Scenes I Love: Rambo


Watching Ninja Assassin made me think about how much film and special effects technology has advanced to the point that the ways people can die in a film really is only limited by the imagination of the filmmakers involved. My new choice for “Scenes I Love” may make me come across as some gorehound, violence-loving neanderthal (the first two are actually correct but the third is false since I’m homo sapiens), but I love this scene I have chosen because it’s so over-the-top yet holds many truths to the events happening therein.

Rambo was Sylvester Stallone’s attempt to restart the Rambo franchise and to a certain extent he does so. The film was better than the third one and in terms of storytelling was equal to the second one and just a tad short of the original film. It’s a film one will not write to the Academy about, but Stallone brings back the franchise to what made it popular in the first place. He brought the character of John Rambo back to being the self-destructive, self-loathing, war-scarred veteran who just wants to be left alone to live his miserable life, but always gets dragged into one good-intentioned crusade after another.

This scene happens right at the very end and one could say it’s the film’s climactic eruption of testosterone. Rambo literally explodes Burmese soldiers’ bodies through his effective use of a .50 caliber heavy machine gun (and those who think the gun’s effect on people’s bodies was over-the-top…those people would be wrong. That is exactly what a .50 caliber round does to a body. It doesn’t do a body good) and some help from the people he’s trying to rescue. It’s hard not cheer Rambo in this scene after watching these very same soldiers massacre an entire Burmese village, raping captured young women and bayonet little kids before throwing them into a hut’s raging fire.

This scene also shows why the Rambo films have been labeled as nothing but mindless violence trying to make itself to be something profound (he is killing the bad people and trying to save those who are defenseless). I always though this franchise was just about one very angry guy who may or may not be right in the head, but who definitely has a weird sense of right and wrong. Not to mention very good at killing massive amounts of people in very messy ways.

There’s a part halfway in this scene where the higher-than-though leader of the Christian missionary group (who had earlier in the film lectured Rambo for being too violent in saving his and his people’s lives) played by Paul Schulze sees the carnage happening all around him and decides to go all caveman on one soldier who killed one of his congregation. A part of me actually smirked at this part. I knew that no matter how well-intentioned, principled and civilized a man thinks he is there’s something primal deep down inside that wants to commit violence.

Quickie Review: Ninja Assassin (dir. by James McTeigue)


There comes around a few films every year which I end up enjoying despite how awful it is to most everyone. I’m a major fan and follower of all things grindhouse and for some grindhouse means it was made during the late 60’s and through most of thru the 70’s. I always thought of grindhouse as a state of mind. I mean I like to believe that’s why Robert Rodriguez and Quentin Tarantino make the films that they make (all of them grindhouse films at heart if not execution). So, it happens that in 2009 there was one film which was panned universally by critics and mainstream audiences everywhere. It was the second film by Wachowski Brothers protege James McTeigue. He was the same director who made the impressive V for Vendetta film adaptation (I still believe to this day that the Wachowski Brothers had a hand in directing that adaptation).

When word came down that he was going to do a modern ninja film which included Sho Kosugi (he practically was the star of most, if not all, of the best-known ninja grindhouse flicks of the 70’s and 80’s) there was no doubt that this film would rock. The heightened anticipation for this martial arts extravaganza would turn out to be more a whimper than a bang. James McTeigue’s Ninja Assassin became one of 2009’s worst films of the year and part of me don’t agree with how most people viewed it.

The story for this film was quite simple. Former ninja assassin tries hiding from his former ninja clan and it’s badass ninja leader (played by badass ninja-man himself, Sho Kosugi). The part of this former ninja was played by Korean singing pop sensation who went by the name Rain. He got the lead part for this film due to the Wachowski Brothers and uber-action producer Joel Silver having been impressed seeing his work on the Wachowski Brothers’ very-maligned and misunderstood live-action take on the classic Japanese anime series, Speed Racer. The brothers and Silver saw a start on the rise in their midst and decided to make a film around Rain. The fact that the film ended up being Ninja Assassin must’ve been one reason why we haven’t heard of him in the US since.

Still, Rain did a good enough job as the blank-faced, albeit master of the ninja arts, Raizo. He was chosen because he looked the part, moved like the part and probably powers that be thought him being shirtless half the time would bring in the huge J-pop and K-pop demographic. Again, the producers might have been reaching a bit much when they were developing Ninja Assassin.

