Continuing the month-long theme of horror and everything spooky I come bearing horror gifts with the trailer to a horror film that made the rounds at this year’s film festivals.
Ciaran Foy’s Citadel looks to be one of those siege films where we have one or two people under siege by a large group of unnamed marauders (who may or may not be human). It’s a story that’s been told many times and one that’s simple to pull off. It made Romero’s zombie films extremely popular and even made a star out of John Carpenter who’s own brand of under siege films became a homage to the old Westerns which followed the same template but with cowboys and Indians instead.
Some may think this is just another Euro-zombie film that seems to be coming out of the old country and making its way to the shores of the US. Whether the hoodlums stalking and attacking the hapless young father in this film are zombies, or demons or just some pissed off chavs the film looks to be scary and well-shot for a first-time director.
There’s no set release date for the Citadel in the US but I’m sure it’ll find it’s way either on cable On Demand services, but at least on DVD/Blu-Ray.
Last night, I watched Halloween II. No, I’m not referring to the rather disturbing Rob Zombie movie that came out in 2009. Instead, this Halloween II was the original sequel to the original Halloween. This version was written by John Carpenter and Debra Hill. It was released in 1981 and I saw it in 2012, via Cinemax.
Why Was I Watching It?
Because it’s October, of course! It’s horror month and Halloween is one of the great horror movies. Would Halloween II turn out to be another great horror movie? Well, to be honest, I figured it probably wouldn’t but I decided to watch it anyway.
What Was It About?
Halloween II picks up exactly from where the first Halloween ended. The sole surviving babysitter, Laurie Strode (Jamie Lee Curtis), is being rushed to the hospital by two paramedics, one nice (Lance Guest) and one kinda crude and pervy (Leo Rossi). Two guesses which one of our two paramedics eventually ends up dead. Meanwhile, Michael Myers has apparently survived being shot six times and falling out of a second story window and he’s still wandering around Haddonfield, Indiana. Best of all, Dr. Sam Loomis (Donald Pleasence) is still running around all over the place, telling anyone who will listen that it wasn’t his idea to allow Michael to be released. (In one of the film’s best running jokes, everyone responds to Loomis’ protestations by saying stuff like, “Damn you for letting him out!” “Uhmm, I didn’t…” Dr. Loomis mutters at one point.) It quickly becomes apparent that Michael’s rampage wasn’t quite as random as it seemed in the first film. He’s after Laurie and, once he breaks into the local hospital, it seems like he might very well get her. Why? Because, for the most part, it appears that every single citizen of Haddonfield is a total and complete moron.
What Worked?
Halloween II is actually one the better of the slasher sequels of the early 80s. While it can’t compare to the first Halloween, it’s still a fairly suspenseful little film and Michael Myers is just as frightening as ever. However, what truly makes this film memorable, is Donald Pleasence’s unhinged performance as Dr. Loomis. Whereas in the first film, Pleasence played Loomis as just being somewhat testy and annoyed, his performance here suggests that, in the minute or so between shooting Michael and then looking out the window at the end of the first film, Loomis has managed to totally lose his mind. Pleasence gives one of the most mannered, over the top performances in film history in Halloween II and it works perfectly. Whenever the film starts to drag, Pleasence shows up and injects a nice bit of crazy into the proceedings. My favorite moment comes when Loomis suddenly yells at a policeman, “What is it you guys you usually do? FIRE A WARNING SHOT!?”
Lance Guest, who plays the nice paramedic, was really quite likable. I know there’s some debate as to the ultimate fate of his character but I chose to believe that he survived.
The Halloween theme music is still probably one of the most effective horror soundtracks to have not been composed by Goblin or Riz Ortolani. When it came on the TV last night, our cat Doc actually got scared and ran out of the room.
What Didn’t Work?
It’s not the first Halloween.
While the film nominally stars Jamie Lee Curtis, Laurie spends most of the film catatonic and she never really gets to do much other than run from Michael. Say what you will about how Laurie kept dropping her weapons at the end of the first Halloween, she still at least fought back. In Halloween II, Laurie is reduced to being a stereotypical victim.
“Oh my God! Just like me!” Moments
I have to admit that I kinda related to the three nurses who were on call at the hospital. I related to Karen (Pamela Susan Shoop) because, like her, I have, in the past, shown a weakness for bad boys who insist on making out in a hot tub even while there’s a merciless serial killer wandering about. I related to Jill (Tawny Moyer) because, like her, I tend to look at my nails whenever I get bored at work. Most of all, I related to Janet (Ana Alicia), because she couldn’t figure out how to use a walkie talkie. (And, seriously, what type of name is walkie-talkie anyway? It sounds like a cutesy robot.)
So, as opposed to most other slasher films, I was able to find instant empathy with not one but three characters! Unfortunately, all three of those nurses were dead by the end of the film so, seriously … agck!
We finally have the first trailer in the upcoming horror remake Carrie starring Chloe Grace Moretz and directed by Boys Don’t Cry filmmaker Kimberly Peirce.
