Horror On The Lens: The Horror of Party Beach (dir by Del Tenney)


Everybody do the zombie stomp!

Featuring the music of the Del-Aires, a motorcycle gang led by a guy wearing a beret, teenagers who appear to be in their 30s, and monsters that simply have to be seen to be believed, 1964’s Horror of Party Beach is a true classic.  It’s a film as immortal as the cloudy New Jersey sky under which it was filmed.

I always feel bad for Tina (Marilyn Clarke).  Tina is a rebel, a force of chaos who has grown tired of being tied down by the rules of conventional society.  Perhaps symbolically, she becomes the first victim of the horror of Party Beach and all because she wanted to have some time to herself.  It’s a tragedy to which I can relate.

The other thing that I like about this movie is that, even though people are dying left-and-right, it never seems to occur to anyone to just not go to Party Beach.  The Del-Aires continue to perform, no matter who dark things may seem.  Indeed, I’d argue that the Del-Aires are the true heroes of this film.

For your viewing pleasure, here is The Horror of Party Beach!

Great Moments In Television History #38: The Twilight Zone Premiers On CBS


 

“There is a sixth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone.”

66 years ago today, viewers heard those words for the first time when The Twilight Zone premiered on CBS.  Those words were delivered by the show’s creator and the writer of its first episode, Rod Serling.  (In future episodes, “the sixth dimension” would be relabeled “the fifth dimension.”)

The first episode of The Twilight Zone starred Earl Holliman as a man who finds himself walking down a dirt road with no memory of how he got there.  He sees signs of civilization — a police station, a diner, and a movie theater — but no people.  The isolation and the loneliness threaten to drive him mad but, at the end of the episode, it’s revealed to have all been a simulation performed by the military to test whether the man, as astronaut, will be able to mentally handle being alone in space.

The barrier of loneliness: The palpable, desperate need of the human animal to be with his fellow man. Up there, up there in the vastness of space, in the void that is sky, up there is an enemy known as isolation. It sits there in the stars waiting, waiting with the patience of eons, forever waiting… in The Twilight Zone.

With no supernatural or extraterrestrial elements, this episode was not typical of what The Twilight Zone would eventually become.  But, on October 2nd, 1959, it was enough to launch the show and make television history.  It was truly a great moment in television history.

Previous Moments In Television History:

  1. Planet of the Apes The TV Series
  2. Lonely Water
  3. Ghostwatch Traumatizes The UK
  4. Frasier Meets The Candidate
  5. The Autons Terrify The UK
  6. Freedom’s Last Stand
  7. Bing Crosby and David Bowie Share A Duet
  8. Apaches Traumatizes the UK
  9. Doctor Who Begins Its 100th Serial
  10. First Night 2013 With Jamie Kennedy
  11. Elvis Sings With Sinatra
  12. NBC Airs Their First Football Game
  13. The A-Team Premieres
  14. The Birth of Dr. Johnny Fever
  15. The Second NFL Pro Bowl Is Broadcast
  16. Maude Flanders Gets Hit By A T-Shirt Cannon
  17. Charles Rocket Nearly Ends SNL
  18. Frank Sinatra Wins An Oscar
  19. CHiPs Skates With The Stars
  20. Eisenhower In Color
  21. The Origin of Spider-Man
  22. Steve Martin’s Saturday Night Live Holiday Wish List
  23. Barnabas Collins Is Freed From His Coffin
  24. Siskel and Ebert Recommend Horror Films
  25. Vincent Price Meets The Muppets
  26. Siskel and Ebert Discuss Horror
  27. The Final Scene of Dark Shadows
  28. The WKRP Turkey Drop
  29. Barney Pops On National TV
  30. The Greatest American Hero Premieres
  31. Rodney Dangerfield On The Tonight Show
  32. The Doors Are Open
  33. The Thighmaster Commercial Premieres
  34. The Hosts of Real People Say “Get High On Yourself”
  35. The 33rd NFL Championship Game Is Broadcast In Color
  36. The Sopranos Premieres on HBO
  37. Eisenhower Hosts The First Televised Press Conference

“Shark Encounters of the Third Kind” Review by Case Wright, (Dir. Mark Polonia, Writer John Dalton)


Happy Horrorthon! I have seen a lot of bad movies over the years, but this might be the worst movie ever made. “The Room” by Tommy Wiseau is provably better than “Shark Encounters of the Third Kind” because much of “The Room” took place in rooms; whereas, this “shark horror film (note the poster above)” took place mostly on land, kitchens, parking lots, docks, and a creepy onanist’s basement. There is actually a scene where an incel guy slowly walks down the stairs to his “Man Basement” and puts in a VHS tape, sighs, leans back, and…. he watches a documentary on alien abductions. Yep, that’s all he was up to…watching a documentary. “Shark Encounters of the Third Kind” sponsored by the Carpal Tunnel Foundation of America.

