The world of NASCAR racing takes center stage in THE LAST AMERICAN HERO, a fictionalized biopic of legendary driver Junior Johnson. But this isn’t just a film about stock cars; it’s an extraordinary character study of a young man from the backwoods of North Carolina who discovers himself and what’s important to him. Jeff Bridges is outstanding in his first full-fledged starring role, demonstrating at age 24 the acting chops that have carried him to a long and prosperous film career.
Junior Jackson hauls moonshine for his Daddy on the winding backroads of the Carolina hills, his tactics eluding the cops at every turn. He’s cocky and confident, and pisses the local law off so much they bust up Daddy’s still and send him back to prison. Junior decides to use his only marketable skill to raise money for the family while Daddy’s away – driving. He enters a demolition derby…
Like any newly inaugurated President, Manfred Link (Bob Newhart) faces many new challenges. The biggest challenge, though, is keeping control of his family and his White House staff. His wife (Madeline Kahn) is an alcoholic. His 28 year-old daughter (Gilda Radner) is so desperate to finally lose her virginity that she is constantly trying to sneak out of the White House. General Dumpson (Rip Torn) wants to start a war. Press Secretary Bunthorne (Richard Benjamin), Ambassador Spender (Harvey Korman), and Presidential Assistant Feebleman (Fred Willard) struggle and often fail to convince everyone that all is well.
President Link needs to form an alliance with the African country of Upper Gorm, a country that speaks a language that only one man in America, Prof. Alexaner Grade (Austin Pendleton), can understand. The President of Upper Gorm (John Hancock) orders that the kidnapping of Link’s daughter. Holding her hostage, he demands that Link send him several white Americans so that the citizens of Upper Gorm can know what it is like to have a minority to oppress.
First Family not only featured a cast of comedy all-stars but it was also directed by one of the funniest men in history, Buck Henry. So, why isn’t First Family funnier? There are a few amusing scenes and Newhart can make a pause hilarious but, for the most part, First Family feels like an episode from one of Saturday Night Live‘s lesser seasons. Reportedly, Henry’s first cut of First Family tested badly and Warner Bros. demanded that certain scenes, including the ending, be reshot. Perhaps that explains why First Family feels more like a sitcom than a satire conceived by the man who wrote the script for The Graduate and whose off-center perspective made him one of the most popular hosts during Saturday Night Live‘s first five seasons. Famously, during one SNL hosting gig, Henry’s head was accidentally sliced open by John Belushi’s samurai sword. Without missing a beat, Henry finished up the sketch and performed the rest of the show with a band-aid prominently displayed on his forehead. Unfortunately, there’s little sign of that Buck Henry in First Family.
Three more guilds announced their nominees for the best of 2016 last week and while none of them may have gotten as much attention as the DGA or the PGA, they all play in role in our attempts to predict which films will actually be nominated when the Oscar nominations are announced on Tuesday!
So, to help you out when you’re making your bets, here are the guilds!
1. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY MAKE-UP
CAPTAIN FANTASTIC
Make-Up Artists: Karen McDonald, Akemi Hart LA LA LAND Make-Up Artists: Torsten Witte, Angel Radefeld-Wright MANCHESTER BY THE SEA Make-Up Artists: Liz Bernstrom, Sherryn Smith NOCTURNAL ANIMALS Make-Up Artists: Donald Mowat, Malanie J. Romero, Elaine Offers ZOOLANDER 2 Make-Up Artist: Maurizio Silvi 2. FEATURE-LENGTH MOTION PICTURE – BEST CONTEMPORARY HAIR STYLING
LA LA LAND Hair Stylists: Barbara Lorenz, Jackie Masteran, Frida Aradottir NOCTURNAL ANIMALS Hair Stylists: Yolanda Toussieng, Jules Holdren SULLY Hair Stylists: Patricia Dehaney, Jose Zamora THE GIRL ON THE TRAIN Hair Stylist: Alan D’Angerio ZOOLANDER 2 Hair Stylist: Aldo Signoretti 3. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER MAKE-UP
DOCTOR STRANGE Make-Up Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make-Up Artists: Fae Hammond, Marilyn MacDonald HAIL, CAESAR! Make-Up Artists: Jean Ann Black, Julie Hewett, Zoe Hay LOVING Make-Up Artists: Julia Lallas, Katie Middleton SUICIDE SQUAD Make-Up Artist: Alessandro Bertolazzi 4. FEATURE-LENGTH MOTION PICTURE – BEST PERIOD AND/OR CHARACTER HAIR STYLING
FANTASTIC BEASTS AND WHERE TO FIND THEM Hair Stylists: Fae Hammond, Marilyn MacDonald FLORENCE FOSTER JENKINS Hair Stylist: J. Roy Helland HAIL, CAESAR! Hair Stylists: Cydney Cornell, Pauletta Lewis-Irwin, Matt Danon JACKIE Hair Stylists: Catherine Leblanc-Caraes, Tony Rochetti LOVING Hair Stylists: Kenneth Walker, Elizabeth Paschall 5. FEATURE-LENGTH MOTION PICTURE – BEST SPECIAL MAKE-UP EFFECTS
DEADPOOL Make-Up Artists: Bill Corso, Andrew Clement DOCTOR STRANGE Make-Up Artist: Jeremy Woodhead FANTASTIC BEASTS AND WHERE TO FIND THEM Make-Up Artist: Fae Hammond STAR TREK BEYOND Make-Up Artists: Joel Harlow, Richie Alonzo SUICIDESQUAD
Make-Up Artists: Christopher Nelson, Sean Sansom, Greg Nicotero
On January 16th, the film critics of Hawaii (and who wouldn’t want to be a member of that group?) announced their picks for the best of 2016! They really, really liked La La Land!
