Today’s song of the day comes from Moby.
I’m not worried at all, a song I’ve been listen to a lot this week.
Today’s song of the day comes from Moby.
I’m not worried at all, a song I’ve been listen to a lot this week.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #ScarySocial presents The Monster That Challenged The World!
If you want to join us this Saturday, just hop onto twitter, start the movie at 10 pm et, and use the #ScarySocial hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
The Monster That Challenged The World is available on Prime! See you there!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing SLEDGE HAMMER!, a cop comedy which ran on ABC from 1986 to 1988. The entire series can be found on Prime!
This week, the liberal media comes after Sledge Hammer!
Episode 1.2 “Hammer Gets Nailed”
(Dir by Charles Braverman, originally aired on September 26th, 1986)
“HAMMER!” shouts Lt. Trunk as the episode begins.
Trunk is concerned because nosy news reporter Phil Gumm (Ronnie Schell) wants to do a ride along with Sledge Hammer. The Mayor is thinking about laying off a large percentage of the force. (I guess he’s not that grateful to the police for finding his daughter.) If Hammer screws up on camera, that’ll give the Mayor the excuse that he needs. Doreau is assigned to keep Hammer out of trouble.
So, of course, Hammer screws everything up. After forcing a convenience store thief to eat all of the store’s expired food, Hammer gets into a high-speed chase and crashes his car. Phil Gumm ends up with broken arms and a bad attitude. The Mayor promptly starts laying people off …. including Sledge Hammer!
Hammer gets a job as a crossing guard. (He even continues to wear his suit.) However, when a group of terrorists call in a bomb threat, Hammer is the one who heads down to the clock store to try to disarm it. The bomb is ticking. Unfortunately, so is every clock in the store.
“Go Hammer go!” the people watching chant.
“Go bomb go,” Trunk mutters in his office.
Fortunately, Hammer is able to find and disarm the bomb. The store is saved and so is Hammer’s job.
Yay!
This episode wasn’t quite as funny as last week but it still had plenty of laughs. David Rasche delivers his berserk lines with so much earnestness that they actually start to make a strange sort of sense. When Hammer stepped into the store and saw every clock ticking back and forth, I laughed harder than I’ve laughed in a while.
The important thing is that Hammer outsmarted the media.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Daily Motion.
This week, John Doe No. 6 returns.
Episode 4.7 “Close Encounters”
(Dir by Eric Laneuville, originally aired on November 20th, 1985)
This episode begins with a jolt. Dr. Victor Ehrlich is actually choosing to be ethical as opposed to just kissing up. Ehrlich is currently doing a rotation in plastic surgery, where he’s working with Bobby Caldwell. Caldwell already disliked Ehrlich before Ehrlich even joined the department. Caldwell’s opinion is not improved when he discovers that Ehrlich has talked a patient out of getting an eye tuck that Caldwell recommended. When Caldwell confronts him, Ehrlich argues that the surgery wasn’t necessary and that Caldwell manipulated the man into agreeing because Caldwell’s department is currently on the chopping block. When Ehrlich threatens to go to Dr. Craig, Caldwell sneers. Dr. Craig is the one who personally recruited Caldwell to come to St. Eligius. Ehrlich, on the other hand, is just “the hospital clown.”
Yikes. When Bobby Caldwell was introduced two seasons ago, he was mild-mannered and likable and clearly on the show because Mark Harmon looked good without a shirt on. This season, Caldwell has been arrogant and self-destructive. The fresh scar on his face has become a symbol for the scar on his soul. Personally, I think Bobby is a much more interesting character now. Every soap opera needs a villain and, by the time the fourth season started, St. Elsewhere had definitely become a soap opera.
As for Dr. Craig, he’s not there to talk to Ehrlich because he’s accompanied his daughter-in-law to her hometown in Clinton, New York. Yvonne (Suzanne Lederer) has been in a coma ever since Stephen Craig flipped their car. In this episode, she finally opens her eyes but she still isn’t speaking or mobile. Along with helping to transfer Yvonne to a new hospital, Craig has another reason for going to New York. He’s promised Ellen that he will return with their granddaughter, Barbara. However, when Dr. Craig spends the night there, he discovers that Yvonne’s parents aren’t the backward monsters that he assumed they were. He sees that they love Barbara and that they are taking care of her. Though he doesn’t say it, one gets the feeling that Dr. Craig realizes that Ellen mostly just wants custody of Barbara so she can have a part of Stephen. In New York, Dr. Craig finally starts to understand why Stephen and Yvonne designated Yvonne’s parents as Barbara’s legal guardians. Dr. Craig returns to Boston without Barbara. “I hate you for this, Mark,” Ellen says.
