Here Are The 2023 Nominations of the Las Vegas Film Critics Society


The Las Vegas Film Critics Society announced their nominations for the best of 2023 on December 8th.  While a lot of the usual suspects make an appearance on the list, there are still a few interesting nominations, like David Fincher’s The Killer for Best Picture and Nicolas Cage for Best Actor in Dream Scenario.

The winners will be announced on December 13th!

Best Picture
Barbie
The Killer
Killers of the Flower Moon
Maestro
Oppenheimer

Best Actor
Nicolas Cage – Dream Scenario
Bradley Cooper – Maestro
Colman Domingo – Rustin
Cillian Murphy – Oppenheimer
Jeffrey Wright – American Fiction

Best Actress
Annette Bening – Nyad
Emma Stone – Poor Things
Greta Lee – Past Lives
Carey Mulligan – Maestro
Natalie Portman – May December

Best Supporting Actor
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Jodie Foster – Nyad
Da’Vine Joy Randolph – The Holdovers
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Rosamund Pike – Saltburn

Best Director
Bradley Cooper – Maestro
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Celine Song – Past Lives

Best Original Screenplay
Air
Barbie
Maestro
May December
Past Lives

Best Adapted Screenplay
American Fiction
Are You There God? It’s Me, Margaret.
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Killers of the Flower Moon
Maestro
Napoleon
Oppenheimer
Saltburn

Best Film Editing
Air
Barbie
Maestro
Oppenheimer
Poor Things

Best Score
The Killer
Killers of the Flower Moon
Oppenheimer
Society of the Snow
Spider-Man: Across The Spider-Verse

Best Song
I’m Just Ken – Barbie
What Was I Made For? – Barbie
Road to Freedom – Rustin
Peaches – The Super Mario Bros. Movie
Better Place – Trolls Band Together

Best Documentary
American Symphony
Beyond Utopia
Kokomo City
Little Richard: I Am Everything
Still: A Michael J. Fox Movie

Best Animated Film
The Boy and the Heron
Elemental
Spider-Man: Across The Spider-Verse
The Super Mario Bros. Movie
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best International Movie
Anatomy of a Fall
Godzilla Minus One
Society of the Snow
When Evil Lurks
The Zone of Interest

Best Costumes
Barbie
The Color Purple
Napoleon
Oppenheimer
Poor Things

Best Art Direction
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Guardians of the Galaxy Vol. 3
Godzilla Minus One
Oppenheimer
Spider-Man: Across The Spider-Verse

Best Action Movie
Dungeons & Dragons: Honor Among Thieves
Godzilla Minus One
Guardians of the Galaxy Vol. 3
John Wick: Chapter 4
Mission: Impossible – Dead Reckoning Part One

Best Comedy
American Fiction
Barbie
Dumb Money
Joy Ride
No Hard Feelings

Best Horror/Sci-FI Movie
The Creator
Godzilla Minus One
Talk To Me
Thanksgiving
When Evil Lurks

Best Family Film
Are You There God? It’s Me, Margaret.
Barbie
Elemental
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Ensemble
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Saltburn

Breakout Filmmaker
Cord Jefferson – American Fiction
Adele Lim – Joy Ride
Celine Song – Past Lives
Nida Manzoor – Polite Society
Molly Gordon, Nick Lieberman – Theater Camp

Best Stunts
John Wick: Chapter 4
The Killer
Mission: Impossible – Dead Reckoning Part One
Polite Society
Silent Night

Youth In Film (Male)
Milo Machado Graner – Anatomy of a Fall
Jake Ryan – Asteroid City
Christian Convery – Cocaine Bear
Jude Hill – A Haunting in Venice
Chase Dillion – Haunted Mansion

Youth in Film (Female)
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Elle Graham – Are You There God? It’s Me, Margaret.
Ariana Greenblatt – Barbie
Iman Vellani – The Marvels
Violet McGraw – M3GAN

The William Holden Lifetime Achievement Award
Nicolas Cage
Paul Giamatti
Hayao Miyazaki
Julianne Moore
Rodrigo Prieto

Here Are The 2023 Nominations of the Chicago Film Critics Association


The Chicago Film Critics Association have announced their nominees for the best of 2023!  The winners will be announced on December 12th.  For now, here’s what has been nominated in the town of Capone!

