The Detroit Film Critics Society Nominates Eighth Grade and Jesse Plemons!


The Detroit Film Critics Society announced their nominees for the best of 2018 today and what can I say other than I absolutely love them?

Seriously, Josh Hamilton and Jesse Plemons for Best Supporting Actor?  How can you not love that?  That said, the DFCS is not one of the more influential critical groups so I wouldn’t put down any money on either Plemons or Hamilton picking up an Oscar nomination just yet.  Still, both of them deserve the consideration and I love the fact that the DFCS is willing to go against the conventional wisdom when it comes to who they nominate.  I mean, really, this is what the critics need to be doing during awards season.  I mean, we all know that A Star is Born and Green Book are going to pick up nominations regardless.  We need the critics to remind the Academy that “hey, some of these guys were pretty good too!”

In fact, if there is a theme that can be found this early in the precursor season, it appears to be that the critics would like to make sure that the Academy doesn’t forget about First Reformed and Eighth Grade.

Here are the DFCS nominees.  Winners will be announced on Monday!

BEST PICTURE

  • A Quiet Place”
  • “Eighth Grade”
  • “First Reformed”
  • “Green Book”
  • “Roma”

BEST DIRECTOR

  • Bo Burnham, “Eighth Grade”
  • Bradley Cooper, “A Star Is Born”
  • Alfonso Cuarón, “Roma”
  • Adam McKay, “Vice”
  • Paul Schrader, “First Reformed”

BEST ACTOR

  • Christian Bale, “Vice”
  • Bradley Cooper, “A Star Is Born”
  • Ethan Hawke, “First Reformed”
  • Rami Malek, “Bohemian Rhapsody”
  • John David Washington, “BlacKkKlansman”

BEST ACTRESS

  • Toni Collette, “Hereditary”
  • Olivia Colman, “The Favourite”
  • Elsie Fisher, “Eighth Grade”
  • Lady Gaga, “A Star Is Born”
  • Melissa McCarthy, “Can You Ever Forgive Me?”

BEST SUPPORTING ACTOR

  • Mahershala Ali, “Green Book”
  • Sam Elliott, “A Star Is Born”
  • Richard E. Grant, “Can You Ever Forgive Me?”
  • Josh Hamilton, “Eighth Grade”
  • Jesse Plemons, “Game Night

BEST SUPPORTING ACTRESS

  • Amy Adams, “Vice”
  • Regina King, “If Beale Street Could Talk”
  • Thomasin McKenzie, “Leave No Trace”
  • Emma Stone, “The Favourite”
  • Rachel Weiss, “The Favourite”

BEST ENSEMBLE

  • “Crazy Rich Asians”
  • “Eighth Grade”
  • “The Favourite”
  • “Roma”
  • “Vice”

BREAKTHROUGH

  • Bo Burnham, Writer/Director (“Eighth Grade”)
  • Rafael Casal and Daveed Diggs, Writers/Actors (“Blindspotting”)
  • Elsie Fisher, Actress (“Eighth Grade”)
  • Lady Gaga, Actress (“A Star Is Born”)
  • Boots Riley, Writer/Director (“Sorry to Bother You”)

BEST SCREENPLAY

  • Bo Burnham, “Eighth Grade”
  • Deborah Davis, Tony McNamara, “The Favourite”
  • Adam McKay, “Vice”
  • Paul Schrader, “First Reformed”
  • Nick Vallelonga, Brian Hayes Currie, Peter Farrelly, “Green Book”

BEST DOCUMENTARY

  • “Free Solo”
  • “RBG”
  • “Three Identical Strangers”
  • “Whitney”
  • “Won’t You Be My Neighbor?”

BEST ANIMATED FEATURE

  • “The Incredibles 2”
  • “Isle of Dogs”
  • “Ralph Breaks the Internet”
  • “Smallfoot”
  • “Spider-Man: Into the Spider-Verse”

BEST USE OF MUSIC

  • “A Star Is Born”
  • “Bohemian Rhapsody”
  • “Green Book”
  • “Mandy”
  • “Mary Poppins Returns”

 

Here Are The 2018 Satellite Nominations!


