On this date, 40 years ago, Top Gun was released and the movie changed forever.
From the opening shot, Top Gun captured the attention of audiences who understood that, though the film’s script may have been full of cliches and though the movie was basically just a remake of the old service moves of the late 30s and 40s, it didn’t matter because jets are freaking cool.
And that opening scene is today’s scene that I love!
Happy Top Gun Day!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy 87th birthday to the legendary actor, Harvey Keitel! It’s time for….
4 Shots From 4 Harvey Keitel Films
Mean Streets (1973, dir by Martin Scorsese, DP: Kent L. Wakeford)
Taxi Driver (1976, dir by Martin Scorsese, DP: Michael Chapman)
Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)
Bad Lieutenant (1992, dir by Abel Ferrara, DP: Ken Kelsch)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This week, the bicycle cops clean up Malibu.
Episode 4.3 “Seduced”
(Dir by Terence H. Winkless, originally aired on August 9th, 1998)
Last week, I said that it appeared that the Pacific Blue recruits were no longer living in their funky loft. Well, it turns out I was wrong. This episode opens with Granger at the funky loft, hosting a party. Unfortunately, the party comes to an abrupt end when Granger tries to play an adult movie on his totally hip VCR. Uh-oh — it turns out that the lead actress in Barely Legal is the 16 year-old sister of one of Granger’s (dead) friends!
(She’s also played by Alison Lohman, a reminder that everyone had to start somewhere.)
Granger and Bobby Cruz set out to take down Malibu’s adult movie underground. TC agrees to help by telling Jamie Strickland to go undercover as a film student who needs a job. Strickland says that she’ll do it but she’s not going to have sex on camera. However, once she reaches the set, the sleazy director decides to put her in the film. Strickland calls Cory. Cory says, “We can’t pull you out now.”
Really? You can’t? Why are bicycle cops even going undercover?
Meanwhile, Playpen magazine offers Monica money to pose for them. They offer even more money if Monica can get the other women of Pacific Blue to pose as well. Needless to say, the other women of Pacific Blue are not willing to pose and they talk about how demeaning Playpen is for women. (Cory, who is pregnant but not showing, is at least tempted.) But the show still features a lengthy montage of Monica’s photoshoot. This show always tries to have it both ways.
This episode probably would have worked better if Granger was actually an interesting character but he’s not. It also would have helped if we knew anything about Strickland’s character, beyond the fact that she’s super-competent, but we don’t. Even the veteran characters — TC, Chris, and Cory — don’t really have any personality. Thankfully, this season has got Mario Lopez playing Bobby Cruz like A.C. Slater on a bicycle and Shanna Moakler, playing Monica as a scheming agent of chaos. Only Lopez and Moakler seem to to have really understood what type of show they were on.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00. The show is currently on Prime.
This week, the Gang gets a summer job! Why would anyone want to work during the summer? What a bunch of losers.
Episode 2.2 “All Work And No Play”
(Dir by Don Barnhart, originally aired on September 10th, 1994)
It’s summer time! (During its second season, Saved By The Bell: The New Class aired two episodes each Saturday morning. One episode would be a high school episode while the other would feature the Gang off-campus.) Mr. Belding has been hired to manage the Palisade Hills Country Club. The first mistake that Belding makes is that he hires Screech to be his assistant. Then he allows Screech to hire Brian, Bobby, Tommy, Rachel, Megan, and Lindsay as his staff.
Thinks quickly go downhill.
Mr. Belding does the right thing and fires all of them. But then the Gang decides to throw a Luau for the club’s members (instead of the county and western barbecue that was originally planned) and it’s such a hit that Belding hires them back.
Seriously, what the Hell? Yes, the Gang saved the day but they only had to save it because they were so grotesquely immature and irresponsible in the first place. This was one of the worst recurring plotlines to appear on Saved By The Bell: The New Class. Someone would get a new job, they would totally screw it up, they would get fired, and then they would get rehired just because they felt bad after the fact. Personally, I think that if you steal a car, destroy a golf cart, and cause $4,000 worth of meat to go bad, you should be fired. I don’t care if you then put on a hula skirt and play a ukulele and and put on a little Hawaiian performance on a sweltering day in the middle of the desert. You’re fired.
GO HOME!
This episode annoyed the Hell out of me. I can accept a lot from this show but what I can’t accept is a plot where every complication could have been avoided by everyone not being a massive dumbass.
Oh, why not?
I feel like this has to be shared at least once a year. No matter how much change there is in the world, we’re always looking for the next big thing.
All together now …. he’s so funky!
On this date, 119 years ago, Katharine Hepburn was born in Hartford, Connecticut. She would go one to become a cultural icon, a performer who survived being labeled box office to poison to eventually become one of our most acclaimed actresses. Hepburn was a total of four acting Oscars over the course of her career, a record that has yet to be topped.
