Okay, here’s one more precursor before I call it a night. The North Carolina Film Critics have announced their picks for the best of 2016. You can check out the nominees here and the winners below!
Now that the holidays are over, it’s time to get back to Oscar season!
The guilds have started to announce their nominees for the best of 2016 and since the guilds, unlike the various critic groups, include people who actually vote for the Oscars, they are usually pretty useful as far as predictive tool.
So, with that in mind, here are the nominations of the Writers Guild of America!
(The big surprise? Deadpool — which has actually gotten a lot of unexpected attention during Oscar season — landed a nomination.)
Manchester by the Sea, Written by Kenneth Lonergan; Amazon Studios/Roadside Attractions
Moonlight, Written by Barry Jenkins, Story by Tarell McCraney; A24
ADAPTED SCREENPLAY
Arrival, Screenplay by Eric Heisserer; Based on the Story “Story of Your Life” by Ted Chiang; Paramount Pictures
Deadpool, Written by Rhett Reese & Paul Wernick; Based on the X-Men Comic Books; Twentieth Century Fox Film
Fences, Screenplay by August Wilson; Based on his Play; Paramount Pictures
Hidden Figures, Screenplay by Allison Schroeder and Theodore Melfi; Based on the Book by Margot Lee Shetterly; Twentieth Century Fox Film
Nocturnal Animals, Screenplay by Tom Ford; Based on the Novel Tony and Susan by Austin Wright; Focus Features
DOCUMENTARY SCREENPLAY
Author: The JT LeRoy Story, Written by Jeff Feuerzeig; Amazon Studios
Command and Control, Telescript by Robert Kenner and Eric Schlosser, Story by Brian Pearle and Kim Roberts; Based on the book Command and Control by Eric Schlosser; American Experience Films
Zero Days, Written by Alex Gibney; Magnolia Pictures
BEST FOREIGN LANGUAGE FILM Elle The Handmaiden A Man Called Ove Toni Erdmann Things to Come
BEST DIRECTOR
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
David Mackenzie — Hell or High Water
Chan-woo Park — The Handmaiden
BEST CINEMATOGRAPHY
Chung-hoo Chung — The Handmaiden
James Laxton — Moonlight
Giles Nuttgens — Hell or High Water
Linus Sandgren — La La Land
Bradford Young — Arrival
BEST ACTOR
Casey Affleck — Manchester by the Sea
Joel Edgerton — Loving
Ryan Gosling — La La Land
Viggo Mortensen — Captain Fantastic
Denzel Washington — Fences
BEST SUPPORTING ACTOR
Mahershala Ali — Moonlight
Jeff Bridges — Hell or High Water
Ben Foster — Hell or High Water
Lucas Hedges — Manchester by the Sea
Sam Neill — Hunt for the Wilderpeople
BEST ACTRESS
Annette Bening — 20th Century Women
Kate Beckinsale — Love & Friendship
Ruth Negga — Loving
Natalie Portman — Jackie
Emma Stone — La La Land
BEST SUPPORTING ACTRESS
Viola Davis — Fences
Greta Gerwig — 20th Century Women
Naomie Harris — Moonlight
Nicole Kidman — Lion
Michelle Williams — Manchester by the Sea
BEST ORIGINAL SCREENPLAY
Damien Chazelle — La La Land
Barry Jenkins — Moonlight
Kenneth Lonergan — Manchester by the Sea
Mike Mills — 20th Century Women
Taylor Sheridan — Hell or High Water
BEST ADAPTED SCREENPLAY
Tom Ford — Nocturnal Animals
Eric Heisserer — Arrival
Seo-kyeong Jeong and Chan-wook Park — The Handmaiden
Whit Stillman — Love & Friendship
Taika Waititi — Hunt for the Wilderpeople
KEN HANKE MEMORIAL TAR HEEL AWARD
(To an artist or film with a special connection to North Carolina.)