Awards season has just begun, which means that it’s time for the International Press Academy to announce their nominees for the 23rd Satellite Awards.  If you’ve never heard of the Satellite Awards, they’re like the Golden Globes, just with even less credibility.  For instance, the Satellite people are the one who nominated The Wolf of Wall Street for best picture, despite having not seen the film.

That said, the Satellite nominations are good way to gauge which films are currently getting awards buzz.  Let’s put it like this: getting a Satellite nomination is not going to automatically translate into Oscar recognition.  But it doesn’t hurt.

Below are the film nominations.  (In the interest of space, I’m only posting the film nominations.  If you want to see which tv shows picked up nominations, click here.)

Film

Actress in a Motion Picture, Drama
Major, Independent or International

  • Yalitza Aparicio, “Roma”
  • Glenn Close, “The Wife”
  • Viola Davis, “Widows”
  • Nicole Kidman, “Destroyer”
  • Melissa McCarthy, “Can You Ever Forgive Me?”
  • Rosamund Pike, “Private War”

Actor in a Motion Picture, Drama
Major, Independent or International

  • Willem Dafoe, “At Eternity’s Gate”
  • Ben Foster, “ Leave No Trace”
  • Ryan Gosling, “First Man
  • Ethan Hawke, “First Reformed”
  • Lucas Hedges, “Boy Erased”
  • Robert Redford, “The Old Man & the Gun”

Actress in Motion Picture, Comedy or Musical
Major, Independent or International

  • Emily Blunt, “Mary Poppins Returns”
  • Olivia Colman, “The Favourite”
  • Trine Dyrholm “Nico, 1988″
  • Elsie Fisher, “Eighth Grade”
  • Lady Gaga, “A Star is Born”
  • Constance Wu, “Crazy Rich Asians”

Actor in Motion Picture, Comedy or Musical
Major, Independent or International

  • Bradley Cooper, “A Star is Born”
  • Rami Malek, “Bohemian Rhapsody”
  • Lin-Manuel Miranda, “Mary Poppins Returns”
  • Viggo Mortensen, “Green Book”
  • Nick Robinson, “Love, Simon
  • John David Washington, “BlacKkKlansman”

Actress in a Supporting Role
Major, Independent, Comedy & Musical or International

  • Claire Foy, “First Man
  • Nicole Kidman, “Boy Erased”
  • Regina King, “If Beale Street Could Talk”
  • Margot Robbie, “Mary Queen of Scots”
  • Emma Stone, “The Favourite”
  • Rachel Weisz, “The Favourite”

Actor in a Supporting Role
Major, Independent, Comedy & Musical or International

  • Mahershala Ali, “Green Book”
  • Timothée Chalamet, “Beautiful Boy”
  • Russell Crowe, “Boy Erased”
  • Adam Driver, “BlacKkKlansman”
  • Sam Elliott, “A Star is Born”
  • Richard Grant, “Can You Ever Forgive Me?”

Motion Picture, Drama
Major

  • Black Panther,” Walt Disney
  • First Man,” Universal
  • “Hereditary,” A24
  • “If Beale Street Could Talk,” Annapurna Pictures
  • “Mary Queen of Scots,” Focus Features
  • “Widows,”  Twentieth Century Fox

Motion Picture, Independent

  • “BlacKkKlansman,” Focus Features
  • “Eighth Grade,” A24
  • “First Reformed,” A24
  • “Leave No Trace,” Bleecker Street Media
  • “Private Life,” Netflix
  • “A Private War,” Aviron Pictures

Motion Picture, Comedy or Musical
Major, Independent or International

  • “Crazy Richard Asians,” Warner Bros.
  • “The Favourite,” Fox Searchlight Pictures
  • “Green Book,” Universal Pictures
  • “Mary Poppins Returns,” Walt Disney
  • “Nico, 1988,” Magnolia Pictures
  • “A Star is Born,” Warner Bros.

