearing a dress, but I still pull my panties on one leg at a time, if you know what I mean.”

Norma (Peggy Lipton) and Ed (Everett McGill) have a small moment over Pie about the lives they planned, and the plans that didn’t work out. She touches his hand, and says that they can make new plans, but this falls within earshot of someone holding a domino in their hands. Hank perhaps? We’re not shown. They better be careful.

Dick comes into the Precinct, pulls Andy aside and whispers that Little Nicky may very well be the Devil. Called it. Totally called it.

Mayor Milford is in Truman’s office with Truman and Doc Hayward, looking to press charges against Lana over his brother’s death by sex. He yells that she won’t get a red cent of Dougie’s money and storms out.

And here’s one of the best scenes of the episode, if short. Hawk, standing in the doorway of the room with Lana (playing the Ingenue) behind him asks the men in the main room (Hayward, Andy, Truman, and Dick) for some Irish creme to add to Lana’s coffee. Dick breaks into Act 1, Scene 5 of Romeo & Juliet, with Hayward joining in. They’re all transfixed on the redhead in the room, which reminded me of both Rita Hayworth’s introduction in Gilda, the cover models in some of the detective stories that Erin has posted here on the Lens, and Lindy Booth’s character in Cry Wolf. When everyone disperses, a phone call comes in on the line, which Lucy picks up. She finds, however, that she’s unable to reach Truman, Andy or anyone. Walking back to the room where Lana was in, she opens to door to find everyone laughing and listening to Lana’s stories. Even Andy is caught up in the magic. This, of course, infuriates Lucy, who leaves and slams the door behind her. I would have loved to know if slamming the door had any effect on the guys in the room. Whether Lana presents any kind of danger is unknown at this point, but that honestly was a great setup if we do find she’s a Femme Fatale.

We’re back at the diner, with a pair of heeled legs that step into the room. Ernie Niles is having dinner when Denise slides into the seat across from him. Taking out the pictures that Audrey stole, she informs Niles that he’s guilty of a parole violation and unless he helps her (she says, reapplying her lipstick), she’ll do everything she can to make sure he stays there. It’s a cute little scene.

We then find Ernie being interrogated by Cooper and Denise in a cabin under the midst of a thunderstorm. Ernie confesses he had about four kilos of coke, and Denise has him set up a meet at the Dead Dog Farm, where she’ll meet him as a drug trafficker. On realizing that Denise is more than who she says she is, he kind of has a bad reaction and runs to the restroom.

Cut to the Marsh residence. Screaming. Glass breaking. James wakes up to these sounds and when Malcolm steps into the room, he asks if Evelyn will be alright. He states that he once thought revenge, but she stopped him for both of their sakes. This leaves James wondering if he should intervene.

The final scene of this episode has Betty Briggs (Charlotte Stewart), weeping over the loss of Major Briggs. Bobby has a great moment here where he tells her of the dream his father had about him and his future. During the storm, the lights go out, and in the darkness, we find Major Briggs suddenly in the living room. How did he get there? Where the heck was he?! He asks Bobby to fix him a drink, and when asked if everything’s alright, his answer is simple.

“Not exactly.”

And isn’t that always how is it in Twin Peaks? That’s the episode. This one was actually really good, and so far the show is holding up well. Tune in tomorrow for “Checkmate”, the next episode in our Marathon.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland
  20. TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham) by Leonard Wilson

TV Review: Twin Peaks 2.11 “Masked Ball” (directed by Duwayne Dunham)


Twin Peaks

This is where Twin Peaks starts to go into uncharted territory.

“Masked Ball”, directed by Duwayne Dunham, marks the first full episode after the closure of the Palmer case. We begin in the best way possible – a long motorcycle ride out of Twin Peaks with James Hurley (James Marshall). He’s moving on, and the audience is brought along for the ride.

At the precinct, Sheriff Truman (Michael Ontkean) and Special Agent Dale Cooper (Kyle McLachlan) speak with Betty Briggs (Charlotte Stewart) over the disappearance of Major Briggs (Don Davis). Apparently, Betty seems to be aware of the Major’s disappearances, and goes on to state that it happens from time to time. It’s a strange angle to this new story arc. When Betty leaves, Cooper whispers to Truman that the light he saw was a powerful force in the woods. Strange things are always at work at Twin Peaks, it seems.

