4 Shots From 4 Films: Special Rob Zombie Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Our final director: Rob Zombie.

4 Shots From 4 Films

The Devil’s Rejects (2005, dir by Rob Zombie)

Halloween (2007, dir by Rob Zombie)

The Lords of Salem (2013, dir by Rob Zombie)

31 (2016, dir by Rob Zombie)

Horror Film Review: Vampyr (dir by Carl Thedor Dryer)


A dream of dark and disturbing things….

Allan Gray (Nicolas de Gunzburg, performing under the name Julian West) might be a student of the occult or he might just be a man having a dream within a dream.  He’s handsome with just enough of an aristocratic bearing to be intriguing.  His face is strangely blank.  Whenever we see him, we wonder if he’s awake or if he’s asleep.  We’re reminded of Werner Herzog’s film Heart of Glass, in which the entire cast recited their lines while hypnotized.

Allan’s come to a small village in France.  It’s a quaint little place, probably the type that most tourist would consider to be quite beautiful.  But from the minute that we see it, the entire landscape seems to be off.  The inhabitants of the village seem almost as blank-faced as Allan.  When we see the trees sway in the wind, we’re reminded of  Victor Sjöström’s The Wind and how the nonstop wind drove Lillian Gish mad.

Allan stays in an inn.  He goes to sleep.  When he wakes up, an old man stands in his room.  The old man gives him a package.  The package is not to be opened until the man’s death.  Allan goes outside.  The village is full of shadows.  He watches an old woman and the town’s doctor.  Allan meets with one of the old man’s daughters and learns that her sister is deathly ill.  She needs a blood transfusion.  When Allan reads a book about vampyres, he suspects that both the town and the sisters are being held prisoner.  At times, the events feel almost random but the film has such a hypnotic power that we automatically know that nothing happens by mere chance.

Directed by Carl Theodor Dryer, Vampyr was filmed in 1931 and released in 1932.  This was Dreyer’s first sound film but Vampyr almost seems like a silent film.  It certainly has more in common with Dreyer’s hallucinogenic silent masterpiece, The Passion of Joan of Arc, than it does with Universal’s version of Dracula.  Vampyr feels like a cinematic dream, full of surrealistic images and odd performances.  As a collection of images, Vampyr is one of the most intensely atmospheric film that I’ve ever seen.  Allan, who may be having a dream within a dream, discovers a coffin and is shocked to discover who is inside.  A character is buried alive in flour.  Fogs rolls across the river and a figure with a scythe brings to mind Charon, the ferryman who took the dead to the underworld.  Shadows dance across the screen.  Much like Lucio Fulci’s Beyond trilogy, Vampyr succeeds by creating its own cinematic world, one where reality is solely defined by the images on the screen.  The plot of Vampyr might not always make sense in the real world but it’s perfectly logical in the world created by the film.

Vampyr’s a surreal classic, one that reportedly came close to being a lost film.  Several of the video releases have been technically inferior, though the flickering picture and inconsistent soundtrack of those releases can actually add to the film’s dreamlike power.  It’s been released by the Criterion Collection and that is the ideal version to watch.

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally iconic review!)

ENJOY!

AMV of the Day: This Is Halloween (Soul Eater)


It’s been a while since we’ve done an AMV of the Day here at the Shattered Lens.  This seems like the perfect day to rectify that!

Anime: Soul Eater

Song: Marilyn Manson — This Is Halloween

Creator: HagarenGao

Past AMVs of the Day

A Halloween Film Review: A Ghost Story (dir by David Lowery)


To quote Taking Back Sunday:

“What’s it feel like to be a ghost?”

That’s the question that is asked in the hauntingly beautiful film, A Ghost Story.

How to describe the plot of A Ghost Story?  It’s not going to be easy because A Ghost Story is a film that defies easy description or categorization.  It’s power comes less from the specifics of the story and more from the mood that it creates.  A Ghost Story makes you think and it makes you feel and, to a certain extent, you’re just going to have to take my word on that.  This is one of those film that, to truly understand, you simply must see.