Motion Picture, International Film

  • “The Cakemaker,” Israel
  • “Cold War,” Poland
  • “The Guilty,” Denmark
  • “I Am Not A Witch,” United Kingdom
  • “Roma,” Mexico
  • “Shoplifters,” Japan

Motion Picture, Animated or Mixed Media

  • “Incredibles 2,” Walt Disney
  • “Isle of Dogs,” Fox Searchlight Pictures
  • “Liz and the Blue Bird,” Eleven Arts
  • “Mirai,” GKIDS Films
  • “Ralph Breaks the Internet,” Walt Disney
  • “Ruben Brandt, Collector,” Sony Pictures Classics

Motion Picture, Documentary

  • “Crime + Punishment,” Hulu
  • “Free Solo,” National Geographic
  • “Minding the Gap,” Hulu
  • “RBG,” Magnolia Pictures
  • “Three Identical Strangers,”  Focus Features
  • “Won’t You Be My Neighbor,” Focus Features

Director

  • Bradley Cooper, “A Star is Born”
  • Alfonso Cuaron, “Roma”
  • Peter Farrelly, “Green Book”
  • Barry Jenkins, “If Beale Street Could Talk”
  • Yorgos Lanthimos, “The Favourite”
  • Spike Lee, “BlacKkKlansman”

Screenplay, Original

  • Bo Burnham, “Eighth Grade”
  • Alfonso Cuaron, “Roma”
  • Deborah Davis & Tony McNamara, “The Favourite”
  • John Krasinski, Scott Beck, Bryan Woods, “A Quiet Place
  • Paul Schrader, “First Reformed”
  • Nick Vallelonga, Brian Hayes Currie & Peter Farrelly, “Green Book”

Screenplay, Adapted

  • Bradley Cooper, Eric Roth, “A Star is Born”
  • Debra Granik, Anne Rosellini, “Leave No Trace”
  • Nicole Holofcener, Jeff Whitty, “Can You Ever Forgive Me?”
  • Barry Jenkins, “If Beale Street Could Talk”
  • Armando Iannucci, David Schneider, Ian Martin, Peter Fellows, “The Death of Stalin”
  • Spike Lee, David Rabinowitz, Kevin Wilmott, Charlie Wachtel, “BlacKkKlansman”

Original Score

  • Thomas Ades, “Colette”
  • Terence Blanchard, “BlacKkKlansman”
  • Nicholas Britell, “If Beale Street Could Talk”
  • Alexandre Desplat, “The Sisters Brothers”
  • Justin Hurwitz, “First Man”
  • Hans Zimmer, “Widows”

Original Song

  • “All The Stars” from “Black Panther”
  • “Can You Imagine That?” from “Mary Poppins Returns”
  • “Requiem for a Private War” from “A Private War”
  • “Revelation” from “Boy Erased”
  • “Shallow” from “A Star is Born”
  • “Strawberries & Cigarettes” from “Love, Simon

Cinematography

  • Alfonso Cuaron, “Roma”
  • James Laxton, “If Beale Street Could Talk”
  • Matthew Libatique, “A Star is Born”
  • Robbie Ryan, “The Favourite”
  • Rachel Morrison, “Black Panther
  • Lukasz Zal, “Cold War”

Visual Effects

  •   “Avengers: Infinity War,” Walt Disney
  •   “Black Panther,” Walt Disney
  •   “Fantastic Beasts: The Crimes of Grindelwald,” Warner Bros.
  •   “Jurassic World: Fallen Kingdom,” Universal
  •   “Rampage,” Warner Bros.
  •   “Ready Player One,” Warner Bros.

Film Editing

  • Barry Alexander Brown, “BlacKkKlansman”
  • Jay Cassidy, “A Star is Born”
  • Tom Cross, “First Man
  • Alfonso Cuaron, “Roma”
  • Joi McMillon, Nat Sanders, “If Beale Street Could Talk”
  • Joe Walker, “Widows”

Sound (Editing and Mixing)

  • Black Panther,” Walt Disney
  • First Man,” Universal
  • “Mary Poppins Returns,” Walt Disney
  • A Quiet Place,” Paramount
  • “Roma,”  Netflix
  • “A Star Is Born,” Warner Bros.

