Enjoy!
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!
This week, season 2 comes to a close as we take another trip to the other side of the island!
Episode 2.25 “Amusement Park/Rock Stars”
(Dir by Cliff Bole, originally aired on May 13th, 1979)
Oh crap, it’s another Fantasy Island Sunday Special!
Apparently, in 1979, Aaron Spelling wanted to do a Fantasy Island spin-off for children, one that would have aired on Sunday nights. The spin-off would have taken place on “the other side of the Island,” which was apparently designed to be very family-friendly. The previous Sunday Special featured Kimberly Beck as Mr. Roarke’s assistant on the other side of the island. In the second Sunday Special, Kimberly Beck is nowhere to be seen and the hosting duties are handled by Roarke and Tattoo.
As usual, Tattoo starts the episode by revealing his latest scheme. He’s read a book on Sherlock Holmes and has decided that he wants to be a master of disguise. He begins the show by disguising himself as Sherlock Holmes.
Later, he sneaks into Mr. Roarke’s office while disguised as a one-eyed, hook-handed pirate.
By the end of the episode, Tattoo has been reduced to dressing up like a chicken.
Mr. Roarke sees through all the disguises and, as usual, he comes across as being more annoyed than amused by his assistant. It’s often been said that Ricardo Montalban and Herve Villechaize could not stand working together on Fantasy Island and, having spent nearly a year watching this show, I can say that it’s pretty obvious that was the case. Even while trading jokes, there’s an undercurrent of hostility to all of their interactions.
But what about the fantasies? Well, they’re a bit childish but let’s get to them. As with the previous Sunday Special, the children arrive via hot air balloon. No, Tattoo does not yell, “The balloon! The balloon!” In fact, the whole thing with the balloon seems to be silly and incredibly impractical. I mean, where is the balloon taking off from?
Departing from the balloon are the Collins Family. Robbie (Scott Baio), Willie (Jimmy Baio), Scooter (Keith Coogan), and Jodie (Jill Whelan) have come to the Island because Robbie has a fantasy about all of them becoming rock stars. Upon arrival, Mr. Roarke tells them that he has already taken the demo that they sent him and turned it into an album. They’re a big hit in the UK and on Fantasy Island. But can they impress the American record executive that Mr. Roarke has invited to hear them?
It’s going to be difficult because, as Robbie discovers, the album features a remastered version of their demo, one that makes them sound like better musicians than they actually are. Robbie panics. “How are we going to sound like that?” Mr. Roarke tells them to figure it out. Robbie’s solution is to just lip-sync to the album.
Now, to be honest, this seems like not only a practical solution but it’s also what a lot of bands do in real life. But Mr. Roarke is scandalized to discover that the kids paid Tattoo ten dollars to play the album back stage while they pretended to perform. Robbie’s conscience gets the better of him and he confesses his crime to the record exec. The record exec doesn’t care. He hires the kids on a songwriters, because who wouldn’t want a bunch of pre-teen songwriters on the payroll?
However, the Collins Family has another problem. It turns out that they’re runaways! After their parents were lost at sea, the Collins kids were sent to four different orphanages. The kids escaped to Fantasy Island but now, Mrs. Ridges (Joanna Barnes) has come to the Island and is planning on taking the kids back. Fortunately, Mr. Roarke explains that he is the ruler of Fantasy Island and that the law doesn’t apply in his domain. Even more fortunately, a telegram suddenly arrives, informing the kids that their parents did not drown but instead washed up on an isolated beach in Mexico. Their parents have been rescued and the kids are no longer wards of the state! Yay!
(That’s some incredible Dues ex Machina there, no?)
While this is going on, Darius (Jarrod Johnson) wants to run the Fantasy Island Amusement Park.
Wait …. Fantasy Island has an amusement park?
Yep, and it’s kind of a dump. Seriously, the park looks like it reeks of spilled beer, stale weed, and lost dreams. It’s a true nightmare alley.
Darius’s main reason for wanting to run the park is so he can give his dad, motorcycle stunt driver The Great Scott (Ted Lange), a job. The Great Scott is hired to jump over the Fantasy Island lagoon but, when he sees Darius nearly fall off the Ferris wheel, he realizes that it’s more important to be there for his son than to risk his life. (That said, The Great Scott does risk his life by climbing up the Ferris wheel to save Darius.) Mr. Roarke then offers The Great Scott a new job, as the manager of the amusement park. Of course, I watched this whole fantasy thinking to myself that The Great Scott already had a great job, working as a bartender on the Love Boat.
That said, let’s give some credit to Ted Lange, who actually gives a pretty emotional and kind of touching performance as The Great Scott. Lange may be best known for playing Isaac but he’s also a graduate of London’s Royal Academy and I’ve heard that he was a wonderful Othello on stage. My point is that, even if he is best known for the way he would point at people while serving drinks, Ted Lange can act and this episode certainly proves that.
Overall, this episode was clearly meant to appeal to kids and, as a result, it felt a bit childish. This was not only the last episode of season 2 but it was also the last of the Sunday Specials and that’s probably a good thing.