Some of you might be like- “Case, you always judge these films really hard and these people have feelings… probably.” Hear me out, the Polonias (this films’ director/producer) and Alex Maganas (Smiling Woman creator) of the world don’t care about my feelings when they make these terrible things. I was thinking: is there a way that I would be able to give this film a positive review? I think so: if my neighbor had a three year old and this three year old told me, “Mr. Casey, I made a movie and a boom boom.” I’d watch the movie with his family and cheer him on, but this is not the case here. So, this movie gets no breaks from me.
Really, look at the villains!

This Alien Has EVIL Potholders!
I believe this is the plot: the villains are NOT the sharks. The villains are aliens who are doing a reconnaissance mission to earth and there are sharks involved somehow – rarely. Mostly, this film is a big honking crazy mess. The poster is not terrible…. so there’s that.

Another observation: the film is really into doing closeups….A LOT. For example, they spend a lot of time on this actor’s face (below). He is definitely NOT a shark. You wonder why this movie only has 8 minutes of shark scenes. I think the shark scenes were too expensive and you need to make more time for Oven Mitt Alien guy (above).

There is really no reason for you to watch this film. I’m sure that you have done something good in your life- spare yourself.

Godzilla Film Review: Godzilla: Tokyo S.O.S. (dir by Masaaki Tezuka)


A direct sequel to Godzilla Against Mechagodzilla, 2002’s Godzilla: Tokyo S.O.S. begins with the Shobijin, those two little annoying girls who hang out with Mothra, appearing to a Japanese scientist and his family and explaining to them that Godzilla won’t stop attacking Japan until the government does away with their Mechagodzilla, Kiryu.  Kiryu was constructed using the bones of the original Godzilla and, as a result, the current Godzilla is drawn to him.

Instead, the Shobijin suggest that the Kiryu should be tossed in the ocean.  In return, the latest incarnation of Mothra will serve as Japan’s champion whenever Godzilla attacks.

So, to make clear, Japan can either be protected by a badass cyborg that was created out of the skeletal remains of the original Godzilla or it can be protected by a giant moth that has to spend time in a cocoon before it can even become an effective monster.  And, along with the whole cocoon thing, Mothra also comes with two annoying little sidekicks who are constantly popping up and going on and on about how stupid humanity is.

Now, I don’t know about you but, if I was in charge, I would probably just stick with the cyborg.  If nothing else, the cyborg looks like a badass and it can destroy just as much property as Godzilla.  The cyborg exists to say, “Hey, Godzilla — you’re not the only pointlessly destructive monster on this planet!”  Add to that, the cyborg can be piloted and controlled by humans.  The cyborg doesn’t talk back.  The cyborg doesn’t tell humanity that everything is their fault.  The cyborg can be shut down whenever there’s not a monster attack going on.  In other words, get lost, Mothra!

In Tokyo S.O.S., The government of Japan agrees with me, which of course leads to a huge fight between Godzilla, Kiryu, and eventually Mothra.  Mothra does that thing where she wraps Godzilla up in string and also where she appears to sacrifice her life.  The problem is that, after you see enough of these films, you know that Mothra is always going to sacrifice her life and she’s always going to be reborn.

So, the story isn’t that spectacular.  It’s pretty much just Godzilla Against Mechagodzilla all over again.  But here’s the important thing: the fights are really cool.  Yes, the fights are a bit familiar and there’s nothing about them that will really take you by surprise but, if you just want to watch Godzilla destroy stuff, this film delivers plenty of that.

Tokyo S.O.S. is unique amongst the Godzilla films of its era in that it was a direct sequel as opposed to be a reboot.  In fact, it was only the direct sequel of the so-called Millennium Era.  The next Godzilla film, Godzilla: Final Wars, would be a reboot and a spectacular one at that.  We’ll take a look at it next week.