Art Direction and Production Design

  • Black Panther,” Walt Disney
  • “Fantastic Beasts: The Crimes of Grindelwald,”  Warner Bros.
  • “The Favourite,” Fox Searchlight
  • First Man,” Universal
  • “Mary Poppins Returns,” Walt Disney
  • “Roma,” Magnolia Pictures

Costume Design

  • Colleen Atwood, “Fantastic Beasts: The Crimes of Grindelwald”
  • Erin Benach, “A Star is Born”
  • Alexandra Byrne, “Mary Queen of Scots”
  • Ruth E. Carter, “Black Panther
  • Andrea Flesch, “Colette”
  • Sandy Powell, “The Favourite”

 

 

Lisa’s Oscar Predictions For October


And now, we take a short break from TSL’s annual horrorthon to bring you Lisa Marie’s Oscar predictions for October!

Be sure to check out my predictions for January, February, March, April, May. June. July, August and September!

Best Picture

Black Panther

Boy Erased

Can You Ever Forgive Me?

First Man

Green Book

If Beale Street Could Talk

The Mule

Roma

A Star is Born

Vice

Best Director

Damien Chazelle for First Man

Bradley Cooper for A Star Is Born

Alfonso Cuaron for Roma

Peter Farrelly for Green Book

Barry Jenkins for If Beale Street Could Talk

Best Actor

Christian Bale in Vice

Bradley Cooper in A Star is Born

Clint Eastwood in The Mule

Robert Redford in Old Man and the Gun

John C. Reilly in Stan & Ollie

Best Actress

Glenn Close in The Wife

Lady Gaga in A Star is Born

Felicity Jones in On The Basis of Sex

Nicole Kidman in Destroyer

Melissa McCarthy in Can You Ever Forgive Me?

Best Supporting Actor

Mahershala Ali in Green Book

Timothee Chalamet in Beautiful Boy

Bradley Cooper in The Mule

Sam Elliott in A Star is Born

Michael B. Jordan in Black Panther

Best Supporting Actress

Claire Foy in First Man

Nicole Kidman in Boy Erased

Regina King in If Beale Street Could Talk

Sissy Spacek in Old Man and the Gun

Michelle Yeoh in Crazy Rich Asians

 

 

 

Weekly Trailer Round-Up: Roma, Green Book, An Evening With Beverly Luff Linn, Widows, Killer Kate


In 2014, Alfonso Cuaron made history win he became the first Mexican filmmaker to win the Academy Award for Best Director, for his work on Gravity.  This year, Cuaron is back with Roma, a 135-minute film about a middle class family living in Mexico City in the 1970s.  Roma will be released on December 14th and its trailer leads off this week’s trailer round-up.

Directed by Peter Farrelly, Green Book, is based on the true story of Jamaican pianist Don Shirley’s tour of the deep south.  Serving as his chauffeur and bodyguard was a New York bouncer named Tony Lip.  Shirley is played by Mahershala Ali while Viggo Mortensen play the role of Lip.  (The real Tony Lip later became an actor and played Carmine Lupertazzi in The Sopranos).  Green Book will be released on November 21st.

Judging from the trailer, An Evening With Beverly Luff Linn appears to be a typical heist comedy, enlivened by the presence of Aubrey Plaza.  Prepare to spend an evening with Beverly when this film is released on October 19th.

Based on a BBC miniseries and featuring a killer cast, Steve McQueen’s Widows is one of the most anticipated movies of the fall.  Widows will be in theaters on November 16th.

Finally, Killer Kate will be released on October 26th, just in time for Halloween.

Is It Too Late To Hate On Movie 43?


Originally,  I wasn’t planning on ever seeing Movie 43.

Remember Movie 43?  That’s the comedy with the huge ensemble cast that came out in January and stayed in theaters for about a week.  The trailers looked terrible, the commercials looked terrible, and finally, the reviews were terrible.  In fact, the reviews were so terrible (Richard Roeper called it the Citizen Kane of bad movies) that, at first, I was perfectly content never to see it.

