Hellfighters (1968, directed by Andrew McLaglen)

Posted on July 28, 2025 by Jedadiah Leland

Chance Buckman (John Wayne) is the best there is when it comes to fighting oil fires. Along with Greg Parker (Jim Hutton), Joe Horn (Bruce Cabot), and George Harris (Edward Faulkner), Chance travels the world and puts out fires that the regular authorities can’t handle. Chance loves his job but he also loves his ex-wife, Madelyn (Vera Miles). When Madelyn indicates that she wants to remarry Chance but only if he pursues a less dangerous line of work, Chance retires from firefighting and becomes an oil executive. He leaves his firefighting company to his new son-in-law, Greg. When Greg and Chance’s daughter (Katharine Ross) head down to Venezuela to battle a fire and find themselves not only having to deal with the flames but also with a band of revolutionaries, Chance is the only one who can help them.

When I was growing up, Hellfighters was one of those movies that seemed to turn up on the local stations a lot. The commercials always emphasized the idea of John Wayne almost single-handedly fighting fires and made it seem as if the entire movie was just the Duke staring into the flames with that, “Don’t even try it, you SOB” look on his face. As a result, the sight of John Wayne surrounded by a wall of fire is one of the defining images of my childhood, even though I didn’t actually watch all the way through until recently. When I did watch it, I discovered that Hellfighters was actually a domestic drama, with an aging Wayne passing the torch to youngster Jim Hutton but then taking it back.

The fire scenes are the best part of Hellfighters and I wish there had been more of them. The movie gets bogged down with all of Chance’s family dramas but it comes alive again as soon as John Wayne and his crew are in the middle of a raging inferno, putting their lives at risk to try to tame the fire. Wayne was always at his best when he was playing strong, no-nonsense men who were the best at what they did. Hellfighters is slow in spots but the fire scenes hold up well. There’s no one I’d rather follow into an inferno than Chance Buckman.

Insomnia Files #71 and #72: Dallas Cowboys Cheerleaders (dir by Bruce Bilson) and Dallas Cowboys Cheerleaders II (dir by Michael O’Herlihy)

Posted on May 1, 2025 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have gone over to YouTube and watched 1979’s Dallas Cowboys Cheerleaders! And then, if you were still having trouble getting to sleep, you could have followed it up with 1980’s Dallas Cowboys Cheerleaders II! And then if you were somehow still not able to get any rest …. well, sorry. There’s only two of them. I guess you could watch that Making the Team show. I don’t know.

Anyway, back to the movies!

The first Dallas Cowboys Cheerleaders stars Jane Seymour as a serious journalist who at first scoffs at the idea of going undercover as a Dallas Cowboys Cheerleader. But her ex-boyfriend and editor (Bert Convy) insists that she take the assignment. Jane goes undercover and even makes the squad! (It’s never mentioned whether she has any sort of dance or cheerleading experience so I find it a bit odd that she actually made it onto a professional cheerleading squad but whatever….) Seymour gets to know the other members of the Squad, including the Love Boat’s Lauren Tewes. She comes to realize that she doesn’t want to write up a tabloid story about the cheerleaders. These are “good, down home girls,” she tells Convy. Convy doesn’t care. He wants scandal!

He’s not going to get it, though. The main message of this film is that the Dallas Cowboys Cheerleaders are basically saints with pom poms. Sure, one of them has a loser ex-boyfriend. And another one of them struggles a bit with the routines. It’s not an easy job but, in the end, everyone does their bit to support the team!

It’s all pretty silly but I’m from Dallas and I’m surrounded by Cowboy fans who have been complaining nonstop about the team for as long as I can remember so I enjoyed watching a movie that portrayed the Cowboys organization as being the greatest group of people on the planet. (No drug or gun problems here!) It’s very much a film of the 70s, made for television and straddling the line between being exploitive and being wholesome. Yes, the costumes are skimpy but no one smokes, drinks, or curses. The film features soapy drama, actual Dallas locations, 70s fashion, a great disco soundtrack, and dorky Bert Convy as a womanizer. Plus, like me, Jane Seymour has mismatched eyes. How can you not love this film!?