Hawk (Michael Horse) and Andy (Harry Goaz) come in with a package with a gift from Dougie Milford (Tony Jay, Shere Khan from Disney’s Animated version of The Jungle Book). Dougie is getting married, something that happens as often as the return of the salmon, according to Hawk. A wedding seems an interesting change of pace, considering we’ve had two funerals over the course of the show so far.

A call comes in from Gordon Cole (David Lynch) to offer his support to Cooper. Due to his actions across the border at One Eyed Jacks, he’s now under investigation by the FBI. Gordon asks if everything Cooper is accused of is true, to which Cooper denies it. To help investigate the drug angle with the Renaults in Twin Peaks, Cole states they’re sending in Dennis Bryson (David Duchovny, just a few years before The X-Files).

Cooper meets with Roger Hardy (Clarence Williams III, The General’s Daughter). and two other personnel. Talk about time travel. On the table is one of the first Apple laptops ever made in 1989, weighing in at about 16 pounds. When asked about what he wants to bring to the defense, Cooper admits he has no defense. Yes, he did travel outside of his jurisdiction to One Eyed Jacks, but overall, he’s “innocent of any wrongdoings”. This statement causes Hardy to go “off the record” and have the computer shut down.

TP-Interrogation

“Dale, there’s a right way and a wrong way to do this.” Hardy starts, asserting that an individual of the Bureau should be able to stand up for themselves. Cooper speaks of the magic of Twin Peaks. The life in the trees and animals, and the elements that have amazed him so far. Unfortunately, this doesn’t really help his case. Hardy keeps the suspension in effect and it’ll be up to the D.E.A. And the Canadians to decide his fate. Cooper rises and takes one last look at his badge and pistol before leaving as Citizen Cooper. I liked that they ended with the badge and pistol. The audience has to wonder what he’s looking at for a moment before revealing it.

The next scene has us in High School, with Nadine (Wendy Robie) bounding down the stairs and running into Donna (Lara Flynn Boyle). On greeting Donna, Donna asks if she’s seen James. Nadine states she hasn’t. I suppose James didn’t tell anyone he was leaving. She asks Donna if she happens to still be going out with Mike Nelson (Gary Hershberger). Nadine feels that she and Mike have some great chemistry going on, though Mike doesn’t seem quite in on this knowledge, given the cold shoulder he gives her in the hallway.

“What about Ed?”Donna asks. If she’s with Ed (Everett McGill), how should she be with Mike? Nadine has a plan. Ed’s at home, Mike’s at school, she’ll find a way to manage it, and Ed’s old enough to be her father, she adds. I enjoyed that scene. Any comedic scene with Wendy Robie in this show, I’m for it.

Twin-Peaks-Donna-Nadine.jpg

Meanwhile, James makes a pit stop at a local bar, where he finds a young blonde dressed in red. Over beers, she mentions she has a Jaguar that needs fixing. James has just the skill set for that sort of thing. She introduces herself as Evelyn Marsh, and he plays the jukebox, perhaps wondering what he’s getting himself into. First Laura, then Donna, then Maddy, then Donna, now this? Goodness.

Back at the precinct, Dick Tremayne (Ian Buchanan, Panic Room, One Life to Live) brings little Nicky by. Dick explains to Andy that they’re going out for a malted and wanted to bring Lucy (Kimmy Robertson) along. Since both men are vying for Lucy’s affections, treating Nicky well seemed like it would work out in either man’s favor. Andy states that Lucy is at the Great Northern, helping with the Milford wedding, which reminds Dick that Dougie’s getting married again. It’s like an annual event, this wedding. When Dick moves to change their plans, Nicky becomes upset. Andy chimes in, saying that he’d love to come along for the malted. Reluctantly, Dick has him come along.

Here comes one of my favorite scenes, back to back. In Truman’s office, Truman asks Cooper what they should do if they can’t clear him. Cooper’s answer to this is that the Giant told him that the path is formed by laying one stone at a time, meaning they’d have to cross that bridge when they get to it. Cooper asks both men of the White Lodge that Briggs spoke of. Hawk, who’s also in the room, states that the White Lodge is another world. The White Lodge is where the spirits reside, and that there’s also a Black Lodge. The Black Lodge carries the shadow selves of each person, and everyone has to pass through that at some point in their lives. They refer this as The Dweller on the Threshold, and if you fail to pass through, your soul will be annihilated. Sounds pleasant, no?