The rest of the film is Raizo being chased by his former clan, having flashbacks of his time as a child being trained by the Ozuna ninja clan to become their top assassin, then back to the present trying to kill as many ninja as possible, while avoiding getting killed himself. Believe me when I say that the blood and body parts rain down like dismembered bodies were on sale at Wal-Mart and everything was tagged “Entire Stock Must Go!”.

Ninja Assassin will live and die through it’s action sequences and despite the heavy use of CGI-blood the action in this film were pretty good. There’s the usual slo-mo tricks the Wachowski Brothers have become well-known for and it seems like their protege have learned from them well. I actually thought that the ultra-violent and very gory action scenes is why this film reminded me of past martial arts grindhouse flicks. Those were also very bloody and violent. It was as if the filmmakers of those film were telling McTeigue that the more blood and violence the merrier.

I would mention that the film had some good performances from the non-ninja roles played by Naomie Harris and Ben Miles, but I’d be lying. Their work here was passable and just needed to fill the slow and dialogue-heavy gaps in-between ninja butchering. These non-ninja butchering scenes actually slowed the film down. I do believe that if they were replaced with more ninja butchering hapless Interpol security agents and vice versa then Ninja Assassin would’ve turned out a hundred times better. Sometimes mindless gory violence is better than wince-inducing dialogue and exposition.

From the sound of this review one would think that I didn’t like Ninja Assassin. Part of me doesn’t like this film, but the part of my brain which understands the nature of grindhouse flicks loved this film because of the very awful things people say about it. This is a film which was so bad that it passed the point of awfulness and became entertaining in its very own way. I mean this film definitely felt like a Sho Kosugi ninja flick but of the digital age. I always believed that no matter the era and no matter how advanced film techniques get there will always be filmmakers out there who go about in a serious manner to create a good film, but despite their best intentions and plans the overall execution and final product don’t live up to their expectations. In a way, that’s what most grindhouse films tend to be in the end. Films made with the best in mind but got lost in its very own grandiose plans to come out batshit nuts on the other side.

PS: Those wondering how ninja having no guns can take on militayr-trained agents in tactical armor wielding the latest in assault rifles. Well, who needs a Heckler&Koch G36 assault rifle when one can throw shuriken as fast as an assault rifle. In the end, Ninja vs. SWAT makes for a badass, mindless climactic battle scene.

Song of the Day: Endless Love (by Lionel Richie and Diana Ross)


Lisa Marie’s latest post about the film Love Story and her reaction to it got me thinking that I haven’t put up an R&B ballad as “Song of the Day” for quite awhile now. Well, just as the day is close to coming to an end to start a new one I’ve chosen to continue the theme began by the previous post and picked the R&B ballad, “Endless Love”.

“Endless Love” is a ballad duet sung by Lionel Richie and Diana Ross. These two of the biggest R&B stars of the 70’s and early 80’s. Their star and singing power truly shines in this duet of the love theme for the very maudlin, cheesy and almost-grindhouse romantic film of the same name starring Brooke Shields, Martin Hewitt and a young James Spader. The film itself is quite forgettable if one was looking for something in the same vein as Love Story, but for those looking for a very twisted look at true love then Endless Love is the flick for you.

The film might not have been popular with critics, but the theme definitely resonated with the public and critics. It has been voted by Billboard as the greatest song duet of all-time. It’s become a staple with wedding planners since it came out to be played during wedding receptions. It got a modern cover duet by Luther Vandross and Mariah Carey in 1994.

There’s not much to say about this song other than watch the video and just listen to the song and it’s lyrics. Even the most coldhearted bastard out there may just melt a bit as they listen to this song.

Endless Love

My love,
There’s only you in my life.
The only thing that’s right.

My first love,
You’re every breath that I take.
You’re every step I make.

And I
(I-I-I-I-I)
I want to share,
All my love with you.
No one else will do.

And your eyes,
Your eyes, your eyes,
They tell me how much you care.
Ooh yes, you will always be,
My endless love

Two hearts,
Two hearts that beat as one.
Our lives have just begun.