As for the sequel, it ditches almost everyone from the first film. Only Laraine Stephens, as the squad’s no-nonsense coach, returns. She’s got a whole new squad to deal with and only a limited amount of time to perfect the cheer that will win the Cowboys the Super….sorry, I mean to say the playoff game. Whenever anyone in the film says, “playoff game,” their lips read “Super Bowl,” so I guess there was some last-minute tinkering after shooting was completed. The squad also has to get ready to tour with the USO and to perform at a children’s hospital. (Ray Wise appears as a doctor at the children’s hospital.) The Cheerleaders are not only going to bring peace to the world but they’re also going to give those children the inspiration they need to get better. Yay!

This one isn’t as much fun, largely because Laraine Stephens’s character isn’t that much fun. The first film featured the very British Jane Seymour in Texas, somehow becoming a member of an all-American football team’s cheerleading squad and it was impossible not to enjoy the implausibility of it all. The second film is just Laraine Stephens getting mad at people for not having the routine down to perfection. No thanks, movie, I’m done with dealing with demanding choreographers. There’s a reason why I turned down all of those offers to join the cheer squad in high school. (For the record, my sister was the greatest cheerleader our high school ever had or ever will have! Erin watched the first movie with me a few weeks ago. She said it was okay but she didn’t think Jane Seymour was a convincing cheerleader.)

According to what I’ve read online, the first Dallas Cowboy Cheerleaders film was a huge rating success. The second film was less so, which I guess is why there was never a third.

Previous Insomnia Files:

Story of Mankind
Stag
Love Is A Gun
Nina Takes A Lover
Black Ice
Frogs For Snakes
Fair Game
From The Hip
Born Killers
Eye For An Eye
Summer Catch
Beyond the Law
Spring Broke
Promise
George Wallace
Kill The Messenger
The Suburbans
Only The Strong
Great Expectations
Casual Sex?
Truth
Insomina
Death Do Us Part
A Star is Born
The Winning Season
Rabbit Run
Remember My Name
The Arrangement
Day of the Animals
Still of The Night
Arsenal
Smooth Talk
The Comedian
The Minus Man
Donnie Brasco
Punchline
Evita
Six: The Mark Unleashed
Disclosure
The Spanish Prisoner
Elektra
Revenge
Legend
Cat Run
The Pyramid
Enter the Ninja
Downhill
Malice
Mystery Date
Zola
Ira & Abby
The Next Karate Kid
A Nightmare on Drug Street
Jud
FTA
Exterminators of the Year 3000
Boris Karloff: The Man Behind The Monster
The Haunting of Helen Walker
True Spirit
Project Kill
Replica
Rollergator
Hillbillys In A Haunted House
Once Upon A Midnight Scary
Girl Lost
Ghosts Can’t Do It
Heist
Mind, Body & Soul
Candy
Shortcut to Happiness

Retro Television Review: Fantasy Island 6.12 “The Tallowed Image/Room and Bard”

Posted on April 15, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, William Shakespeare comes to the Island! Smiles, everyone, smile!

Episode 6.12 “The Tallowed Image/Room and Bard”

(Dir by Carl Kugel, originally aired on January 29th, 1983)

This week, we have another two fantasies and, interestingly enough, they both involve time travel.

Movie star Angela Marckham (Laraine Stephens) wants to be taken seriously as an actress. She asks Roarke to send her back in time so that she can appear in one of Shakespeare’s plays. However. something goes wrong when Roarke attempts to open up the time travel portal and instead, Shakespeare (Robert Reed) ends up in the modern era.

“Be this Heaven or Hell?” Shakespeare demands.

“This is Fantasy Island,” Tattoo replies.

Shakespeare is happy to have escaped England because he was on the verge of being killed by the Earl of Norfolk (Lloyd Bochner). Angela puts Shakespeare to work writing a scene for her but Shakespeare announces that he cannot use a “word processor” and needs a quill pen. Luckily, quills can be bought at the Fantasy Island gift shop! Shakespeare then gets writers block. Angela really should just demand a refund. Her fantasy is a bust. No traveling to the past. No play. Shakespeare is kind of a jerk. But then the Earl of Norfolk shows up on Fantasy Island and, with his life now in danger, Shakespeare discovers that can write again. Hooray!

