Late Night Retro Television Review: Baywatch Nights 2.22 “A Thousand Words”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on YouTube!

This week, we wrap up Baywatch Nights.

Episode 2.22 “A Thousand Words”

(Dir by Tracy Lynch Britton, originally aired on May 16th, 1997)

After two seasons of gangsters and monsters, Baywatch Nights ends with yet another haunted house story.

Well, technically, it’s actually a haunted restaurant.  Diamont drags Ryan and Mitch to an abandoned restaurant that is said to be haunted.  Accompanying them is a researcher into the paranormal, Sarah (Kathy Tragesar).  Sarah explains that the restaurant has a long history of strange occurrences.  Diamont explains that, recently, two women have been killed and a man left in a coma after entering the restaurant.  Diamont thinks that it’s a poltergeist.  Mitch, as usual, is skeptical.

*sigh*

Seriously, why is Mitch still a skeptic?  I’ve gone into this before but it continues to bother me.  After everything that Mitch had seen and experienced over this season, why does he still refuse to believe in the supernatural?  Even Agent Scully eventually admitted that Mulder had a point.

Anyway, Ryan vanishes and finds herself in another dimension where she’s menaced by the knife-wielding murderer (John Snyder).  The murderer is driven by his relationship with his mother, whose portrait hang around the restaurant and whose painted facial expression changes depending on how determined her son is to kill.  (That was actually a nice touch.)  Mitch puts a call into his old friend (and season one co-star), Garner Ellerbee.  Garner shows up with psychic named Kira (Jazmin Lewis) and soon, Kira is in the other dimension as well….

Long story short, the poltergeist is eventually defeated.  Kira and Ryan come back to our world.  Mitch says that he loves Ryan.  He and Ryan share an embrace and start in on some really passionate kissing.  (Woo hoo!)  The show ends.

The main problem with this episode is that Mitch and Ryan didn’t really get to do that much.  For the most part, Kira did all the work and the episode so focused on her that I wouldn’t be surprised if it was meant to be a sort of backdoor pilot for a proposed series about Kira.  As well, the killer poltergeist is scary when he first appears but he becomes progressively less scary as the episode goes on.  By the end of the episode, he’s just kind of whiny.  As a series finale, this was definitely a bit underwhelming.

That said — hey, Mitch and Ryan kissed!  Seriously, I’ve been waiting for that moment ever since I first started reviewing this show.  No matter what else one might say about Baywatch Nights, David Hasselhoff and Angie Harmon had great chemistry together.  I won’t necessarily miss reviewing this show but I will miss seeing the two of them together.

In the end, Baywatch Nights was a pretty uneven show but it was definitely fun.  I think it had potential but I’m going to guess it was doomed by being a part of the Baywatch franchise.  People who didn’t like Baywatch weren’t going to watch a version of the show that took place at night.  People who did like Baywatch were undoubtedly disappointed by the lack of red swimsuits.  The ratings went down.  Judging from the final few episodes, the production budget got seriously cut.  The Hoff and Harmon were fun to watch but their chemistry couldn’t save the show.

Well, that completes Baywatch Nights!  Retro Television Reviews is going on a holiday break but, on January 7th, I will start reviewing a new show in this timeslot!  Until then, happy holidays to all the lifeguards out there.

Here’s Al Capone With The 2024 Nominations of the Chicago Film Critics Association!

Posted on by Lisa Marie Bowman

The Chicago Film Critics Association has announced their nominations for the best of 2024!  The winners will be announced on December 12 …. hey, that’s right around the corner.

BEST PICTURE
Anora
The Brutalist
Furiosa: A Mad Max Saga
I Saw the TV Glow
Nickel Boys
The Substance

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Jane Schoenbrun – I Saw the TV Glow

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Keith Kupferer – Ghostlight

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Léa Seydoux – The Beast

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man

BEST SUPPORTING ACTRESS
Danielle Deadwyler – The Piano Lesson
Ariana Grande-Butera – Wicked
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance
Zoe Saldaña – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora by Sean Baker
The Brutalist by Brady Corbet & Mona Fastvold
Challengers by Justin Kurtizkes
A Real Pain by Jesse Eisenberg
The Substance by Coralie Fargeat