BEST PICTURE
Barbie
Killers of the Flower Moon
May December
Oppenheimer
Poor Things

BEST DIRECTOR
Greta Gerwig – Barbie
Todd Haynes – May December
Yorgos Lanthimos – Poor Things
Christopher Nolan – Oppenheimer
Martin Scorsese – Killers of the Flower Moon

BEST ACTOR
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Teo Yoo – Past Lives

BEST ACTRESS
Lily Gladstone – Killers of the Flower Moon
Sandra Huller – Anatomy of a Fall
Natalie Portman – May December
Margot Robbie – Barbie
Emma Stone – Poor Things

BEST SUPPORTING ACTOR
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Glenn Howerton – BlackBerry
Charles Melton – May December
Mark Ruffalo – Poor Things

BEST SUPPORTING ACTRESS
Jodie Foster – Nyad
Sandra Huller – The Zone of Interest
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

BEST ORIGINAL SCREENPLAY
Anatomy of a Fall – Arthur Harari & Justine Triet
Barbie – Greta Gerwig
The Holdovers – David Hemingson
May December – Samy Burch
Past Lives – Celine Song

BEST ADAPTED SCREENPLAY
Are You There God? It’s Me, Margaret. – Kelly Fremon Craig
Killers of the Flower Moon – Eric Roth & Martin Scorsese
Oppenheimer – Christopher Nolan
Poor Things – Tony McNamara
The Zone of Interest – Jonathan Glazer

BEST ANIMATED FEATURE
The Boy and the Heron
Leo
Robot Dreams
Spider-Man: Across The Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST DOCUMENTARY
20 Days in Mariupol
Beyond Utopia
Kokomo City
Menus-Plaisirs – Les Troisgros
Still: A Michael J. Fox Movie

BEST FOREIGN LANGUAGE FILM
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
The Teachers’ Lounge
The Zone of Interest

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Kyle Edward Ball – Skinamarink
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

MOST PROMISING PERFORMER
Abby Ryder Fortson – Are You There God? It’s Me, Margaret.
Milo Machado Graner – Anatomy of a Fall
Charles Melton – May December
Dominic Sessa – The Holdovers
Teo Yoo – Past Lives

BEST ART DIRECTION/PRODUCTION DESIGN
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

BEST CINEMATOGRAPHY
Asteroid City – Robert D. Yeoman
Killers of the Flower Moon – Rodrigo Prieto
Oppenheimer – Hoyte Van Hoytema
Poor Things – Robbie Ryan
The Zone of Interest – Lukasz Zal

BEST COSTUME DESIGN
Asteroid City – Milena Canonero
Barbie – Jacqueline Durran
Killers of the Flower Moon – Jacqueline West
Poor Things – Holly Waddington
Priscilla – Stacey Battat

BEST EDITING
All Dirt Roads Taste of Salt
John Wick: Chapter 4
Killers of the Flower Moon
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer

BEST ORIGINAL SCORE
Barbie – Mark Ronson & Andrew Wyatt
Killers of the Flower Moon – Robbie Robertson
Oppenheimer – Ludwig Goransson
Poor Things – Jerskin Fendrix
The Zone of Interest – Mica Levi

BEST USE OF VISUAL EFFECTS
Barbie
Godzilla Minus One
Mission: Impossible – Dead Reckoning – Part One
Oppenheimer
Poor Things

Here’s The Trailer For Nyad


Obviously, no one wants to be dismissive of a trailer for a film that features both Annette Bening and Jodie Foster but I have to admit that, when I first watched the trailer for Nyad, it almost felt like a parody of what would have been automatic Oscar bait in 2010.  I mean, it’s a true story and Bening and Foster are almost always both great and I sure as heck couldn’t swim all the way from Florida to Cuba but …. well, we’ll see!  Nyad will play in theaters starting on October 20th and is schedule to stream on Netflix in November!

Here’s the trailer!

Guilty Pleasure No. 62: Backtrack (dir by Dennis Hopper)


Sometimes, you see a film that is just so weird and incoherent that you can’t help but love it.

Of course, it also helps if the film has a once-in-a-lifetime cast of actors who you would never expect to see acting opposite each other.

For me, that’s certainly the case with 1990’s Backtrack.  Directed by Dennis Hopper, Backtrack is a film about an artist (Jodie Foster, channeling Jenny Holzer) who witnesses a mob murder committed by Joe Pesci, Dean Stockwell, Tony Sirico, and John Turturro.  An FBI agent played by Fred Ward suggests that the artist should go into the witness protection program but she doesn’t want to give up her life as a New York sophisticate who creates challenging LED displays and who can eat Sno Balls whenever she gets the craving for one.  (Yes, this is a plot point.)  Turturro and Sirico break into the artist’s apartment and kill her boyfriend, who is played by a wide-eyed Charlie Sheen.  The artist puts on a blonde wig and goes on the run, eventually getting a job in advertising.