This fantasy felt familiar but, then again, the same can be said for many of the episodes of Fantasy Island that I’ve recently watched. After six seasons, any show would start to repeat itself. In this case, neither Angela nor Shakespeare are particularly sympathetic. Roarke has the patience of the saint.

Meanwhile, Andy Durant (Ray Buktenica) goes back to Victorian-era London so that he can meet a model whose picture fascinates him. Andy meets Pamela Gentry (Angela Landers) but is shocked to discover that she is about to fall victim to the mad owner of a wax museum. Frederick Kragan (Cesar Romero) kills his models and then disguises them as wax figures. (If this sounds familiar, it’s because it’s basically a remake of House of Wax.) Kragan’s assistant, Otto, is played by Sid Haig! Can Andy save Pamela’s life and expose Kragan’s crimes?

This was a fairly entertaining episode. I actually kind of liked the idea of Shakespeare being a cranky jerk, even if there was nothing particularly British about Robert Reed’s performance. Then again, there’s also nothing British about the performances of Audrey Landers, Cesar Romero, or Sid Haig. This was an odd episode but the House of Wax fantasy had a lot of old school Hammer film atmosphere to it. And, for those who enjoy Roarke/Tattoo comedy, this episode had a bit more than usual. Between Tattoo trying to help Shakespeare and Roarke laughing off Angela’s very justified anger over her fantasy not being fulfilled, this was a very good Roarke/Tattoo episode.

Overall, this was a good trip to the Island.

Retro Television Review: Fantasy Island 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

Posted on October 29, 2024 by Lisa Marie Bowman

This week, Mr. Roarke might be a father!

Episode 5.15 “The Case Against Mr. Roarke/Save Sherlock Holmes”

(Dir by Don Weis, originally aired on February 6th, 1982)

After last week’s episode with Julie, Tattoo returns this week and Julie is nowhere to be seen. When Mr. Roarke asks where Julie is, Tattoo mentions that Julie is helping with the Custer’s Last Stand fantasy. At this point, I can only assume that a life insurance policy has been taking out on Julie and Roarke or Tattoo, or maybe both are trying to get her killed so they can collect.

Julie not being present means that she misses out on one of the biggest scandals in Fantasy Island history. A former guest, Fran Warner (Laraine Stephens), returns to the Island after seven years. Accompanying her is her six year-old daughter, Nancy (Nicole Eggert). Fran loudly declares that Mr. Roarke is Nancy’s father and that he now has an obligation to take care of her. Fran even has a birth certificate where, under the father’s name, someone has written — and I kid you not — “Mr. Roarke.”

Is Mr. Roarke the kid’s father? As is his habit, he refuses to answer the question directly when Tattoo asks it. But it soon turns out that no, Mr. Roarke is not Nancy’s father. Instead, Fran is sick and may be dying and she wants to make sure that Nancy is cared for. When Nancy learns the truth, she runs away and Tattoo leads a search party across the Island. Fear not, of course. Nancy is found and a very forgiving Mr. Roarke allows Nancy and Fran to stay on the Island. And Fran’s terminal disease suddenly becomes less terminal!

While this is going on, security guard Kevin Lansing (Ron Ely) gets to live his fantasy of helping a great detective. Kevin doesn’t care which detective he gets to help so Roarke sends him back to Victorian-era London so that Kevin can work with Dr. Watson (a charming Donald O’Connor) to save Sherlock Holmes (Peter Lawford, not looking well in one of his final performances) from the clutches of Moriarty (Mel Ferrer, being as sinister here as he was in countless giallo films). Kevin also falls for Nurse Heavenly (RIta Jenrette, the wife of a corrupt Democrat member of Congress) and is pleased to discover that she’s not really Moriarty’s assistant. Instead, she was just another guest on the Island having a fantasy.