Meanwhile, astronaut Col. Chuck Cochrane (David Ackroyd) has decided that his seizure and subsequent dream were all signs from God telling him not to return to space. NASA, concerned that Cochrane is going to give the program a bad name, sends Captain Gloria Neal (Betty White) to the hospital. (Gloria mentions that she was sent by Major Healey, which is undoubtedly a reference to Roger Healey from I Dream of Jeannie.) Because Gloria went to medical school with Dr. Westphall, NASA thinks that she’ll be able to influence him to discharge Cochrane from the hospital so that he can be taken back to Walter Reed and forced to rejoin the space program. Westphall, however, decides to support Dr. Morrison’s decision not to discharge Cochrane. Westphall goes on to tell Gloria that she’s not much of a doctor anymore. She’s just a PR agent for the government. “So, I guess we won’t be sleeping together,” Gloria replies.
Ugh, Westphall. I know that I spent a lot of time complaining about Dr. Westphall, but this episode really epitomized everything that I dislike about the character. When he’s not depressed, he’s self-righteous. Whenever anyone disagrees with him, he starts talking about his experiences volunteering at a clinic in Ethiopia, as if that experience automatically makes his opinion superior to anyone else’s. In this episode, he decides that it’s his place to judge Gloria’s life decisions. Seriously, Westphall is the worst!
Finally, John Doe No. 6 (Oliver Clark) is back. He’s recovered from the surgery that initially left him comatose. He can speak and move again but he still has amnesia. He’s back in the psych ward. While watching television, he suddenly realizes who he is. He’s Mary Richards from The Mary Tyler Moore Show! He decides that a fellow patient, Mr. Carlin (Jack Riley), is Mary’s friend Rhoda. Dr. Auschlander is Mary’s co-worker, Murray. He tries to throw a party in the psych ward and it’s awful because Mary’s parties are always awful! When he sees Gloria Neal walking down the hospital hallway, he thinks that she’s Sue Ann Nivens, the happy homemaker! “Excuse me?” Gloria asks, confused.
Of course, Betty White did play Sue Ann Nivens on The Mary Tyler Moore Show. (St. Elsewhere itself was produced by Mary Tyler Moore’s production company.) Even more interesting, however, is that Jack Riley previously played Mr. Carlin on The Bob Newhart Show. Oliver Clark also appeared on The Bob Newhart Show, playing Mr. Herd, who was a member of the same therapy group as Mr. Carlin. As such, viewers who had previously seen The Bob Newhart Show (whether during its original run or, if you’re like me, via reruns) would have known that John Doe No. 6 was actually Mr. Herd. The episode’s biggest mystery is easily solved by those with a knowledge of television history. At the same time, it’s also interesting to note that Mr. Carlin presumably recognizes John Doe No. 6 but has yet to let anyone know.
It makes for a bizarre but enjoyable episode. Bobby is turning into a monster. The Craigs are headed for divorce. Dr. Westphall just insulted Betty White. But even with all that, it’s hard not to get caught up in John Doe No. 6’s joy. He’s going to make it after all!
Today’s song of the day is the main theme from Peter Weir’s 1986 film, The Mosquito Coast, composed by Maurice Jarre.
Today’s scene that I love comes from Peter Weir’s 1985 film, Witness. In this scene, the Amish come together and raise a barn. This scene celebrates community and also gives Harrison Ford a chance to show off his real-life carpentry skills.
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1985’s To Live And Die In L.A!
If you want to join us this Friday, just hop onto twitter, find To Live and Die In L.A. on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
See you there!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
August 21st is the birthday of the great director Peter Weir. It’s time for….
4 Shots From 4 Peter Weir Films
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991. The entire show is currently streaming on Tubi and several other services!
This week, Hunter helps an ex-girlfriend.
Episode 1.17 “The Last Kill”
(Dir by Bruce Kessler, originally aired on April 20th, 1985)
Internationally famous model Christine Le Masters (Stephanie Blackmore) thinks that her husband, Kerry (Madison Mason), is cheating on her. Christine tells Kerry that she’s heading to the airport to catch a flight for Europe and a new ad campaign. Instead, she follows Kerry when he heads over to a cheap motel. Christine is expecting to catch her husband with his mistress. Instead, she finds a prostitute who has been shot in the back of the head by a hitman.
Not wanting her husband to know that she lied about leaving the country, Christine goes to an ex-boyfriend for help. The name of that ex-boyfriend? Rick Hunter.
Hunter and McCall do investigate and discover that the prostitute is just one of many low-level criminals who have apparently all been killed by the same assassin. Hunter uses his little-mentioned mob contacts to dig into the murders and finds out that there’s a hitman named George who has been killing everyone involved in a plot to blackmail a mob boss. However, George appears to be doing this out of the kindness of his heart. Hunter suspects that George is just trying to get close to the mob boss so that he can kill him. He also suspects that George is actually Kerry Le Masters!