Forever,
(Ohhhhhh)
I’ll hold you close in my arms.
I can’t resist your charms.

And love,
Oh, love,
I’ll be a fool, for you.
I’m sure,
You know I don’t mind.
Oh, you know I don’t mind.

‘Cause you,
You mean the world to me.
Oh, I know,
I know,
I’ve found in you,
My endless love.

Oooh, love,
Oh, love,
I’ll be that fool, for you.
I’m sure,
You know I don’t mind.
Oh you know,
I don’t mind.

And, YES!
You’ll be the only one.
‘Cause no one can deny,
This love I have inside,
And I’ll give it all to you.
My love,
My love, my love,
My Endless Love!

Supernatural: The Anime Series to be Released on DVD/Blu-Ray


Ever since it was announced in around Fall of 2010 that an anime series was going to be made based on the first two seasons of the popular CW drama series, Supernatural, I knew I had to get the DVD and/or Blu-Ray release of this series.

Like most Japanese anime series they rarely got shown in the US unless it was part of a video set. It’s rare to find newly shown episodes in Japan shown in the US at the same time. Lately, a new practice of streaming new episodes on-line through official anime streaming sites has given American anime fans the same access to new episodes as their Japanese counterparts. A fine example of this recent practice was the simultaneous airing of each new episode for the horror-ecchi series, Highschool of the Dead. Unfortunately, this wasn’t the case for the Supernatural anime series.

So, it was a relief to read the news release earlier this week about the anime series being released in the US through DVD and Blu-Ray sets of Supernatural the Animation season 1.

The DVD and Blu-Ray Season 1 sets will be released by Warner Home Video on July 26, 2011.

If there was ever a series that belongs to be redone in anime fashion it was, and is, Eric Kripke’s Supernatural. As I joked with people about this news once it was confirmed, the Supernatural slashfic community will now have to deal with an equally rabid yaoi community which has already sprouted since Supernatural the Animation premiered on Japanese TV earlier this year.

One thing that should please both subbed and dubbed warring camps is that the DVD and Blu-Ray release should have both original Japanese voice cast (which includes the very Japanese voice actors who dub the Dean and Sam Winchester characters in the live-action showing of the series in Japan) and the stars of the series itself, Jensen Ackles and Jared Padelecki dubbing the anime series in English (though it would seem Padelecki will be voicing all 22-episodes while Ackles only select episodes).

People I know who have seen the series while it aired in Japan have spoken nothing but positive things about the first season. So, far the announcement hasn’t been followed up with the items being put up for pre-orders on Amazon.com or any of the online video retailers. I’m sure that will change once more details about the DVD and Blu-Ray release come down in the coming weeks.

Source: Anime News Network

Scenes I Love: 13th Warrior


Cavatica didn’t know where I borrowed and changed the chant in the beginning of my ThunderCats post previous to this one so I decided what better way to answer his question than using one of Lisa Marie’s favorite past features in the blog. I always did enjoy her “Scenes I Love” posts since it showed that even a bad film could have a redeeming quality with that one perfect scene that redeems the rest. Or it could be a scene that just reinforces just how great the rest of the film truly is.

So, my first attempt at “Scenes I Love” happens to be from the final battle in John Mctiernan’s epic tale of an Arab chronicler becoming sword-brothers with a band of Viking warriors and their king, Buliwfy. I love this scene for the reciting of the Viking Death Prayer by the few defenders left at the end of the film. Buliwfy, the Viking king, begins the prayer to be followed by the rest then finished by Ahmed Ibn Fadlan (Antonio Banderas) just in time to stand fast against a charge of the inhuman “Eaters of the Dead” (really just a remnant tribe of neanderthals).

That prayer is very powerful and with Jerry Goldsmith’s rousing music providing a proper background it’s definitely hard for one not to pick up a sword or axe and stand fast against the incoming horde.

The original Viking Death Prayer

Lo, there do I see my Father..
Lo, there do I see my Mother
And my Sisters and my Brothers..
Lo, there do I see the line
Of my people back to the beginning..
Thay do bid me to take my place among them..
In the Halls of Valhalla,
Where the Brave may live forever.

ThunderCats: WonderCon Trailer


Lo, there do I see my youth.

Lo, there do I see my past.

And the joys and happiness of childhood.

