As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 2009’s The Heroic Trio, selected and hosted by Sweet Emmy Cat!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up The Heroic Trio on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, switch over to Twitter and Netflix or Tubi or Prime, start Look Away, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
Produced by Gene Roddenberry and directed by Clive Donner, 1977’s Spectre was a pilot film for a television series about an occult detective (Robert Culp) who solved supernatural mysteries while dealing with a curse that had been put on him by the demon, Asmodeus.
In this film, Culp’s William Sebastian and his associate, Dr. Ham Hamilton (Gig Young) travel to the UK to investigate a supernatural case involving an old family. Despite the efforts of a succubus and a cursed airplane, Sebastian and Ham are determined to solve the mystery. John Hurt appears as a member of the cursed family.
This pilot was not picked up and developed into a series but it was popular enough that it was released as a theatrical film in Europe.
First released in 1957 and one of the films that put Britain’s Hammer Films on the map, The Curse of Frankenstein opens in Switzerland in the 19th century. It’s a time of superstitious villagers, judgmental priests, aristocrats who dabble in science, and lots of cleavage. It’s also a time when justice is harsh. That’s something that Baron Victor Frankenstein (Peter Cushing) has discovered as he sits in a cell in prison, awaiting his execution date.
Baron Frankenstein has been convicted of the murder of a maid named Justine and the public is eager to see this haughty and eccentric aristocrat put to death. Victor, however, claims that he is innocent of Justine’s murder. As Victor explains to a visiting priest (Alex Gallier), he is guilty of many things but he didn’t kill Justine.
The story that Frankenstein tells the priest is a familiar one. Victor inherited the Frankenstein estate when he was fifteen and, having always been interested in science, his hires a scientist named Paul Krempe (Robert Urquhart) to mentor him and ultimately collaborate with him on his experiments. Even as he falls in love with and become engaged to his cousin, Elizabeth (Hazel Court), Victor becomes obsessed with the idea of creating a human being from perfect parts collected from the dead.
Victor puts his creation together, piece by bloody piece. He has no trouble using a the body of a robber and the hands and eyes that purchases from the workers at the local morgue. But when it come time to pick a brain, he wants to use the mind of a distinguished scientist. Unfortunately, the scientist is still alive so Victor pushes him over a bannister. That kills the professor but the removal of the brain does not go quite as smoothly as Victor was hoping. The brain gets damaged when it’s removed. The Creature (an intimidating Christopher Lee) is eventually brought to life but, with that damaged brain, all it wants to do is destroy and kill. Victor isn’t happy about that but soon, he discovers that having a killer Creature has its uses.
As opposed to the well-meaning but obsessed version of the character that Colin Clive played in the original Frankenstein, The Curse of Frankenstein presents us with a Baron who is rather unstable from the start. It’s not just that the Baron is obsessed with bringing the dead back to life. It’s that he is fully willing to kill people for his experiment. Perhaps his only redeeming quality could have been his love for Elizabeth but he screws up even that by having an affair with the ill-fated Justine (Valerie Gaunt). From the start, the Baron’s main obsession is with his own power. Elizabeth is ultimately just another pawn for him to control.
Considering how evil this film’s version of Baron Frankenstein is, it’s a good thing that he’s played by Peter Cushing. Cushing gives an intense but charismatic performance as the Baron, capturing not only the character’s ruthlessness but also his fierce intelligence. The tragedy of the film’s version of the story is not that the Baron’s experiment goes wrong but that the Baron did actually have the potential to do a lot of good for the world. He’s smart and he’s determined but he’s lacking a conscience. If anything, the Creature he builds is a representation of his own dark thoughts and desires. The Baron is an aristocrat and the Creature is built out of common thieves and people who died in debt but they’re both different sides of the same coin.
Gory and fast-paced, The Curse of Frankenstein was a huge hit and it made stars out of both Cushing and Lee. I tend to prefer Hammer’s Dracula films to its Frankenstein film but The Curse of Frankenstein holds up well as a portrait of what happens when madness and science collide.
What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!
If you were having trouble getting to sleep last night, you could have gone over to YouTube and watched 1978’s Once Upon A Midnight Scary.
Made for CBS and featuring Vincent Price as the sardonic, cape-wearing host, Once Upon A Midnight Scary was a special designed to encourage young viewers to pick up a book and read. Price introduced three different stories, each centering around ghosts and each based on a book. In the first story, based on the book The GhostBelonged To Me, a young farmboy discovers a ghost hiding in a barn and becomes a hero when the ghost warns him about an impending disaster. The second story is an adaptation of The Legend of Sleepy Hollow and it features Rene Auberjonois as a rather neurotic Ichabod Crane, who finds himself being pursued by the headless horsemen. The third and longest story is an adaptation of The House With A Clock In Its Walls, featuring Severn Darden and a rather annoying child actor.
