Late Night Retro Television Review: Freddy’s Nightmares 2.18 “Funhouse”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a mansion is full of …. well, one surprise.

Episode 2.18 “Funhouse”

(Dir by Gilbert Adler, originally aired on February 11th, 1990)

Turk (Todd Allen), the moving man, is busy this week.

In our first story, Turk helps a young married couple, Emma (Robin Greer) and Robert Palmer (Clayton Landey), move into an old mansion.  Turk talks about how the previous owners came to a bad end.  Emma finds herself having dreams in which both Turk and her former lover, Colin (Joseph Brutsman), come aftter her.  She comes to realize that the house is not haunted by a ghost but instead by a man looking for revenge.  As is often the case with these type of stories, it all ends with a booby trap involving a bed of nails.  Yikes!

In our second story, Turk helps another couple move into the house, Evelyn (Valerie Wildman) and her much older husband, Victor Hall (Robert Dowdell).  This time, it’s Turk who ends up getting seduced by both Evelyn and the maid, Jillian (Laura Austin).  However, it all turns out to be an elaborate game tht Evelyn, Victor, and Jillian enjoy playing.  The bed of spikes booby trap makes yet another appearance and it’s so cool that it doesn’t even matter that Freddy’s Nightmares basically just repeated the twist from the first story in the second story.

This episode was fun.  There really wasn’t anything supernatural going on but the cast of both stories seemed to enjoy playing up the noirsh aspects of their characters and Todd Allen was amusing as the cocky but stupid Turk.  The bed of nails was an enjoyable macabre little twist.

Even at its best, Freddy’s Nightmares tended to be incredibly uneven but this was actually an enjoyable little episode.

 

Retro Television Review: St. Elsewhere 4.1 “Remembrance Of Things Past”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, we begin season 4 of St. Elsewhere!

Episode 4.1 “Remembrance of Things Past”

(Dir by Bruce Paltrow, originally aired on September 18th, 1985)

This week, we start a new season of St. Elsewhere!

Dr. Cavenero is no longer listed in the opening credits.  She’s not even mentioned in this episode, leaving her absence as a mystery.  The last time we saw her during the third season, she was suffering from a cold so maybe she died.  From what I’ve read, the real reason that she’s gone is because Cynthia Sikes, the actress who played her, objected to a season three storyline that would have featured her coming out as a lesbian.

From the start of this epiosde, St. Eligius seems like a happier place.  A lot of that is because Dr. Westphall is gone.  (That said, he’s still listed in the opening credits so we know, from the start, that will return.)  Doctors Craig and Aushlander are a bit overworked having to cover Westphall’s duties but still, the residents seem to be a bit more hopeful than usual in this episode.  Westphall’s perpetual glumness is no longer there to drag everyone down.

Morrison and Chandler have a conflict over a Vietnamese patient.  Morrison wants to give the patient the best care possible.  Chandler is upset because his older brother died in Vietnam and he feels like the patient doesn’t appreciate the sacrifice that Americans made during the Vietnam War.  Morrison, of course, was an anti-war teenager.  (There’s a reason why Helen Hunt calls him “boomer.”)

The whole Morrison/Chandler storyline felt a bit too heavy-handed to be effective.  While I can believe that Chandler would have his own strongly-held opinions about the war, I have a hard time believing he would be as unprofessional as he was in this episode.  Still, all of this does lead to a great scene where Morrison goes to Craig for the type of advice that he would usually get from Westphall and Craig responds by telling Morrison to get over it and concentrate on his job.

Seriously, I’ve been waiting for three seasons for someone to tell Morrison that.

Alfre Woodward joins the cast as Dr. Roxanne Turner, an OB-GYN.  In this episode, she counsels an infertile couple.  Dr. Turner wasn’t in much of the episode (and Alfre Woodard is not included in the opening credits) but I get the feeling that both she and the couple she was counseling are going to be around for a while.

The episode’s main storyline featured an amnesiac known as Joe Doe No. 6 (Oliver Clark).  After John Doe escapes from the psychiatric ward and steals a suit, he’s mistaken for Dr. Jonas Wisner, who has beent sent to St. Eligius to evaluate its teaching program.  John Doe No. 6 has a great time pretending to be Dr. Wisner and the doctors enjoy spending time with him.  Unfortunately, the real Dr. Wisner (Joseph Ruskin) shows up and the fun ends.

Oh, how I loved watching John Doe No. 6 interact with the staff.  Not only did it allow me to see the show’s characters through someone else’s eyes but it was also just an enjoyable storyline.  It was a reminder that the hospital can be an entertaining place when Westpall isn’t wandering around the hallways.

However, towards the end of this episode, Westphall showed up at the hospital.  Craig and Auschlander were happy to see him.  Westphall asked if he could have his old job back.  Of course, he can!  Really?  Didn’t Westphall walk off the job?  But apparently, he can just wander back into the hospital while wearing his hobo cap and all is forgiven.

The episode ends with Chandler taking an impromptu trip to Washington D.C. and visiting the Vietnam War Memorial.  As I watched this, it occuured to me that the memorial was still fairly new when this episoe aired.  Once I realized that, I understood why the show included the Morrison/Chandler storyline.  It pays to know history.

Season 4 is off to a good start!  I just hope Dr. Westphall doesn’t drag everyone back down.

 

Live Tweet Alert: Join #FridayNightFlix for Toxic Shark!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Toxic Shark!

