Retro Television Review: Saved By The Bell: The New Class 2.10 “A Matter of Trust”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, it’s all for charity!

Episode 2.10 “A Matter of Trust”

(Dir by Don Barnhart, originally aired on October 8th, 1994)

Oh crap, it’s another country club episode.

It’s time for the annual charity event!  The male employees of the club are auctioned off to various women bidders so that they can compete together in a contest.  The winning team gets a hot air balloon ride.  Mr. Belding makes it sound like a big deal but it’s hard not to notice that hardly anyone outside of the main group seems to take part.  Apparently, this is a charity being funded exclusively by teenagers with summer jobs.

Bobby asks Megan to bid on him because he thinks it’ll make him more attractive to the woman who he hopes will buy him.  Instead, Megan bids too much and she wins Bobby.

Lindsay wins her boyfriend, Tommy D.  Lindsay is excited but Tommy is worried because he’s scared of heights.

Because Mr. Belding says that Screech has too many responsibilities to be auctioned off, Screech can only watch as his girlfriend, Alison, purchases Brian.

Brian’s girlfriend, Rachel, buys Hubert Dweebly (Mark David) because she feels sorry for him.  That’s something that I would definitely do.  Hubert then turns out to be a total perv who spends the entire competition pawing Rachel and trying to get her to kiss him.  This would perhaps have been funnier if Sarah Lancaster had been older than 14 when she played Rachel.

Anyway, Screech gets jealous and tries to get Brian in trouble so that he can take Brian’s place.  And Tommy doesn’t want to win so he tires to help Bobby cheat but everything gets screwed up and Tommy and Lindsay win anyways.  It’s a typical Saved By The Bell episode, you can probably already guess everything that happens.  Allison turns out to be very forgiving.  Allison might not be that smart.

The main problem with this episode is that it asks us to believe that Allison would find needy, uberemotional, shrill-voiced Screech to be in any way attractive.  During the second season, Dustin Diamond’s performance was nowhere near as obnoxious as it would eventually get.  But his version of Screech was still too cartoonish to be taken seriously.  His performance in this episode is …. well, it’s just bad.  There’s no other way to put it.  You really do find yourself thinking, “Allison and Brian actually make a lot more sense than Allison and Screech.”

It’s funny to me that the first Country Club episode was all about the importance of working hard when you have a job and we haven’t actually seen anyone doing their job since.

Scenes That I Love: Everything’s Alright from Norman Jewison’s Jesus Christ Superstar


In honor of the late Norman Jewison, today’s scene that I love comes from my favorite film to have been directed by him.

In this scene from 1973’s Jesus Christ Superstar, Mary Magdalene (Yvonne Elliman) attempts to comfort Jesus (Ted Neeley) while Judas (Carl Anderson) tries to pull Jesus away from her.  This scene showcases both Elliman’s angelic voice and Anderson’s ferocious intensity as Mary and Judas present two very different sides of a spiritual journey.

4 Shots From 4 Films: Special Norman Jewison Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today would have been Norman Jewison’s birthday.  It’s time for….

4 Shots From 4 Norman Jewison Films

In The Heat of the Night (1967, dir by Norman Jewison, DP: Haskell Wexler)

Fiddler on the Roof (1971, dir by Norman Jewison, DP: Oswald Morris)

Jesus Christ Superstar (1973, dir by Norman Jewison, DP; Douglas Slocombe)

The Hurricane (1999. dir by Norman Jewison, DP: Roger Deakins)

Late Night Retro Television Reviews: CHiPs 5.27 “Force Seven”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the fifth season comes to an end.

Episode 5.27 “Force Seven”

(Dir by Leslie H. Martinson, originally aired on May 23rd, 1982)

When evil rich guy Nakura (John Rhys-Davies) steals a short-range missile from a military convoy,  he informs the Mayor of Los Angeles that he will fire that missile at the city unless he’s paid a healthy ransom.  The Mayor wants to send in the SWAT Team but one-eyed Lt. John Legarre (an eyepatch wearing Fred Dryer — yes, the star of Hunter) objects.  Guns won’t do the job, Legarre explains.  Why not send in Force Seven?

Led by Legarre, Force Seven is a secret division of the LAPD.  Including Legarre, there’s only four of them.  (So, why aren’t they Force Four?)  Sly (Tony Longo — hey, Mad Dog from 1st & Ten) is tough and strong and also a ventriloquist.  Cindy (Dona Kei Benz) is small but fast and doesn’t have a sense of humor.  Rick Nichols (Tom Reilly) is a rebel cop who does things …. HIS WAY!  What do they all have in common?  They all know karate!

This doesn’t sound like an episode of CHiPs, does it?