Lo, there do I see the line of cartoons

Back to the beginning.

Lo, do they call to me.

They bid me to tune into Cartoon Network

this month of July…

Where the new ThunderCats will live once again.

That’s right. You heard me. Anyone who grew up in the 80’s know the power of the word: ThunderCats.

We know the of the Sword of Omens. The doomed planet of Thundera and, of course, the refuge that will be Third Earth. We know of Mumm-Ra the Everliving. We know of the Mutants, the Lunataks and Hammerhand and his Berserkers who harry our feline heroes.

We know of the Ro-Bear Berbils (and what kid didn’t want their very own Ro-Bear Berbil). We know of Hachiman, the Warrior Maidens, the Wollos, the Bolkens and the Tabbuts. We know of other Third Earth allies such as The League of Third Earth, Mumm-Rana, Mandora the Evil-Chaser, Sondora and Hook Mountains’ Snowman.

So, this coming July on Cartoon Network, Warner Brothers Animation in conjunction with Japanese animation house, Studio 4.C, will reboot and bring back one of the gloriest of glories of my youth. This new ThunderCats animated series looks to bring in the nostalgic older fans who remember the original series with differing levels of fondness. It also looks to introduce the kids of these parents to a piece of their parent’s childhood, but with new millenium sheen.

The trailer released during WonderCon 2011 says it all. This series looks to have epic battles between the ThunderCats and the Mutants. A mash-up of technology and magic. It also has Cheetarah, now with a new, more modern hairstyle instead of the 80’s big-hair style she had in the original series. I must wonder if the boys today will wonder with awe when they see Cheetarah in action for the first time the way their fathers did 20 or more years ago. We shall find out in three months.

Thunder!

Thunder!

ThunderCats! HO!

WonderCon 2011 One-Day Experience


It’s been awhile since I attended San Francisco’s WonderCon (it used to be held in Oakland until 2001) and on Saturday, April 2, 2011, I was finally able to check it out once again even if just for a day. This trip into The City to attend WonderCon was actually a last minute deal. I actually bought my One-Day Pass from the WonderCon online site just the day before. I usually like to plan these con excursions in advance so I know which panels to visit and how much to bring to spend. Being a last minute decision I didn’t really plan on spending any amount past what I wanted to eat and panels ended up just being the ones WonderCon had lined-up for upcoming films.

I took BART into the city around 9:30AM and arrived at the Moscone Center South building around 10:20 or so to pick-up my badge. Unlike my experience at Anime Boston 2008 and Anime Expo 2010, getting my badge (even just a one-day one) was pretty painless. Despite a crowd that was already numbering around 10000-plus strong (in my visual estimation and with unofficial total attendance looking to be as high as 40000+) I got through to the pre-register line in less than 10 minutes just in time for me to begin my walk of the Exhibit’s Hall where the dealer tables and exihbitor’s booth were set-up.

For the next hour or so I just walked around the Exhibit Hall just looking at the items for sale and the many comic book related stuff that I used to collect religiously (the thousands upon thousands of bagged and boarded comic books in my house would attest to zealotry). I was surprised to see a lot more indepedent comic book tables. I was also very surprised to notice that the Marvel and DC booths were smaller than I had anticipated. Maybe the bigger booths for these two giants were being saved for San Diego Comic-Con, but with WonderCon getting bigger and bigger each year I thought they’d at least make an effort.

I was very surprised to notice that at least a quarter of the dealer’s tables were dedicated to anime and manga related items. One dealer’s table (more like a booth actually) was all about Gundam and other mecha kits). If I had actually planned ahead for this convention I definitely would’ve dropped at least a couple hundred dollars on several model kits I saw which had me drooling. Below are just a few of the kits that I wouldn’t have minded buying.

Once my time walking around the Exhibit’s Hall was done I knew I needed to get in line for the start of the first film panel that was going to be held at the Esplanade Ballroom. I ended up being in the middle pack of the line despite the line already having wound it’s way outside the Center. The Ballroom looked to have enough space and seats to seat 5000-plus attendees. The line was actually organized very well (I think this is where anime cons could take a lesson from the WonderCon and SDCC organizers). No one was complaining as the volunteers manning the line knew how to keep things organized and actually had the info on whether there was enough room in the Ballroom to accomodate everyone.