One thing you immediately notice about this show is that the special doesn’t actually reveal how any of the stories end. Instead, each story is basically a recreation of the most exciting or interesting parts of the larger story but, whenever it appears that we’re heading for a conclusion, Vincent Price suddenly appears and says, “What happened next, you ask? Read the book!” This special basically casts Vincent Price as the world’s most devilish book salesman and while that might be annoying if you’re watching the special because you want to see how the stories turn out, it’s a lot of fun if you’re just watching the show to watch Vincent Price act like Vincent Price. Vincent is not in the special as much as you might want but he still shows off his unique charm. It’s impossible to be in a bad mood while watching Vincent Price.
For today’s edition of Lisa Marie’s Favorite Grindhouse And Exploitation Film Trailers, we share some trailers from the maestro of Italian horror, Mario Bava!
Black Sunday (1960)
After starting his career as a cinematographer and a visual effects engineer, Mario Bava made his directorial debut with 1960’s Black Sunday, starring Barbara Steele!
2. Black Sabbath (1963)
In 1963, Bava directed one of his most popular films, the horror anthology Black Sabbath. The trailer put the spotlight on the great Boris Karloff.
3. Planet of the Vampires (1965)
One of Bava’s best films, Planet of the Vampires, was later cited by many as an influence on the Alien films.
4. Bay of Blood (1971)
One of the first slasher films, Bay of Blood was also a social satire that featured Bava’s dark sense of humor.
5. The House of Exorcism (1974)
When it was released in the United States, Bava’s Lisa and the Devil was re-titled House of Exorcism and, after new scenes were filmed, sold as a rip-off to The Exorcist.
6. Shock (1977)
Bava’s final film as a director was Shock, which starred Daria Nicolodi as a woman who is being haunted by the ghost of her first husband.
It’s a rather low-rent place, full of empty warehouses, vacant lots, and deserted streets. With the exception of the Sovereign Leader (David Krist), everyone seems to live in a bland apartment. It’s a world where people have neither personalities nor names. Instead, people are identified by their identification numbers. Few people can really remember what the world was like before the Sovereign Leader came to power but almost everyone seems to believe that it was not a good place to live. The Sovereign Leader says so and why would he lie? The people are united by one belief when it comes to their Leader. “If he is for us, who can be against us?”
There are a few people who refuse to accept the words of the Sovereign Leader. They hide in the wilderness and in the city and they read forbidden books. The Leader has his own fanatical, paramilitary force who spend their time tracking down and executing these so-called “Defiants.” This group of executioners is known as the Peace Team because, after all, that’s what they’re doing, right? They’re making sure that no one disturbs the peace.
This is the world of the 2019 film, Defiant.
Defiant tells the story of A51-317 (Luke Krist), who begins the film as one of the most fanatical members of the Sovereign Leader’s Peace Team. Perhaps the reason why A51-317 is so quick to announce his loyalty to the Sovereign Leader is because he is suffering from his own doubts. He has dreams and occasional flashbacks to a time before the Sovereign Leader comes to power and much of what he sees stands in contrast to what he’s been told about the old world. A51-317 wonders why he can’t remember much about his past. He wonders why so many people are willing to be executed rather than follow the Sovereign Leader. He wonders who he was before he just became a number.
And soon, he’s wondering why he’s been framed for the attempted murder of the Sovereign Leader. After the Leader is shot in the head, he’s believed to be dead for three days. Then, suddenly, the Leader reveals that he’s not only alive but he also announces himself to be the Supreme Leader. He makes it clear that all Defiants must now be executed. A51-317 find himself on the run as he becomes one of the people who he used to hunt.
It’s a familiar story, one that’s been featured in a countless number of faith-based “final days” movies. That said, Defiant is a well-made and surprisingly well-acted film, one that does a good job of creating a believable atmosphere of fear and paranoia. The Sovereign Leader has much in common with the dictators and megalomaniacs of today and the scenes in which the Peace Team track down the Defiants and accuse them of being insobordinate for not blindly supporting the policies of the Leader feel even more relevant today than they did in 2019. Whether one buys into the film’s faith-based message or not, Defiant is a film that feels undeniably relevant to today’s world.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989! The series can be streamed on YouTube!
This week, Degrassi goes there!