Casey Affleck plays C and Rooney Mara plays M.  They live in a small house, near Dallas.  They’re like any couple, really.  Sometimes, they appear to be in love.  Sometimes, they appear to be on the verge of breaking up and never seeing each other again.  Sometimes, they are happy.  Sometimes, they are sad.  The film starts with an almost random series of scenes, showing their life together.

Suddenly, we see a smashed car sitting in front of the house.

Just as abruptly, we’re in the hallway outside a sterile hospital room.  We can see that, inside the room,  M is staring down at a body on a slab.  The body has been covered with a sheet.  M leaves.  Slowly, the sheet-covered body sits up.  We watch as the sheet-covered ghost walks down the hallways of the hospital.  Briefly, it pauses to look at what appears to be a portal to … somewhere else.  The ghost does not enter the portal and the portal closes.

We spend the rest of the movie following that sheet-covered ghost as he wanders through our world.  No one living sees it and the ghost never says a word.  He watches as M mourns over his passing.  Time passes.  People enter and leave the house.  Life goes on but the ghost is stuck forever where he is, powerless to do anything other than occasionally break a dish, play a piano, or open a book.  Time passes.  The ghost sees the future, the past, and the present.  Why is the ghost still there?  Does the ghost know?  Is the ghost just waiting for someone who it has forgotten?

If I’m making A Ghost Story sound like a sad movie … well, it is.  There are moments of humor, largely coming from the fact that the ghost is literally a sheet with some eye holes.  For the most part, though, this film is a somber meditation on life, death, and what makes it all worth the trouble.  It’s a film that makes you wonder whether you would have entered that portal or if you too would have returned to your old house so that you silently watch the world go on without you.

From the stillness of the morgue to the view of a futuristic cityscape that the ghost can see but probably no longer appreciate, director David Lowery gives some truly beautiful and haunting images while telling this story.  (It’s not surprising to learn that the Dallas-based Lowery previously worked on Shane Carruth’s Upstream Color.)  A Ghost Story came out earlier this year and really didn’t get the attention that it deserved.  It’s a thought-provoking film and definitely one of the best of the year.

Horror on TV: Thriller 2.19 “A Wig for Miss Devore” (dir by John Brahm)


For tonight’s televised horror, we have yet another classic episode of the Boris Karloff-hosted anthology series, Thriller!

In the Wig for Miss Devore, Sheila Devore (Patricia Barry) is an actress looking to make a comeback.  She’s recently been cast in a film about a real-life witch who was executed centuries ago.  Sheila’s so determined to make the part her own that she’s even willing to wear a wig that once belonged to the dead witch.

Needless to say, that proves to be a mistake for her.

However, it’s enjoyable for us!

Lisa’s Oscar Predictions for October!


Hi, everyone!

It’s time for me to post my monthly Oscar predictions!  With Oscar season finally getting started, things are starting to become a lot more clearer.  At the same time, especially when compared to the previous few years, it’s hard not to feel as if there’s a lot more uncertainty than usual.

For months, people were convinced that The Post was going to be the big Oscar contender but rumor has it that the film’s a bit of a mess.  I can’t say that I’m surprised.  Tom Hanks, Meryl Streep, and Steven Spielberg teaming up for a celebration of the press?  That sounds like exactly the type of project that will bring out everyone’s worst, most mawkish instincts.

With the downfall of Hollywood power players and monsters like Harvey Weinstein, the Oscar outlook becomes even more hazy.  If ever there’s been a year for the Academy to make a statement, this would be it.  But will they have the courage?  On the one hand, the Academy has made an attempt to broaden their membership and to bring in new voices and perspectives.  On the other hand, Oscar host Jimmy Kimmel has already said he won’t be mentioning anything about Weinstein (or, I assume, James Toback or Kevin Spacey) during next year’s ceremony.  Is the Academy going to make a statement or are they just going to try to pretend like nothing’s happened?

