Playing Catch-Up With 6 Quickie Reviews: The Big Game, The Connection, Graduation Day, McFarland USA, Taken 3, and War Room


Here are 6 more reviews of 6 other films that I watched this year.  Why six?  Because Lisa doesn’t do odd numbers, that’s why.

The Big Game (dir by Jalmari Helander)

In The Big Game, Samuel L. Jackson plays the President of the United States and you would think that fact alone would make this film an instant classic.  Unfortunately, this film never really takes advantage of the inherent coolness of Samuel L. Jackson playing the leader of the free world.  When Air Force One is sabotaged and crashes in the wilderness of Finland, President Jackson has to rely on a young hunter (Onni Tommila) from a group of CIA agents disguised as terrorists.  Tommila does a pretty good job and the scenery looks great but at no point does Samuel L. Jackson says, “Check out this executive action, motherfucker,” and that’s a huge missed opportunity.  As for the rest of the film, it takes itself a bit too seriously and if you can’t figure out the big twist from the minute the movie starts, you obviously haven’t seen enough movies.

The Connection (dir by Cedric Jiminez)

Taking place over the 1970s, the French crime thriller tells the largely true story of the efforts of a French judge (played by Jean Dujardin) to take down a ruthless gangster (Gilles Lellouche) who is the head of one of the biggest drug cartels in the world.  The Connection run for a bit too long but, ultimately, it’s a stylish thriller that does a very good job of creating a world where literally no one can be trusted.  Dujardin, best known here in the States for his Oscar-winning role in The Artist, does a great job playing an honest man who is nearly driven to the point of insanity by the corruption all around him.

Graduation Day (dir by Chris Stokes)

Hey, it’s another found footage horror film!  Bleh!  Now, I should admit that this horror film — which is NOT a remake of that classic 1980s slasher — does have a fairly clever twist towards the end, that goes a long way towards explaining a lot of the inconsistencies that, up until that point, had pretty much dominated the film.  But, even with that in mind and admitting that Unfriended and Devil’s Due worked wonders with the concept, it’s still hard to feel any enthusiasm about yet another found footage horror film.

McFarland USA (dir by Niki Caro)

McFarland USA is an extremely predictable but likable movie.  Kevin Costner plays a former football coach who, while teaching at a mostly Latino high school, organizes a cross country team that goes on to win the state championship.  It’s based on a true story and, at the end of the film, all of the real people appear alongside the actors who played them.  There’s nothing about this film that will surprise you but it’s still fairly well-done.  Even Kevin Costner, who usually gets on my last nerve, gives a good performance.

Taken 3 (dir by Olivier Megaton)

Bryan Mills (Liam Neeson) is back and he’s killing even more people!  Fortunately, they’re all bad people but you really do have to wonder what type of dreams Bryan has whenever he goes to sleep.  In Taken 3, Bryan’s wife (Famke Janssen) has been murdered and Bryan has been framed.  He has to solve the case and kill the bad guys while staying one step ahead of the police (represented by a bored-looking Forest Whitaker).  Neeson does all of his usual Taken stuff — the intense phone conversation, the steely glare, and all the rest — but at this point, it has literally been parodied to death.  If you’re into watching Liam Neeson kill ugly people, Taken 3 will provide you with adequate entertainment but, for the most part, it’s but a shadow of the first Taken.

War Room (dir by Alex Kendrick)

I saw the War Room in Oklahoma.  It was being shown as part of a double feature with The Martian, of all things!  Anyway, this film is about an upper middle class family that hits rock bottom but they’re saved by the power of prayer!  Lots and lots of prayer!  Seriously, this film almost qualifies as “prayer porn.”  Anyway, the film was badly acted, badly written, incredibly heavy-handed, and ran on way too long but, on the plus side, it did eventually end.

Playing Catch-Up With 6 Documentary Reviews: Packed In A Trunk: The Lost Art of Edith Lake Wilkinson, Requiem For The Dead: American Spring 2014, A Symphony of Summits: The Alps From Above, The Thread


Here are reviews of 6 documentaries that I saw in 2015:

Packed In A Trunk: The Lost Art of Edith Lake Wilkinson (dir by Michelle Boyaner)

In 1924, painter Edith Lake Wilkinson was committed to an insane asylum and lived the rest of her life in sad obscurity.  As a result of Edith’s commitment, her artwork never received the recognition it deserved.  That’s the idea behind this documentary, which follows Edith’s great-great niece as she researches Edith’s life and tries to get the art world to acknowledge Edith’s talent.  As an art history major, I really wanted to like this documentary but, unfortunately, it focused more on the self-important niece than on the artwork.  Matters were not helped by a lengthy visit with a psychic who claimed to have “contacted” Edith’s spirit.  For the most part, this was a missed opportunity.

