For those who have played the Xbox 360 exclusive game Alan Wake should remember this scene I have chosen. It comes right at the end of the game where the title character has finally figured out the secret of what happened to his missing wife and how to save her from the game’s main antagonist.
This antagonist is not some psycho killer or monomaniacal villain. It’s a villain that’s more akin to an evil entity. In fact, we learn throughout the game that the villain, known as the Dark Presence, is like something out of a Lovecraft story. It’s an evil intelligence that has spanned eons and yearns to free itself from it’s watery prison.
Alan Wake realizes that the only way to save his wife was to take her place and fight the Dark Presence from within and this is where the brief scene begins. It’s a scene that starts creepy enough until the very end when the real payoff arrives.
What has become a yearly ritual, whenever a new season of The Walking Dead inches closer to it’s premiere AMC and the folks running the show shoot a series of webisodes telling the story of a group of survivors outside of the show’s main cast. These individuals never come into contact with Rick and his band of survivors, but they do come across similar places that we’ve seen in past episodes.
The first webisode series was the 6-parter “Torn Apart” arrived just prior to Season 2 and told of the origins of the so-callled “Bicycle Girl” zombie Rick comes across soon after waking up from his coma. Then we had the 4-parter “Cold Storage” preceding Season 3’s premiere. Now we have the 3-parter “The Oath” which extends each webisode and deals with a surviving couple whose camp have been overrun by a swarm the night before.
“The Oath” stars Ashley Bell (The Last Exorcism) as Karina with Wyatt Russell (Cowboys & Aliens) playing Paul. The duo races to find medical help in the early months of the zombie apocalypse and they soon come across an abandoned hospital that should be familiar to fans of the show from the very beginning. We even see the origin of the barricaded door in the hospital with the ominous warning to keep any passer-by away.
While the webisodes themselves have been hit-or-miss when it comes to the casts performances they do fill in some backstory on the fringes of the main show. With “The Oath” we see that the Governor and Michonne may not be the only ones to have found a way to use the zombies as a sort of mascot/camouflage.
Overall, “The Oath” was a nice webisode with some average acting from the cast. The teleplay by Luke Passmore was actually quite good and series executive producer Greg Nicotero does a good job directing the whole affair. Some sequences turn out to be very tense and scary. Maybe it’s the nature of the webisode itself that the acting could be uneven, but it was still a good little story that should help whet the appetite of the fans who have been waiting a year for Season 4 to start.
Here we are once again with the wonderful month of October. This means the place gets an extra dosage of horror in everything we can think of. For my first horror-themed post I shall go with the latest “AMV of the Day” and this time it’s an aptly titled video: “Bloody Ayase”.
This particular AMV takes the cute, romantic comedy series, Oreimo, and subverts it by way of clever editing, song choice and some additions like blood splatters to turn it into an obsessed crush. This video actually does a great job in showing the anime personality type called yandere. It’s the obsessed and mentally unhinged lover or ex-lover who doesn’t want to let go and will kill anyone, even the target of their affection, if it means keeping them away from others.
The only thing this video doesn’t have is a pot of boiling water with a rabbit inside.
Concerts have been a major part of a teenager’s transition into adulthood. Often have we begged our parents to get us tickets to our favorite band’s concert as they toured straight into our hometowns. We’d beg, cajole, promise whatever just to be able to attend that big show that we thought everyone we knew would be attending. Rock concerts have been a huge part of this coming-of-age journey. It’s the show that our parents dreaded (especially the metal shows) and the ones that pulled in the outcasts kids.
We would either outgrow this youthful event because it’s not something that interests us, but most often it’s just because we either do not have the time to attend rock concerts due to work and other adult responsibilities. While we would still go to a concert of our favorite band when time and money affords for it in the end it’s something that’s become more of a past-time to reminisce about.
Metallica: Through the Never is the latest concert film that could change all that. Filmed during Metallica’s latest world tour, the film was directed by Nimrod Antal (Armored, Predators) and turns what could’ve been just your typical concert film into a surreal mixture of excellent concert footage and an apocalyptic narrative involving one of the band’s roadies. The latter felt like an extended music video and the lack of dialogue by the film’s narrative lead in Dane DeHaan does give this part of the film it’s surreal vibe. This part of the film could easily come off as one of Metallica’s music videos. It has mayhem involving nameless rioters battling an equal number of police right up to a nameless, gas-masked horseman who ends up paying particular attention to our beleaguered roadie.
Yet, while this apocalyptic-like narrative makes for a nice sideshow the main reason to see Metallica: Through the Never is the concert footage. While Antal does a good job with the story going outside the concert it’s inside where he shines. Making use of over 20 cameras on cranes, dollies and handhelds, Antal is able to make the concert footage feel like one was actually at the show. He uses every trick in the book from close-ups of each band member to sweeping crane shots that gives a bird’s-eye view of the concert.