Previous Godzilla Reviews:

  1. Godzilla, King of the Monsters (1958)
  2. Godzilla Raids Again (1958)
  3. King Kong vs Godzilla (1962)
  4. Mothra vs. Godzilla (1964)
  5. Ghidorah: The Three-Headed Monster (1964)
  6. Invasion of the Astro-Monster (1965)
  7. Godzilla vs. The Sea Monster (1966)
  8. Son of Godzilla (1967)
  9. Destroy All Monsters (1968)
  10. All Monsters Attack (1969)
  11. Godzilla vs Hedorah (1971)
  12. Godzilla vs Gigan (1972)
  13. Godzilla vs Megalon (1973)
  14. Godzilla vs Mechagodzilla (1974)
  15. The Terror of Mechagodzilla (1975)
  16. Cozilla (1977)
  17. Godzilla 1985 (1985)
  18. Godzilla vs. Biollante (1989)
  19. Godzilla vs King Ghidorah (1992)
  20. Godzilla vs. Mothra (1992)
  21. Godzilla vs Mechagodzilla 2 (1994)
  22. Godzilla vs SpaceGodzilla (1994)
  23. Godzilla vs. Destoroyah (1995)
  24. Godzilla (1998)
  25. Godzilla 2000 (1999)
  26. Godzilla vs Megaguirus (2000)
  27. Godzilla, Mothra, and King Ghidorah: Giant Monsters All-Out Attack (2001)
  28. Godzilla Against Mechagodzilla (2002)
  29. Godzilla (2014)
  30. Godzilla: Planet of the Monsters (2017)
  31. Godzilla, King of the Monsters (2019)
  32. Godzilla vs Kong (2021)
  33. Godzilla Minus One (2023)

Horror Insomnia File #73: Don’t Kill It (dir by Mike Mendez)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

Last night, if you were having trouble getting to sleep, you could have gone to either YouTube or Tubi and watched the 2016 horror film, Don’t Kill It!

Don’t Kill It! takes place in a small Mississippi town.  After a hunter shoots his suddenly viscous dog and then murders his wife and children, the hunter is gunned down by another man.  That man then proceeds to kill his own family.  FBI agent Evelyn Pierce (Kristina Klebe) thinks that it was a case of domestic terrorism.  Demon hunter Jebediah Woodley (Dolph Lundgren) disagrees.  Woodley explains that there’s a demon on the loose.  The demon jumps from host to host.  Killing one host means becoming possessed yourself.  As Woodley explains it, the only way to avoid becoming possessed is not to kill it but then you run the risk of being killed yourself.

At first, everyone is skeptical of Woodley’s claims.  But as Evelyn investigates the case (and we watch a lot of slow motion flashbacks that appear to have been included to pad out the running time), she comes to realize that Woodley is correct.  There is a demon and it is possessing people.  But how can it be stopped?

Don’t Kill It may be a low-budget film but it gets the most out of that budget, making good use of the country atmosphere of its setting and getting generally good performances from the cast.  (The possession scenes are simple but still very well-done and creepy.)  The main appeal here is Dolph Lundgren, playing his role with just the right amount of self-awareness to let the viewer know that Lundgren knows exactly what type of film he’s appearing in and that he’s going to do his best to keep things entertaining.  It’s a film that’s perfect for late night horror season viewing.

Admittedly, I watched the film with a group of friends, some of whom dropped out during the opening massacre.  I could understand their feelings but I think the important thing to consider is, for all the bad things that happened, a hero still showed up to put things right.  Indeed, one could argue that the film’s theme of murder leading to more murder is actually a plea for peace.  “Don’t kill it!” Woodley says and it’s a message for everyone watching.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill
  61. Replica
  62. Rollergator
  63. Hillbillys In A Haunted House
  64. Once Upon A Midnight Scary
  65. Girl Lost
  66. Ghosts Can’t Do It
  67. Heist
  68. Mind, Body & Soul
  69. Candy
  70. Shortcut to Happiness
  71. Dallas Cowboy Cheerleaders
  72. Dallas Cowboy Cheerleaders II

Music Video of the Day: Cars by Gary Numan and Fear Factory (1999, directed by John S. Bartley)


In 1999, Fear Factory and Gary Numan teamed up to give a new spin to an 80s classic.  This video plays more to the horror element of Numan’s song, which is something that I think is often overlooked.