BEST DIRECTOR:
Damien Chazelle, La La Land BEST ACTOR:
Casey Affleck, Manchester by the Sea BEST ACTRESS:
Viola Davis, Fences BEST SUPPORTING ACTOR:
Jeff Bridges, Hell or High Water (tie)
Michael Shannon, Nocturnal Animals BEST SUPPORTING ACTRESS:
Michelle Williams, Manchester by the Sea BEST ORIGINAL SCREENPLAY:
Taylor Sheridan, Hell or High Water BEST ADAPTED SCREENPLAY:
Tom Ford (Based on the Novel by Austin Wright), Nocturnal Animals BEST CINEMATOGRAPHY:
Linus Sandgren, La La Land
BEST EDITING:
Tom Cross,La La Land BEST ART DIRECTION:
Austin Gorg, La La Land BEST COSTUME DESIGN:
Madeline Fontaine, Jackie BEST MAKE-UP:
Bill Corso, Deadpool BEST VISUAL EFFECTS: Arrival(tie) Doctor Strange BEST ORIGINAL SCORE:
Justin Hurwitz, La La Land BEST SONG:
Justin Hurwitz, Benj Pasek and Justin Paul, “Audition (Fools Who Dream),” La La Land (tie)
Lin-Manuel Miranda, “How Far I’ll Go,” Moana BEST ANIMATED FILM: Kubo and the Two Strings(dir. Travis Knight) (tie) Zootopia (dir. Byron Howard, Rich Moore and Jared Bush) BEST DOCUMENTARY: OJ: Made in America(dir. Ezra Edelman) BEST FOREIGN LANGUAGE FILM: The Handmaiden (dir. Chan-wook Park), (South Korea) (tie) Neruda (dir. Pablo Larrain), (Chile) BEST HAWAII FILM: Moana(dir. Ron Clements, Don Hall, John Musker and Chris Williams) BEST NEW FILMMAKER:
Dan Trachtenberg, 10 Cloverfield Lane BEST FIRST FILM: 10 Cloverfield Lane (dir. Dan Trachtenberg) BEST OVERLOOKED FILM: Hell or High Water (dir. David Mackenzie) BEST SCI-FI/HORROR FILM: Arrival(dir. Denis Villeneuve) BEST STUNTS: The Magnificent Seven BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Charlize Theron/ Kubo and the Two Strings WORST FILM OF THE YEAR: Fifty Shades of Black (tie) Zoolander 2
Well, with the Oscar nominations due to be announced next Tuesday, there’s just a few more precursors left to consider. And, since nomination voting has been closed, it’s debatable whether any of these remaining precursors matter.
But you know me. I love three things: movies, lists, and awards.
So, let’s get things started with the Denver Film Critics Society! On the 17th, they announced their picks for the best of 2016. And here they are:
Fay Forrest (Joanne Whalley) and her boyfriend, Vince Miller (Michael Madsen), make their living stealing from the mob. After their latest job results in the death of a made man, Fay decides that she needs to escape from the abusive Vince. She runs away to Las Vegas, where she looks up a small-time, financially strapped P.I., Jack Andrews (Val Kilmer). She hires Jack to help her fake her death, offering to pay him $5,000 upfront and $5,000 after she’s dead. Jack is reluctant to get involved but he also has a loan shark threatening to break every bone in his body. Jack helps Fay fake her death but then Fay leaves town without paying him the second $5,000. Even worse, both Vince and the mob quickly figure out that Fay is not actually dead and join Jack in trying to track her down.