However, as time passed, I continually heard Movie 43 referred to as being one of the worst films ever made.  Every 12 months, I post my picks for the 26 worst films of the year and I knew that Movie 43 was one of those films that would either appear on that list or, if it didn’t, I would have to be willing to defend the title’s absence.

I realized that before I could either defend or condemn, I would have to sit through the movie.  After all, I figured, it’s only 90 minutes of my life.

90 minutes that I’ll never get back, I might add.

Movie 43 is an anthology film in which 13 separate comedic sketches are loosely linked together by one overarching story.  For the most part, this is a film that was presumably made both for adolescent boys and for men who still think like adolescent boys.  Most of the humor is derived from bodily functions and there’s a real strain of misogyny running through the entire film.  However, the film’s problem is not that it’s crude and misogynistic but that it manages to be so dull about being crude and misogynistic.  If you think its hilarious when Meg is insulted on Family Guy or when Seth McFarlane smirks after making an anti-Semitic comment, you might enjoy Movie 43 but the rest of us are going to find far less to enjoy.

Oddly enough, there are actually two different versions of Movie 43 in circulation.  In the version that was released in U.S. theaters, the various vignettes are tied together by a story in which an insane director (Dennis Quaid) pitches scene after scene to a callous movie executive (Greg Kinnear).  In the version that was released in the UK, they’re linked together by a story about 3 teenagers searching for the most offensive film ever made.  To be honest, both versions are pretty stupid but I prefer the one about the 3 teenagers, if just because that way I can pretend that neither Dennis Quaid nor Greg Kinnear had anything to do with this movie.

As for the sketches themselves, there’s 13 of them and they are a mixed bag as far as both humor and quality are concerned:

1)      The Catch (dir by Peter Farrelly)

Kate Winslet and Hugh Jackman go on a blind date.  Jackman has testicles hanging from his neck and only Winslet thinks this is an odd thing.  This skit goes on forever.

2)      Homeschooled (dir by Will Graham)

Liev Schreiber and Naomi Watts explain how they’re making sure that their teenage son is getting the full high school experience despite the fact that he’s being homeschooled.  They do this through a combination of hazing and incest.  This skit worked pretty well, mostly because of the dedication that Schreiber and Watts brought to their absurd roles.

3)      The Proposition (dir by Steve Carr)

Uhmm…yeah.  So, this is the skit that opens with Anna Faris asking Chris Pratt to defecate on her.  I skipped over it because, quite frankly, life is too short.

4)      Veronica (dir by Griffin Dunne)

Neil (Kieran Culkin) is working the night shift at a depressing grocery store when his ex-girlfriend Veronica (Emma Stone) comes in.  They argue about who infected who with an STD.  Little do they realize that Neil has accidentally turned on the intercom and everyone in the store can hear them.  I actually kind of liked this short skit.  Culkin and Stone had a lot of chemistry and it was well-directed by Griffin Dunne.  Plus, it only lasted 2 minutes and, therefore, ended before the joke got old.

5)      iBabe (dir by Stephen Brill)

The iBabe is an MP3 player that happens to look like a life-size nude woman.  Unfortunately, a fan was built into the iBabe’s vagina and now, teenage boys are being dismembered while fingering and fucking iBabe.  Richard Gere plays the President of the company that makes iBabe.  I’ve never thought of Richard Gere as being a comedic actor and his performance here does nothing to change that.

6)      Superhero Speed Dating (directed by James Duffy)

Robin (Justin Long) goes speed dating and Batman (Jason Sudekis) tries to mess things up for him.  This skit – which also features (and wastes) Uma Thurman, Kristen Bell, and Bobby Cannavale – is so incredibly bad that I don’t even know where to begin.  Between this film and his appearance in last year’s The Conspirator, I’m having to rethink my slight crush on Justin Long.

7)      Machine Kids (directed by Jonathan Von Tulleken)

This commercial parody asks us to consider the children who work inside copiers and vending machines and how they are effected when we criticize those machines for not accepting our dollar.  This was actually so weird that I couldn’t help but love it.