John S. Bartley, the credited director, worked primarily as a cinematographer.  Among the television series that he worked on: The X-Files, Bates Motel, iZombie, and Vikings.  He also worked on the 2002 spider horror film, Eight-Legged Freaks.

Enjoy!

Icarus File No. 24: Express to Terror (dir by Dan Curtis)


The year was 1979 and Fred Silverman, the president of NBC, had an idea.

How about a television series in which each week’s episode would depict a different group of passengers going on a trip?  The passengers would all be dealing with their own stories, some of which would be dramatic and some of which would be humorous.  With any luck, some of them might even fall in love over the course of their journey!

To keep the audience interested, the show would also feature a cast of regular characters, the crew.  Edward Andrews would play the captain, a sensible and by-the-book type.  Robert Alda played Doc, the doctor who was also a bon vivant.  Patrick Collins was the goofy purser.  Nita Talbot played Rose, the perky director of entertainment.  Michael DeLano was the bartender who always had the best advice for the passengers….

Does this sound familiar?

If you think that it sounds like Fred Silverman just ripped off The Love Boat …. well, you’re wrong.  The Love Boat took place on a boat.  Supertrain took place on a train.

At the time that Supertrain went into production, it was the most expensive television production of all time.  Before the pilot film was even shot, NBC had spent ten million dollars on the Supertrain sets.  Not only was a fake train built but two models were also constructed for the shots of the train moving through the countryside.  At the time, the assumption was that the costs would be easily covered by the money that NBC stood to make from broadcasting the 1980 Summer Olympics.  Unfortunately, Jimmy Carter decided that the U.S. would be boycotting the Olympics as a way to protest Russia’s invasion of Afghanistan.  The only thing that kept NBC from going bankrupt was that the BBC was apparently run by someone even more incompetent than Fred Silverman.  The BBC paid $25,oo per episode for the rights to air Supertrain in the UK.  Supertrain proved to be such a disaster that the BBC never actually aired the episodes that they had purchased.

1979’s Express to Terror was the pilot to Supertrain.  (It was later released in some territories as a stand-alone film.)  Directed by horror impresario Dan Curtis (who was also brought in to produce the series), Express to Terror opens with an apparently drunk Keenan Wynn playing the role of railway baron Winfield Root.   Winfield loudly announces to a group of nervous investors that he has created ” an atom-powered steam turbine machine capable of crossing this country in 36 hours!”  A few months later, Supertrain sets off from New York to Los Angeles.

The main thing that one notices about the train is that it’s incredibly tacky.  For all the money that Winfield Root (not to mention NBC) poured into the thing, it looks awful.  The cabins are bland and also seem to be constantly shaking as the train rumbles over its tracks.  Whereas The Love Boat featured glorious shots of passengers enjoying themselves on an open-air deck, Express to Terror features a lot of shots of passengers trying to squeeze their way through narrow and crowded hallways.  There’s a disco car, which sounds like fun but actually looks like a prom being held in a locker room.  There’s a swimming pool but you can’t really lay out by it because it’s on a train.  Winfield is among the passengers and he continually refers to the train as being “Supertrain” in conversation, which just sounds dumb.  “The next person who stops Supertrain,” he announces “will be walking to L.A!”

The main drama features Steve Lawrence as Mike Post, a Hollywood agent with a gambling problem who thinks that someone on the train is trying to kill him.  Actually, the assassin is after a different Mike Post (Don Stroud) but that Mike Post is a criminal who, after entering the witness protection program, changed his name to Jack Fisk.  The criminal Post is hoping that the agent Post will be killed by mistake.  The criminal Mike Post has a girlfriend named Cindy (Char Fontane) who falls in love with the agent Mike Post.  Fred Williamson appears as a football player-turned-assassin.  George Hamilton plays a Hollywood executive.  Don Meredith is the alcoholic best friend of the agent Mike Post.  Stella Stevens is on the train as a diva.  So is Vicki Lawrence, playing a naive innocent.

Express to Terror tries to mix comedy and drama but it doesn’t really work because the “Good” Mike Post doesn’t really seem to be worth all the trouble.  Steve Lawrence gives a mind-numbingly bad performance in the role and, as a result, “Good” Mike Post really isn’t any more sympathetic than “Bad” Mike Post.  The main problem is that “Good” Mike Post comes across as being a coward and there’s only so much time that you can watch a coward act cowardly before you lose sympathy for him.  Being scared is one thing.  Being so dumb that accidentally gets your fingerprints on a knife that’s just been used to kill a man is another thing.

