Today’s song of the day is the haunting final song from Paul Lynch’s 1980 classic, Prom Night.
Today’s song of the day is the haunting final song from Paul Lynch’s 1980 classic, Prom Night.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish a happy birthday to Canadian filmmaker, Paul Lynch! It’s time for….
4 Shots From 4 Paul Lynch Films
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish a happy birthday to Canadian filmmaker, Paul Lynch! It’s time for….
4 Shots From 4 Paul Lynch Films
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Baywatch Nights, an detective show that ran in Syndication from 1995 to 1997. The entire show is currently streaming on Youtube!
Tonight, Mitch reveals a new talent!
Episode 1.4 “Deadly Vision”
(Dir by Paul Lynch, originally aired on October 21st, 1995)
The highlight of this week’s episode is an extended sequence in which Mitch (David Hasselhoff) goes undercover. He’s trying to protect his friend Destiny (Lisa Stahl) from a serial killer. Because Destiny spends her days doing Tarot card readings in Malibu, Mitch decides that the best way to keep an eye on her is to dress up like a mime and perform for the crowds.
The crowds love Mitch, which leads me to wonder if maybe Mitch has some sort of previous mime experience. I mean, either Mitch has had some professional training or pretending to be in a box is the easiest thing in the world to master because Mitch pulls it off like a pro.
At one point, Mitch poses with a cardboard cut-out of Bill Clinton.
Mitch does quite a bit as a mime. He gets locked in an invisible box. He juggles invisible balls. He sings a silent song. He even chases down and catches a thief. What Mitch does not do is catch the serial killer. The serial killer, who is probably not a fan of mimes, does not show up. In fact, one could argue that Mitch doesn’t really accomplish any thing of particular importance while pretending to be a mime but the whole sequence pretty much epitomizes everything that makes Baywatch Nights so much fun. David Hasselhoff as a mime? It makes no sense but it’s fun! A random cardboard cut-out of Bill Clinton? It makes no sense but it’s fun! Baywatch Nights is a fun show, precisely because it is so shamelessly silly.
Of course, Destiny is not having as much fun as Mitch is. Destiny is continually having vision of people with whom she is casually acquainted being murdered. Mitch and Garner (Gregory Alan Williams) have no problem believing that Destiny is having visions of the killer attacking people. Ryan (Angie Harmon) is a bit more skeptical and I was happy about that, just because I’m also pretty skeptical about people who say that they can see the future. It’s nice to have a character to whom I can relate on this show. Mitch, Ryan and Garner think that the killer might be a con artist and a gigolo who they’re already investigating. However, the show reveals early on that Destiny is being stalked by a crazed painter named Burt (Carl Weintraub). Burt is obsessed with Destiny and he doesn’t like it when Destiny talks to other people, whether she’s telling their fortune or helping them investigate a crime.
In the end, the killer is thwarted and Destiny’s life is saved. Hopefully, Mitch will continue to pursue his career as a mime because he’s got the talent! I mean, you can’t lifeguard forever, right?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Happy Thanksgiving, Canada! Today’s edition for 4 Shots From 4 Films is dedicate to you!
4 Shots From 4 Canadian Horror Films

The Changeling (1980, dir by Peter Medak)

Prom Night (1980, dir by Paul Lynch)

Videodrome (1983, dir by David Cronenberg)

Cube (1997, dir by Vincenzo Natali)
For tonight’s trip into the world of televised horror, we have an episode from a 1986 attempt to revive The Twilight Zone.
This episode is a remake of one of my favorite episodes of the original series, Shadow Play. That’s the one where the guy is on death row but he says he’s not worried about being executed because he knows he’s just having a reoccuring nightmare. Of course, this kind of freaks out some of the people around him because, if he’s just having a dream, what happens to them when the dream ends?
While the remake is nowhere near as good as the original, it’s still fairly well done. Plus, it’s on YouTube and the original isn’t.
This episode was directed by Paul Lynch, the Canadian director who also directed the original Prom Night.
Enjoy!
Under the direction of their leaders, Oz (Andrew “Dice” Cay) and his second-in-command, Ice (Roddy Piper), a diverse group of terrorists have taken the Miss Galaxy contest hostage. If they don’t receive a ransom of diamonds, they will kill the Miss Galaxy contestants, including the daughter of a powerful senator. What the terrorists didn’t count on was that the show would be hosted by actress and kick boxer Sharon Bell (Shannon Tweed). Now, it’s up to Sharon to sneak through a locked-down hotel, killing the terrorists one-by-one. Her only help comes from a battle-scarred but supportive security officer (Robert Davi) locked outside of the hotel.
No Contest is so much of a rip-off of Die Hard that it almost qualifies as a remake. (It is probably not a coincidence that Robert Davi appears in both movies.) Despite being such a blatant rip-off, No Contest is redeemed by the combination of Andrew “Dice” Clay’s Broolyn-accented villainy and a surprisingly convincing performance from Shannon Tweed. Toss in Roddy Piper and Robert Davi and the end result is one entertaining direct-to-video thriller.
Shannon Tweed’s best film? No contest. It’s No Contest.