BEST ADAPTED SCREENPLAY
The Beast by Bertrand Bonello, Guillaume Bréaud, & Benjamin Charbit
Conclave by Peter Straughan
Nickel Boys by RaMell Ross & Joslyn Barnes
Nosferatu by Robert Eggers
Sing Sing by Clint Bentley & Greg Kwedar

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST DOCUMENTARY
Dahomey
Daughters
No Other Land
Soundtrack to a Coup d’Etat
Sugarcane

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Red Rooms
The Seed of the Sacred Fig

BEST ART DIRECTION/PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Challengers – Sayombhu Mukdeeprom
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

BEST COSTUME DESIGN
Dune: Part Two – Jacqueline West
Furiosa: A Mad Max Saga – Jenny Beavan
Maria – Massimo Cantini Parrini
Nosferatu – Linda Muir
Wicked – Paul Tazewell

BEST EDITING
Anora – Sean Baker
The Brutalist – Dávid Jancsó
Challengers – Marco Costa
Furiosa: A Mad Max Saga – Eliot Knapman & Margaret Sixel
Nickel Boys – Nicolas Monsour

BEST ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor & Atticus Ross
Dune: Part Two – Hans Zimmer
Nosferatu – Robin Carolan
Wicked – John Powell & Stephen Schwartz
The Wild Robot – Kris Bowers

BEST USE OF VISUAL EFFECTS
Dune: Part Two
Furiosa: A Mad Max Saga
Hundreds of Beavers
The Substance
Wicked

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER
Mike Cheslik – Hundreds of Beavers
Vera Drew – The People’s Joker
Payal Kapadia – All We Imagine as Light
Greg Kwedar – Sing Sing
RaMell Ross – Nickel Boys

MOST PROMISING PERFORMER
Lily Collias – Good One
Karla Sofía Gascón – Emilia Pérez
Brigette Lundy-Paine – I Saw the TV Glow
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man

PAPA (2024) Film Trailer – Sean Lau stars in a movie based on a shocking Hong Kong true-crime case from 2010.

Posted on by Bradley Crain

I’m a huge fan of Hong Kong actor Sean Lau (Lau Ching-wan). In my personal opinion, he’s one of the great actors in world cinema, and he can perform well in any genre. Some of his best films are true Hong Kong cinema classics, including C’EST LA VIE MON CHERI, FULL ALERT, THE LONGEST NITE, EXPECT THE UNEXPECTED, A HERO NEVER DIES, RUNNING OUT OF TIME, MY NAME IS FAME, MAD DETECTIVE, OVERHEARD, and THE WHITE STORM. I highly recommend each of these films.

A three-time winner of the Hong Kong Film Award for Best Actor, Lau’s new film PAPA looks like it just may contain his best performance yet. PAPA is based on a gruesome murder that took place in the Hong Kong city of Tsuen Wan in 2010. The real-life incident consisted of a 15-year-old boy killing both his mother and his sister. In the film version, Sean Lau plays the grieving husband and father who has to somehow come to terms with his son’s actions and try to find a way to move on in his life. It’s an unimaginable scenario, and the trailer looks heartbreaking. Check it out.

Sing Sing Wins In San Diego

Posted on by Lisa Marie Bowman

Yesterday, the San Diego Film Critics Society named Sing Sing the best film of 2024!  All of the winners and nominees can be found below!

Best Picture
ANORA (1st RUNNER UP)
CHALLENGERS
CONCLAVE (2nd RUNNER UP)
DUNE: PART TWO
SING SING (WINNER)

Best Director
Brady Corbet – THE BRUTALIST
Coralie Fargeat – THE SUBSTANCE
Denis Villeneuve – DUNE: PART TWO (WINNER)
Edward Berger – CONCLAVE
Greg Kwedar – SING SING (RUNNER UP)

Best Actor
Adrien Brody – THE BRUTALIST (1st RUNNER UP)
Colman Domingo – SING SING (WINNER)
Daniel Craig – QUEER (2nd RUNNER UP)
Ralph Fiennes – CONCLAVE
Timothée Chalamet – A COMPLETE UNKNOWN

Best Actress
Amy Adams – NIGHTBITCH (RUNNER UP)
Cynthia Erivo – WICKED
Demi Moore – THE SUBSTANCE
Marianne Jean-Baptiste – HARD TRUTHS (WINNER)
Mikey Madison – ANORA