The intercom rings, letting everyone in the room know that Agent Dennis Bryson has arrived. As one of the finest minds in the D.E.A., he should be able to get right to the bottom of the drug issues in Twin Peaks.

So, in walks Dennis, who is a woman now. Duchovny, along with Wendy Robie later on, pretty much steal this episode from everyone else.

“It’s a long story…” she starts, “but I prefer Denise if you don’t mind.” The magic of this scene is that it takes just a finger snap for both Cooper and Truman to adjust to this. Hawk might need a little time, but after that heartbeat, everyone’s accepting and is down to business. Denise says she’ll look into things and will get back to everyone, since both she and Cooper are staying at the Great Northern.

TP-Denise

We’re at the High School weight room. It’s leg day, and Mike is on the leg press. Nadine sits at an adjacent leg press machine, but not before putting the pin in the maximum weight allowed. She holds his gaze as she pushes the set with ease. Mike asks her what she wants, but she suggests that he’s a little forward. The wrestling coach (Ron Taylor) catches sight of the weight and offers Nadine a position on the wrestling team, much to Mike’s surprise.

Truman is home, and Josie is in bed. It’s morning. Holding each other, Truman asks her to tell the truth about what she’s been keeping secret. She reveals that she worked for a man in Hong Kong named Thomas Eckhardt, who took her off the streets and taught her about business. After that, she met her husband Andrew. When Truman inquires about Mr. Lee, she explains that Lee worked for Eckhardt, who still feels he has a claim to Josie. Josie believes that Eckhardt is who killed her husband, but I’m wondering if she’s not being truthful. Wasn’t it brought to light that Hank Jennings (Chris Mulkey) was involved in Andrew’s murder. Truman accepts this and all is well, for now. I don’t normally enjoy the Josie / Truman scenes, but I’ll admit that this was nice.

At the RR diner, Roger Hardy is having some of the pie there, of which he’s heard great things. Hank and Ernie Niles (James Booth) steps into the room. With great pleasure, Norma (Peggy Lipton) informs Ernie that her mom has left him, which he doesn’t take too well. Hank reassures him that it will allow him to concentrate more on the work at hand.

Meanwhile, Nicky is given his malted, with Andy and Dick at his side. Nicky blows the whipped cream into Dick’s face, and spins Andy’s chair, causing him to fall to the floor. Neither man is faring well with Little Nicky, and by the end of the scene, I’m shocked they haven’t held him down and checked his scalp for triple 6’s.

At Evelyn Marsh’s garage, James is doing the repair work on the Jaguar. She states that her husband, Jeffrey, loves the car and that he’s currently away on business. Jeffrey has to have the most beautiful toys, according to Evelyn. This causes James to have a mini speech about his motorcycle and how it’s more important about where it can take him. As a rider, I can easily relate to nighttime rides to nowhere. It’s a great feeling. Evelyn offers a room for him while he’s fixing the car, leaving him to wonder where all of this is going.

I should also note that the actress who plays Evelyn, Annette McCarthy, bears a wild resemblance to Priscilla Barnes from Three’s Company (an old show from the late 70’s). It’s rather odd.

TP-James-Evelyn

Back at the Great Northern, Ben Horne (Richard Beymer) is watching old videos of the establishment when Hank walks in. Ben is haggard, scruffy looking and is upset that Catherine Martell (Piper Laurie) has gotten over on him. Ben talks about rearranging the furniture in such a way where it’s aesthetically pleasing to the owner – basically Feng Shui. Hank informs Ben that he’s no longer working for him and that ownership of One Eyed Jack’s has changed. Ben deduces that it’s now Jean Renault (Michael Parks) who owns the establishment. Ben goes back to watching his videos, making finger puppets for his amusement.

RIII--Twin Peaks

In his room, Cooper receives a tape from Windom Earle. On the tape, Windom goes on to say that he and Cooper will cross paths, and eventually, “the King must die.”

We’re at Dougie’s wedding. When the priest asks if there’s anyone who objects, Mayor Dwayne Milford (Dougie’s Brother) chimes in. “She after his money.” He barks, but Truman pulls him to the side. Dougie comforts his bride to be (Robyn Lively) and they continue on.