While I was looking through YouTube for TV shows to use for this year’s horrorthon, I came across something called Darkroom. Apparently, Darkroom was a horror anthology series that aired for a few months in 1981.
So, I figured, why not share!
(Apparently, each episode of Darkroom was made up of two thirty-minute stories. For syndication purposes, it appears that the each 30 minute segment was considered to be a separate episode.)
Below is the first episode of Darkroom! It originally aired on Nov. 27th, 1981. In Closed Circuit, an aging anchorman discovers that he’s about to be replaced by a computer. In Stay Turned, We’ll Be Right Back, a man discovers that his radio can be used to contact the past and must decide whether or not to change history. The show is introduced and hosted by James Coburn.
Closed Circuit was directed by Rick Rosenthal, who directed Jamie Lee Curtis in Halloween II. Stay Tuned is directed by Paul Lynch, who directed Jamie Lee Curtis in Prom Night.
Enjoy!
I think I’ve been a little bit too hard on Canada as of late. I mean, sure — our northern neighbor did give us Paul Haggis and Vermont. However, Canada also gave us Degrassi: The Next Generation, Jason Reitman, Atom Egoyan, David Cronenberg, Denys Arcand, and my friend Lindsay Dianne. So, I’m here to say right now: I love Canada! And in order to show that love, this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers is dedicated to films produced up in Canada.
1) Sudden Fury (1975)
I’ve never seen this movie and I don’t know much about it beyond the fact that it was made in Canada. Looking at the cast list at the end of the trailer, I don’t see any familiar names. But the trailer fascinates me because it somehow manages to be intriguing and dull at the same time.
2) Rats (1982)
I haven’t actually seen this one either and I’m kind of glad for that because seriously, I am scared to death of rats. I remember this one time when I was little, I was visiting my grandpa’s place in Arkansas and he lived in this big three-story house out in the country. And I was sitting out back in this swing when suddenly, this rat jumped out of a third story window and it landed right next to the swing and broke its neck and died with its tail twitching as I watched. I still have nightmares about that. Anyway, this film is apparently not to be confused with Bruno Mattei’s Rats: The Nights of Terror.
This is one of the several million slasher films that ended up being made in Canada by American film companies looking for a tax shelter. Just imagine how much shorter the trailer would have been in the movie had simply been called Huge. Incidentally, the film was directed by Paul Lynch, the same guy who did the original Prom Night.
Arleigh would never let me live it down if I did a post and didn’t include a trailer for a David Cronenberg film. So, here you go. Now, to be honest, this trailer is only interesting if you know that 1) it’s for a film directed by David Cronenberg and that 2) he made this in between making Rabid and The Brood. Now I know that this trailer probably screams out, “David Cronenberg just needed the work,” but Cronenberg has actually spoken with a good deal of fondness about this film. I personally haven’t seen it but I guess if anyone could somehow make a movie about drag racing exciting, it would be David Cronenberg.
Here’s a more representative example of what we think about when we think about Cronenberg.
Originally, I was going to end this with the 2 Cronenberg films but then I remembered that Dennis Hopper’s Out Of The Blue was a Canadian production and there were simply no way I couldn’t end with that film. Out of the Blue is, quite simply put, one of the greatest films ever made. I’ve been meaning to write a review of it for a while now but it’s been difficult for me to know where to begin because, in many ways, viewing Out of the Blue was as much of a personal experience for me as watching Black Swan.