Best Supporting Actor
Clarence Maclin – SING SING
Denzel Washington – GLADIATOR II (RUNNER UP)
Guy Pearce – THE BRUTALIST
Kieran Culkin – A REAL PAIN (WINNER)
Stanley Tucci – CONCLAVE

Best Supporting Actress
Ariana Grande-Butera – WICKED (WINNER)
Danielle Deadwyler – THE PIANO LESSON
Jessie Buckley – WICKED LITTLE LETTERS
Joan Chen – DÌDI (RUNNER UP)
Natasha Lyonne – HIS THREE DAUGHTERS

Best Comedic Performance
Aubrey Plaza – MY OLD ASS
Channing Tatum – DEADPOOL & WOLVERINE
June Squibb – THELMA (WINNER)
Michael Keaton – BEETLEJUICE BEETLEJUICE (RUNNER UP)
Ryan Gosling – THE FALL GUY

Best Youth Performance (For a performer under the age of 18)
Alisha Weir – ABIGAIL
Alix West Lefler – SPEAK NO EVIL (RUNNER UP)
Elliott Heffernan – BLITZ
Izaac Wang – DÌDI (WINNER)
Katherine Mallen Kupferer – GHOSTLIGHT

Best Original Screenplay
Coralie Fargeat – THE SUBSTANCE
Jesse Eisenberg – A REAL PAIN
Justin Kuritzkes – CHALLENGERS (RUNNER UP)
Rose Glass and Weronika Tofilska – LOVE LIES BLEEDING
Sean Baker – ANORA (WINNER)

Best Adapted Screenplay
Chris Sanders – THE WILD ROBOT
Clint Bentley, Greg Kwedar – SING SING (WINNER)
Denis Villeneuve, Jon Spaihts – DUNE: PART TWO (RUNNER UP)
Malcolm Washington, Virgil Williams – THE PIANO LESSON
Peter Straughan – CONCLAVE

Best First Feature (Director)
Anna Kendrick – WOMAN OF THE HOUR
Dev Patel – MONKEY MAN
Rachel Morrison – THE FIRE INSIDE
Sean Wang – DÌDI (RUNNER UP)
Zoë Kravitz – BLINK TWICE (WINNER)

Best Documentary
DAUGHTERS (RUNNER UP)
MUSIC BY JOHN WILLIAMS
SUGARCANE
SUPER/MAN: THE CHRISTOPHER REEVE STORY (WINNER)
WILL & HARPER

Best Animated Film
FLOW (WINNER)
MEMOIR OF A SNAIL
TRANSFORMERS ONE
WALLACE & GROMIT: VENGEANCE MOST FOWL
THE WILD ROBOT (RUNNER UP)

Best Foreign Language Film
ALL WE IMAGINE AS LIGHT (WINNER)
THE GIRL WITH THE NEEDLE
NO OTHER LAND
THE SEED OF THE SACRED FIG
VERMIGLIO

Best Editing
Hansjörg Weißbrich – SEPTEMBER 5 (WINNER)
Joe Walker – DUNE: PART TWO
Kathryn J. Schubert – BLINK TWICE
Marco Costa – CHALLENGERS (RUNNER UP)
Sean Baker – ANORA

Best Cinematography
Alice Brooks – WICKED
Greig Fraser – DUNE: PART TWO
Jarin Blaschke – NOSFERATU (WINNER)
Pat Scola – SING SING
Stéphane Fontaine – CONCLAVE (RUNNER UP)

Best Production Design
Craig Lathrop, Beatrice Brentnerova – NOSFERATU (1st RUNNER UP)
Judy Becker – THE BRUTALIST
Nathan Crowley – WICKED (WINNER)
Patrice Vermette – DUNE: PART TWO (2nd RUNNER UP)
Suzie Davies – CONCLAVE

Best Visual Effects
ALIEN: ROMULUS
DUNE: PART TWO (1st RUNNER UP)
KINGDOM OF THE PLANET OF THE APES (2nd RUNNER UP)
NOSFERATU
THE SUBSTANCE (WINNER)