The Sherlock Holmes story was silly but fun, in the way that Fantasy Island often is. It’s always interesting when this show goes into the past and we get to see how the show’s crew dressed up the show’s sets to try to make them look historically accurate. The same street appears in every episode but sometimes, that street is in 1890s London and sometimes, it’s in 1690s Salem and sometimes, it’s just in modern day Fantasy Island! As for the Mr. Roarke’s a father storyline, it was predictable but still, it was a good showcase for Ricardo Montalban’s enigmatic interpretation of Mr. Roarke.

This was a pleasant trip to the Island!

Retro Television Review: The Love Boat 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”

Posted on April 10, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Merry Christmas!

Episode 4.11 “That’s My Dad/Captive Audience/The Captain’s Bird”

(Dir by Allen Baron, originally aired on December 20th, 1980)

It’s time for the Love Boat’s annual Christmas cruise and, appropriately enough, this cruise is all about family.

For instance, Captain Stubing has decided that the perfect Christmas gift for Vicki would be a parrot. After the bird is brought on board, Stubing decides that the perfect place to hide it would be in Gopher’s cabin. Gopher goes along with this because it’s something of a miracle that he hasn’t been fired yet. I mean, when you’ve screwed up as much as Gopher has, you’re not really in a position to argue with your boss. The only problem with all of this is that the parrot won’t talk. Stubing isn’t happy about that so Isaac and Gopher try to teach the bird to sing a Christmas carol. Instead, the bird starts saying, “Captain Stubing is a jerk!” Uh-oh!

Meanwhile, singer Bobby Braddock (Jack Jones, who sang The Love Boat theme song) boards the ship with his wife, Susan (Laraine Stephens). What Bobby doesn’t know is that his father, Richard (Allan Jones), and his mother, Lil (Dorothy Lamour), are also on the ship. Bobby got his start as a part of Richard’s act and Richard has never forgiven Bobby for going solo. Julie, Lil, and Susan all hope that they can bring father and son back together again. Needless to say, Richard doesn’t appreciate being tricked into boarding a boat with his son. He grimaces while listening to Bobby sing Winter Wonderland and then storms out of the lounge when Julie asks him to join his son on stage. Merry Christmas, I guess!

Still, as bad as Bobby Braddock has it, it’s nothing compared to what’s going on with young Scotty (Meeno Peluce). Looking to escape an abusive life at home, Scotty sneaks on board the ship by telling the crew that another passenger, Jeff Dalton (Dirk Benedict), is his father. Scotty then proceeds to follow Jeff around the boat. Jeff has no idea that everyone thinks that he is Scotty’s father. When Jeff meets a woman and politely tells Scotty to scram, the crew is scandalized. When Stubing sees the bruises on Scotty’s back, he assumes that Jeff is responsible.

Well, don’t worry. Things may look bleak at the halfway mark but everything works out in the end. Jeff realizes that maybe he would like to be a father to a random runaway. Richard realizes that he can forgive his son for wanting to make his own way. Crew members dress up like Santa Claus and Vicki has a happy holiday on the ocean.

You know what? This was a silly episode but I enjoyed it. I’m a sucker for Christmas episodes and this one had enough comedy and drama to keep me entertained and the story involving Scotty and Jeff even touched my heart a little. This was definitely a cruise worth taking.

Retro Television Review: Fantasy Island 4.18 “The Searcher/The Way We Weren’t”

Posted on March 26, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

Oh my God, this week’s episode….

Episode 4.18 “The Searcher/The Way We Weren’t”

(Dir by Leslie H. Martinson, originally aired on March 7th, 1981)

This week’s episode was just silly and it’s going to be a struggle to even come up with the usual 500 words to say about it.

Fred Cooper (Jerry Van Dyke) is worried that married life is losing its spark so he wants to relive the early days of his marriage to Dottie (Laraine Stephens). After going through a magic time travel cloud, Fred and Dottie find themselves living in their old house, which they share with Fred’s aunt. Their neighbors are Vic (Jack Carter) and Myra Fletcher (Dawn Wells). Vic is Fred’s boss. He and Myra are also swingers! Apparently, Fred forgot about that but I have to wonder how anyone would forget that? Anyway, Vic offers Fred a promotion but only if Fred will allow Vic to sleep with Dottie. Fred responds by punching Vic out while Vic is hosting a Swingers Convention on Fantasy Island. (Tattoo must have been very happy this week.) Vic realizes that he was in the wrong and Fred still gets his promotion. But is it a real promotion or just a fantasy promotion? Seriously, what the Hell is going on here?

