Lisa’s Homestate Reviews: Arkansas and Mud


Mud

When it comes to Arkansas, people seem to automatically think of two things.  Arkansas is the former home of Bill and Hillary Clinton and it’s also the state that accused three teenage boys of committing horrific acts of murder, largely on the basis of the fact that one of the boys used to dress in black and listen to heavy metal music.  Between the state’s largely rural image and repeat showings of Paradise Lost on HBO, Arkansas does not exactly have the best reputation.

Myself, I have a lot of childhood memories of Arkansas.  Some of them are good and some of them aren’t so good. My grandmother lived in Fort Smith so, even when my family was living in another state, we would still always find the time to come visit her every summer.  As well, I had (and still have) cousins spread out all over the state.  Almost every road trip that I’ve ever taken has involved at least a few stops in Arkansas.  When I think about Arkansas, I don’t think about the Clintons or Damien Echols.  Instead, to me, Arkansas is where I used to get excited whenever I saw we were approaching grandma’s house and where my mom once grabbed me right before I stepped on a snake that was hidden in the high grass that surrounded my cousin’s farm.

As often as I visited Arkansas while I was growing up, I also actually lived there twice.  I don’t remember the first time, because I was only two years old at the time, but my family spent 3 months living in Ft. Smith before going back to Texas.  Then five years later, we returned to Arkansas and, over the course of 19 months, we lived in Texarkana, Fouke, Van Buren, North Little Rock, and, finally, Ft. Smith once again.

Originally, for Arkansas, I was planning on reviewing The Legend of Boggy Creek, a 1974 psuedo-documentary that deals with a bigfoot-like creature that was said to live near the town of Fouke.  It made perfect sense as not only was The Legend of Boggy Creek filmed in Arkansas but it was produced by an Arkansan as well.  It remains one of the most financially successful independent films of all time and, because it’s presented as being a documentary, it features authentic Arkansans in the cast.  Even more importantly, my family actually lived in Fouke from August of ’93 to May of ’94.  I’ve been down to Boggy Creek!  (Though, to the best of my memory, the monster never made an appearance while we were living in Fouke.)

But then I thought about it and something occurred to me.  The Legend of Boggy Creek is not that good of a movie.  I watched it a few weeks ago and, once I got passed the fact that it was filmed in a town that I have vague memories of living in back when I was seven years old, I found the film itself to be almost unbearably dull.

So, instead of unleashing my snark on a 40 year-old exploitation film, I’m going to use this opportunity to recommend another film that was shot in Arkansas.  This film, however, was one of the best films of 2013.  It’s a film that, if you haven’t watched it yet, you owe it to yourself to see.

It’s a film called Mud.

Directed by Jeff Nichols (who previously gave us the excellent Take Shelter), Mud takes place in the town of DeWitt, Arkansas.  Two teenage boys, Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) spend their days going up and down the Arkansas River.  Ellis, the more introspective of the two, dreams of escaping his homelife with an abusive father (Ray McKinnon) and a compliant mother (Sarah Paulson).  Quietly watching over the two boys is Tom (Sam Shepard), an enigmatic older man who lives across the river from Ellis’s family.

One day, Ellis and Neckbone come across a mysterious man living on a small island.  The man’s name is Mud (Matthew McConaughey) and he tells them that he’s waiting for his girlfriend, Juniper (Reese Whitherspoon).  Mud explains that he killed a man who once pushed her down a flight of stairs while she was pregnant.  Ellis and Neckbone agree to help Mud, secretly supplying him with food and delivering notes from him to Juniper.

However, the father (Joe Don Baker) of the man who Mud killed has arrived in town as well.  He’s brought an army of mercenaries with him and, each morning, he gathers them together for a quick prayer and then sends them out to track down and kill Mud…

Mud is a wonderful film, one that is full of visually striking images and excellent performances.  (If Dallas Buyers Club hadn’t come out later that same year, Matthew McConaughey could have just as easily been nominated for his charismatic and sympathetic performance here.)  Even more importantly, the film is full of authentic local culture and color.  If, decades from now, someone asked me what Arkansas was like in the early 21st Century, Mud is the film that I would show them.

Much as how Richard Linklater can capture Texas in a way that a non-Texan never could, Mud is fortunate to have been directed by a native of Arkansas.  Watching Mud, it quickly becomes obvious that Jeff Nichols knows and understands Arkansas and, as such, he presents an honest portrait of the state.

Every state should hope to inspire a film as well-made and entertaining as Mud.