Requiem for the Dead: American Spring 2014

This film takes a look at the hundreds of people who were murdered by someone using a gun during the Spring of 2014.  Some of the cases are examined in detail while other victims only appear for a second or two, quickly replaced by another tragedy.  The cases are recreated through 911 calls, news reports, and occasionally interviews.  It makes for sobering and sad viewing though, at the same time, it works better an indictment of our sick culture than as a call for greater gun control.

Southern Rites (dir by Gillian Laub)

Photographer Gillian Laub comes down to Montgomery County, Georgia, in order to take pictures of the town’s first integrated prom.  She sticks around to film the trial of an old white man who shot and killed a young black man.  The film has good intentions and it’s obvious that Laub is convinced that she has something important to say that hasn’t been said before but, especially when compared to the superior and thematically similar 3 1/2 Minutes, it quickly becomes obvious that neither she nor the film can offer up any new insight as far as racism in America is concerned.

A Symphony of Summits: The Alps From Above (dir by Peter Bardehle and Sebastian Lindemann)

A Symphony of Summits, which is currently available on Netflix, is basically 94 minutes of aerial footage of the Alps.  A Symphony of Summits was originally made for German television and the English-language narration track has a blandly cheerful, touristy feel to it that often doesn’t go along with the imposing images and the occasionally bloody events being discussed.  (The history of the Alps is not necessarily a peaceful one.)  My advise would be to turn down the sound, put on your favorite music, and just enjoy the beauty of the images.

Thought Crimes: The Case of the Cannibal Cop (dir by Erin Lee Carr)

Thought Crimes tells the story of Gilberto Valle, a New York Cop who, in 2013, was convicted, on the basis of comments that he made online about plotting to kidnap and eat a woman.  Valle claimed that he was just sharing a fantasy and that he had no intention of following through.  Eventually, a judge agreed with him and his conviction was overturned.  This disturbing and creepy documentary features extensive interviews with Vallee (who literally made my skin crawl) and examines some of the darkest corners of the internet.  Many times in the documentary, Vallee claimed that he would never actually hurt anyone and I didn’t believe him for a second.  (As a cop, Vallee accessed the police database to look up info on a woman he was fantasizing about abducting and cannibalizing.)  That said, Thought Crimes still raised some interesting issues about the internet as an outlet for fantasy and how seriously we should take it as an indicator for real world actions.  There are no easy answers.

The Thread (dir by Greg Barker)

The Thread is a 61 minute documentary about the Boston Marathon Bombing and how a group of wannabe detectives used Reddit and twitter to wrongly accuse a missing graduate student of being one of the bombers.  It’s interesting and occasionally cringe-inducing viewing experience, even if it really doesn’t offer up much original insight.  (Documentarians are always quicker to bemoan the rise of new media than to seriously investigate why old media collapsed in the first place.)  Among those interviewed about the rush to find a suspect is Sasha Stone, the founder and editor of AwardsDaily and yes, she is just as annoying and smugly self-important as you would expect.  (Thankfully, they did not interview Ryan Adams.)

Lisa’s Oscar Predictions For December!


For the final time this year, here are my monthly Oscar predictions.  Usually, the critic groups and the guilds help to make it a bit more clear what is going to be nominated.  That’s not so much the case this year.  It’s been a very good year for film and let’s hope the actual Oscar nominations reflect that.

You can also check out my predictions for January, February, March, April, May, June, July, August, September, October, and November.

Best Picture

Beasts of No Nation

The Big Short

Carol

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

Star Wars: The Force Awakens

Trumbo

Best Director

Tom McCarthy for Spotlight

Adam McKay for The Big Short

George Miller for Mad Max: Fury Road

Jay Roach for Trumbo

Ridley Scott for The Martian

Best Actor

Bryan Cranston in Trumbo

Johnny Depp in Black Mass

Leonardo DiCaprio in The Revenant

Michael Fassbender in Steve Jobs

Eddie Redmayne in The Danish Girl

Best Actress

Cate Blanchett in Carol

Brie Larson in Room

Charlotte Rampling in 45 Years

Saoirse Ronan in Brooklyn

Sarah Silverman in I Smile Back

Best Supporting Actor

Idris Elba in Beasts of No Nation

Mark Rylance in Bridge of Spies

Michael Shannon in 99 Homes

Sylvester Stallone in Creed

Jacob Tremblay in Room

Best Supporting Actress

Jennifer Jason Leigh in The Hateful Eight

Rooney Mara in Carol

Helen Mirren in Trumbo

Kristen Stewart in Clouds of Sils Maria

Alicia Vikander in Ex Machina

Here Are The Just-Announced Florida Film Critics Circle Nominations!