Anthony Mackie
Jeff Nichols Starving the Beast
Outstanding Motion Picture
• “Fences” (Paramount Pictures)
• “Hidden Figures” (20th Century Fox)
• “Loving” (Focus Features/Big Beach)
• “Moonlight” (A24)
• “The Birth of a Nation” (Fox Searchlight Pictures)
Outstanding Directing in a Motion Picture – (Film)
• Anthony Russo, Joe Russo – “Captain America: Civil War” (Marvel Studios)
• Barry Jenkins – “Moonlight” (A24)
• Garth Davis – “Lion” (See-Saw Films)
• Mira Nair – “Queen of Katwe” (Walt Disney Studios)
• Nate Parker – “The Birth of a Nation” (Fox Searchlight Pictures)
Outstanding Writing in a Motion Picture (Film)
• Adam Mansbach “Barry” (Black Bear Pictures and Cinetic Media)
• Barry Jenkins “Moonlight” (A24)
• Jeff Nichols “Loving” (Focus Features/Big Beach)
• Nate Parker “The Birth of a Nation” (Fox Searchlight Pictures)
• Richard Tanne “Southside With You” (Roadside Attractions)
Outstanding Actor in a Motion Picture
• Denzel Washington – “Fences” (Paramount Pictures)
• Don Cheadle – “Miles Ahead” (Sony Pictures Classics)
• Nate Parker – “The Birth of a Nation” (Fox Searchlight Pictures)
• Stephan James – “Race” (Focus Features/The Luminary Group A Solofilms/Trinidad/Trinity/Trinity Race Production)
• Will Smith – “Collateral Beauty” (Warner Bros. Pictures/New Line Cinema)
Outstanding Actress in a Motion Picture
• Angela Bassett – “London Has Fallen” (Focus Features/Millennium Films/G-Base Production)
• Madina Nalwanga – “Queen of Katwe” (Walt Disney Studios)
• Ruth Negga – “Loving” (Focus Features/Big Beach)
• Taraji P. Henson – “Hidden Figures” (20th Century Fox)
• Tika Sumpter – “Southside With You” (Roadside Attractions)
Outstanding Supporting Actress in a Motion Picture
• Aja Naomi King – “The Birth of a Nation” (Fox Searchlight Pictures)
• Lupita Nyong’o – “Queen of Katwe” (Walt Disney Studios)
• Mo’ Nique – “Almost Christmas” (Universal Pictures)
• Octavia Spencer – “Hidden Figures” (20th Century Fox)
• Viola Davis – “Fences” (Paramount Pictures)
Outstanding Documentary – (Film)
• “13th” (Netflix)
• “I Am Not Your Negro” (Velvet Film)
• “Maya Angelou: And Still I Rise” (The People’s Poet LLC)
• “Miss Sharon Jones!” (Cabin Creek Films)
• “Olympic Pride, American Prejudice” (Coffee Bluff Pictures)
Damien Chazelle – LA LA LAND Barry Jenkins – MOONLIGHT (Winner)
Kenneth Lonergan – MANCHESTER BY THE SEA
Jeff Nichols – LOVING
Denis Villeneuve – ARRIVAL
BEST ACTOR
Casey Affleck – MANCHESTER BY THE SEA
Joel Edgerton – LOVING
Ryan Gosling – LA LA LAND
Tom Hanks – SULLY Denzel Washington – FENCES (Winner)
BEST ACTRESS
Amy Adams – ARRIVAL
Annette Bening – 20th CENTURY WOMEN Isabelle Huppert – ELLE (Winner)
Ruth Negga – LOVING
Natalie Portman – JACKIE
Viola Davis – FENCES (Winner)
Greta Gerwig – 20th CENTURY WOMEN
Lily Gladstone – CERTAIN WOMEN
Naomie Harris – MOONLIGHT
Michelle Williams – MANCHESTER BY THE SEA
ARRIVAL – Eric Heisserer (Winner)
ELLE – David Birke
THE HANDMAIDEN – Park Chan-wook and Jeong Seo-Gyeong
FENCES – August Wilson
NOCTURNAL ANIMALS – Tom Ford
The Broadcast Film Critics Association have announced their nominees for the 22nd Annual Critics’ Choice Awards and here they are! Once again, in a pattern that will probably see repeated several times of this next month, the nominations were dominated by Moonlight, La La Land, and Manchester By The Sea.
FILM NOMINATIONS FOR THE 22ND ANNUAL CRITICS’ CHOICE AWARDS
Before I forget, The Independent Spirit Award Nominations were announced earlier today! In a year that has yet to see a Spotlight, a Mad Max, or even a Big Short, the Oscar race remains undeniably murky. Maybe the Spirit nominations will help to clarify things.
(Sad to say but I haven’t seen most of the films that were nominated. They’ve either just opened down here in Dallas or they’ll be opening next month. So, you’ll have to forgive me if I can’t provide much commentary beyond saying that I look forward to seeing and reviewing them all for myself!)
(I will say, however, that I’m happy to see that American Honey was nominated because, even though I missed seeing the film, it’s directed Andrea Arnold. Arnold’s previous film, Fish Tank, is pretty much one of my essential movies.)
BEST ACTOR Casey Affleck, “Manchester by the Sea”
David Harewood, “Free In Deed”
Viggo Mortensen, “Captain Fantastic”
Jesse Plemons, “Other People”
Tim Roth, “Chronic”
BEST ACTRESS Annette Bening, “20th Century Women”
Isabelle Huppert, “Elle” Sasha Lane, “American Honey”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”
BEST DOCUMENTARY “13th”
“Cameraperson”
“I Am Not Your Negro”
“O.J.: Made in America”
“Sonita”
“Under the Sun”
BEST INTERNATIONAL PICTURE “Aquarius” (Brazil)
“Chevalier” (Greece)
“My Golden Days” (France)
“Toni Erdmann” (Germany and Romania)
“Under the Shadow” (Iran and U.K.)