LeonTh3Duke’s Favorite Films of 2013


I have to say, this might be the earliest I have ever posted one of these lists. For once I saw everything I wanted to see before the Oscars; and although I haven’t written as many reviews this year, I have loved A TON of what was released. For me, 2013 was one of the better years for film in a while. Which of course makes creating a list such as this so damn hard. But here goes…

…oh, and I should note, this list is ordered according to which films were my favorite/least favorite, not necessarily the best/worst; yes there is a difference if you ask me.

Least Favorite Films of 2013:

5 – “Star Trek Into Darkness” (dir. J.J. Abrams)

5 Star Trek Into Darkness

4 – “Don Jon” (dir. Joseph Gordon-Levitt)

4 Don Jon

3 – “This Is The End” (dir. Evan Goldberg & Seth Rogen)

3 This Is The End

2 – “Mama” (dir. Andre Muschietti)

2 Mama

1 – “A Good Day To Die Hard” [Just so happens to be my least favorite AND the worst.] (dir. Satan… Hitler?…no wait, John Moore)

1 A Good Day To Die Hard

Favorite Films of 2013:

25 – “Prince Avalanche” (dir. David Gordon Green)

25 Prince Avalanche

24 – “Drug War” (dir. Johnnie To)

24 Drug War

23 – “The Wolverine” (dir. James Mangold)

23The Wolverine

22 – “Upstream Color” (dir. Shane Carruth)

22 Upstream Color

21 – “The Wolf Wall Street” (dir. Martin Scorsese)

21 The Wolf of Wall Street

20 – “Enough Said” (dir. Nicole Holofcener)

20 Enough Said

19 – “Frozen” (dir. Chris Buck & Jennifer Lee)

19 Frozen

18 – “The World’s End” (dir. Edgar Wright)

18 The Worlds End

17 – “Dallas Buyers Club” (dir. Jean-Marc Vallee)

17 Dallas Buyers Club

16 – “Blue Is The Warmest Color” (dir. Adbellatif Kechiche)

16 Blue Is The Warmest Color

15 – “An Adventure In Space and Time” (dir. Terry McDonough)

15 An Adventure in Space and Time

14 – “Stories We Tell” (dir. Sarah Polley)

14 Stories We Tell

13 – “Much Ado About Nothing” (dir. Joss Whedon)

13 Much Ado About Nothing

12 – “Blue Jasmine” (dir. Woody Allen)

12 Blue Jasmine

11 – “Mud” (dir. Jeff Nichols)

11 Mud

10 – “Frances Ha” (dir. Noah Baumbach)

10 Frances Ha

9 – “12 Years A Slave” (dir. Steve McQueen)

9 Twelve Years A Slave

8 – “Short Term 12” (dir. Destin Cretton)

8 Short Term 12

7 – “Inside Llewyn Davis” (dir. Ethan & Joel Coen)

7 Inside Llewyn Davis

6 – “Museum Hours” (dir. Jem Cohen)

6 Museum Hours

5 – “Stoker” (dir. Chan-wook Park)

5 Stoker

4 – “The Act of Killing” [The BEST of 2013 and possibly beyond.] (dir. Joshua Oppenheimer)

4 The Act of Killing

3 – “Before Midnight” (dir. Richard Linklater)

2 Before Midnight

2 – “Her” (dir. Spike Jonze)

1 Her

 

1 – “Gravity” (dir. Alfonso Cauron)

3 Gravity

 

These last three were honestly neck and neck and neck, and it wasn’t until I was ready to post this list that I bumped “Gravity” up to the top spot, replacing “Her”. As I mentioned above, this was such a great year for film and my favorite could change anytime in the future depending on when you asked me; but at this very moment I have to give it to “Gravity”.

 

(Some of My…) Favorite Performances of 2013 [No Specific Order]:

– Brie Larson (“Short Term 12”)

– Sandra Bullock (“Gravity”)

– Matthew McConaughey (“Dallas Buyers Club” & “Mud”)

– Joaquin Phoenix, Scarlett Johansson & Amy Adams (“Her”)

(Some of My…) Favorite Filmmakers and Writers of 2013 [No Specific Order]:

– Filmmaker: Joshua Oppenheimer (“The Act of Killing”)

– Writers: Richard Linklater, Julie Deply & Ethan Hawke (“Before Midnight”)

Favorite Score of 2013 (Ran a Half Marathon To This Sucker):

– Steven Price (“Gravity”)

The D.C. Critics Embrace 12 Years A Slave


Oscar season continues!

