Tonight, on In Search Of…., Leonard Nimoy guides us through an investigation of the Bermuda Triangle!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
This week, it’s love and fraud all aroud.
Episode 8.17 “Ace Takes the Test/The Counterfeit Couple/The Odd Triple”
(Dir by Nell Cox, originally aired on January 12th, 1985)
Ace’s friend Donna (Teresa Ganzel) boards the ship with her macho husband, Gus (Christopher Mayer). Gus owns a moving company. The first thing he does is crush Ace’s hand while shaking it. Gus then beats Ace in an arm-wrestling contest. He then asks Ace to solve a riddle, requests that Ace read the bottom line on a menu, and he asks about Ace’s hearing. Is Gus jealous?
Actually, Gus is testing Ace because he and Donna want to have a baby but Gus appears to be shooting blanks. Gus explains that all of his brothers have at least six kids. Gus just wants to have one. Would Ace consider donating his sperm?
Ace does consider it but ultimately, he decides that he can’t. Fortunately, Donna later faints and, when Doc Bricker examines her, he discovers that she’s pregnant. Gus’s boys can swim after all!
Meanwhile, Susie Epshaw (Crystal Bernard) has a crush on Gopher but Gopher falls in love with Susie’s mom, Annette (Mary Ann Mobley). Susie is okay with it and good for her. Gopher was a little bit old for her. That said, Gopher falls in love several times a season so neither Susie nor her mother should get too excited.
Two strangers (Richard Gilliand and Erin Moran) both buy tickets from scalpers, just to find themselves booked in the Honeymoon Suite together. (Apparently, the couple that originally bought the tickets broke up before the marriage.) “Barbara” and “Lyle” pretend to be married and then they fall in love for real. They admit the truth to the crew and everyone is just fine with the fraud. As long as the tickets were paid for, the Captain doesn’t really care who stays in the Honeymoon Suite. That’s a good attitude. I was a little surprised to discover that the Honeymoon Suite was just a normal cabin.
This cruise was another example of the eighth season’s tendency to be, in general, pleasant but predictable. I laughed a few times at Ace being tested by Donna and Gus, just because of the contrast between super smooth Ted McGinley and the rough-hewn Christopher Mayer. Otherwise, this was a cruise that wasn’t bad but also wasn’t particularly memorable.
“Man is a feeling creature, and because of it, the greatest in the universe….”
Hell yeah! You tell ’em, Peter Graves!
In 1956’s It Conquered The World. Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien. Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.
This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland. Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism. Depending on your politics, you could view the film as either a criticism of communism or McCarthyism. Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.
Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.
Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.
Here, for your viewing pleasure, is It Conquered The World!
Whenever it’s time to share this film for Horrorthon, I have a little story that I like to tell:
Enter singing.
Little Shop.…Little Shop of Horrors.…Little Shop.…Little Shop of Terrors….
When I was 19 years old, I was in a community theater production of the musical Little Shop of Horrors. Though I think I would have made the perfect Audrey, everybody always snickered whenever I sang so I ended up as a part of “the ensemble.” Being in the ensemble basically meant that I spent a lot of time dancing and showing off lots of cleavage. And you know what? The girl who did play Audrey was screechy, off-key, and annoying and after every show, all the old people in the audience always came back stage and ignored her and went straight over to me. So there.
Anyway, during rehearsals, our director thought it would be so funny if we all watched the original film. Now, I’m sorry to say, much like just about everyone else in the cast, this was my first exposure to the original and I even had to be told that the masochistic dentist patient was being played by Jack Nicholson. However, I’m also very proud to say that — out of that entire cast — I’m the only one who understood that the zero-budget film I was watching was actually better than the big spectacle we were attempting to perform on stage. Certainly, I understood the film better than that screechy little thing that was playing Audrey.
The first Little Shop of Horrors certainly isn’t scary and there’s nobody singing about somewhere that’s green (I always tear up when I hear that song, by the way). However, it is a very, very funny film with the just the right amount of a dark streak to make it perfect Halloween viewing.
So, if you have 72 minutes to kill, check out the original and the best Little Shop of Horrors….
Today’s horror scene that I love comes from 1935’s Bride of Frankenstein!
In this scene, directed by James Whale, the Monster (Boris Karloff) meets his first friend, a blind hermit played by O.P. Heggie. It’s a scene that features Karloff at his best and it’s still touching, even if it is kind of hard to watch it without thinking about Peter Boyle accidentally burning down Gene Hackman’s shack in Young Frankenstein.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
4 Shots From 4 Horror Films

2021’s The Order of Rights tells the story of two teenagers.
Emma Stein (Emma Elle Roberts) is artistic and creative and we know this because she’s working the lights for the current high school theater production. I have to say that I did a lot of high school theater and I always really disliked having to deal with the members of the backstage crew, They were always worried about something. Whenever I was waiting to make my entrance, I always knew some crew person was going to wander up and start talking to me about the lighting cues. And I would just be like, “Just make sure I look good.” Wow, that was mean of me. I feel kind of bad now.