Is Hunter just jealous that Kerry is married to his ex-girlfriend, or is he correct about Kerry being a killer? It turns out that both things can be true! Don’t worry, though. Even though Kerry is holding a gun at his wife’s head at the time, Hunter is still able to shoot him without hurting Christine. Hunter tells police dispatch to send “the coroner’s wagon.” The police dispatcher doesn’t sound surprised. Hunter kills an average of three people a day.
This episode never really made it clear why Kerry would decide to become a hitman in the first place. I mean, he’s already rich. But I did appreciate that the Hunter family’s mob ties were mentioned again and that we got to learn a little about his past. When Kerry told Hunter that the two of them were heading for a standoff that only one would survive, Hunter replied, “Works for me.” It was a cool moment on an otherwise standard episode of Hunter.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! This Thursday, I will be reviewing Harry’s Battles, which aired its only episode on ABC in 1981. The show can be found on YouTube!
Episode 1.1 “Pilot”
(Dir by Adam Rafkin, aired on June 8th, 1981)
Harry Fitzsimmons (Dick Van Dyke) is a grocery store manager who doesn’t understand why life has to be so complicated. During the opening credits, we watch as a gas station attendant (Joe Regalbuto) changes the price of unleaded while Harry is filling up his tank. We watch as the car-wash guy (Joe Regalbuto again) changes the radio station in his car. We watch as a postman (played by, you guessed it, Joe Regalbuto) clumsily tosses Harry’s package into the street after Harry tells him that it’s fragile.
Harry is easily frustrated, and anyone who has ever had to deal with any sort of bureaucracy will be able to understand where he’s coming from. In this episode, he and his wife, Mary Carol (Connie Stevens), are planning a night at the theater with their best friends, Herb (Danny Wells) and Diane (Marley Sims). They’re going to see Kate Jackson in Evita. But then Mary Carol gets something in her eye, and Harry decides to run her by the emergency room to get it checked out. It should only take a few minutes….
Two hours later, Harry is demanding to know where his wife is, the nurse on duty (Brooke Alderson) is more interested in talking on the phone than talking to him, and Dr. Harwood (Joe Regalbuto) is making jokes like, “We may lose patients on the operating table but not in the halls.”
It turns out the ER is short-staffed because everyone is at a party for the departing head of psychiatry. Harry talks to the incoming head of psychiatry, Dr. Jorgensen (David Ruprecht), who starts talking about the wrath that he’s going to bring down on the world. Only Harry seems to notice that the incoming head of psychiatry is apparently insane.
When Dr. Harwood announces that he’s found Harry’s wife, he rolls out an elderly woman (Florence Halop) in a wheelchair. When Harry insists that the woman is not his wife, both Dr. Harwood and the nurse reply that the woman is named “Mrs. Fitzsimmons” and therefore she is Harry’s wife. Eventually the woman announces that she’s escaping and rolls out of the hospital. Only then does it occur to the doctor and the nurse that the woman might not be Harry’s wife despite her last name. They have a good laugh over it.
When Mary Carol is finally found, she’s on a gurney and can barely walk or talk because of the painkillers she’s been given for her broken collarbone. “See,” Harwood says, looking at the X-ray, “look at that finger-shaped bone!” “That is my finger!” Mary Carol finally manages to say. Harry loses it and accuses Dr. Harwood of being incompetent. The doctor responds that not everyone can afford to go to the theater and that he is proud to be a doctor for those people. All of the patients in the ER applaud….
I’ve watched a lot of pilots for this feature and most of them are pretty bad. Harry’s Battles is actually really good and still funny and relatable nearly 45 years after it first aired. (It’s amazing to think that Dick Van Dyke, who was in his fifties when he did this pilot, is still with us.) Harry’s anger is the anger that everyone feels while dealing with incompetence. His frustration with paperwork and bureaucratic nonsense remains relatable. If anything, it’s probably even more relatable today than when this pilot first aired. We live in an overly regulated society and, sadly, there are a lot of people currently running for office who want to make things even more regulated. Dick Van Dyke may be a DSA supporter, but Harry Fitzsimmons definitely would have known better. I also really like the idea of Joe Regalbuto playing everyone who annoys Harry. Watching this pilot, it was easy to imagine week after week of various Regalbuto characters making Harry’s life difficult.
Sadly, this pilot was not turned into a television series. If Harry’s Battles had become a series, it probably would have been a classic. As it is, we’ve got this one episode that encourages us to consider what could have been.