When news came out that the classic Brian De Palma film adaptation of the Stephen King novel was being remade there wasn’t much of a positive reaction to the news. The usual grumbling about another horror remake being put into production and how Hollywood was running out of ideas was heard throughout the blog land. Then more details surface of who would play the title role which was made famous in the original film by Sissy Spacek. When it was announced that Chlie Grace Moretz would take on the Carrie role then grumbling subsided somewhat.
While there will always be detractors of the film even while it’s still in production the word coming out that the film will not be a straight out remake of the film but more of a faithful adaptation of the novel has made me cautiously optimistic. The fact that the last horror remake Moretz was involved in turned out quite well (Let Me In) is another reason to hope. Plus, Peirce as the director should help put the focus of the film’s narrative on where King originally intended it to be and that’s the social divide between the popular kids in the dangerous world of high school who end up bullying the weaker outcasts.
The teaser trailer gives a hint at how the film looks to follow the novel more than the De Palma film by showing the town in flames and not just the school. Carrie is set for a March 15, 2013 release date.
Yesterday site anime and manga contributor pantsukudasai56 posted his anime horror post for the month be recommending to everyone to watch the anime horror series Another. Using that as inspiration I’ve chosen the latest “AMV of the Day” by picking an AMV that uses that very series as the foundation for the video.
I’ve still have to find time to watch the series, but I know that Another is a horror anime that seems to have reached cult-status and beyond since it’s release earlier this year. Unlike pantsu here I do enjoy lots of anime horror but I will agree that they’re not in the same realm as mahou shoujo and slice-of-life series in terms of consistent quality. The last horror anime that I thought to be very good was Gakuen Mokushiroku (better known as Highschool of the Dead) but even that series earns much of it’s popularity due to it’s excessive (I thank Zoidberg Jesus for it everyday) use of fanservice shots.
With this AMV we get one from a high-quality horror anime and also paired up with one of the music industry’s preeminent producers of musical scores from Two Steps From Hell. This time around AMV producer AnimeFanOtaku123 uses that groups song, “Am I Not Human?”, to be the score for the chosen scenes from Another to complete the video. In fact, AnimeFanOtaku123 does such a great job with this AMV that one could easily say that it works perfectly well as a trailer for the series if one didn’t think it was an AMV to begin with.
I’ll probably have one or two more horror-related AMV’s before the end of the month, but this is a good choice for this month..
Being the time of year that it is, I felt I should stay on the horror theme for my rare contribution. Last year I presented to you all my thoughts on the Higurashi series. This year I’m focusing on an anime that came out at the beginning of this year by relative newcomer studio P.A. Works called Another.
Horror anime are rather difficult to do well. That’s because unlike with live action, you are acutely aware that what is happening is not real. Sure, with live action if you sit back and look at most of the horror shows, you can’t necessarily take them seriously, but at least for me there’s a difference in my mind between watching something with real live people in it, and watching 2D drawings moving. So, horror anime either try to pretend they’re still live action and hope you can immerse yourself in them despite it obviously not being real, or they just go for the crazy, over the top exaggerated sequences with lots of blood and gore and just hope the mood feels right. Another takes the second approach. It’s not a constant bloodbath, but it seems to take much delight in coming up with the craziest, most unrealistic deaths it can think of. I think of it almost like an animated version of the Final Destination films. I’ll try and avoid too many spoilers here, but the first death we see should give you an idea of just how crazy and over the top they can get.
So, the basic premise of the show is that many years ago a student in class 3-3 died during the school year. Some classmates, unable to really deal with his death decided to pretend that he was still alive. Soon the rest of the class, including the teachers joined in. This was all well and good, except that when they took their class photos, the student who was supposed to be dead appeared in the photo. Since that time, class 3-3 has been like a portal to the afterlife, allowing the dead to come back and join the class. This has resulted in class 3-3 always having one extra person in it, although during the time which it occurs nobody is aware who the extra person is. They know there is one, but their memories have been altered so that the extra person seems like they’ve always been there. Also, the person who is dead, or the Another, also is unaware that they are dead. Fast forward 20 some years and we come to where the story starts, with transfer student Koichi Sakakibara joining class 3-3. There he meets the girl with the eyepatch, Mei Misaki. However, the rest of the class seems to not acknowledge her existence. The reason for this is revealed later on, but since it’s a mildly important plot point, I’ll leave that up to the readers to watch and see for themselves.
The character designs and the attention to detail in this show are fantastic, as is pretty much par for the course with P.A. Works. The character designs were based on concepts by Noizi Ito, who’s probably best known for her work as the illustrator for the Haruhi Suzumiya novels. What’s also par for the course for a P.A. Works show is that it meanders a bit and almost gets lost in the middle. We’ll set aside the ridiculousness of the deaths because this show isn’t trying to be ultra serious. It’s not going for the camp appeal, but it is using the gore as a sort of fanservice for people who are into that sort of thing. Don’t get too attached to any secondary characters, because there are a ton of deaths in this show. I’ll admit, one or two of the deaths did sadden me a bit, mainly because I liked that particular character and had hoped that they’d survive the curse. This particular class year seems to be extra unlucky, since they showed previous class records and there didn’t seem to be quite as many deaths from the curse as there was in this year.
