4 Shots From 4 Mario Bava Films: Black Sunday, Kill Baby Kill, Lisa and the Devil, Shock


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

104 years ago today, the most important Italian filmmaker of all time was born.  Today is Mario Bava’s birthday!  And, as we often do here at the Shattered Lens, it’s time to celebrate with…

4 Shots From 4 Films

Black Sunday (1960, dir by Mario Bava)

Kill, Baby, Kill (1966, dir by Mario Bava)

Lisa and the Devil (1972, dir by Mario Bava)

Shock (1977, dir by Mario Bava)

4 Shots From 4 Films: Happy 80th Birthday Barbara Steele


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. British-born Barbara Steele, who shot to fame in a series of Italian lensed horror films during the 1960’s, celebrates her 80th birthday today. She’s the last of the iconic classic horror film stars, and in her honor here’s 4 shots from the career of Scream Queen Barbara Steele:

Black Sunday (1960, directed by Mario Bava)

The Long Hair of Death (1964, directed by Antonio Margheriti)

Nightmare Castle (1965, directed by Mario Caiano)

The Crimson Cult (1968, directed by Vernon Sewell)

4 Shots From 4 Films: Special Mario Bava Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is Mario Bava, the maestro of Italian horror and one of the most influential and important filmakers of all time!

4 Shots From 4 Films

Black Sunday (1960, dir by Mario Bava)

Black Sabbath (1963, directed by Mario Bava)

Kill, Baby, Kill (1966, directed by Mario Bava)

Shock (1977, dir by Mario Bava)

 

4 Shots From 4 Films: Happy Birthday Mario Bava!


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking. Today is the birthday of Mario Bava (1914-1980), Italian maestro of the horror and giallo genres. Here are 4 Shots from some of my favorite Bava films:

                                                      Black Sunday (1960)

                                                          Black Sabbath (1963)

                                                          Danger: Diabolik (1968)

                                                       Lisa and the Devil (1972)

Super Bowl Alternative: The “Other” BLACK SUNDAY (Paramount 1977)


cracked rear viewer

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My New England Patriots aren’t in this year’s big game, and I can’t stand that big-headed Peyton Manning, so my interest in tonight’s Super Bowl is minimal. And the halftime show does nothing for me: Coldplay is probably one of my least favorite bands (Beyoncé’s OK, though). So if like me, you’re not planning on spending much time watching Roger Goodell’s season-ending spectacular (can’t stand Goodell, either) may I suggest an alternative, namely John Frankenheimer’s thriller BLACK SUNDAY.

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No, it’s not the 1960 Barbara Steele/Mario Bava horror classic, this BLACK SUNDAY is a rousing political thriller about terrorist organization Black September plotting a strike against America at the biggest game of them all, the Super Bowl. Beautiful but deadly terrorist Dahlia (Marthe Keller) has recruited the bitter, unstable blimp pilot Michael Lander (Bruce Dern at his 70’s psycho best) to turn the blimp into the ultimate suicide bomb, with plastique explosives setting…

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4 Shots From 4 Films: Black Sunday, 8 1/2, I maniaci, Caged Heat


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy birthday to the wonderful and iconic actress, Barbara Steele!

4 Shots From 4 Films

Black Sunday (1960, dir by Mario Bava)

Black Sunday (1960, dir by Mario Bava)

8  1/2 (1963, dir by Federico Fellini)

8 1/2 (1963, dir by Federico Fellini)

I maniaci (1964, dir by Lucio Fulci)

I maniaci (1964, dir by Lucio Fulci)

Caged Heat (1974, dir by Jonathan Demme)

Caged Heat (1974, dir by Jonathan Demme)

 

A Quickie With Lisa Marie: One Million Years B.C. (directed by Don Chaffey)


So, last night, I was talking Oscar fashion over on twitter and, at one point, I somehow ended up promising that if I was ever nominated for an Oscar, I would wear an outfit based the fur bikini that Raquel Welch wore in the 1966 film One Million Years B.C.  Well, everyone seemed to think that this was a pretty good idea on my part but it made me realize that I’ve never actually seen this movie.  As I was already planning on going to Fry’s to buy the Criterion edition of Fish Tank, I decided to buy One Million Years B.C. as well.  When I returned home, I kinda watched it.

I say “kinda” because One Million Years B.C. is probably one of the most draggy movies ever made and my mind wandered considerably whenever there wasn’t a dinosaur on-screen.  The movie opens with a really pompous sounding narrator who explains 1) that One Million Years B.C. was a long time ago and 2) not much else.  I mean, honestly, Mr. Narrator, I could have figured out we were dealing with prehistory just from the fact that there’s a bunch of dinosaurs wandering around.  Anyway, the movie itself is about a caveman (played by a nicely rugged actor named John Richardson) who is exiled from his own savage tribe but who eventually ends up with Raquel Welch’s tribe.  But then his new tribe gets sick of him and decides to exile him as well.  This time, Welch goes off with him and they eventually join Richardson’s old tribe which then goes to war with Welch’s old tribe and then finally, a volcano explodes.  Oh, and there’s a lot of dinosaurs wandering around as well.  On rare occasions, they attack the cave people but, for the most part, they just put out the same aloof vibe as my cat does right after he eats.

Most of the film’s dinosaurs were created through stop motion animation and they’re fun to watch.  However, for me, what truly made the film was a giant turtle that pops up about 30 minutes in.  It’s trying to make its way back to the ocean and, for its trouble, a bunch of little cave people insist on throwing spears at it.  But the turtle just kinda looks back at them and shrugs.  What a cool turtle!

There’s a certain type of viewer — and we all know the type — who will complain that One Million Years B.C. commits the sin of 1) having dinosaurs existing at the same time of cavemen and 2) having all the different dinosaurs living together at the exact same time.  And to those people, I think it’s high time that everyone just finally says, “Shut the fuck up.”  I mean, seriously, instead of nitpicking every little cinematic detail, why don’t you concentrate on losing some weight before you drop dead of a heart attack? 

Just a suggestion.

Oddly enough, this film has a weird connection to the James Bond film series in that, on the basis of their work here, both John Richardson (who also starred in Mario Bava’s classic Black Sunday) and Raquel Welch came close to being cast in On Her Majesty’s Secret Service.  However, the roles ended up going to George Lazenby and Diana Rigg instead.  (Welch was also nearly cast as a Bond girl in Diamonds are Forever.)   Though neither Welch nor Richardson ever became a part of the 007 franchise, Robert Brown (who plays Richardson’s father here) later played the role of M in a handful of Bond films.