Meanwhile, young heiress Karen Saunders-Holmes (Laurette Spang) comes to the island with her husband, Brian (James Darren). Brian thinks that they’re just on their honeymoon but Karen actually has a fantasy. She wants to be reunited with her father, a man named Noah who supposedly abandoned her when she was an infant and whom she has never met. Mr. Roarke arranges for Noah (Paul Burke) to be released from prison for the weekend and….

PRISON!? Yep, Noah is a convicted murderer and has spent the last two decades in a prison camp. Noah claims that he was innocent of the crime. Anyway, Mr. Roarke introduces Noah to Karen and Brian and says that Noah will be their guide on the Island….

Brian freaks out! It turns out that Brian is actually the man who Noah was framed for murdering. Brian went off and got plastic surgery after faking his own murder, which is why Noah doesn’t recognize him. But Noah soon learns the truth when Brian tricks him into entering a bog of quicksand!

Does Noah survive the quicksand? He does but we’re never told how. Does Brian then freak out and run into the quicksand as well? Of course. Fantasy Island is such a dangerous place!

This was a silly episode. Brian apparently not only had plastic surgery to change his face but also to reduce his age because there was no way he was old enough to a contemporary of Noah’s. And for the swinger’s convention on Fantasy Island …. I mean, what? Mr. Roarke is suddenly okay with a big key party on his Island? How do you forget that you used to live next door to a swinging couple? Like I said, this was just silly. One fantasy features Jerry Van Dyke being way too goofy and the other features James Darren being way to obviously sinister. Neither worked.

So far, the fourth season has really been a mixed bag, hasn’t it? Hopefully, things will improve next week.

Retro Television Reviews: Fantasy Island 2.17 “The Stripper/The Boxer”

Posted on April 11, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

Smiles, everyone, smiles! This week, we’ve got stripping and boxing!

Episode 2.17 “The Stripper/The Boxer”

(Dir by Lawrence Dobkin, originally aired on February 10th, 1979)

This week, Tattoo is wearing a monocle because his cousin Igor has discovered that they are descended from royalty. Roarke is not impressed. Indeed, he seems to be genuinely angered by Tattoo’s suggestion that he’s somehow better than him.

As for the fantasies, first off the plane is Maureen Banning (Laraine Stephens). Maureen is a runaway heiress. Her father doesn’t want her to marry a poet named Barnaby (William Beckley) so she has snuck off to Fantasy Island so that she can get married over the weekend. Unfortunately, her father’s private detectives have followed her to the island. In a panic, Maureen hops onto the first bus that she sees. It turns out the bus is the tour bus for a burlesque show and the show’s manager, Russ McCoy (Michael Callan), has a fantasy that concerns bringing the show to Broadway. Maureen is mistaken for a famous burlesque dancer. Fortunately, Sheba Palumbo (Mamie Van Doren) and Betty (Beverly Powers) are avid tabloid readers and they immediately recognize Maureen as the runaway heiress. They agree to teach her how to dance so that she can stay on the island and marry Barnaby. Except, of course, Maureen is now starting to feel more attracted to Russ….

This fantasy was okay. I enjoyed the dancing and I also enjoyed thinking about how much Gary Loggins would have enjoyed watching his favorite actress, Mamie Van Doren, teach Maureen all the moves. I think the main problem with this fantasy is that, even after she ran way, Maureen never seemed to be in control of her own fate. The appeal of dancing on stage, whether you’re an old school burlesque performer or a modern-day stripper, is that it gives you all the power but, for Maureen, it just seemed like something to do until she finally got around to getting married.