BEST FIRST FEATURE “The Childhood of a Leader”
“The Fits”
“Other People”
“Swiss Army Man” “The Witch”
BEST FIRST SCREENPLAY “Barry”
“Christine”
“Jean of the Joneses”
“Other People” “The Witch”
JOHN CASSAVETES AWARD (best feature made for under $500,000)
“Free In Deed”
“Hunter Gatherer”
“Lovesong”
“Nakom”
“Spa Night”
Just recently, I found myself wondering what had happened to Jeff Nichols’s Midnight Special? This film was one of the most highly anticipated films of 2015 and why not? After all, Nichols previously gave us Take Shelter and Mud. And Midnight Special starred Michael Shannon, a great actor if there ever was one.
But then suddenly, people stopped talking about Midnight Special and I wondered where it had gone. Well, now I have my answer. It’s gone to March of 2016.
Usually, whenever a release date changes, that’s a bad sign but you know what? I believe in Jeff Nichols and I believe in Michael Shannon and I can’t wait to see Midnight Special!
When it comes to Arkansas, people seem to automatically think of two things. Arkansas is the former home of Bill and Hillary Clinton and it’s also the state that accused three teenage boys of committing horrific acts of murder, largely on the basis of the fact that one of the boys used to dress in black and listen to heavy metal music. Between the state’s largely rural image and repeat showings of Paradise Lost on HBO, Arkansas does not exactly have the best reputation.
Myself, I have a lot of childhood memories of Arkansas. Some of them are good and some of them aren’t so good. My grandmother lived in Fort Smith so, even when my family was living in another state, we would still always find the time to come visit her every summer. As well, I had (and still have) cousins spread out all over the state. Almost every road trip that I’ve ever taken has involved at least a few stops in Arkansas. When I think about Arkansas, I don’t think about the Clintons or Damien Echols. Instead, to me, Arkansas is where I used to get excited whenever I saw we were approaching grandma’s house and where my mom once grabbed me right before I stepped on a snake that was hidden in the high grass that surrounded my cousin’s farm.
As often as I visited Arkansas while I was growing up, I also actually lived there twice. I don’t remember the first time, because I was only two years old at the time, but my family spent 3 months living in Ft. Smith before going back to Texas. Then five years later, we returned to Arkansas and, over the course of 19 months, we lived in Texarkana, Fouke, Van Buren, North Little Rock, and, finally, Ft. Smith once again.
Originally, for Arkansas, I was planning on reviewing The Legend of Boggy Creek, a 1974 psuedo-documentary that deals with a bigfoot-like creature that was said to live near the town of Fouke. It made perfect sense as not only was The Legend of Boggy Creek filmed in Arkansas but it was produced by an Arkansan as well. It remains one of the most financially successful independent films of all time and, because it’s presented as being a documentary, it features authentic Arkansans in the cast. Even more importantly, my family actually lived in Fouke from August of ’93 to May of ’94. I’ve been down to Boggy Creek! (Though, to the best of my memory, the monster never made an appearance while we were living in Fouke.)
But then I thought about it and something occurred to me. The Legend of Boggy Creek is not that good of a movie. I watched it a few weeks ago and, once I got passed the fact that it was filmed in a town that I have vague memories of living in back when I was seven years old, I found the film itself to be almost unbearably dull.
So, instead of unleashing my snark on a 40 year-old exploitation film, I’m going to use this opportunity to recommend another film that was shot in Arkansas. This film, however, was one of the best films of 2013. It’s a film that, if you haven’t watched it yet, you owe it to yourself to see.
It’s a film called Mud.
Directed by Jeff Nichols (who previously gave us the excellent Take Shelter), Mud takes place in the town of DeWitt, Arkansas. Two teenage boys, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) spend their days going up and down the Arkansas River. Ellis, the more introspective of the two, dreams of escaping his homelife with an abusive father (Ray McKinnon) and a compliant mother (Sarah Paulson). Quietly watching over the two boys is Tom (Sam Shepard), an enigmatic older man who lives across the river from Ellis’s family.
One day, Ellis and Neckbone come across a mysterious man living on a small island. The man’s name is Mud (Matthew McConaughey) and he tells them that he’s waiting for his girlfriend, Juniper (Reese Whitherspoon). Mud explains that he killed a man who once pushed her down a flight of stairs while she was pregnant. Ellis and Neckbone agree to help Mud, secretly supplying him with food and delivering notes from him to Juniper.
However, the father (Joe Don Baker) of the man who Mud killed has arrived in town as well. He’s brought an army of mercenaries with him and, each morning, he gathers them together for a quick prayer and then sends them out to track down and kill Mud…
Mud is a wonderful film, one that is full of visually striking images and excellent performances. (If Dallas Buyers Club hadn’t come out later that same year, Matthew McConaughey could have just as easily been nominated for his charismatic and sympathetic performance here.) Even more importantly, the film is full of authentic local culture and color. If, decades from now, someone asked me what Arkansas was like in the early 21st Century, Mud is the film that I would show them.
Much as how Richard Linklater can capture Texas in a way that a non-Texan never could, Mud is fortunate to have been directed by a native of Arkansas. Watching Mud, it quickly becomes obvious that Jeff Nichols knows and understands Arkansas and, as such, he presents an honest portrait of the state.
Every state should hope to inspire a film as well-made and entertaining as Mud.