Best Costume Design
Colleen Atwood – BEETLEJUICE BEETLEJUICE
Jacqueline Getty, Rainy Jacobs – THE LAST SHOWGIRL (RUNNER UP)
Jacqueline West – DUNE: PART TWO
Lisy Christl – CONCLAVE
Paul Tazewell – WICKED (WINNER)

Best Sound Design
A QUIET PLACE: DAY ONE
ALIEN: ROMULUS
CIVIL WAR (RUNNER UP)
DUNE: PART TWO (WINNER)
WICKED

Best Use of Music
A COMPLETE UNKNOWN (WINNER)
CHALLENGERS (RUNNER UP)
DUNE: PART TWO
SING SING
WICKED

Best Stunt Choreography
ALIEN: ROMULUS
DUNE: PART TWO
THE FALL GUY (WINNER)
GLADIATOR II
MONKEY MAN (RUNNER UP)

Best Ensemble
CONCLAVE (RUNNER UP)
DUNE: PART TWO
SEPTEMBER 5 (WINNER)
SING SING
WICKED

Breakthrough Performance
Mikey Madison – ANORA (WINNER)
Nell Tiger Free – THE FIRST OMEN (RUNNER UP)

Special Award for Body of Work
Nicholas Hoult – JUROR #2, NOSFERATU, THE ORDER, THE GARFIELD MOVIE

Retro Television Review: Fantasy Island 5.21 “The Big Bet/Nancy and the Thunderbirds”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, it’s the last Julie episode.

Episode 5.21 “The Big Bet/Nancy and the Thunderbirds”

(Dir by Cliff Bole, originally aired on May 1st, 1982)

Because I’ve got a cold and I’ve still got a lot to do for the holidays, I’m only going to do a mini-review for this episode.  It’s not a very good episode so the less time spent talking about it, the better.

  • I knew this episode wasn’t going to be my cup of tea when Julie was the one who greeted Mr. Roarke as he stepped out of his office.  That’s nothing against Wendy Schaal, the actress who played Julie.  It’s just that the episodes in which Julie helps out Roarke are never as good as the Tattoo episodes.  Ricardo Montalban and Wendy Schaal just didn’t have the same type of entertaining chemistry as Montalban and Herve Villechaize.
  • I think a huge part of the problem with Julie is that she is Roarke’s goddaughter and spends a lot of time looking up to him and treating him like a father figure.  Tattoo and Roarke were, more or less, equals and they could relate to each other on a much more honest and, by the standards of the show, realistic fashion.
  • As for the fantasies, neither one is very interesting.
  • Mary Ann Mobley plays Nancy Carsons, who was adopted and raised by an Indian chief.  Nancy]s fantasy is to fulfil the Chief’s prophecy and conquer a thunderbird.  Apparently, only by doing this can Nancy prevent the tribe from falling apart when the Chief dies.  The problem is that the thunderbird is a mythological bird who does not exactly exist.
  • However, there is a squadron of airplanes known as the Thunderbirds and they’re visiting Fantasy Island.  Can Nancy, who is a licensed pilot, fly one of those plans and kind of make the prophecy come true?
  • Of course, she does!  And she also falls in love with Major Wood (Patrick Wayne) so, not only is the Tribe saved but Nancy will now be doing even more flying.
  • If the Thunderbirds fantasy was just kind of bland, the “Big Bet” fantasy is downright offensive, with Corky Daniels (John James) making a bet with his co-workers that he can have sex with Playpen model, Judy Moreau (Lydia Cornell).  Judy just happens to be on the Island, accompanied by Playpen published Hugh Hefner Al Henshaw (Edd Byrnes).
  • Corky tells Judy a lot of lies to get her to fall for him.  When Judy finds out about the bet, she’s so upset that she …. sleeps with Corky anyways.  But then Corky doesn’t tell his friends about sleeping with Judy and loses the bet which proves to Judy that he really does love her.
  • Now, let’s give credit where credit it due.  Both Roarke and Julie tell Corky that he’s being a sexist pig.  I always like it when Roarke gets offended with his guest’s because Montalban always seemed to enjoy playing up Roarke’s anger.  Mr. Roarke comes across as being the perfect host but you don’t want to get him mad.
  • Corky and Judy leave the Island together.  Judy should have tossed Corky in the lagoon.