8)      Middleschool Date (dir by Elizabeth Banks)

7th grader Amanda (Chloe Moretz) is having her first “middle school” date with Nathan (Jimmy Bennett) when she starts her first period.  In response, Nathan and his older brother (Christopher Mintz-Plasse) panic.  Believe it or not, this was actually one of the better parts of Movie 43, if just because the scene’s humor comes not from Amanda getting her period but instead from how every male around her descends into histrionics as a result.   It helps that this was the only part of Movie 43 that was both written and directed by women.  It also helps that director Elizabeth Banks is so clearly on Amanda’s side.  The end result is one of the few moments in Movie 43 that doesn’t feel misogynistic. 

9)      Tampax (dir by Patrik Forsberg)

This is another fake commercial.  Two girls are at the beach.  One uses tampax tampons and the other doesn’t.  Guess which one gets eaten by a shark?  As opposed to the previous skit, this bit of menstrual humor was obviously written and directed by a man (and the message, not surprisingly, is “Ewww!  Girls are scary and dangerous!”) but I’m going to have to admit that this one made me laugh if just because, like Middleschool Date, it reminded me of some of the period horror stories that I used to hear (and believe) back when I was younger.  (Though I was raised to be more concerned about bears than sharks…)

10)  Happy Birthday (dir by that noted comedian, Brett Ratner)

Pete (Johnny Knoxville) kidnaps an angry leprechaun (Gerard Butler) and gives it to Brian (Seann William Scott).  The leprechaun’s equally angry brother (also played by Gerard Butler) shows up and violence ensues.  Watching this skit was like being told a joke by someone who has no sense of humor.

11)  Truth or Dare (dir by Peter Farelly and Patrik Forsberg)

Halle Berry and Stephen Merchant are on a first date and Merchant has testicles on his neck…oh wait.  Sorry, that was Hugh Jackman and Kate Winslet’s skit.  In this skit, Berry challenges Merchant to game of truth or dare.  It escalates as the dares get continually more and more outrageous.  Whoops?  Did I say outrageous?  I meant to say stupid and oddly dull.  Watching this skit was like listening to a someone who has no sense of humor continue to tell a joke even though everyone else has already guessed the punchline.

12)  Victory’s Glory (dir by Rusty Cundieff)

In this parody of “inspirational” sports movies, Coach Jackson (Terrence Howard) speaks to his basketball team before they play their first game against an all-white team.  The gist of the speech is that Jackson’s team is going to win because they’re black and the other team is white.  This skit started out strong but, like a lot of Movie 43, it ran on for a bit too long.

13)  Beezel (dir by James Gunn)

This was actually my favorite part of Movie 43.  Unfortunately, since Beezel shows up in the middle of the end credits, I get the feeling that a lot of disappointed audience members had probably already walked out of the theater before it even began.  Beezel is a cartoon cat who has an unhealthy obsession with his owner (Josh Duhamel).  When Duhamel’s girlfriend (played by Elizabeth Banks) catches Beezel masturbating to pictures of Duhamel in a swimsuit, Beezel responds by plotting her demise.  Beezel was actually the only part of Movie 43 that truly felt edgy and unpredictable.  This is largely because this segment was directed by James Gunn, one of the few truly transgressive artists currently working in mainstream film.

So, here’s the question: is Movie 43 the worst film of 2013 as so many critics have claimed?  A few isolated moments aside, Movie 43 is pretty bad.  Even the parts of the film that do work can’t hope to compete with the pure horrifying incompetence of that parts that don’t.  However, thanks largely to James Gunn and Elizabeth Banks, it’s still a smidgen or so better than Tyler Perry’s Temptation.  (For all of its failings, Movie 43 never suggests that AIDS is God’s way of punishing wives who stray.  Nope, for that message, you have to go to Tyler Perry.)

Movie 43 is not the worst film of 2013.

It just seems like it.