A lot of observers (like me) were a bit surprised to see neither Los Angeles, New York, nor the National Board of Review name 12 Years A Slave best picture of 2013.

However, 12 Years A Slave has been doing well with the smaller critics groups.  Earlier today, it was named best picture by the Washington D.C. Area Film Critics Association.

Here’s the full list of winners from D.C.:

Best Picture: “12 Years a Slave”

Best Director: Alfonso Cuaron, “Gravity”

Best Actor: Chiwetel Ejiofor, “12 Years a Slave”

Best Actress: Cate Blanchett, “Blue Jasmine”

Best Supporting Actor: Jared Leto, “Dallas Buyers Club”

Best Supporting Actress: Lupita Nyongo, “12 Years a Slave”

Best Adapted Screenplay: John Ridley, “12 Years a Slave”

Best Original Screenplay: Spike Jonze, “Her”

Best Art Direction: Catherine Martin, “The Great Gatsby”

Best Cinematography: Emmanuel Lubezki, “Gravity”

Best Editing: Alfonso Cuarón and Mark Sanger, “Gravity”

Best Score: Hans Zimmer, “12 Years a Slave”

Best Foreign Language Film: “The Broken Circle Breakdown”

Best Animated Feature: “Frozen”

Best Documentary: “Blackfish”

Best Acting Ensemble: “12 Years a Slave”

Best Youth Performance: Tye Sheridan, “Mud”

The National Board of Review Falls For Her


The National Board of Review announced their picks for the best films and performance of 2013 earlier today and the results are a bit … unexpected.

For best picture, they picked Spike Jonze’s Her, a film that has not exactly been seen as being an Oscar front-runner.  Meanwhile, the two presumptive frontrunners — 12 Years A Slave and Gravity — had to make due with just being mentioned in the NBR’s Top Ten list.  Also, it’s interesting to note that the NBR totally snubbed American Hustle which, just yesterday, was named best film of the year by the NYCC.

Despite the impression that one might get from a lot of breathless film bloggers (like me, to cite just one example), winning a critic’s prize does not automatically translate into Academy recognition.  It’ll be interesting to see if the acclaimed but reportedly offbeat Her manages to turn the NBR prize into Oscar momentum.

BEST PICTURE
“Her”

BEST DIRECTOR
Spike Jonze, “Her”

BEST ACTOR
Bruce Dern, “Nebraska”

BEST ACTRESS
Emma Thompson, “Saving Mr. Banks”

BEST SUPPORTING ACTOR
Will Forte, “Nebraska”

BEST SUPPORTING ACTRESS
Octavia Spencer, “Fruitvale Station”

BEST ORIGINAL SCREENPLAY
Joel and Ethan Coen, “Inside Llewyn Davis”

BEST ADAPTED SCREENPLAY
Terence Winter, “The Wolf of Wall Street”

BEST ENSEMBLE
“Prisoners”

BEST ANIMATED FEATURE
“The Wind Rises”

BEST FOREIGN LANGUAGE FILM 
“The Past”

BEST DOCUMENTARY
“Stories We Tell”

SPOTLIGHT AWARD
Career collaboration of Martin Scorsese and Leonardo DiCaprio

BREAKTHROUGH PERFORMANCES
Adele Exarchopoulos, “#Blue is the Warmest Colo#r”
Michael B. Jordan, “Fruitvale Station”

DEBUT DIRECTOR
Ryan Coogler, “Fruitvale Station”

CREATIVE INNOVATION IN FILMMAKING 
“Gravity”

FREEDOM OF EXPRESSION
“Wadjda”

BEST PICTURE NOMINEES (alphabetical)
“12 Years a Slave”
“Fruitvale Station”
“Gravity”
“Inside Llewyn Davis”
“Lone Survivor”
“Nebraska”
“Prisoners”
“Saving Mr. Banks”
“The Secret Life of Walter Mitty”
“The Wolf of Wall Street”

BEST FOREIGN LANGUAGE NOMINEES (alphabetical)
“Beyond the Hills”
“Gloria”
“The Grandmaster”
“A Hijacking”
“The Hunt”

BEST DOCUMENTARY NOMINEES (alphabetical)
“20 Feet from Stardom”
“The Act of Killing”
“After Tiller”
“Casting By”
“The Square”

BEST INDEPENDENT FILMS (alphabetical)
“Ain’t Them Bodies Saints”
“Dallas Buyers Club”
“In a World…”
“Mother of George”
“Much Ado About Nothing”
“Mud”
“The Place Beyond the Pines”
“Short Term 12”
“Sightseers”
“The Spectacular Now”

It’s The 2014 Independent Spirit Nominations!