As for the members of the crew — the captain, the doctor, the bartender, and such, they take a back seat to the drama of the two Mike Posts.  It’s a bit odd because no one on the train — not even Winfield Root — seems to be that upset by the fact that one of their passengers is murdered while the train is going through a tunnel.  You would think that everyone would be worried about the future of Supertrain at that point.  A murder is not good for publicity but Winfield Root is oddly unconcerned about it.  I swear, light rail people are almost as heartless as bicyclists!

Of course, the worst thing about Express to Terror is that it promises terror but it doesn’t deliver.  When I see a the word “terror” in a film directed by Dan Curtis, I expect a little terror!  Other than Steve Lawrence’s overacting, there really wasn’t anything particularly terrifying about Express to Terror.

As for Supertrain, it ran for nine episodes and was promptly canceled.  Fred Silverman left NBC and spent the rest of his career as an independent producer.  Supertrain’s tracks got too close to the sun and they nearly took down a network.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days
  8. Plan 9 From Outer Space
  9. The Last Movie
  10. 88
  11. The Bonfire of the Vanities
  12. Birdemic
  13. Birdemic 2: The Resurrection 
  14. Last Exit To Brooklyn
  15. Glen or Glenda
  16. The Assassination of Trotsky
  17. Che!
  18. Brewster McCloud
  19. American Traitor: The Trial of Axis Sally
  20. Tough Guys Don’t Dance
  21. Reach Me
  22. Revolution
  23. The Last Tycoon

The Unnominated #20: The Ninth Configuration (dir by William Peter Blatty)


Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked.  Sometimes, it’s because the competition too fierce.  Sometimes, it’s because the film itself was too controversial.  Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released.  This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked.  These are the Unnominated.

Some films defy easy description and that’s certainly the case with 1980’s The Ninth Configuration.

The film opens with a shot of a castle sitting atop of a fog-shrouded mountain.  A voice over tells us that, in the early 70s, the castle was used by the U.S. government to house military personnel who were suffering from mental illness.  Inside the castle, the patients appear to be left to their own devices.  Lt. Reno (Jason Miller) is trying to teach dog how to perform Shakespeare.  Astronaut Billy Cutshaw (Scott Wilson) is haunted by the thought of being alone in space and refuses to reveal why he, at the last minute, refused to go to the moon.  The men are watched over by weary and somewhat sinister-look guards, who are played by actors like Joe Spinell and Neville Brand.

Colonel Kane (Stacy Keach) shows up as the new commandant of the the castle.  From the first minute that we see Kane, we get the feeling that there might be something off about him.  Though he says that his main concern is to help the patients, the man himself seems to be holding back secrets of his own.  With the help of Colonel Fell (Ed Flanders, giving an excellent performance), Kane gets to know the patients and the guards.  (Despite the objections of the guards, Kane says that his office must always be unlocked and open to anyone who want to see him.)  He takes a special interest in Cutsaw and the two frequently debate the existence of God.  The formerly religious Cutshaw believes the universe is empty and that leaving Earth means being alone.  Kane disagrees and promises that, should he die, he will send proof of the afterlife.  At night, though, Kane is haunted by dreams of a soldier who went on a murderous rampage in Vietnam.

The film start out as a broad comedy, with Keach’s smoldering intensity being matched with things like Jason Miller trying to get the dogs to perform Hamlet.  As things progress, the film becomes a seriously and thoughtful meditation on belief and faith, with characters like Kane, Billy, and Colonel Fell revealing themselves to be quite different from who the viewer originally assumed them to be.  By the time Kane and Cutshaw meet a group of villainous bikers (including Richard Lynch), the film becomes a horror film as we learn what one character is truly capable of doing.  The film then ends with a simple and emotional scene, one that is so well-done that it’ll bring tears to the eyes of those who are willing to stick with the entire movie.

Considering all of the tonal shifts, it’s not surprising that the Hollywood studios didn’t know what to make of The Ninth Configuration.  The film was written and directed by William Peter Blatty, the man who wrote the novel and the script for The Exorcist.  (The Ninth Configuration was itself based on a novel that Blatty wrote before The Exorcist.)  By most reports, the studio execs to whom Blatty pitched the project were hoping for another work of shocking horror.  Instead, what they got was an enigmatic meditation on belief and redemption.  The Ninth Configuration had the same themes as The Exorcist but it dealt with them far differently.  (Because he wrote genre fiction, it’s often overlooked that Blatty was one of the best Catholic writers of his time.)  In the end, Blatty ended up funding and producing the film himself.  That allowed him complete creative control and it also allowed him to make a truly unique and thought-provoking film.