Predictable but entertaining, Kill Me Again is an early example of the type of modern neo-noir that would become extremely popular in the 1990s. In his directorial debut, John Dahl shows some hints of the style that he later brought to films like Red Rock West and The Last Seduction. Val Kilmer was miscast and a few years too young for his role but Joanne Whalley (or Joanne Whalley-Kilmer as she was known when Kill Me Again was filmed) fully inhabitanted the stock role of the sultry femme fatale who can never quite be trusted. Michael Madsen goes all out as Vince, giving an early version of his performance in Reservoir Dogs.
Fox recently released the 2nd trailer for James Mangold’s Logan, and we finally get more an idea of what one of my favorite Marvel characters has to offer, with a little bloodshed. I’ve been waiting for some confirmation that the girl is actually Laura Kinney (a.k.a. X-23), and this trailer pretty much removes all doubt with her dual blades. So far, it’s looking interesting, though I’m not sure how it all fits into what’s become of the X-Men Timeline. Hopefully, those answers will come when the film premieres in early March (in the U.S.). Enjoy.
While you’re at it, if you’re looking to learn more about the character, Marvel’s Uncanny X-Men-The New Age: The Cruelest Cut covers Issues 450-454, with the first two showcasing X-23 as a feral assassin up against the X-Men. You can also find Kinney in Marvel vs Capcom.
Robert Mitchum puts the pedal to the metal as a moonshine runner at odds with both the Feds and gangsters in THUNDER ROAD. This is Mitchum’s most personal picture, not only starring but producing, writing the story (and two songs!), and, rumor has it, doing much of the directing. His notorious independent streak comes through in his character Luke Doolin, a Korean War vet who believes in the right of individual ownership, whether on his land or in his car, and free market enterprise, without interference from outsiders or the government. That’s right, Luke Doolin is a true Libertarian hero!
He’s also the best damn driver in River Valley, Kentucky, as we see in the opening scene, speeding down the backroads, eluding police with the greatest of ease. The Doolins have been making moonshine for generations, with daddy Vernon running the still, baby brother Robin the family mechanic, and mama Sarah praying for…
If you haven’t, you’re probably just old or else you don’t keep up with what’s happening in the world of popular music. His real name is Conner Friel and he used to be a member of the Style Boyz. Of course, the Style Boyz eventually broke up. Kid Brain became a farmer. Kid Contact became a DJ. And Kid Conner — well, he became Conner4Real and he became a bigger star as a solo artist than he ever was as a Style Boy. His debut album, Thriller, Also, broke records.
But the follow-up, Connquest … well, Connquest wasn’t quite as acclaimed. In fact, it was hated by just about everyone. This is despite featuring classic songs like:
Finest Girl (Bin Laden Song)
Mona Lisa
and Equal Rights (featuring P!nk).
Fortunately, when Conner4Real was facing his greatest existential crisis, a film crew was present to record his struggle. For those of us who were fascinated by the career of Conner4Real, Popstar: Never Stop Never Stopping is a chance to see how Conner dealt with everything from his terminally ill pet turtle to the elaborate marriage proposal ceremony that led to Seal being attacked by wild wolves. We would have gotten to see Conner and his manager defeat a swarm of mutant bees but, unfortunately, that happened right after the only time that Conner’s manager asked the film crew to stop filming.
Oh well, these things happen.
So, as you should have guessed from all that, Popstar is not a serious film. It’s a mockumentary, with the emphasis on mock. It was also one of the funniest films of 2016, a spot-on parody of the silliness and pretensions of fame. Conner is a combination of Justin Bieber and Macklemore at their shallowest, a well-meaning but thoroughly empty-headed singer. In fact, if Conner was played by anyone other than Andy Samberg, he would be so annoying that the film would run the risk of being unwatchable.
But fortunately, Conner is played by Andy Samberg. It’s hard to think of anyone who plays dumb with quite the same panache as Andy Samberg does. There are plenty of lines in Popstar that shouldn’t work but they do, specifically because they’re being delivered by Samberg. He brings just the right amount of sweetly sincere stupidity to the role. Almost despite yourself, you find yourself hoping that things will work out for Conner and the other Style Boyz. Conner may not deserve to be as big a star as he is but it was obviously going to happen to some idiot so why not a sincere one?
Samberg is not the only funny person in Popstar. The movie is full of funny people, from Sarah Silverman to Bill Hader to the always underrated Tim Meadows. It’s also full of celebrity cameos and I have to admit that I usually tend to cringe when I see too many people playing themselves. But in Popstar, it works. One need only rewatch something like Zoolander 2to see how well Popstar pulls off its celebrity cameos.
Sadly, as funny as Popstar was, it was also one of the biggest bombs of 2016. (The trailer, it must be said, did not do the film justice.) However, I expect that it will soon develop a strong cult following. In a few years, we’ll get a sequel. It probably won’t be as as good.