Realizing that his men can’t get the job done, mob boss Vincent Price decides to hire a legendary hitman played by Dennis Hopper (who also directed this film) to track down the artist.  However, the hitman becomes fascinating with the artist’s work, finds pictures of her posing in black lingerie, and immediately falls in love with her.  Not only does he wants to save her life but he wants her to wear the same lingerie exclusively for him.  (Yes, this is a pretty big plot point.)  At first, the artist refuses and views the hitman as being some sort of pathetic perv.  But then she discovers that he’s covered her bed with Sno Balls….

Meanwhile, a young Catherine Keener shows up as the girlfriend of a trucker who briefly considers giving the artist a ride to Canada.

And then Bob Dylan shows up, handling a chainsaw.

And there’s Helena Kallianiotes, the outspoken hitch-hiker from Five Easy Pieces, yelling at Joe Pesci!

And there’s Dennis Hopper’s The Last Movie co-star, Julie Adams!  And there’s Toni Basil!  And there’s director Alex Cox!

Dennis Hopper not only starred in Backtrack but he also directed and it’s obvious that he placed a call into just about everyone he knew.  In fact, one could argue that the only thing more shocking than Vincent Price showing up as a mob boss is that Peter Fonda, Karen Black, Elliott Gould, Robert Walker Jr., and Kris Kristofferson are nowhere to be found in the film.  Hopper’s first cut of Backtrack was reportedly 3 hours long but the studio cut it down to 90 minutes, renamed it Catchfire, and Hopper insisted on being credited as Alan Smithee.  Later, Hopper released a two-hour version with the Backtrack title and his directorial credit restored.

Regardless of which version you see, Backtrack is an odd film.  It’s hardly the first film to be made about a hit man falling for his target.  What distinguishes this film is just how bizarre a performance Dennis Hopper gives in the role of the hitman.  It’s as if Hopper gave into every method instinct that he had and the end result was a mix of Blue Velvet‘s Frank Booth and the crazed photojournalist from Apocalypse Now.  Jodie Foster’s cool intelligence makes her the ideal choice for a conceptual artist but it also makes it hard to believe that she would fall for a jittery hitman and, in her romantic scenes with Hopper, Foster often seems to be struggling to resist the temptation to roll her eyes.  Somehow, their total lack of romantic chemistry becomes rather fascinating to work.  They are two talented performers but each appears to be acting in a different movie.  What’s interesting is that I think a movie just about Hopper’s spacey hitman would be interesting (and, if you’ve ever seen The American Friend, it’s hard not to feel that such a movie already exists) but I think a movie about just about Foster’s artist and her life in New York would be just as fascinating.  Taken as individuals, the artist and the hitman are both compelling characters.  Taken as a couple, they don’t belong anywhere near each other.

But let’s be honest.  This is a film that most people will watch for the parade of character actors delivering quirky dialogue.  Even if one takes Hopper and Foster out of this mix, this is an amazingly talented cast.  One need only consider that John Turturro did Do The Right Thing before appearing in this film while Joe Pesci and Tony Sirico did Goodfellas immediately afterwards.  This film features a once-in-a-lifetime cast, made up of actors who were apparently told to do whatever they felt like doing.  Turturro plays up the comedy.  Sirico plays his role with cool menace.  Stockwell barely speaks above a whisper.  Fred Ward plays the one sane man in a world of lunatics. Vincent Price delivers his line as if he’s appearing in one of Roger Corman’s Poe films and somehow, it makes sense that, in the world of Backfire, an Italian gangster would have a snarky, mid-Atlantic accent.

It’s an odd little film, an example of 80s filmmaking with a 70s sensibility.  While it’s not touched with the lunatic genius that distinguished Hopper’s The Last Movie, Backtrack is still something that should be experienced at least once.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon

Live Tweet Alert: Join #FridayNightFlix for Backtrack!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1990’s Backtrack, an enigmatic thriller starring Jodie Foster, Dean Stockwell, Joe Pesci, John Turturro, Vincent Price, Fred Ward, Charlie Sheen, Tony Sirico, Bob Dylan, and Dennis Hopper (who also directed).

 

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Backtrack is available on Prime and Tubi!  See you there!

 

Lisa Marie’s Early Oscar Predictions For May


Here are my Oscar predictions for May!