It’s this part of the film that may just be one way for those of us who grew up going to concerts but have lost the time to return to such events to finally experience them again. It helps that the 3D used helps give the feel of not just being there but an enhanced experience that one may not find while actually attending the show live. But it doesn’t end in just the visuals.
A concert film can only go so far on how it looks. In the end, if the film doesn’t do a great job capturing the audio of the event then why even bother watching. Metallica: Through the Never doesn’t skimp on the audio assault. It is just exactly what I mean when I say audio assault. The audio in this film brought me back to attending past metal shows from my youth in near-perfect volume and clarity.
Metallica: Through the Never needs to be experienced in as big a screen as possible and if one’s able to see it on IMAX then I recommend they do so, but if that’s not possible then I still say go out and see this unique take on the ubiquitous concert film. It might not be the same as attending a Metallica concert, but it’s the next best thing to actually attending one.
This past summer those who attended the Marvel panel over at San Diego Comic-Con 2013 were treated to Joss Whedon’s reveal for The Avengers sequel.
From the mid-credits scene at the end of The Avengers many thought that the villain for the sequel will be the cosmic baddie Thanos. I guess Whedon and Feige decided that it was best to keep Whedon in their pockets for now and went in a different direction. The sequel to The Avengers will have one of the superhero team’s toughest and most persistent archenemies: The self-aware and truly pissed off android known as Ultron.
The Avengers: Age of Ultron will not be following the events from this past year’s Age of Ultron crossever series in the comics. It instead will just use the title and create a brand-new story behind the origins (this time around it won’t be Hank Pym aka Ant-Man who creates Ultron, but someone else) of the Avengers main enemy and it’s plans for the team and Earth.
This change in Ultron’s creator didn’t sit well with some of the purists who want everything in the Marvel Universe to be adapted exactly how it was originally written. Fortunately, I’m not one of them and I actually think this change further solidifies the Marvel Cinematic Universe as it’s own alternate universe that comprises the near-infinite realities of the Marvel Multiverse. Where the universe with make’s up the original comic books have been given the Earth-616 label the Marvel Cinematic Universe has now been given it’s own of Earth-199999.
It’s going to be interesting to see what Whedon and company will come up with to make Ultron a villain worthy to get the team back together again. It helps that they’ve chosen James Spader to voice the bugshit-crazy and angry Ultron.
The Avengers: Age of Ultron will premiere in our universe on May 1, 2015.
With the release of Iron Man 3 to video we get a new look at one of Marvel Studios’ popular character in Agent Peggy Carter. She’s played by the very lovely Hayley Atwell.
Ms. Atwell is an English actress who burst into the scene taking on the role of Agent Peggy Carter for 2011’s Captain America: The First Avenger. She totally owned the role and fans, both old and new, have been wanting more of her ever since. While it was her role in Captain America that finally got the rest of the world to notice her she was already a known commodity in both English and American television.
Her work ranged from shows and tv films such as The Duchess, Pillars of the Earth,Mansfield Park and The Prisoner. Yet, it always be her role as Agent Carter that fans will remember her most for now.
Her popularity doesn’t just stem from the fact that she’s drop-dead gorgeous in the old-school, 40’s glam sort of way, but also for the fact that she exudes a sense of confidence and toughness in the roles she plays without having to sacrifice her femininity and sensuality. She looks like she belongs both in the here and now and still just at home as a leading lady in a 40’s noir film.
Here’s to hoping that plans for Marvel Studios to give Ms. Atwell her own tv series based on her Peggy Cater role comes to fruition as that means we’ll be seeing more of her.
Ever since Thor was released on video (DVD/Blu-Ray) the people over at Marvel Studios have added as a special bonus to the video’s extras a small short film they’ve dubbed “Marvel On-Shot”. So far, they’ve either been about the adventures of fan-favorite SHIELD agent Phil Coulson or a brief look at a post-Avengers New York. The short films were cute, but nothing to really write home about.
With the release of Iron Man 3 on DVD and Blu-Ray we get a new Marvel One-Shot and it looks like the creative minds at Marvel Studios have decided to work a tad harder on making this new short film much better. It’s a flashback moment to one Agent Peggy Carter who is still grieving a year after Captain America (aka Steve Rogers) supposedly died trying to save New York from a HYDRA bomber full of tesseract-fueled bombs.
We see how she’s been relegated to doing paper work and kept from doing the field work she’s more adept at. This one-shot film actually shows in it’s short running time how even someone as skilled and heroic as Peggy Carter must still navigate and deal with a male-chauvinistic society that dismisses whatever accomplishments she’s earned in the past and seen more as a sort of “affirmative action” hire.
The film doesn’t try to force-feed this theme, but instead tries (and does so successfully) to blow-up the damsel-in-distress stereotype by showing Agent Carter at her best. And what she does best is doing the sort of field work that earned her not just the respect of the soldiers she worked with during WWII in Europe, but those of Captain America himself.