What Lisa Watched Last Night #56: Dumb and Dumber (dir by Peter and Bobby Farrelly)


Last night, I turned on Comedy Central and I watched the 1994 comedy Dumb and Dumber.

Why Was I Watching It?

Last night was my first time to ever sit down and watch Dumb and Dumber from beginning to end.  I had seen several clips on YouTube and I had been assured by many people that Dumb and Dumber was one of the funniest movies ever made.  Last night, since SyFy was not showing an original movie, I decided to find out for myself.

What Was It About?

Harry (played by Jeff Daniels) is dumb and Lloyd (Jim Carrey) is dumber.  Harry has messy hair and Lloyd has a chipped tooth.  They end up getting kicked out of their depressing apartment and this somehow leads to them going on a road trip from Rhode Island to Colorado.  They’re looking for Lloyd’s dream girl, Mary (Lauren Holly).  Along the way, they’re pursued by a gangsters and engage in a lot of disgusting adventures.  It’s a dumb movie about dumb people doing dumb things.

What Worked?

I laughed once while watching the film.  It was a weary laugh that was largely the result of being slowly worn down by the film’s insistence that what I was watching was actually funny.  It wasn’t a sincere laugh.  It was a laugh of surrender but it was a laugh nonetheless.

Jeff Daniels is currently best known for playing Will McAvoy, the smug and condescending center of HBO’s The Newsroom.  That show’s pilot famously started off with McAvoy declaring that the millenials are the “WORST.  GENERATION.  EVER.”  As a member of the WORST.  GENERATION.  EVER, I have to say that there was something oddly satisfying about seeing Jeff Daniels getting continually humiliated (and, at one point, set on fire) in Dumb and Dumber.

What Did Not Work?

Just to judge by the reaction on twitter while Dumb and Dumber was playing, a lot of people are going to disagree with me on this but Dumb and Dumber sucks.  Seriously.  The film’s constant gross-out humor felt more lazy than clever and watching it quickly became as tedious as watching a commercial featuring a celebrity talking to their iPhone.  As I watched Dumb and Dumber, I found myself constantly checking the time and wondering, “Is the film ever going to actually get funny?”

One of the keys to succesful film comedy is that you have to believe that the characters have an actual stake in the film’s plot, regardless of how ludicrous or over-the-top the plot may get.  That stake is the difference between silly and funny.  With Jeff Daniels looking extremely uncomfortable and Jim Carrey apparently acting in a separate movie from everyone else, Dumb and Dumber is silly without ever really being funny.

Maybe it was easier to make people laugh in 1994.

“Oh my God!  Just like me!” Moments

For once, I’m glad to say that a movie featured absolutely no “Oh my God!  Just like me!” moments.

Actually, I take that back.  Both me and Lauren Holly have the same hair color.  So, that was just like me.

But that is it!

Lessons Learned

Comedy, like beauty, is in the eye of the beholder.

6 More Quickies With Lisa Marie: Beginners, Hall Pass, Horrible Bosses, Paul, Prom, and Terri


When I swore to myself that I would write a review of every new film I saw in 2011, I failed to take into consideration that 1) I see a lot of films, 2) I have a day job, and 3) I’m like Ms. ADHD.  So, as part of my effort to catch up, here’s 6 quickie reviews. 

Beginners (directed by Mike Mills)

Beginners opened with a lot of critical hype earlier this year and, though it’s not quite as great as it’s being made out to be, it still deserved the majority of that praise.  At the very least, I retain better memories of Beginners than I do this summer’s other similarly hyped film, A Better Life.  Ewan McGregor is an artist who struggles to come terms with the death of his gay father (Christopher Plummer) while falling in love with a French actress (Melanie Laurent).  The autobiographical film effortlessly shifts from flashbacks to Plummer’s life in-and-out of the closet to McGregor’s relationship with Laurent and the end result is a meditation on love, secrets, and life.  Most of the pre-release buzz dealt with Plummer’s performance but, honestly, Plummer is good but you never forget you’re watching Christopher Plummer and Goran Visnjic, who plays Plummer’s boyfriend, overacts.  The film really belongs to Ewan McGregor who gives one of his best performances in this film.  Seriously, does any actor fall in love as wonderfully as Ewan McGregor?