46-frances-ha

The nominees for the 2014 Independent Spirit Awards were announced earlier today.  While the Spirit noms aren’t exactly the most accurate of Oscar precursors (and the rules of Indie Spirit Awards are pretty much specifically designed to honor the type of low-budget films that are often ignored by the Academy), more than a few of the Spirit nominees are usually remembered when the Oscar nominations are announced.

The winners will be announced, by Patton Oswalt, on March 1st.

Myself, I’m just happy to see Frances Ha and Upstream Color’s Shane Carruth nominated.

Best Feature:
“12 Years a Slave”
“All Is Lost”
“Frances Ha”
“Inside Llewyn Davis”
“Nebraska”

Best Director:
Shane Carruth, “Upstream Color”
J.C. Chandor, “All is Lost”
Steve McQueen, “12 Years a Slave”
Jeff Nichols, “Mud”
Alexander Payne, “Nebraska”

Best Screenplay:
Woody Allen, “Blue Jasmine”
Julie Delpy, Ethan Hawke and Richard Linklater, “Before Midnight”
Nicole Holofcener, “Enough Said”
Scott Neustadter & Michael H. Weber, “The Spectacular Now”
John Ridley, “12 Years a Slave”

Best Female Lead:
Cate Blanchett, “Blue Jasmine”
Julie Delpy, “Before Midnight”
Gaby Hoffman, “Crystal Fairy”
Brie Larson, “Short Term 12″
Shailene Woodley, “The Spectacular Now”

Best Male Lead:
Bruce Dern, “Nebraska”
Chiwetel Ejiofor, “12 Years a Slave”
Oscar Isaac, “Inside Llewyn Davis”
Michael B. Jordan, “Fruitvale Station”
Matthew McConaughey, “Dallas Buyers Club”
Robert Redford, “All Is Lost”

Best Supporting Female:
Melonie Diaz, “Fruitvale Station”
Sally Hawkins, “Blue Jasmine”
Lupita Nyong’o, “12 Years a Slave”
Yolonda Ross, “Go for Sisters”
June Squibb, “Nebraska”

Best Supporting Male:
Michael Fassbender, “12 Years a Slave”
Will Forte, “Nebraska”
James Gandolfini, “Enough Said”
Jared Leto, “Dallas Buyers Club”
Keith Stanfield, “Short Term 12”

Best First Feature:
“Blue Caprice”
“Concussion”
“Fruitvale Station”
“Una Noche”
“Wadjda”

Best First Screenplay:
“In a World,” Lake Bell
“Don Jon,” Joseph Gordon-Levitt
“Nebraska,” Bob Nelson
“Afternoon Delight,” Jill Soloway
“The Inevitable Defeat of Mister and Pete,” Michael Starrbury

John Cassavetes Award:
“Computer Chess”
“Crystal Fairy”
“Museum Hours”
“Pit Stop”
“This Is Martin Bonner”

Best Cinematography:
Sean Bobbit, “12 Years a Slave”
Benoit Debie, “Spring Breakers”
Bruno Delbonnel, “Inside Llewyn Davis”
Frank G. DeMarco, “All Is Lost”
Matthias Grunsky, “Computer Chess”

Best Editing:
Shane Carruth & David Lowery, “Upstream Color”
Jem Cohen & Marc Vives, “Museum Hours”
Jennifer Lame, “Frances Ha”
Cindy Lee, “Una Noche”
Nat Sanders, “Short Term 12”

Best Documentary:
“20 Feet From Stardom”
“After Tiller”
“Gideon’s Army”
“The Act of Killing”
“The Square”

Best International Film:
“A Touch of Sin”
“Blue Is the Warmest Color”
“Gloria”
“The Great Beauty”
“The Hunt”

Robert Altman Award (given to a film’s director, casting director and ensemble cast)
“Mud”

Piaget Producers Award:
Toby Halbrooks & James M. Johnston
Jacob Jaffke
Andrea Roa
Frederick Thornton

Someone to Watch Award:
“My Sister’s Quinceanera,” Aaron Douglas Johnston
“Newlyweeds,” Shake King
“The Foxy Merkins,” Madeline Olnek

Truer Than Fiction Award:
“A River Changes Course,” Kalvanee Mam
“Let the Fire Burn,” Jason Osder
“Manakamana,” Stephanie Spray & Pacho Velez