If you want to join us this Friday, just hop onto twitter, find Toxic Shark on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

 

 

Scenes That I Love: Freddie and Dodd’s Final Meeting From Paul Thomas Anderson’s The Master


Today’s scene that I love comes from 2012’s The Master, written and directed by Paul Thomas Anderson (who is celebrating his birthday today).

Philip Seymour Hoffman and Joaquin Phoenix were never better than they were in Anderson’s enigmatic story of two very different men who become unlikely friends.  Phoenix plays Freddie Quill, a World War II veteran who has never figured out how to adjust to life during peacetime.  Hoffman plays Lancaster Dodd, a writer who claims to have all the answers but who is actually a charlatan.  In this scene, Freddie and Dodd meet for one last time and, though they are both characters about who most viewers will have mixed feelings, there’s something undeniably poignant about their final moments together.  Both of them realize that the time they had is over.  And indeed, watching this scene today is all the more difficult because it reminds us of what a talent we lost when we lost Philip Seymour Hoffman.

From Paul Thomas Anderson’s The Master:

4 Shots From 4 Films: Special Paul Thomas Anderson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today is the birthday of one of our greatest filmmakers, Paul Thomas Anderson!  This edition of 4 Shots From 4 Films is dedicated to him and his brilliant career!

4 Shots From 4 Paul Thomas Anderson Films

Boogie Nights (1997, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Will Be Blood (2007, dir by Paul Thomas Anderson, DP: Robert Elswit)

The Master (2012, dir by Paul Thomas Anderson, DP: Mihai Mălaimare Jr.)

Phantom Thread (2017, dir by Paul Thomas Anderson)

Late Night Retro Television Review: Hunter 1.10 “The Shooter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Hunter, which aired on NBC from 1984 to 1991.  The entire show is currently streaming on Tubi and several other services!

This week, Hunter and a biker compete to see who has the fastest draw.

Episode 1.10 “The Shooter”

(Dir by Michael Lange, originally aired on January 4th, 1985)

Someone is gunning down motorcycle cops.  It’s a crime that both Hunter and McCall take personally.  Unfortunately, Bernie Terwiliger is in charge of the investigation and he insists that he doesn’t need any help from Hunter or “the brass cupcake.”  Considering that McCall’s husband was a police officer who was killed while doing a routine traffic stop, you would think Terwiliger would be a little bit more sensitive but nope.  That’s not the way things are done on Hunter.

Hunter and McCall conduct their own investigation, which leads them a country-western bar and a quick-draw video game.  Deke Broder (Robert Dryer) is a redneck who is very proud of having the fastest draw on the game.  The only problem is that cops keep coming in the bar and beating his time.  So, Deke stalks and kills them.

Deke — it’s just a game!

Soon, Hunter is playing the video game and Deke has a new target.

Now, this is a good episode!  It’s everything that you could want from an episode of Hunter.  It’s violent.  It’s fast-paced.  It’s got enough atmosphere to hold the viewer’s interest and it features a bad guy who is more interesting than the run-of-the-mill cop show villain.  Deke and Hunter have a lot in common.  They’re both cocky.  They’re both convinced their the best.  And they both really like to shoot their guns.  Between the motorcycles and Deke’s leather kill suit, this episode was pure style.

This is exactly what an episode of Hunter should be like.

Retro Television Review: Decoy 1.36 “Blind Date”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey goes undercover …. again!

Episode 1.36 “Blind Date”

(Dir by Stuart Rosenberg, originally aired on June 16th, 1958)

When Gladys (Mary Finney) and her niece Millie (Irene Dailey) are involved in a car accident, the police discover that they are transporting a large amount of stolen money.  Millie, who has been transporting drugs, had a meeting with a money launderer to exchange the money for clean bills.  Casey goes undercover, pretending to be Millie when she and Gladys meet with the launderer.  However, when Millie’s boyfriend (Elliott Sullivan) shows up, the entire operation falls apart.  Can Casey convince Millie’s boyfriend to turn on the criminals?

This is yet another episode where Casey’s carefully constructed cover is destroyed by something that the police should have been prepared for.  Not only is Casey pretending to be a real person (which increases the risk that she’ll run into someone who actually knows the person that Casey is pretending to be) but she’s also accompanied by the increasingly hysterical Gladys.  Usually, Casey is at least convincing when she goes undercover.  This time, she comes across as way to calm and collected to be believable as someone committing her first crime.

To be honest, after 36 of these episodes, I’m amazed that Casey has survived for as long as she has.  The New York police department seems to be truly incompetent.

Despite all of that, this was a good episode.  There was plenty of on-location New York footage and Beverly Garland did a good job of portraying Casey’s growing realization that 1) she was in over her head and 2) it was a mistake to bring Aunt Gladys along.  Lou Polan was also well-cast as the avuncular but still menacing money launderer.  He may have been a criminal but he was also very proud of his boat.  Who can blame him?

This episode ended up on vaguely upbeat note, one that really didn’t feel as it had been earned.  Decoy was always at its best when it was downbeat and realistic.  New York was a tough city, even back in 1958.

Join #TubiThursday For The Principal!


Hi, everyone!  Tonight, on Mastodon, I will be hosting the #TubiThursday watch party!  Join us for 1987’s The Principal!

You can find the movie on Tubi or YouTube and you can join us on Mastodon at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  We will be using #TubiThursday hashtag!  See you then!