Could next year be the year that the Oscars embrace genre films?  Some of the biggest disappointments of the year have been the movies that would typically contend for Oscars.  Meanwhile, some of the most acclaimed films of the year — Get Out, It, Wonder Woman, Logan, — are all so-called genre films.

For my predictions below, I’ve decided to live in a world where the Academy embraces genre films.  These predictions may be totally off but screw it.  It’s the night before Halloween and I’m going to have fun.  Besides, I can make a case for every single prediction found below.

Check out my predictions for January, February, March, April, May, June, July, August, and September!

Best Picture

Call Me By Your Name

Darkest Hour

The Disaster Artist

Dunkirk

Get Out

It

Logan

The Shape of Water

Three Billboards Outside Ebbing, Missouri

Wonder Woman

Best Director

Guillermo Del Toro for The Shape of Water

Martin McDonagh for Three Billboards Outside Ebbing, Missouri

Christopher Nolan for Dunkirk

Jordan Peele for Get Out

Joe Wright for Darkest Hour

Best Actor

James Franco in The Disaster Artist

Andrew Garfield in Breathe

Jake Gyllenhaal in Stronger

Gary Oldman in Darkest Hour

Harry Dean Stanton in Lucky

Best Actress

Gal Gadot in Wonder Woman

Sally Hawkins in The Shape of Water

Frances McDormand in Three Billboards Outside Ebbing, Missouri

Margot Robbie in I, Tonya

Emma Stone in Battle of the Sexes

Best Supporting Actor

Willem DaFoe in The Forida Project

Armie Hammer in Call Me By Your Name

Sam Rockwell in Three Billboards Outside Ebbing, Missouri

Adam Sander in The Meyerowitz Stories

Patrick Stewart in Logan

Best Supporting Actress

Mary J. Blige in Mudbound

Allison Janney in I, Tonya

Melissa Leo in Novitiate

Laurie Metcalf in Lady Bird

Kristin Scott Thomas in Darkest Hour

An October Film Review: The Night America Trembled (dir by Tom Donovan)


Today is the 79th anniversary of Orson Welles’s infamous War of the Worlds broadcast.

In 1938, Orson Welles and the Mercury Theater of the Air performed a radio adaptation of H.G. Welles’s War of the World.  Presented as a live news program, it was one of the first mockumentaries.  It also caused a panic.  How big the panic was is open for debate.  Some say only a few people took it seriously.  Other sources say that it was a nationwide crisis.  But, regardless, Welles made history on that night.  Not only did he illustrate the power of the media but he also scared the Hell out of a lot of people.  All in all, a pretty good night…

Filmed in 1957 for a television program called Westinghouse Studio One, The Night America Trembled is a dramatization of that night.  For legal reasons, Orson Welles is not portrayed nor is his name mentioned.  Instead, the focus is mostly on the people listening to the broadcast and getting the wrong idea.  That may sound like a comedy but The Night America Trembled takes itself fairly seriously.  Even pompous old Edward R. Murrow shows up to narrate the film, in between taking drags off a cigarette.  (I enjoyed the show but, whenever Murrow showed up, I was reminded of a grumpy old teacher complaining that none of his students cared about the Spanish-American War.)

Clocking in at a brisk 60 minutes, The Night America Trembled is an interesting recreation of that October 30th.  Among the people panicking: a group of people in a bar who, before hearing the broadcast, were debating whether or not Hitler was as crazy as people said he was, a babysitter who goes absolutely crazy with fear, and a group of poker-playing college students.  If, like me, you’re a frequent viewer of TCM, you may recognize some of the faces in the large cast: Ed Asner, James Coburn, John Astin, Warren Oates, and Warren Beatty all make early appearances.

As I said, it’s an interesting little historical document and you can watch it below!

Enjoy!