We’ve got one episode left in season 5.  I checked and it’s a Tattoo episode, which means this week’s episode was Julie’s grand finale.  Unfortunately, it’s not really much of a finale.  Julie’s sudden presence on the Island was never really adequately explained, though it was kind of nice to be reminded that there’s always a lot taking place on the Island and Roarke doesn’t always have time to oversee every little thing.  I suppose Roarke probably has many assistants who we rarely see.

Because of the holidays, this is my final Fantasy Island review of 2024.  I will resume reviewing Fantasy Island on January 7th!

The Indiana Film Journalists Nominate Everything

Posted on by Lisa Marie Bowman

The Indiana Film Journalists Association announced their nominations for the best of 2024 today.  They kept things simple by nominating everything.  The winners will be announced on December 16th.
BEST FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
A Different Man
Dune: Part Two
His Three Daughters
I Saw the TV Glow
In a Violent Nature
Longlegs
Mars Express
Nickel Boys
Nosferatu
The People’s Joker
A Real Pain
Rebel Ridge
Sing Sing
The Substance
Wicked

BEST ANIMATED FILM
Flow
Inside Out 2
Look Back
Mars Express
Memoir of a Snail
The Wild Robot

BEST FOREIGN LANGUAGE FILM
Aattam
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Los Frikis
Look Back
Mars Express
The Seed of the Sacred Fig

BEST DOCUMENTARY
Daughters
Ennio
Girls State
No Other Land
The Remarkable Life of Ibelin
The Sixth
The Speedway Murders
Super/Man: The Christopher Reeve Story

BEST ORIGINAL SCREENPLAY
Moritz Binder, Tim Fehlbaum and Alex David – September 5
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Alex Garland – Civil War
Azazel Jacobs – His Three Daughters
Jeremy Saulnier – Rebel Ridge
Aaron Schimberg – A Different Man
Jane Schoenbrun – I Saw the TV Glow
Julio Torres – Problemista

BEST ADAPTED SCREENPLAY
Jacques Audiard – Emilia Pérez
Clint Bentley, Greg Kwedar, Clarence “Divine Eye” Maclin and John “Divine G” Whitfield – Sing Sing
Jay Cocks and James Mangold – A Complete Unknown
RaMell Ross and Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two
Virgil Williams and Malcolm Washington – The Piano Lesson

BEST DIRECTOR
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Alex Garland – Civil War
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Jeremy Saulnier – Rebel Ridge
Aaron Schimberg – A Different Man
Jane Schoenbrun – I Saw the TV Glow

BEST LEAD PERFORMANCE
Adrien Brody – The Brutalist
Daniel Craig – Queer
Colman Domingo – Sing Sing
Kirsten Dunst – Civil War
Jesse Eisenberg – A Real Pain
Cynthia Erivo – Wicked
Ralph Fiennes – Conclave
Demi Moore – The Substance
Aaron Pierre – Rebel Ridge
Justice Smith – I Saw the TV Glow

BEST SUPPORTING PERFORMANCE
Nicolas Cage – Longlegs
Kieran Culkin – A Real Pain
Clarence “Divine Eye” Maclin – Sing Sing
Guy Pearce – The Brutalist
Adam Pearson – A Different Man
Dennis Quaid – The Substance
Margaret Qualley – The Substance
Bill Skarsgård – Nosferatu
Tilda Swinton – Problemista
Denzel Washington – Gladiator II

BEST VOCAL / MOTION-CAPTURE PERFORMANCE
Tom Hardy – Venom: The Last Dance
Maya Hawke – Inside Out 2
Lupita Nyong’o – The Wild Robot
Pedro Pascal – The Wild Robot
Amy Poehler – Inside Out 2
Sarah Snook – Memoir of a Snail
Owen Teague – Kingdom of the Planet of the Apes
Robbie Williams – Better Man

BEST ENSEMBLE ACTING
Civil War
Conclave
A Different Man
Dune: Part Two
His Three Daughters
Nickel Boys
Nosferatu
A Real Pain
Saturday Night
Sing Sing

BEST EDITING
Sean Baker – Anora
Marco Costa – Challengers
Jérôme Eltabet, Coralie Fargeat and Valentin Feron – The Substance
Nick Emerson – Conclave
Louise Ford – Nosferatu
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys
Jeremy Saulnier – Rebel Ridge
Terilyn A. Shropshire – Twisters
Joe Walker – Dune: Part Two