Next week, we start season 3!
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!
If you were having trouble getting to sleep last night, you could have always hopped on Tubi and watched the 1976 “thriller,” Project Kill!
In Project Kill, Leslie Nielsen stars as John Trevor, an intelligence agent who has spent six years training a group of men who are regularly given injections of a super soldier serum. As the film begins, Trevor confesses to his second-in-command, Lassiter (Gary Lockwood), that he worries that the men are actually being used as assassins and that the serum is being used as a mind-control drug. Yikes!
When Trevor flees from his secret government base and heads to the Philippines, Lassiter is assigned to track him down and bring him back before he can reveal any government secrets. A crime boss named Alok Lee (Vic Diaz) wants to track down Trevor and learn his mind-control techniques. Trevor, meanwhile, would rather just spend all of his time in bed with Lee Su (Nancy Kwan). Unfortunately, because Trevor took a few doses of the serum himself, he soon finds himself losing control and becoming more and more violent. Lassiter comes to realize that he may not be able to bring back Trevor alive.
Sounds really exciting, doesn’t it?
Well, not quite. I mean, don’t get me wrong. There are plenty of fight scenes and there’s a car chase and the film ends with Trevor and Lassiter having a confrontation on a loading dock that’s about as exciting as a fight between two middle-aged, obviously out-of-shape men could be. Leslie Nielsen’s stunt double puts on a gray hairpiece and shows off some rudimentary karate moves. To give credit where credit is due, the end of the movie features nearly perfect use of slo mo of doom.
(What is slo mo of doom? It’s when the action starts moving in slow motion because someone is about to enter a world of pain. Slo Mo of doom works best when it involves a roundhouse kick and someone yelling, “Noooooooooooooooo!” Admittedly, that doesn’t happen in Project: Kill but still, the movie’s slo mo of doom works well.)
Unfortunately, in between the occasional action sequences, there are endless shots of people just wandering around. The film features so much padding that one almost gets the feeling that the film itself was made up on the spot and director William Girdler’s one direction was, “Keep walking until we get enough footage to push this out to 90 minutes.” As for the plot, I was never quite sure what John Trevor was trying to accomplish in the Philippines.
That said, I think most people are probably going to watch this movie specifically because it was one of the movies that Leslie Nielsen made before he became a beloved comedic icon. This film is from the era when Leslie Nielsen was a dramatic actor. The serious intentions don’t matter though. Nielsen essentially gives the same performance that he gave in The Naked Gun films and it’s impossible not to laugh with him, regardless of how many people he kills. Nielsen plays the role with a straight face, which, of course, was his comedic trademark. Even when he faces off against Lassiter, you expect him to say, “Good luck. We’re all counting on you.”
Project Kill is one of those films where the unintentional laughs save the film.
Previous Insomnia Files:
Today’s music video comes to us from Albania. It has a real end of the world vibe to it.
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
The fourth season finally comes to a close! Seriously, things have been moving so slowly for the Tornadoes that I feel like I’ve spent that last several years trapped in this season.
Episode 4.25 “Christmas In New York”
(Dir by Patrick Maloney, Originally aired on December 5th, 1998)
The team is in New York City, celebrating Christmas away from home. Kristy, who is not actually on the team, is with them and feeling homesick. Instead of telling her, “Well, go home since you’re not actually on the team,” Silk and Michael promise Kristy that they’re going to have a “real Indiana Christmas” right there in New York.
(So, I guess everyone’s parents are okay with their children celebrating the holidays in New York. Seriously, this whole New York plotline doesn’t make a single bit of sense. If I was the state of Indiana, I would be offended by how eager Hang Time was to find any excuse to get away from me.)
Kristy comes up with the idea of the team celebrating Christmas by doing “Secret Santa.” Everyone thinks that this is a great idea, except for Mary Beth who points out that Secret Santa means that everyone will only get one gift. “Everyone’s stressing about what to get everyone!” Hammer says, as if somehow mandating that everyone can only buy one gift will make it even less stressful to try to find the perfect one. I’m on Mary Beth’s side here. Add to that, Secret Santa comes with a limit on how much can be spent on each person. Each gift has to cost under $10. What the Hell!? Seriously, I’d rather cancel Christmas than accept a gift that cost under $10.
If Kristy is missing her family, Rico is dreading meeting his. As Rico explains it, his grandfather, Sonny, is a former stand-up comedian who always goes out of his way to embarrass Rico. After meeting Rico and the rest of the team, Sonny decides to move into the hotel and stay with them. Sonny explains that Rico doesn’t want his grandson spending his Christmas without his family. And really, Sonny’s right. SERIOUSLY, WHY ARE THEY IN NEW YORK ON CHRISTMAS!?
Anyway, Secret Santa goes awry when Julie and Mary Beth sneak into the boys’s hotel room and discovers that Michael and Hammer bought them cheap scarves. Mary Beth is so offended that she declares that they’re going to have to buy really cheap gifts for the boys.
“How do I do that?” Mary Beth asks Julie.
“Are you saying I’m cheap!?” Julie yells.