The Ninth Configuration was probably too weird for the Academy.  Though it received some Golden Globe nomination, The Ninth Configuration was ignored by the Oscars.  Admittedly, 1980 was a strong year and it’s hard to really look at the films that were nominated for Best Picture and say, “That one should be dropped.”  Still, one can very much argue that both Blatty’s script and the atmospheric cinematography were unfairly snubbed.  As well, it’s a shame that there was no room for either Stacy Keach or Scott Wilson amongst the acting nominee.  Keach, to date, has never received an Oscar nomination.  Scott Wilson died in 2018, beloved from film lovers but never nominated by the Academy.  Both of them give career-best performances in The Ninth Configuration and it’s a shame that there apparently wasn’t any room to honor either one of them.

The Ninth Configuration is not a film for everyone but, if you have the patience, it’s an unforgettable viewing experience.

Previous Entries In The Unnominated:

  1. Auto Focus 
  2. Star 80
  3. Monty Python and The Holy Grail
  4. Johnny Got His Gun
  5. Saint Jack
  6. Office Space
  7. Play Misty For Me
  8. The Long Riders
  9. Mean Streets
  10. The Long Goodbye
  11. The General
  12. Tombstone
  13. Heat
  14. Kansas City Bomber
  15. Touch of Evil
  16. The Mortal Storm
  17. Honky Tonk Man
  18. Two-Lane Blacktop
  19. The Terminator

Great Moments In Comic Book History #40: Chambers of Chills #2


In the early 70s, with the Comics Code Authority weakened by a changing culture and publishers that were finally willing to stand up for themselves, horror comics finally started to make a comeback.

Not to be confused with the earlier pulp magazine, Chambers of Chills was published by Marvel from 1972 to 1976.  It featured adaptation of horror stories from writers like Robert E. Howard, Edgar Allan Poe, and H.P. Lovecraft.  The cover almost always featured monsters on the verge of attacking, the better to capture the attention and allowances of potential readers.

I’ve always felt that cover for Chamber of Chills #2 (which came out in October of 72, despite the January date on the cover) was one of the best of the series.  Credit for this cover goes to Gil Kane, Tom Palmer, and Gaspar Saladino.

Previous Great Moments In Comic Book History:

  1. Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance” 
  2. The Avengers Appear on David Letterman
  3. Crisis on Campus
  4. “Even in Death”
  5. The Debut of Man-Wolf in Amazing Spider-Man
  6. Spider-Man Meets The Monster Maker
  7. Conan The Barbarian Visits Times Square
  8. Dracula Joins The Marvel Universe
  9. The Death of Dr. Druid
  10. To All A Good Night
  11. Zombie!
  12. The First Appearance of Ghost Rider
  13. The First Appearance of Werewolf By Night
  14. Captain America Punches Hitler
  15. Spider-Man No More!
  16. Alex Ross Captures Galactus
  17. Spider-Man And The Dallas Cowboys Battle The Circus of Crime
  18. Goliath Towers Over New York
  19. NFL SuperPro is Here!
  20. Kickers Inc. Comes To The World Outside Your Window
  21. Captain America For President
  22. Alex Ross Captures Spider-Man
  23. J. Jonah Jameson Is Elected Mayor of New York City
  24. Captain America Quits
  25. Spider-Man Meets The Fantastic Four
  26. Spider-Man Teams Up With Batman For The Last Time
  27. The Skrulls Are Here
  28. Iron Man Meets Thanos and Drax The Destroyer
  29. A Vampire Stalks The Night
  30. Swamp Thing Makes His First Cover Appearance
  31. Tomb of Dracula #43
  32. The Hulk Makes His Debut
  33. Iron Man #182
  34. Tawky Tawny Makes His First Appearance
  35. Tomb of Dracula #49
  36. Marvel Publishes Star Wars #1
  37. MAD Magazine Plays Both Sides
  38. The Cover of Green Lantern/Green Arrow #85
  39. LBJ Stands Up For The Hulk