TP-Wedding

In his room, Cooper receives a call from Denise, who asks to meet him at the wedding. Cooper takes a brief moment to make a tape for Diane to tell her about what happened Denise.

Cooper finds Denise comfortably sitting at the bar, waving the bridal bouquet. “Unfair advantage”, she says, smiling. “How many of those girls were Varsity wide receivers.” Denise explains that cocaine was found in Cooper’s car, but it does appear to be a frame up. Dwayne watches on as the bride and groom share a piece of cake, and states that his brother’s pretty much a “trout on a hook” when it comes to women. Pete takes the comment in stride, which has me wondering if he was thinking of Catherine at that moment.

Denise-Bouquet

Cooper asks Denise what happened to her. Denise explains she was working on a bust where the drug dealer in question “would only sell to transvestites”, so she played the part, found it relaxing, and just kept with it. “It’s not something you exactly plan on.”, She adds.

Dale meets the bride and groom, and Truman chuckles over it. According to him, Dwayne and Dougie have had this wedding fight every year. More partying continues and Cooper shares a dance with Audrey (Sherilyn Fenn), while Andy & Denise are also enjoying themselves on the dance floor. Overall, it was a fun scene, peppering some comedy throughout.

Josie and Catherine come to an agreement that has Josie working for Catherine hand and foot. When Josie leaves the room, Andrew (Dan O’Herlihy, Halloween III: Season of the Witch) steps in and says that everything’s going according to plan. What’s he doing among the living?!

Overall, for a post Palmer Case episode, I thought it did well.  Both Duchovny, Robie and the wedding scenes were standouts here. Where it’s all going, I’m not sure I can say. I’m on deck for tomorrow’s episode. We’ll find out then.

Previous Entries in The TSL’s Look At Twin Peaks:

  1. Twin Peaks: In the Beginning by Jedadiah Leland
  2. TV Review: Twin Peaks 1.1 — The Pilot (dir by David Lynch) by Lisa Marie Bowman
  3. TV Review: Twin Peaks 1.2 — Traces To Nowhere (directed by Duwayne Dunham) by Jedadiah Leland
  4. TV Review: Twin Peaks 1.3 — Zen, or the Skill To Catch A Killer (dir by David Lynch) by Lisa Marie Bowman
  5. TV Review: Twin Peaks 1.4 “Rest in Pain” (dir by Tina Rathbone) by Leonard Wilson
  6. TV Review: Twin Peaks 1.5 “The One-Armed Man” (directed by Tim Hunter) by Jedadiah Leland
  7. TV Review: Twin Peaks 1.6 “Cooper’s Dreams” (directed by Lesli Linka Glatter) by Lisa Marie Bowman
  8. TV Review: Twin Peaks 1.7 “Realization Time” (directed by Caleb Deschanel) by Lisa Marie Bowman
  9. TV Review: Twin Peaks 1.8 “The Last Evening” (directed by Mark Frost) by Leonard Wilson
  10. TV Review: Twin Peaks 2.1 “May the Giant Be With You” (dir by David Lynch) by Leonard Wilson
  11. TV Review: Twin Peaks 2.2 “Coma” (directed by David Lynch) by Jedadiah Leland
  12. TV Review: Twin Peaks 2.3 “The Man Behind The Glass” (directed by Lesli Linka Glatter) by Jedadiah Leland
  13. TV Review: Twin Peaks 2.4 “Laura’s Secret Diary” (dir by Todd Holland) by Lisa Marie Bowman
  14. TV Review: Twin Peaks 2.5 “The Orchid’s Curse” (dir by Graeme Clifford) by Lisa Marie Bowman
  15. TV Review: Twin Peaks 2.6 “Demons” (dir by Lesli Linka Glatter) by Leonard Wilson
  16. TV Review: Twin Peaks 2.7 “Lonely Souls” (directed by David Lynch) by Jedadiah Leland
  17. TV Review: Twin Peaks 2.8 “Drive With A Dead Girl” (dir by Caleb Deschanel) by Lisa Marie Bowman
  18. TV Review: Twin Peaks 2.9 “Arbitrary Law” (dir by Tim Hunter) by Lisa Marie Bowman
  19. TV Review: Twin Peaks 2.10 “Dispute Between Brothers” (directed by Tina Rathbone) by Jedadiah Leland