Well, for once, Cannes has helped the Oscar picture to come into focus.  The triumphant premiere of Killers of the Flower Moon not only cemented the film’s status as an early front runner but it also confirmed that Leonardo DiCaprio will be in the running for Best Actor and Lily Gladstone for either Best Actress or Supporting Actress.  It also sound like Robert De Niro could receive another nomination.  (Despite the importance of his role, Jesse Plemons’s screen time is apparently limited.)

The other Oscar contender to come out of Cannes would appear to be Jonathan Glazer’s The Zone of Interest.  There is some talk that the film itself could be a bit too chilly for the Academy and, being familiar with Glazer’s work, that would not necessarily surprise me.  But, for now, The Zone of Interest is among my predicated Best Picture nominee.  I’m also going to continue to predict that Oppenheimer will be nominated and, after seeing the trailer, I’m a bit more confident that The Color Purple will be nominated as well.  And I’m still going to toss in Barbie because why not?

That said, the year isn’t even halfway over yet and there’s a lot of films to come.  It’s entirely possible that the majority of the best picture nominees are going to be films that haven’t even shown up on anyone’s radar yet.

Below are my predictions for May.  Be sure to also check out my predictions for March and April!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Best Actress

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Ryan Gosling in Barbie

Samuel L. Jackson in The Piano Lesson

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Lisa Marie’s Way Too Early Oscar Predictions For April


Here are my Oscar predictions for April!  As always, when it’s this early in the year, I recommend taking all of these with a grain of salt.  At this point, the only thing that anyone knows for sure is that it’s safe to remove Jonathan Majors and Magazine Dreams from any list of predictions.

Check out my predictions for March by clicking here!

Best Picture

The Actor

Barbie

The Color Purple

Dumb Money

Dune: Part Two

Flint Strong

The Holdovers

Killers of the Flower Moon

Oppenheimer

Rustin

Best Director

Blitz Bazawule for The Color Purple

Rachel Morrison for Flint Strong

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Andre Holland in The Actor

Anthony Hopkins in Freud’s Last Session

Best Actress

Fantasia Barrino in The Color Purple

Emily Blunt in Pain Brokers

Greta Lee in Past Lives

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Brian Tyree Henry in Flint Strong

Samuel L. Jackson in The Piano Lesson

Jesse Plemons in Killers of the Flower Moon

Best Supporting Actress

Viola Davis in Air

Jodie Foster in Nyad

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Da’Vine Joy Randolph in The Holdovers

Horror Film Review: The Little Girl Who Lives Down The Lane (dir by Nicolas Gessner)


First released in 1976, The Little Girl Who Lives Down The Lane tells the story of Ryann Jacobs (played by Jodie Foster, who was thirteen years old when she made this film).

Rynn lives in a small New England town, in a house that her father has leased for three years.  It’s been a while since anyone has seen Rynn’s father.  Rynn always tells everyone that he’s either out of town or that he’s busy in his study and can’t be disturbed.  When the friendly local policeman (Mort Schuman) expresses some doubt about Rynn’s claim that her father is working, Rynn says that her father is a drug addict, like all of the great poets.

Rynn’s main problem is with the Halletts.  Cora Hallett (Alexis Smith) owns the house in which Rynn is living.  Cora drops by regularly, haughtily demanding to see Rynn’s father.  Her creepy son, Frank (Martin Sheen), also makes a habit of visiting.  He’s not interested in Cora’s father.  Instead, he’s interested in Cora.  Everyone in the town knows that Frank is a perv but no one is willing to do anything about it.  He’s protected by his mother’s money.

One day, when Cora drops by, she insists on going into the basement.  She says she has something down there that she needs to retrieve.  Rynn tells her not to go down there but Cora refuses to listen, which turns out to be a huge mistake.  Cora screams at what she sees down there and then falls to her death.  With the help of her only friend, Mario (Scott Jacoby) an aspiring magician who walks with a limp, Rynn covers up the murder.

Mario turns out to be a very good friend, indeed.  Not only does he tell people that he’s seen Rynn’s father but he even stands up to Frank when he shows up at the house, searching for his mother.  However, as it soon becomes clear, Frank isn’t one to give up so easily….

The Little Girl Who Lives Down The Lane is an interesting hybrid of a film.  It definitely does have elements of horror.  The running theme throughout the film is that Rynn might kill people but it’s all the adults in her life who are truly monstrous.  Frank is truly a monster and Martin Sheen gives a remarkably intense and creepy performance in the role.  Frank is the type who will say that worst things imaginable and then smirk afterward, confident that he’ll never have to face any sort of justice for his crimes.