BEST CINEMATOGRAPHY
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Rob Hardy – Civil War
Benjamin Kračun – The Substance
Dan Mindel – Twisters
Sayombhu Mukdeeprom – Challengers
Sayombhu Mukdeeprom – Queer
Eric Yue – I Saw the TV Glow

BEST MUSICAL SCORE
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Raffertie – The Substance
Trent Reznor and Atticus Ross – Challengers
Trent Reznor and Atticus Ross – Queer
Ben Salisbury and Geoff Barrow – Civil War
Alex Somers and Scott Alario – Nickel Boys
Umberto Smerilli – A Different Man
Benjamin Wallfisch – Twisters

BEST STUNT / MOVEMENT CHOREOGRAPHY
Bren Foster (action designer / fight choreographer) and Jaylan Foster, Jimmy Foster, Nick Harding, Jordan Petersen, Matthew Murgola and Mike Duncan (stunt team) – Life After Fighting
Muhammad Irfan (stunt coordinator / fight choreographer) – The Shadow Strays
Jeremy Marinas (fight coordinator and choreographer / second-unit director) – The Beekeeper
Lee Morrison (supervising stunt coordinator), Roger Yuan (fight coordinator / stunt coordinator) and Tanya Lapointe (second-unit director) – Dune: Part Two
Saifuddin Mubdy (stunt coordinator) and Brahim Chab (fight coordinator) – Monkey Man
Guy Norris (action designer / supervising stunt coordinator / second-unit director) and Richard Norton (fight choreographer / coordinator) – Furiosa: A Mad Max Saga
Chris O’Hara (stunt coordinator and stunt designer) – The Fall Guy
Christopher Scott (choreographer) and Jo McLaren (stunt coordinator) – Wicked
Ashley Wallen (dance choreographer), Nicholas Daines (stunt coordinator), Slavisa Ivanovic (stunt coordinator), Tim Wong (fight choreographer) and Spencer Susser (second-unit director) – Better Man
Keith Woulard and Cory DeMeyers (stunt coordinators) – Rebel Ridge

BEST SPECIAL EFFECTS
Mike Cheslik (visual effects) and Jerry Kurek (assistant effects artist) – Hundreds of Beavers
Bryan Jones (visual effects supervisor), Pierre Procoudine-Gorsky (visual effects producer) and Jean Miel (special effects supervisor) – The Substance
Paul Lambert (visual effects production supervisor), Gerd Nefzer (special effects supervisor), Rhys Salcombe (visual effects supervisor) and Stephen James (visual effects supervisor) – Dune: Part Two
Damien Leone (writer / director), Phil Falcone (producer), Christien Tinsley (design and creation of prosthetics and makeup effects), Brian Van Dorn (Tinsley Studios production coordinator), Ryan Ward (on-set makeup effects department head), Heather Albert (on-set makeup effects artist), Josh Petrino (visual effects supervisor), Declan Boyle (lead visual effects artist), Lincoln Smith (senior visual effects artist), John Caglione, Jr. (Virgin Mary / demon sequence prosthetics supervisor), Jason Baker (Callosum Studios on-set effects supervisor) and Jason Milstein (post-production supervisor and visual effects artist) – Terrifier 3
Luke Millar (visual effects supervisor) and Scott MacIntyre (special effects supervisor) – Better Man
Kevin Smith (visual effects supervisor), Kevin Sherwood (visual effects producer), Bruce Bright (special effects supervisor) and Michael Meinardus (special effects supervisor) – Godzilla x Kong: The New Empire
Ben Snow (visual effects supervisor), Florian Witzel (Industrial Light & Magic visual effects supervisor), Charles Lai (ILM associate visual effects supervisor) and Scott Fisher (special effects supervisor) – Twisters
David White (prosthetic and makeup effects design), Angela Barson (visual effects supervisor) and Pavel Sagner (special effects supervisor) – Nosferatu (2024)
Erik Winquist and Stephen Unterfranz (VFX supervisors), Paul Story (senior animation supervisor) and Rodney Burke (special FX supervisor) – Kingdom of the Planet of the Apes