The other fantasy involves Billy Blake (Ben Murphy), a boxer who only has three years to live. He wants a chance to fight the other leading leading championship contender. Even though the fight will be unofficial, Billy just wants a chance to show that, if not for his fatal disease, he could have been a champ. Of course, if he takes too many hits to the head, Billy could die in the ring. Billy is okay with that until he discovers that his former high school girlfriend, Jennie Collins (Maureen McCormick), is working on the Island. Billy’s trainer (Forrest Tucker) tells Jennie to stay away from Billy and Jennie is ashamed of all of the “things” she did when she ran off to Hollywood to try to become a star. (Like starring on The Brady Bunch Hour, perhaps….) But, in the end, Billy realizes that his real fantasy is to spend his last remaining years with Jennie. Personally, I found myself wondering why Billy didn’t consider a fantasy where he was cured of his terminal but unnamed disease. Then he could both be champion and spend the rest of his life with Jennie.

There weren’t many surprises with this fantasy but Ben Murphy and Maureen McCormick were an undeniably cute couple. I hope they had many good times before Billy’s agonizing and tragic death.

Next week …. John Saxon comes to Fantasy Island!

Retro Television Reviews: The Screaming Woman (dir by Jack Smight)

Posted on April 2, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1972’s The Screaming Woman! It can be viewed on YouTube!

In this made-for-tv movie from 1972, the great Olivia de Havilland plays Laura Wynant. Laura is a wealthy woman who has just been released from a mental institution. She goes to her country estate to recuperate but, as soon as she arrives, she starts to hear a woman’s voice in the back yard.

“help me …. help me….” the voice cries.

Laura looks around and she soon realizes that the voice is coming from the ground! A woman has been buried alive in the backyard and will soon die if not rescued! At first Laura tries to dig up the woman on her own but her hands are crippled by arthritis. An attempt to get a neighborhood child to help her dig just leads to Laura being confined to her home, under doctor’s orders. No matter how much Laura tries to get the people around her to listen for the sound of the woman crying for help, everyone just assume that Laura must be imagining things.

Further complicating things is the fact that the person who put the woman in the ground is still out there. And, when he discovers that Laura has been hearing voices, he decides that maybe he needs to do something about both Laura and the screaming woman….

The Screaming Woman is an effective psychological thriller and, considering that it was made for early 70s network television, surprisingly suspenseful. If the film were remade today, I imagine it would try to keep us guessing as to whether or not Laura was hearing an actual woman or if it was all in her mind. However, by revealing early on that Laura actually is hearing what she thinks she’s hearing, The Screaming Woman puts us right into Laura’s shoes and we share her frustration as she desperately tries to get someone — anyone — to take her seriously. It helps that Laura is played by Olivia de Havilland, who gives a very sympathetic and believable performance. De Havilland, who started her career appearing in Errol Flynn movies back in the 30s and who most famously played Melanie in Gone With The Wind, was one of the longest-lived stars of Hollywood’s Golden Age, living to the age of 104 and winning two Academy Awards for Best Actress.

The film is based on a short story by Ray Bradbury. In the story, it’s a little girl — as opposed to an old woman — who hears the voice. I haven’t read the short story so I don’t know how else it compares to this adaptation but, as a film, The Screaming Woman is an entertaining and creepy thriller and, when viewed today, it serves as a reminder of what a good actress Olivia De Havilland truly was. She takes a simple thriller and turns it into a meditation on aging and the one person’s determination to do the right thing even when the entire world seems to be against her.

Horror on the Lens: The Screaming Woman (dir by Jack Smight)

Posted on October 13, 2019 by Lisa Marie Bowman

Today’s horror on the lens is The Screaming Woman, a 1972 made-for-TV movie that’s based on a Ray Bradbury short story.

Olivia de Havilland plays Laura Wynant, who has just returned home from a stay at a mental institution. Soon after her arrival, Laura starts to hear a woman crying for help. Laura becomes convinced that the woman has been buried alive on her property but, because of her debilitating arthritis, she can’t dig the woman up on her own. And, because of her own mental history, no one believes her when she tries to tell them about what she’s hearing!

The Screaming Woman features screen legend Olivia De Havilland giving a sympathetic performance as Laura. It also features two other luminaries of the golden age of Hollywood — Joseph Cotten and Walter Pidgeon — in supporting roles. It’s a good little thriller so watch and enjoy!

(And of course, I should mention that the great Olivia De Havilland is still with us, 103 years old and living in France.)