Anyway, back to the movie….
Ethan (Ben Davies) is a jock. When know he’s a jock because he always wears his baseball cap backwards. For Ethan and Emma it’s love at first sight. Ethan is also a Christian and he feels really guilty after he and Emma give into temptation and have sex. He feels even more guilty after Emma informs him that she’s pregnant.
Ethan talks to his parents (Matthew Welling and Julie Silcott). They tell him that, before he was born, they found themselves in a similar situation. They weren’t married at the time so Ethan’s mother decided to have an abortion. They have always felt that they made a mistake. When they learn that Emma’s mother is pressuring Emma to get an abortion, they hire a lawyer (Richard Cutting) to file a civil case against Emma, claiming that Emma is denying her baby its rights under the 14th amendment.
The case becomes national news. We get a montage of real-life conservative podcasters and talk show hosts discussing the case. The second half of the movie takes place almost exclusively in the court room and if you enjoy scenes of people saying, “Objection!” and a judge replying with “Overruled,” rest assured that this film is full of them. Each side is given a chance to make its case. That said, it’s hard not to notice that Ethan’s lawyer is extremely earnest while Emma’s lawyer is extremely smug.
Much like One Nation Under God, this is a film that was largely made to annoy liberals and, judging from the reviews left on Letterboxd, it certainly managed to do that. It’s really not any more heavy-handed than most mainstream movies about abortion. It’s just, in this case, the film comes at things from the pro-life point of view as opposed to the pro-choice point of view. It’s a film that’s full of awkward scenes and there are quite a few performances that don’t work, especially during the film’s first half. The actors playing Emma’s theater friends offer up some of the worst line readings that I’ve ever heard. That said, Emma Elle Roberts probably gives a better performance than the film deserves and, regardless of what else you may want to say about the movie, it doesn’t turn Emma into a cardboard villain. In the end, one feels very sorry for her as both sides are just using her pregnancy to push their own agenda.
This film was released in 2021. A year later, Roe v Wade was overturned, making The Order of Rights feel very dated indeed.
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This week, everyone’s going undercover!
Episode 5.2 “The Naked Truth”
(Dir by Sara Rose, originally aired on July 25th, 1999)
When a wealthy sorority girl is found dead on the beach with her head caved in, it falls to the bicycle patrol to solve the case. Where are the Homicide detectives? We know that the Santa Monica PD has a homicide division because Chris keeps talking about transferring there. I know I bring this up every episode but it simply doesn’t make sense for the bike cops to be the ones investigating all of these crimes. I mean, essentially, they’re traffic cops. In the real world, they’re job would be to secure the crime scene and wait for the real detectives to show up.
Anyway, when Monica sees that the dead girl was wearing a sequined bikini, she immediately deduces that she was working as a stripper. (I’m not sure that logic would hold hope in court but whatever.) Why would a rich sorority girl be working at a strip club? Monica and Chris go undercover to find out. Chris is the new housemother at the sorority house. Monica is a new pledge. It turns out that working at the strip club started as a hazing ritual but now, all of the girls are being blackmailed (via email, we’re specifically told) into doing it.
Who is the blackmailer? That mystery is solved when Chris catches the local handyman going through her underwear. The handyman explains that he’s not a murderer, he’s just a pervert. He also says that all of the girls have expensive underwear except for one who owns “K-mart panties.” Because that girl is poor and a computer science major, Monica and Chris decide that she’s the blackmailer. (Again, I’m not sure that logic would hope up in court but whatever. I’m too tired to argue with this stupid show.) I guess the lesson here is to spend money on quality panties. Well, don’t worry, Pacific Blue! I buy and wear only the best!
As for the murderer, it turns out to be a cowboy with a country accent who is always hanging out at the strip club and requesting a private dance. It really wasn’t that much of a shock.
Pacific Blue always talks a big game about how women shouldn’t be objectified but then every episode opens with random bikini shots and this episode looked for every possible excuse to put Monica in a school girl outfit. I’d have more respect for Pacific Blue if it was just honest about what it is was doing as opposed to having the characters constantly spouting a lot of cliches about empowerment that the show itself doesn’t seem to take all that seriously.
The good thing about this episode is that it ends with Chris telling TC that they need some time apart. I agree! You can do better, Chris!
Tonight’s excursion into televised horror is the very first episode of Boris Karloff’s Thriller!
Thriller was an anthology series that lasted from 1960 to 1962. Each episode presented a new story of horror and/or suspense. What makes this series especially memorable is that each episode was introduced by none other than Boris Karloff! I’ve seen a few episodes of Thriller (the entire series is on YouTube) and, to be honest, it’s kind of a hit-or-miss show. But Karloff and that mischievous twinkle in his eye makes it all worth it!
This episode originally aired on September 13th, 1960. It’s called The Twisted Image and stars Leslie Neilsen as a man being stalked by two mentally disturbed individuals. This episode was well-directed by Arthur Hiller and, if it’s more of a suspense story than a horror story, it still has its creepy moments.