BEST PICTURE
Carol
Mad Max: Fury Road
Spotlight
The Big Short
The Martian

BEST ACTOR
Bryan Cranston – Trumbo
Paul Dano – Love and Mercy
Leonardo DiCaprio – The Revenant
Michael Fassbender – Steve Jobs
Eddie Redmayne – The Danish Girl

BEST ACTRESS
Cate Blanchett – Carol
Brie Larson – Room
Charlotte Rampling – 45 Years
Saoirse Ronan – Brooklyn
Charlize Theron – Mad Max: Fury Road


BEST SUPPORTING ACTOR
Oscar Isaac – Ex Machina
Mark Ruffalo – Spotlight
Mark Rylance – Bridge of Spies
Michael Shannon – 99 Homes
Sylvester Stallone – Creed

BEST SUPPORTING ACTRESS
Elizabeth Banks – Love and Mercy
Jennifer Jason Leigh – The Hateful Eight
Rooney Mara – Carol
Kristen Stewart – Clouds of Sils Maria
Alicia Vikander – Ex Machina
BEST DIRECTOR

Todd Haynes – Carol
Alejandro G. Iñárritu – The Revenant
George Miller – Mad Max: Fury Road
Tom McCarthy – Spotlight
Ridley Scott – The Martian

BEST ENSEMBLE
The Big Short
Mistress America
Spotlight
Straight Outta Compton
Tangerine

BEST ORIGINAL SCREENPLAY
Ex Machina
The Hateful Eight
Inside Out
Mistress America
Spotlight

BEST ADAPTED SCREENPLAY
The Big Short
Brooklyn
Carol
Room
Steve Jobs

BEST CINEMATOGRAPHY
Carol
Mad Max: Fury Road
The Revenant
Sicario
Youth

BEST VISUAL EFFECTS
Ex Machina
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Walk

BEST ART DIRECTION/ PRODUCTION DESIGN
Brooklyn
Carol
Crimson Peak
Love & Mercy
Mad Max: Fury Road

BEST SCORE
Carol
The Hateful Eight
Love & Mercy
Mad Max: Fury Road
Star Wars: The Force Awakens

BEST DOCUMENTARY
Amy
Best of Enemies
Cartel Land
Heart of a Dog
The Look of Silence

BEST FOREIGN LANGUAGE FILM
The Assassin
Mommy
Mustang
Phoenix
Son of Saul
BEST ANIMATED FILM

Anomalisa
Inside Out
The Good Dinosaur
The Peanuts Movie
Shaun the Sheep Movie

FFCC BREAKOUT AWARD
Bel Powley – Diary of a Teenage Girl
Daisy Ridley – Star Wars: The Force Awakens
Kitana Kiki Rodriguez – Tangerine
Jacob Tremblay – Room
Alicia Vikander – Ex Machina and The Danish Girl

The Kansas City Film Critics Are Mad For Max!


MadMaxFuryRoad

The Kansas City Film Critics announced their picks for the best of 2015 yesterday and they love Mad Max!  You can check out a full list of their nominees here!  Check out the winners below!

Best Picture: Mad Max: Fury Road

Best Director: George Miller, Mad Max: Fury Road

Best Actor: Leonardo DiCaprio, The Revenant

Best Actress: Charlize Theron, Mad Max: Fury Road

Best Supporting Actor: Michael Shannon, 99 Homes

Best Supporting Actress: Alicia Vikander, Ex Machina

Best Original Screenplay: Spotlight

Best Adapted Screenplay: The Big Short

Best Foreign Language Film: Phoenix

Best Animated Feature: Inside Out

Best Documentary: Amy

Vince Koehler Award for Best Science Fiction, Fantasy, Horror Film: Ex Machina

 

Spotlight wins in Las Vegas!