At the same time, the film is also a coming-of-age-story and a teen romance.  Rynn and Mario are two outsiders who find each other.  You like both of them and you want things to work out for them, even though you spend almost the entire film worried that Rynn might end up poisoning Mario.  Foster and Jacoby share some genuinely sweet scenes.  Things would be just fine, the film seems to be saying, if all of these stupid adults would just mind their own business.

The Little Girl Who Lives Down The Lane is an effectively creepy and sometimes even sweet little film about a girl who occasionally has to kill people.  Keep an eye out for it!

Horror on TV: Ghost Story 1.8 “House of Evil” (dir by Daryl Duke)


Tonight’s episode of Ghost Story is full of stars!

Evil grandpa comes to visit his family and, with the help of voodoo cookies (you read that right), he tries to manipulate his deaf and mute granddaughter into helping him kill everyone!  Grandpa is played by Melvyn Douglas.  His granddaughter is played by Jodie Foster!  And the script was written by none other than Robert Bloch and Richard Matheson!

This episode originally aired on November 10th, 1972.

Cleaning Out The DVR: The Mauritanian (dir by Kevin Macdonald)


Last night, I finally watched The Mauritanian.

The Mauritanian is a film that was released earlier this year.  The Golden Globes gave it some unexpected love.  The Oscars ignored it.  It won some awards in the UK.  It’s based on the true story of Mohamedou Ould Salahi, who was detained at Gitmo without charge for 15 years.  The U.S. government claimed that Salahi was one of the men responsible for recruiting the 9-11 hijackers.  Salahi claimed innocence and wrote and published his memoirs while he was still a prisoner.  Salahi was regularly tortured and sexually abused while detained.  His interrogators regularly threatened to bring his mother to Gitmo, where she would be gang-raped, unless Salahi told them what they wanted to hear.

It’s a horrifying story and an important one, especially nowadays when so many people have forgotten that everyone is meant to have rights under the law.  Unfortunately, The Mauritanian doesn’t really do the story justice.  Instead of simply focusing on Salahi (played, in a charismatic performance, by Tahar Rahim) and what he went through after being detained, the film divides its time between Salahi, his lawyers, and the man assigned to prosecute his case.  As the representatives of the legal system, Jodie Foster, Shailene Woodley, and Benedict Cumberbatch all give one-note performances.  Foster somehow won a Golden Globe for her role but there’s not much to the performance or the character, beyond the fact that she’s pissed off and she’s played by a respected performer who came out of semi-retirement because she agreed with the film’s message.  Shailene Woodley is not particularly believable as someone who could have passed a bar exam.  Meanwhile, the film uses Benedict Cumberbatch’s likable screen presence to try to disguise the fact that it tells its story with a counter-productively heavy hand.  The film wants us to think its nuanced, just because the normally heroic Cumberbatch is playing one of the government’s representatives.

The Mauritanian is a film that wants to shock and outrage us.  It’s also a film that wants to move us and make the audience celebrate the activism of the attorneys played by Foster and Woodley.  Unfortunately, director Kevin Macdonald takes a rather generic approach to telling this story.  There’s no complexity.  There’s no surprises.  One need only look at a film like The Report to see how a film like this could have been effective.  Instead, The Mauritanian often threatens to become as self-congratulatory as The Trial of the Chicago 7.  At its weakest, it’s like an Aaron Sorkin film, without the snappy dialogue.  There is a harrowingly effective sequence in which Salahi is psychologically tortured but Macdonald lessens the impact by continually cutting to Foster and Cumberbatch reading a report about the torture.  It takes a moment that should have been about what Salahi was put through and instead makes it about how his attorney reacts to it.  It’s as if Macdonald didn’t have faith in his audience and felt that we would need two stars to let us know that the torture we’re viewing with our own eyes was wrong.

Though The Mauritanian was only released a few month ago, it already feel like a relic from another era.  One gets the feeling that a flawed but politically outspoken film like this would have gotten a lot more attention from the Academy if it had been released in 2006 or 2007 or even during the first two years of the Obama administration, back when people still believed that Obama was serious about closing Gitmo.  Today, however, we take the excesses of the war on terror for granted.  People are no longer shocked by them.  As I watched The Mauritanian, I found myself thinking about the fact that, just two-and-a-half months ago, the U.S. blew up an innocent aide worker and his family, bragged about it, and then tried to cover it up.  At one time, this would have been a national scandal.  In 2021, however, it’s the sort of thing that gets shrugged off.  One gets the feeling that a movie will never be made about that man or his family.