Well, technically, it’s not.  It’s a backdoor pilot.  Ponch and Baker appear at the start of the episode, arresting an engineer who is carrying the schematics for the stolen missile.  And they also appear at the very end of the episode, in which Getraer asks them if they remember that engineer they pulled over.  However, neither Ponch nor Baker interact with anyone from Force Seven.  I get the feeling that the Force Seven pilot was shot and then someone decided, “Why don’t we add Erik Estrada and Larry Wilcox and disguise this as an episode of CHiPs?”

Imagine if you were a CHiPs fan in 1982.  It’s the night of the season finale.  You turn on the TV because you want to watch motorcycle chases and car crashes.  Instead, you find yourself watching Fred Dryer wearing an eye patch and Tony Longo using a puppet to discuss elements of Eastern philosophy.  That’s one reason why backdoor pilots have never made sense to me.  They always seem like they would have just ticked off anyone who was watching.

Force Seven did not become a show.  From watching this episode, I think it probably would have been enjoyably dumb if it had led to a series.  As I already mentioned, Fred Dryer wears an eye patch.  Tony Longo is made up to look like Sylvester Stallone.  (His character is even named Sly!)  There’s something kind of amusing about two guys who are so big that they could obviously just take anyone out with one punch instead choosing to drag out every fight with karate.

(Amusingly enough, in Force Seven, the mayor of Los Angeles was played by former real-life mayor Sam Yorty, who ran for President in 1972.  The police commissioner was played by Ed Davis, the real life former chief of the LAPD who was serving in the California State Senate at the time and who later ran for the U.S. Senate in 1986.)

It is a little sad that this was Larry Wilcox’s final episode of CHiPs.  Fed up with Estrada getting all of the good storylines, Wilcox did not return for Season 6.  (His replacement would be played by Force Seven‘s Tom Reilly, though as a different character.)  For the first two seasons, Wilcox was the main character while Erik Estrada was the comedic sidekick.  However, by the time season 5 rolled around, it was clear that the producers were far more interested in Estrada than Wilcox.  As an actor, Wilcox wasn’t a showy as Estrada but he was more believable a cop.  In his final episode, Wilcox gets not a grand goodbye but instead appears only in two brief scenes.

Next week, we’ll start the sixth and final season!

Retro Television Review: Crime Story 1.11 “Crime Pays”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988.  The entire show can be found on Tubi!

Our story so far….

Episode 1.11 “Crime Pays”

(Originally aired on December 5th, 1986)

This week’s show will be easy to review because it’s a clip show.  It’s a bit more honest than most television clip shows.  It doesn’t feature the character sitting around saying stuff like, “I’ll never forget that time we gunned down half of Luca’s crew.”  Instead, the show’s narrator (Jack Angel) tells us that we’re going to see the story so far and then we see just that.  The best thing about this episode is Angel’s tough guy voice.

It’s not bad for a clip show.  It’s basically all of the Torello and Luca scenes without any of the filler.  If nothing else, it lets us know which of the past plotlines we should remember and which ones we can safely forget.  (Remember that Torello is obsessed with Luca.  Remember that Luca is determined to become a big man in the mob.  Don’t necessarily forget about David Arbams’s storylines but, at the same time, don’t worry if your memory’s a little fuzzy.)  But it’s still a clip show, nonetheless.

 

Song of the Day: The Other Side by Public Service Broadcasting


Today’s sonf of the day is Public Service Broadcasting’s inspiring tribute to space exploration, The Other Side!

Yes, those are the voices of actual NASA engineers and astronauts, experiencing the dark side of the moon for the very first time.

This is from PSB’s classic album, Race for Space.

Enjoy!

Scenes That I Love: James Lovell Dreams Of The Moon In Apollo 13


Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

Today we have an absolutely beautiful scene from 1995’s Apollo 13.  In this scene, astronaut Jim Lovell (Tom Hanks) takes a look at the moon and, for a minute, thinks about what could have been, if only a malfunction hadn’t scuttled Apollo 13’s moon landing and left Lovell and his two crewmates apparently stranded in space.  Though Lovell may dream of walking on the moon, he knows it won’t happen and that his only concern now is getting both himself and his crew back home.

Some critics have a tendency to dismiss Ron Howard as just being a director who makes middlebrow films but this scene shows him to be a director who instinctively understands not only what it’s like to dream but also what it’s like when reality intrudes on those dreams.  This scene features both Howard and Tom Hanks at their best.

4 Shots From 4 Films: Special Moon Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we pay tribute to the moon!  It’s time for….

4 Shots From 4 “Moon” Films

A Trip to the Moon (1902, dir by Georges Melies)

Moonraker (1979, dir by Lewis Gilbert)

Moon (2009, dir by Duncan Jones)

Moonrise Kingdom (2012, dir by Wes Anderson)