“Agent Carter” stars the original Peggy Carter in the form of British actress Hayley Atwell and she does a fine job of helping continue her character’s growth. She continues to show that she’s just as useful and skilled as Captain America which she showed in the film of the same name. In this one-shot we’re reminded of it and it also does an interesting thing in making it plausible to create a spin-off around her character.
Marvel has intimated that it’s something they’d be interested in doing and if the quality of this one-shot is anything to go by then a series (tv or web-based) starring Ms. Atwell as Agent Carter would be well-received by fans everywhere. This short film also showed that Marvel Studios has a new secret weapon to keep DC at bay. This was the first one-shot that truly belonged as a prologue to a feature-length Marvel film on the big-screen. Here’s to hoping that attaching future one-shots to full-length features not on video but in the theaters becomes an idea that Marvel Studios allow to happen.
Two words that literally will elicit either two reactions from fans of all things Japanese pop culture. One reaction would be a groan and a shaking of the head that a mascot for a Japanese software company will get her own anime series. For these individuals it’s bad enough that she’s flooded the collectibles’ market with everything Super Sonico from vinyl figures (even one that’s 1/2 scale), posters, keychains, bedspreads, pillow cases and uncounted more things made to separate an otaku from their cash.
The other reaction would be on the other side of the spectrum. A reaction of unrestrained glee. Super Sonico has almost become not just the mascot for Nitro+ but for the current trend in Japanese pop culture that goes by the label of moe. So, Super Sonico finally having her very own anime series was just the logical progression for a character that’s already on everything else sold in Japan and overseas.
From the press release from Nitro+…
“The staff of the Japanese software maker Nitroplusconfirmed on Saturday that a television anime adaptation of its Super Sonico mascot has been green-lit. Nitroplus already opened a website for SoniAni -Super Sonico the Animation-, which was first announced at the Nitro Super Sonic 2013 event earlier in the day.
Super Sonico is the mascot girl of the “Nitro Super Sonic” events held by Nitroplus. In her back story, she is already a photoshoot model, game character, and a musician, even as she studies as a college student. She is also part of a three-piece girl band named “Daiichi Uchū Sokudo” (Fastest Speed in Space) as the vocalist and guitarist.
The character already inspired her own line of games, and figures including a giant 1/2-scale statue. Super Sonico is also appearing in Namco Bandai Games‘ Super Heroine Chronicle for the PlayStation 3 and PS Vita systems and even in a promotion for THQ’s Saints Row: The Third game.”
The question that should be going through the minds of fans until it’s announced would be which anime studio will do the animation and when the series will have a premiere date.
The latest “AMV of the Day” comes from the creative mind of one xDieguitoAMV.
“The End of My World” takes select scenes from the anime series Clannad and Clannad: After Story and combines it with the ambient stylings of the band The American Dollar. It chronicles the life of the Tomoya Okazaki through his experiences in both series. It’s told through his point of view as he meets Nagisa Furukawa who would have such a huge impact on his life. The video actually reverse the order by which he sees his life since meeting Nagisa. How she’s changed his outlook on life even if it meant that the happiness he has with her gets balanced out by heartache.
Anyone who has seen this anime knows how the two seasons were polar opposites from each other when it came to their tone and characters. All I can say that I’ve heard anecdotes that even badass, hardened, cynical men who club baby seals for sport have broken down crying like little babies once they’ve seen the series’ After Story. This video will probably relapse them back to that bawling state.
One of the most entertaining and fun games of this current generation of consoles that I’ve ever played came out in the Spring of 2010. The game I speak of is the hack-and-slash title Bayonetta from Platinum Games. It’s a game that was born from the hyper-kinetic action game series Devil May Cry. In fact, the game’s designer was also the designer for the Devil May Cryseries and it shows in this heroine-led title.
As I had mentioned on a very early review of the title, Bayonetta is quite the over-the-top game with unique-looking visuals and imagery that combined Judeo-Christian art designs with the anime-inspired aesthetics that has been the design staple of the Devil May Cry series.
I was actually surprised that the game didn’t get an anime series right away to complement it the way some Japanese games tend to get when they become popular. Yet, despite waiting over three years to get one fans of the game will finally have their wish.
Bayonetta: Bloody Fate is an anime series due out this November from studio house GONZO. It looks to be an adaptation of the game’s storyline and will have Fuminori Kizaki of Afro Samuraifame in the director’s chair. The art design of the series will lean heavily on the game’s original character designs by Mari Shimazaki which should be good news to Bayonetta fans everywhere.
The trailer for the anime already hints at using the fan service moments from the game that made the title so popular but at the same time so controversial within some of the gaming community. The anime will be shown in a limited release in Japan this November with no word yet on whether it will make it over to the West in one type of release or another. I bet on it becoming a video release down the line.
Through the Shattered Lens 