Hall Pass (directed by Peter and Bobby Farrelly)

Best friends Owen Wilson and Jason Sudekis are given a “hall pass” (i.e., permission to cheat) by their spouses (Jenna Fischer and Cristina Applegate).  The film’s forgettable but seriously, guys, don’t go asking us for a hall pass, okay?  One interesting point is that this film was co-written by the guy who won the first season of Project Greenlight.  Remember that show? 

Horrible Bosses (directed by Set Gordon)

Jason Sudekis also appeared in another comedy this year and if Hall Pass is one of the year’s most forgettable comedies, than Horrible Bosses is one of the best.  Basically Jason Bateman, Charlie Day, and Sudekis are stuck working for horrible bosses (played by Kevin Spacey, Colin Farrell, and Jennifer Aniston) and they decide that the only way to handle the situation is to commit mass murder.  There’s a lot I could say about this film but chances are, you’ve already seen it.  Therefore, you already know that this is a rare dark comedy that actually has the guts to be truly dark.  You also know that the entire cast brings an almost heroic sincerity to their often bizarre roles with Charlie Day’s misunderstood sex offender as an obvious stand-out.  Probably the best advice that I can give in this review is to enjoy and appreciate this film while you can before the inevitable sequel comes out and screws up all these good memories.

Paul (directed by Greg Mottola)

I didn’t see Paul when it was first released in theaters because the trailer really made it look kinda awful.  However, I did eventually give it a shot OnDemand and I was pleasantly surprised.  Two English sci-fi fanboys (played by Simon Pegg and Nick Frost) are taking a road trip to visit all of the major UFO sites in the U.S.  This leads to them meeting an alien named Paul (voiced by Seth Rogen) who is being pursued by the typical guys in black suits.  Anyway, this is a predictable film and the balance between the serious and comedic is often a bit awkward.  However, it’s still a likable film and how can’t you enjoy watching Pegg and Frost?  They can make even the lamest of jokes hilarious.  Kristen Wiig steals the film as a fundamentalist who, upon being enlightened about the nature of the universe by Paul, embraces blasphemy with endearing enthusiasm.

Prom (directed by Joe Nussbaum)

No, I did not force Jeff to take me to see this when it was first released in theaters back in April.  I tried, mostly be saying things like, “Wow, Prom looks like it would be a funny movie to see and spend the whole time making mean jokes about and making all the little tweens in the audience cry…” but he saw through my ruse and, if memory serves me correct, I ended up seeing the second worst film of 2011 (a.k.a. The Conspirator) instead.  Anyway, I ended up seeing Prom OnDemand last month and it’s not really that bad.  It’s not good either.  It’s just kinda there.  In other words, Prom is incredibly meh and that’s one thing prom night should never be.  (I loved my proms, by the way, and, whenever things seem overwhelming, I often think to myself, “If only every night could be Prom Night…”)  Prom is forgettable and inoffensive but come on, tweens deserve better films.  They are the future, after all.

Terri (directed by Azazel Jacobs)

Terri made me cry and cry and was one of my favorite movies of the summer.  It’s a surprisingly poignant film that worked wonders with material that, at first glance, seemed awfully conventional.  Terri (played by Jacob Wysocki) is a sensitive, obese teenager who is taken under the wing of an unconventional assistant principal (John C. Reilly).  It’s a familiar story but director Azazel Jacobs tells this story with care and sensitivity and Wysocki and Reilly bring their characters to life with such skill that you can’t help but get caught up in their story.  Terri’s loving but senile uncle is played by Creed Bratton, who proves here that he’s capable of doing a lot more than just parodying himself on The Office.  When I went to this movie, two old women sitting behind me went, “Awwww!” at a scene where Wysocki spontaneously hugs Reilly.  The film earns the sentiment.

Most of these films are available via OnDemand or are currently available on DVD.  Horrible Bosses and Terri are scheduled to be released in October while Beginners will come out in November.