Today’s scene that I love comes from 1940’s The Philadelphia Story and it features Katharine Hepburn acting opposite another one of my favorite performers, the great James Stewart.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is the 96th anniversary of the birth of Jesus Franco! One of the most prolific filmmakers of all time, Franco made movies that …. well, they’re not easy to describe. Jess Franco was responsible for some of the most visually striking and narratively incoherent films ever made. He made films that you either loved or you hated but there was no mistaking his work for being the work of someone else.
Today, in honor of his birthday, here are….
4 Shots From 4 Films
The Awful Dr. Orloff (1962, dir by Jess Franco, DP: Godofredo Pacheco)
Nightmares Come At Night (1970, dir by Jess Franco)
She Killed In Ecstasy (1970, dir by Jess Franco, DP: Manuel Merino)
Female Vampire (1973, dir by Jess Franco, DP: Jess Franco)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, the California Highway Patrol is thoroughly incompetent.
Episode 5.19 “Silent Partner”
(Dir by Gordon Hessler, originally aired on February 28th, 1982)
This is one of those episodes of CHiPs where two “comedic” car thieves are stealing cars and it takes three high-speed, accident-filled chases before the Highway Patrol finally manages to catch them. Episodes like this are always fairly odd to watch. I’m not really sure if the show’s producers really understood what they were implying with an episode in which a bunch of professional law enforcers can’t seem to catch two buffoons who have no idea what they’re doing.
The first chase leads to an accident that leaves Grossman injured. He doesn’t break his neck but he does have to wear a neck brace, which temporarily keeps him from talking and eating. Those are Grossman’s favorite activities! These car thieves must be stopped!
(Seriously, Grossman was usually the most entertaining thing about this show. Taking away his ability to speak was not a good idea. Needless to say, Ponch can still talk.)
Meanwhile, Baker arrests a man at the scene of Grossman’s accident. Baker thinks that the man (Saul Brandt) must be drunk, just because the man did not react to Grossman’s sirens and he also doesn’t follow any of Baker’s orders. Uh-oh, it turns out that man was deaf and now he wants to file a complaint against Baker! And really, the man is totally justified in doing so. Baker was pretty rough when he tossed him around and Baker really had no evidence that the man had been drinking. Despite being totally in the wrong, Baker is still upset about being written up. Luckily, Ponch starts dating a deaf social worker (Dawn Jeffory) and she helps the man to understand that Baker just made a mistake and he was only in a bad mood because he has to work with Ponch. The complaint is dropped.
This episode featured two good car crashes and a lot of bad acting. It was well-intentioned but I am starting to wonder if maybe the people of California deserved a better highway patrol.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!
This week, Torello’s war on Luca continues!
Episode 1.3 “Shadow Dancer”
(Dir by Leon Ichaso, originally aired on September 26th, 1986)
With the frequency killer now dead, Torello and his men are once again free to focus on trying to bust Ray Luca. The sooner they do it, the better. For one thing, Torello is becoming so obsessed that, even though his wife is pregnant, Torello’s dreams are still dominated by Luca taunting him. Also, Luca’s latest robbery has resulted in a death. Vincent Noonan (Michael Kemmerling), a former cellmate of Frank Holman’s (Ted Levine,) lost it during their latest home invasion and beat to death Mrs. Novak (Nancy Sheeber).
(Noonan, it turns out, has a history of losing control. It probably wasn’t a good idea to hire him in the first place but, with Luca no refusing to personally take part in robberies, the crew had to find a third man and quickly. Holman recommended Noonan because of how loyal Noonan was to him in prison)
Eager to solve the case and take down Luca, the Major Case Unit starts to put pressure on Luca’s boss, Phil Bartoli (Jon Polito). After his weekly craps game is broken up by Danny Krychek, Bartoli tells Luca that he has to do something to get the police to back off. Bartoli orders him to turn Noonan over to the police. Luca, who no longer handles dirty work himself, tells Holman to take care of it. Holman sends Noonan on a job and then tips off Torello. Despite Danny telling him that Noonan would die before turning into a rat, Torello is convinced that, if he takes Noonan alive, he’ll be able to get Noonan to give up Luca. (What Torello doesn’t realize is that Noonan has never actually met Luca. To quote Willy Cicci, “The family had lots of buffers.”)
It’s all for naught, though. Torello and the cops chase Noonan all over the streets of Chicago and, in the end, Noonan dies while trying to escape. Much like Homicide’s Luther Mahoney, Luca appears to be untouchable …. for now.
This episode worked best as a character study. After last week’s somewhat over-the-top villain, this episode reminded us that Luca and Torello are two tightly-wound men who struggle with emotion. Beyond his own self-absorption, Luca lacks the emotions necessary to truly understand his fellow humans. Torello, meanwhile, gets too emotional. Whether he’s pursuing Ray Luca or snapping at a condescending salesman, Torello is a self-styled crusader who appears to be going slowly but surely insane. This wasn’t a particularly complex episode but it felt important. It was a reminder of what this show is all about.
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for 2017’s The Wrong Man!
You can find the movie on Prime and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Through the Shattered Lens 