Episode 1.7 “Best Laid Plan”
(Dir by Kit Hood, originally aired on March 1st, 1987)
This week’s episode of Degrassi Junior High is cringe city. I mean that in a good way. Seriously, DegrassiJunior High may be close to 40 years old but awkwardness about sex, especially when you’re still trying to figure out what it’s all about, is a timeless subject.
Voula (Niki Kemeny), who is absolutely one of the worst characters in the history of Degrassi, pops up to once again whine about Stephanie not thanking her when she won the school presidency and to accuse Stephanie of being sleazy just because she doesn’t dress like a member of polygamous cult. SHUT UP, VOULA! Your father won’t even let you stay out past 9:00.
Stephanie gets even more excited when her mother (Pat Beaven) tells Stephanie that she has a date on Friday and she’ll be out of the house. Stephanie drops Wheels a note asking him to come to her house at 7:30. Soon, everyone is school is talking about how Stephanie and Wheels are definitely going to do it on their date. When the creepy twins ask Stephanie if she’s really going to have sex with Wheels, Stephanie shrugs in the fashion of someone trying to be more worldly than she actually is.
Meanwhile, Stephanie is still refusing to admit that Arthur (Duncan Waugh) is her brother. This annoys Arthur but at least his best friend Yick Yu (Siluck Saysanasy) has managed to get his hands on a VHS copy of Swamp Sex Robots. Yick wants to watch it but, this being the 80s, the only way to watch it would be to pop it in the living room VCR and his parents are always at home. Wait a minute! Arthur has a VCR and both his mother and his sister have dates!
Wheels, feeling insecure about sex, talks to his father (Timm Zemanek). (Of course, true Degrassi fans know that Wheels is actually adopted and his real father is a drunk living on the other side of Canada but it’ll be a while until we reach that storyline.) His father tells Wheels that it’s important to use protection so Wheels heads down to the local drug store and purchases some condoms. The pharmacist is concerned that someone as young as Wheels needs condoms and she gives him a bunch of sex safe pamphlets. What Wheels doesn’t know is that the pharmacist is also …. STEPHANIE’S MOTHER!
OH MY GOD! Seriously, cringe!
It’s Friday night! After embarrassing Stephanie and Arthur by giving them safe sex pamphlets at the dinner table, Stephanie’s mom is waiting for her date. Stephanie is trying to get ready for Wheels without her mom seeing the slutty outfit that she’s wearing. And Arthur wants everyone to get out of the house before Yick and his gang of pervs show up to watch Swamp Sex Robots. Stephanie’s mom’s date arrives on time. Unfortunately, Wheels shows up early and, when Stephanie’s mom opens the door, both dates are standing on the porch, holding flowers.
“You’re the boy from the pharmacy!” Stephanie’s mom says before yelling at Stephanie to come downstairs.
Stephanie’s hasty attempt to toss on a bathrobe as she comes downstairs doesn’t fool her mother. After seeing how her daughter usually dresses outside of the house, Stephanie’s mom sends her date home and then yanks Wheels into the house so that she can give both Stephanie and Wheels a lecture about being too young for sex. Unfortunately, before she can really get into that lecture, Yick and his friends show up wanting to watch their porn….
Seriously, this was a great episode and it represented everything that made Degrassi special. It was honest but it was funny and it had me cringing as I had flashbacks to my own days of wannabe wild youth. Like last week’s episode, Best Laid Plans (great title) proved to be too controversial for the UK and the BBC declined to air the episode.
Halloween is almost here! The weather has turned cold and it’s been raining for the past few days. It’s totally possible that it could be storming on Halloween night. This is my favorite time of year!
I can’t believe that our annual Horrorthon is almost over. I’m very proud of everyone who contributed this year! This has been our biggest horrorthon ever! Of course, I’m also looking forward to getting a little rest in November.
Here’s what I watched, read, and listened to this week!
Halloween III: Season of the Witch (dir by Tommy Lee Wallace)
Tonight, with Halloween only a few days away, The Shattered Lens is proud to present a bonus episode of televised horror! In this beloved episode of Baywatch Nights, two 900 year-old Vikings are causing chaos in Los Angeles! Who can stop them?
David Hasselhoff, of course!
This episode originally aired on February 9th, 1997!
On tonight’s episode of The Hitchhiker, a factory owner finds himself cursed after an undocumented worker dies in his factory. This is a Hitchhiker morality play. If you’re a businessperson who doesn’t take of your employees, the Hitchhiker is going to show up outside your factory and tell everyone what a terrible person you are.
The episode originally aired on January 25th, 1991.
Through the Shattered Lens 