Oh, Julie, everyone knows you’re cheap.
Of course, what they don’t know is that, while Julie and Mary Beth are sneaking around the hotel room, Michael and Hammer are buying expensive gifts at Tiffany’s.
Meanwhile, Rico lies to his grandfather to keep him from coming to the Christmas Party. This leads to Coach K. suddenly declaring himself to be the Ghost of Christmas Future and showing Rico that his future is going to feature his grandchildren abandoning him for the holidays. Rico learns the true meaning of Christmas and he spends the holiday with his grandfather after all. The rest of the team spends the holidays without their families but no one cares because they’re all a bunch of heathens, I guess. I don’t know. As I said before, this whole New York thing is way too weird.
This was dumb. Let’s move on.
Episode 4.26 “Waiting For Mary Beth”
(Dir by Patrick Maloney, Originally aired on December 5th, 1998)
After a long season that featured a new coach, three new players, and trips to Texas and New York, the fourth season of Hang Time comes to a close with …. a clip show.
The Tornadoes are celebrating New Years Eve in New York City because why would they want to spend any of their holidays with their friends and family back in Indiana. The entire team is gathered at a fancy restaurant overlooking Times Square. But where’s Mary Beth!? Mary Beth, it turns out, is refusing to leave her room because her appointment with a world famous hair stylist did not go well. Luckily, everyone has a memory to share that provides Mary Beth with the courage to celebrate the New Year.
Eh. It’s a clip show. Clip shows are the worst of the worst.
Next week, Season 5 begins!
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1976’s Project Kill! I picked it so you know it’ll be good.
Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. We will be watching 1991’s Dead Again! The film is on Prime!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Project Kill on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, switch over to Twitter and Prime, start Dead Again, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
Here’s your reminder that if you haven’t seen Dascham (which stars Annie Hardy, the artist responsible for today’s music video of the day), it was one of my favorite films of last year and I think it’s destined to be watched by future students of history as they study the cultural and psychological impact of the COVID lockdowns.
Enjoy!
Another week comes to an end! Welcome to summer, my most dreaded season of the year. Seriously, I’m not a fan of the heat. Oh well, I’ll survive!
These upcoming weeks are going to be about trying to get caught up with the potential Emmy nominees. I’m going to finish up Marvelous Mrs. Maisel and A Small Light this week and then move onto the other shows that I need to see. Suggestions are welcome!
Here’s what I watched, read, and listened to this week!
Films I Watched:
Televisions Shows I Watched:
Books I Read:
Music To Which I Listened:
Live Tweets:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1992’s What She Doesn’t Know! It can be viewed on YouTube!
Molly Kilcolin (Valerie Bertinelli) has graduated from law school!
In fact, she’s not only graduated from law school but she’s graduated from Harvard Law School, the most prestigious and most expensive law school out there. And she’s graduated at the top of her class. She’s the one who gets to give the speech at graduation, where she says that everything she knows about justice she learned from her father.
It’s really quite an accomplishment when you consider that Molly isn’t even from a rich family. She’s from a family of blue collar, New York City cops. Her father, Jack Kilcoin (George Dzundza), certainly never had a chance to go to Harvard. How did Molly even afford to go to Harvard? Apparently, her tuition was paid out of a trust fund that her aunt set up for her when she was a child. Seriously, that must have been a helluva trust fund because Harvard is not cheap or easy to get into.
Unfortunately, Molly disappoints her father when she tells him that she will not be accepting a job with a high class law firm but instead, she plans to work for the District Attorney’s office. Her fellow prosecutors are skeptical of her as well. Why does she want to go from Harvard to making next to no money in the trenches? Someone asks her if she has political ambitions but no, Molly just wants to do the right thing. She grew up in the neighborhood, don’t you know. She knows the people who are getting caught up in the Mafia’s schemes.
After Molly convinces a young mobster named Joey Mastinelli (Peter Dobson) to testify against his boss, she is shocked to discover that over half of the NYPD is on the Mob’s payroll. She is even more shocked to discover that her father is one of those dirty cops. For years, her father has been taking bribes and hiding the money away in Molly’s trust fund. Molly’s Harvard education was paid for by the Mafia!
As you can probably guess, family dinners are about to get awkward!
I usually enjoy films like What She Doesn’t Know because I’m always interested in the Mafia and there was a time when I briefly thought it might be fun to grow up and go to law school. I don’t know if I would have wanted to become a prosecutor, of course. Unlike Molly, I probably would have taken that ritzy law firm offer. The idea behind What She Doesn’t Know had potential but it was let down by the execution. Valerie Bertinelli tries hard but she’s just not convincing as a tough-as-nails Harvard grad. George Dzundza is a bit more believable as an aging New York cop but he’s still a bit on the dull side. (It would have been nice if this film could have been made a few years later, with Mira and Paul Sorvino in the lead roles.)
The film’s biggest flaw is that it portrays Molly as being so totally clueless about her father’s activities that it makes her seem to be impossibly naïve. I mean, did she never wonder how she could possibly afford to go to Harvard?
Seriously, Harvard’s expensive!
Enjoy!