Spotlight

You can check out all of the Las Vegas Film Critics nominations by clicking here.  The actual winners are listed below:

Top Ten List
1 SPOTLIGHT
2 CREED
3 EX MACHINA
4 STRAIGHT OUTTA COMPTON
5 BEASTS OF NO NATION
6 THE MARTIAN
7 MAD MAX FURY ROAD
8 SICARIO
9 LEGEND
10 ROOM

Best Picture:
SPOTLIGHT
Runner up: CREED

BEST DIRECTOR:
Tom McCarthy, SPOTLIGHT

Best Ensemble:
SPOTLIGHT

Best Actor:
Leonardo DiCaprio – The Revenant

Best Actress:
Brie Larson, ROOM

Best Original Screenplay:
Tom McCarthy and Josh Singer, SPOTLIGHT

Best Adapted Screenplay:
Drew Goddard, THE MARTIAN

Best Cinematography:
Emmanuel Lubezki, THE REVENANT

Best Film Editing:
Margaret Sixel, MAD MAX – FURY ROAD

Best Costume Design:
Jenny Beavan, MAD MAX – FURY ROAD

Best Foreign Film:
GOODNIGHT MOMMY

Best Art Direction:
Irene O’Brien and Robert Parle, BROOKLYN

Best Supporting Actress:
Elizabeth Banks, LOVE AND MERCY

Best Visual Effects:
MAD MAX – FURY ROAD
Best Horror/Sci-fi Film:
EX MACHINA

Best Animated Film:
INSIDE OUT

Best Family Film:
CINDERELLA

Best Documentary:
GOING CLEAR – SCIENTOLOGY AND THE PRISON OF BELIEF

Best Comedy:
TRAINWRECK

Best Action Film:
MAD MAX – FURY ROAD

Youth in Film:
Jacob Tremblay, ROOM

Breakout Filmmaker:
Alex Garland, EX MACHINA

Best Score:
Ennio Morricone, THE HATEFUL EIGHT

Best Song:
“See You Again” from FURIOUS 7

Best Supporting Actor:

Sylvester Stallone, CREED

The Utah Film Critics Are Mad About Max!!


MadMaxFuryRoad

The Utah Film Critics announced their picks for the best of 2015 and they’re mad about Max!

BEST PICTURE
Winner: Mad Max: Fury Road
(runner-up: The Martian)

BEST DIRECTING
Winner: George Miller – Mad Max: Fury Road
(runner-up: Ridley Scott – The Martian)

BEST ACTOR
Winner: Leonardo DiCaprio – The Revenant
(runner-up: Matt Damon – The Martian)

BEST ACTRESS
Winner: Brie Larson – Room
(runner-up: Saoirse Ronan – Brooklyn)

BEST SUPPORTING ACTOR
Winner: Sylvester Stallone – Creed
(runner-up: Oscar Isaac – Ex Machina)

BEST SUPPORTING ACTRESS
Winner: Rose Byrne – Spy
(runner-up: Alicia Vikander – Ex Machina)

ORIGINAL SCREENPLAY
Winner: Inside Out
(runner-up: Spotlight)

ADAPTED SCREENPLAY
Winner: The Martian
(runner-up: Brooklyn)

CINEMATOGRAPHY
Winner: Mad Max: Fury Road
(runner-up: The Revenant)

BEST DOCUMENTARY
Winner: The Hunting Ground
(runner-up: Amy)

NON-ENGLISH FEATURE
Winner: Timbuktu
(runner-up: Son of Saul)

BEST ANIMATED FEATURE
Winner: Inside Out
(runner-up: Shaun the Sheep)

The Nevada Film Critics Society Loves Spotlight!


Spotlight

The Nevada Film Critics have announced their picks for the best of 2015.  The Revenant got a little more love than usual (and Tom Hardy finally picked up an award) but Spotlight again won the top prize.

Best Film – Spotlight
Best Actor – Leonardo DiCaprio – the Revenant
Best Actress – Brie Larson – Room
Best Supporting Actor – Tom Hardy – The Revenant
Best Supporting Actress – Alicia Vikander – Ex Machina
Best Youth Performance – Jacob Tremblay – Room

Best Director – Alejandro Iñárritu – The Revenant
Best Original Screenplay – Tom McCarthy and Josh Singer – Spotlight
Best Adapted Screenplay – tie – Drew Goddard for The Martian and Emma Donoghue for Room
Best Ensemble Cast – Spotlight
Best Documentary – Amy
Best Animated Movie – Inside Out
Best Production Design – Francois Séguin – Brooklyn
Best Cinematography – Emmanuel Lubezki – The Revenant
Best Visual Effects – Ex Machina

Remember Suffragette? The Women’s Film Critics Circle Certainly Does!


The Women’s Film Critics Circle have announced their picks for the best of 2015.  After starting out as one of those films that everyone expected to be a major contender, Suffragette has faded somewhat as an awards contender.  However, regardless of what the Academy may or may not do, Suffragette has been embraced by the Women’s Film Critics Circle.

Check out the winners below.  Also, check out all the categories!  Why can’t the Oscars be this much fun?