The first panel was the upcoming Jon Favreau western and sci-fi mash-up, Cowboys & Aliens, which started around 1pm. There was none of the cast on-stage, but writer-proder Robert Orci and the director himself, Jon Favreau were in attendance. One thing which Favreau said to start off the panel which I (and probably some of the many veteran con attendees) agree on was how WonderCon was beginning to become a major stopover for film studios wanting to promote their big tentpole, genre films.Once the initial talk was over and done with Favreau announced to the crowd that we would be seeing a WonderCon-exclusive 9-minute footage that will never be shown elsewhere with scene that will only be seen once the film was out. This got a huge positive response from the crowd and the footgae didn’t disappoint. It had the right amount of seriousness to the scenes with enough comedy from how these Western-period characters were reacting to a sudden invasion of cosmic proportions.

The rest of the film panels I was able to see were the one’s for the upcoming films Hanna and Immortals. The former had director Joe Wright and the film’s titular star, Saoirse Ronan (who was quite the charming Scottish lass and decided to wear a Wonder Woman tee for her very first comic book convention) on-stage talking about the film. This panel was actually quite good in that several clips from the film were shown to highlight some of the ideas and themes Wright was going for. One thing which got a loud response (positive it seems) was how Wright and Ronan wanted Hanna to showcase the idea of girl empowerment through their use of their minds instead of falling back on Hollywood’s idea of hypersexuality as the one and only way to empower females. To say that Joe Wright didn’t agree with Zack Snyder’s attempt at girl empowerment would be an understatement. I don’t agree with his entire explanation, but then again I don’t think he’s seen Sucker Punch so he’s basing it on the promotional materials.

Tarsem Singh’s Immortals would be the last panel I would see and the film definitely looks to have a 300 vibe to it, but even more fantastical with Greek pantheon getting involved in the matter. A huge response from the female audience roared when the film’s star in Henry Cavill appeared onstage. I like him in Showtime’s The Tudors and still remember him being the young teen in The Count of Monte Cristo, but seeing him onstage made me see what Snyder saw in Cavill. My apprehension in him becoming the next Superman has been tempered now and I hope he does very well in the part.

Well, that final panel ended my day at WonderCon 2011. There were several things I observed which made me hopeful that future WonderCon’s will be something I plan for instead of just trying out. The crowd in attendance by mid-day was bigger than Anime Boston and was almost as large, if not bigger, than Anime Expo 2010. For some the crowd might not have looked that big, but the spacious Moscone Center South building looked as if it could accomodate even more people. The spaciousness of the building allowed for people not to be packed in too tightly while walking around. It is no wonder that Hollywood studios are now seeing WonderCon as an alternate destination, or at least a complementary one, to San Diego Comic-Con to promote their films.

San Diego Comic-Con will always be the big destination but with that event becoming so huge the last half decade other venues became places that could accomodate the studios. One thing I heard people (especially bloggers and entertainment reporters) about San Diego Comic-Con was how many films were being promoted and how those attending looking to write about it could never get to see all of them. This wasn’t the case with WonderCon. Everyone who got into the Esplanade Ballroom could see all the film panels and some never left their chairs once the room opened up.

While a One-Day Pass may seem enough to see all that WonderCon had to offer I think the next time I attend I shall plan ahead and get a 3-Day Pass instead to get the full experience. I will say that this day was a good practice for when I attend Anime Boston 2011 in less than 3 weeks. Here’s to hoping that the organizers of Anime Boston continue to get better with their logistics. As much as I prefer anime and manga to comic books nowadays, the anime/manga convention organizers still have much to learn from the comic book ones in the logistical department. All in all, it was a good time to spend a warm, sunny Saturday.

Oh, while I was walking the Hall I did take a picture of something that I thought Lisa Marie probably would’ve found too cute, but since I decided on not spending any cash at the Hall I didn’t get her an example of Uglydoll:

See you at Anime Boston 2011 next!

AMV of the Day: Black Lagoon…To Be Loved


I was going through my notes of my Saturday over at this year’s WonderCon when I got a tad bored and began to look at some AMV’s on YouTube. I realized as I was watching these AMVs that I hadn’t seen using Black Lagoon as the foundation. Well, I sure solved that. The latest AMV of the Day is “…To Be Loved” and it’s definitely Black Lagoon-centric.