BREAKOUT OF THE YEAR
Joanna Arnow (director / writer / editor / performer) – The Feeling That the Time for Doing Something Has Passed
Mike Cheslik (director / co-writer / editor / visual effects) – Hundreds of Beavers
Vera Drew (director / co-writer / editor / performer) – The People’s Joker
Mikey Madison (performer) – Anora
Chris Nash (director / writer) – In a Violent Nature
Katy M. O’Brian (performer) – Love Lies Bleeding
RaMell Ross (director / co-writer) – Nickel Boys
Maisy Stella (performer) – My Old Ass
Julio Torres (director / writer / performer) – Problemista
Malcolm Washington (director / co-writer) – The Piano Lesson

ORIGINAL VISION
Better Man
Emilia Pérez
Hundreds of Beavers
I Saw the TV Glow
In a Violent Nature
The People’s Joker
Problemista
Sasquatch Sunset
The Substance

ABOVE THE LAW – Steven Seagal’s action star debut! 

Posted on by Bradley Crain

Did any actor have a better opening act than Steven Seagal? His first five movies are all star turns in high quality, enjoyable action films, beginning with ABOVE THE LAW, and then moving forward to HARD TO KILL, MARKED FOR DEATH, OUT FOR JUSTICE and UNDER SIEGE. While UNDER SIEGE has been described as “Die Hard on a boat” and OUT FOR JUSTICE occupies the top spot as my personal favorite Steven Seagal film, today we will focus on the movie that started it all, ABOVE THE LAW, from 1988. 

ABOVE THE LAW begins with Nico Toscani (Steven Seagal) providing a voiceover of his early years as a kid in Chicago who became obsessed with the martial arts and who found himself studying with the masters in the orient by the age of 17. He’s clearly a badass. By 22, he’s been recruited by the CIA and is completing missions in Viet Nam. While on a mission, he runs into Zagon (Henry Silva), a CIA torturer, who seems to be able to do whatever he wants with no consequences. After knocking the crap out of Zagon, Toscani quits on the spot and heads back to Chicago to become a tough cop and marry Sara (Sharon Stone). While working a touchy family situation in the Windy City, he stumbles upon a potential drug deal going down soon in the city. He and his partner Delores (Pam Grier) set up the bust, but the product of choice turns out to be C4 explosives, not drugs. Wouldn’t you know that the folks behind these C4 explosives are the CIA and Toscani’s old pal Zagon. Can he stop his old adversary this time and still protect his family?!! 

My favorite Chuck Norris film is from 1985 and is called CODE OF SILENCE. I mention that because there are quite a few similarities between ABOVE THE LAW and CODE OF SILENCE. First, Andrew Davis directed both films. He’s a talented filmmaker who would later direct such solid action films as THE PACKAGE (Gene Hackman & Tommy Lee Jones), UNDER SIEGE (Seagal & Tommy Lee Jones), and THE FUGITIVE (Harrison Ford and an Oscar winning Tommy Lee Jones). I wonder now how this film was made without Tommy Lee Jones?!! Second, both films feature a tough cop who practices martial arts and beats the crap out of corruption within law enforcement. In the case of CODE OF SILENCE, it was the police force itself; in ABOVE THE LAW, it’s the Central Intelligence Agency. It’s my personal opinion that CODE OF SILENCE is Chuck Norris’ finest hour. Steven Seagal gets this same kind of bravado and credibility in his very first film role. That’s truly unique. And finally, both movies feature the awesome Henry Silva as the bad guy. Silva has been a bad guy in so many movies, and he’s just damn good at it. I recently watched him in THE TALL T with Randolph Scott from way, way back in 1957. Damn, his Chink’s a psycho. Combine that with his turn as Billy Score in SHARKY’S MACHINE with Burt Reynolds, and you have a guy who deserves to be in the villain hall of fame. These tried and true elements all help produce a fine feature film debut for Seagal! 

Just one final comment about the movie’s theme… we all would like to think that no one is above the law in the real world. Unfortunately, all we have to do is watch the news to know that’s simply not the case. Our world is full of people who actually are above the law. One of the best things about a movie like ABOVE THE LAW is that we can watch the movie, munch our popcorn, and just pretend for 100 minutes that justice does exist. It may not be completely realistic, but it’s definitely a satisfying thought!