Best Actor
Eddie Redmayne (The Danish Girl)

Best Actress
Carey Mulligan (Suffragette)

Best Movie about Women
Suffragette

Best Movie by a Woman
Suffragette

Best Young Actress
Brie Larson (Room)

Best Comedic Actress
Amy Schumer (Trainwreck)

Best Woman Storyteller (Screenwriting Award)
Phyllis Nagy (Carol)

Women’s Work / Best Ensemble
Suffragette

Best Foreign Film by or about Women
The Second Mother

Best Theatrically Unreleased Movie by or about Women
Bessie

Best Female Images in a Movie
Suffragette

Best Male Images in a Movie
Bridge of Spies

Worst Female Images in a Movie
Jurassic World

Worst Male Images in a Movie
Steve Jobs

Best Family Film
Inside Out

Best Documentary by or about Women
Amy

Best Female Action Hero
Charlize Theron (Mad Max: Fury Road)

Best Animated Female
Amy Poehler (Inside Out)

Best Screen Couple
Tom Courtenay and Charlotte Rampling (45 Years)
Brie Larson and Jacob Tremblay (Room)

Best Equality of the Sexes
Mad Max: Fury Road

Courage in Filmmaking
Sarah Gavron (Suffragette)

Courage in Acting (taking on unconventional roles that radically redefine the images of women on screen)
Brie Larson (Room)

Acting and Activism Award
Olivia Wilde

The Invisible Woman Award (performance by a woman whose exceptional impact on the film dramatically, socially or historically, has been ignored)
Alicia Vikander (The Danish Girl)

Adrienne Shelly Award (for a film that most passionately opposes violence against women)
He Named Me Malala

Josephine Baker Award (for best expressing the woman of colour experience in America)
What Happened, Miss Simone?

Karen Morley Award (for best exemplifying a woman’s place in history or society, and a courageous search for identity)
Suffragette

Lifetime Achievement Award
Lily Tomlin

Mommie Dearest Worst Screen Mom of the Year Award
Cate Blanchett (Cinderella)

Spotlight Wins In St. Louis!


Spotlight

You can check out the full nominations of the St. Louis Film Critics by clicking here.  And you can see the winners below!

Best Film of 2015: SPOTLIGHT
Runner Up: INSIDE OUT

Best Director of 2015: TOM MCCARTHY – SPOTLIGHT
Runner Up: George Miller – Mad Max: Fury Road

Best Actress of 2015: BRIE LARSON – ROOM
Runner Up: SAOIRSE RONAN – BROOKLYN

Best Actor of 2015: Leonardo DiCaprio – THE REVENANT
Runner Up: Ian McKellen – MR. HOLMES

Best Supporting Actress of 2015: Alicia Vikander – EX MACHINA
Runner Up: (TIE) – KRISTEN STEWART – CLOUDS OF SILS MARIA, Rooney Mara, CAROL

Best Supporting Actor of 2015: Sylvester Stallone – CREED
Runner Up: Mark Rylance – BRIDGE OF SPIES

Best Cinematography of 2015: EMMANUEL LUBEZKI – THE REVENANT
Runner Up: CAROL

Best Original Screenplay: JOSH SINGER AND TOM MCCARTHY – SPOTLIGHT
Runner Up: Alex Garland, Ex Machina

Best Adapted Screenplay of 2015: DREW GODDARD: THE MARTIAN
Runner Up: Nick Hornby: Brooklyn

Best Editing: MARGARET SIXEL: MAD MAX: FURY ROAD
Runner Up: THE REVENANT

Best Art Direction of 2015: COLIN GIBSON – MAD MAX: FURY ROAD
Runner Up: (A 3-Way Tie) CAROL, BROOKLYN, THE DANISH GIRL

Best Visual Effects of 2015: MAD MAX: FURY ROAD
Runner Up: THE WALK

Best Film Score of 2015: Ennio Morricone – THE HATEFUL EIGHT
Runner Up: INSIDE OUT

Best Film Soundtrack of 2015: ATTICUS ROSS – LOVE AND MERCY
Runner Up: STRAIGHT OUTTA COMPTON

Best Foreign Language Film: GOODNIGHT MOMMY
Runner Up: SON OF SAUL

Best Documentary of 2015: AMY
Runner Up: The Look of Silence

Best Comedy: TRAINWRECK
Runner Up: Me and Earl and the Dying Girl

Best Song: WRITING’S ON THE WALL (Spectre)
Runner Up: SEE YOU AGAIN (Furious 7)

Best Scene of 2015: Hugh mauled by grizzly in THE REVENANT
Runner Up: Walk between Twin Towers in THE WALK

Worst film of 2015: “FANTASTIC FOUR
Runner up: “ALOHA”