I’ll start off by saying that Papa Roach is not a bad I particularly enjoy listening to. Well, I really don’t like most of the bands which came up during the so-called nu-metal craze of the late 90’s and early 2000’s. I will admit that the song “To Be Loved” by Papa Roach was a good pick to highlight just how action-packed the anime series Black Lagoon truly is. This series has one of the most kickass female characters in anime/manga with Revy.

Revy is the hard-drinking, chain-smoking and all-around badass fighter and gunslinger for the mercenary group she belongs to. There’s a reason why a majority of the scenes in the AMV has her pretty much eother punching, kicking or shooting someone or someones. She’s always getting her and her team in trouble with her attitude but she’ll always be the first to solve said problem. Usually through the use of an inordinate amount of violence. There’s a reason why so many anime/manga fans love her and it’s not just because her usual attire is a very short tanktop and very short cutoff jean shorts.

So, while I don’t like the band used for the video I do at least like the choice of song. Long live Revy!

Creator: Fleon

Song: “To Be Loved” by Papa Roach

Anime: Black Lagoon

 

Green Lantern: Emerald Knights (Trailer)


Since this weekend has turned into Green Lantern weekend due to the promotional blitz by Warner Brothers to hype up it’s upcoming live-action film of the same title I would be remiss not to include as part of his hype the upcoming animated film from Warner Premiere and DC Animation: Green Lantern: Emerald Knights.

This latest in DC animated films (all of which have been good to great. Not a stinker in them) is an anthology film which takes six stories of the greatest Green Lanterns and links them to the current danger threatening the Guardians (creator of the Green Lantern Corps), the GL Corps and the universe itself.

Before this weekend’s WonderCon footage for the live-action was shown I was more excited for Green Lantern: Emerald Knights than I was for the Ryan Reynolds live-action. It had a great voice cast with Nathan Fillion (fans’ first choice for live-action Hal Jordan) as Hal Jordan with Elisabeth Moss, Jason Isaacs, Kelly Hu, Henry Rollins and Steve Blum rounding out the ensemble cast.

I think with the batting average of the DC Animation being quite high I have high hopes that Green Lantern: Emerald Knights will follow in the footsteps of it’s predecessor and have critical and general success.

Green Lantern: WonderCon Exclusive Footage


I posted just recently that Warner Brothers and DC Entertainment had been dropping the ball when it came to promoting their upcoming superhero action-adventure film slated for this summer blockbuster season. Green Lantern had its first teaser released around November of 2010 and the reception to that trailer was lukewarm at best and dismissal of the film at it’s most vocal.

It’s been almost 4 months since that disastrous attempt at promoting what would be Warner Brothers’ biggest film of the 2011. It looks like Warner Brothers and those in charge of promoting their films may have just learned a valuable lesson in releasing promotion materials when footage needed to spice it up for the target audience is not ready.

WonderCon 2011 at San Francisco has become Green Lantern central as the studios in charge of the film have released not just a kickass official theatrical poster for the film, but a 9-minute sizzle reel for those lucky enough to get a seat in the film’s panel at the Esplanade Ballroom at Moscone Center South. For those who weren’t able to see that 9-min footage the people at Warner Brothers have been gracious enough to release an abridged 4min and 3 second version into the interwebs for everyone to witness.

Even just looking at this abridged version of the WonderCon-exclusive footage has helped in dispelling much of my apprehension towards the success and workability of this film as a live-action blockbuster. The footage goes a long way in setting the tone of the film. Green Lantern has always been part of the cosmic tapestry of the overall DC Universe and the filmmakers seem to have found a way to show that epic cosmic side of the character and do it without making it look cheesy (though some of the CGI effects on the non-human members of the Green Lantern Corps could still use much tuning up).

Except for the part where Jordan is trying to figure out the Green Lantern oath in his living room the footage seems very serious in tone with little comedic beats like the teaser. I would hope that the film does have some comedic beats to it since this is Ryan Reynolds and early Hal Jordan wasn’t always the serious, gloomy gus he turned out later on in his Green Lantern run.

Green Lantern is slated for a June 17, 2011 release.