A complaint that was tossed around when the show finished was that the identity of the Another, which is revealed at the end, was too difficult to figure out. Much like with The Sixth Sense, all the clues are shown once their identity is revealed, and there are quite a few red herrings thrown in there to keep you off the track, but it’s certainly possible to figure out who it is. I’ll say that I was wrong in who I thought it was, but at least my guess wasn’t eliminated until the very end. In fact, I largely suspect that the person whom I thought it was was who the creators wanted us to think was the Another from the get go. In that aspect, I can only tip my hat to them and say they did a good job in getting me to dance to their tune.
All in all, love it or hate it, P.A. Works deserves a lot of credit for not just sticking with a single genre of anime and trying something different to diversify. How true they were to the source material, I’m not entirely certain as I have not read the novel, written by Yukito Ayatsuji however I can say that if I see that P.A. Works is doing another horror anime, I’ll certainly be tuning in. The ride may be a little rocky in the middle, but it’s still a fun ride.
It’s been a year since the cliffhanger which ended Season 2 of AMC’s widely popular The Walking Dead. We found Rick and his group escaping from the herd of zombies which swarmed into and over Hershel’s farm. The group lost two more to the walkers in the form of hapless Jimmy and Patricia. Andrea has gotten separated from the main group with most of the guns. It’s only through the timely intervention of a hooded stranger dragging along two incapacitated walkers that Andrea even gets to make it to this new season. It’s this hooded stranger and the last image we see of a darkened prison complex in the distance that has brought a new sense of optimism for the show which had been up and down through most of it’s sophomore season.
The second season had been rife with struggles not just for the characters in the show but also behind-the-scenes as original showrunner and executive producer Frank Darabont was unceremoniously fired from the very show he helped bring off the ground. Fans of the show and of Darabont saw this as a bad decision, but as the season unfolded there seemed to be a major consensus that Darabont might have been the problem to why the first half of the second season moved along even slower than the walkers. The second half saw new showrunner Glen Mazzara taking over and even though some of the same problems in terms of characterization and dialogue still remained the show in the second half seemed to move with a better sense of urgency which culminated in two of the series’ best episodes to date to close off the season.
Season 3 now begins with the episode titled “Seed” (directed by veteran series director Ernest Dickerson) and we get a major timeskip from the end of last season to tonight’s premiere. Rick and his group look to still be on the move with no safe haven in sight. In what looks like a hint of good things to come in terms of pacing and dialogue the show starts off gangbusters as Rick and his group raid a country home, dispatching the walkers within with ruthless efficiency and searching the place for supplies and other useful things real fast. There wasn’t any time for standing around or even going off into long expositional scenes to try and convey what had happened between the end of last season to tonight’s start.
Glen Mazzara, the show’s new showrunner had promised that the show would be taking on a new direction when he took over halfway through season 2, but we’re finally able to see his experience as a TV show producer and writer bear strong fruit with tonight’s premiere. We get to see Rick and his crew acting with more of a sense of urgency in just the first twnety minutes of the show than they had in the first two seasons. We’re finally seeing everyone realizing that they’re now stuck in a world with new rules that doesn’t make room for personal quirks and emotional issues (though we still get hints that they’re still but set aside for the greater good of the group) that just saps the energy from everyone. This group looks more like the sort of team that Shane would’ve thrived in and it looks like Rick has taken on the role of leader much more forcefully. It hasn’t mended the rift between him and Lori for what had transpired over two seasons of interpersonal conflicts that got more than just his best friend killed but others as well.
Tonight’s episode does a great job of explaining through their actions and behavior just how much time has passed between the seasons and how that intervening time has tested the groups mettle and made them harder and more capable in holding their own against the walkers. Even useless characters like Beth, Carol and Carl have become more adept in protecting themselves. It’s surprising to see Carl actually becoming the character he was in the comic book. I’m sure some parent groups will not be approving of Carl actually handling his gun with expertise but this is that kind of show and just because one is a kind doesn’t mean they have to be helpless.
If there were complaints about Darabont’s handling of the show during his short tenure it was that he was too much into creating a very slow burn that culminated into a huge climactic finish. It was fine for a truncated first season, but it showed just how ill-conceiveda narrative style it was for a tv series over a full season. I don’t sense that same feeling with tonight’s episode. One could tell that Mazzara was now fully in charge and not working on whatever Darabont had come up with for season 2. It’s a great start to the new season which has a good chance in reversing some of the ill-will last season’s very slow burns and wheel-spinning had created with a segment of the fan-base.
It also helps that we didn’t have to wait too long to see the official appearance of Danai Gurari in the role of fan-favorite Michonne with her zombie pets and katana. It wasn’t an episode spent directly introducing us to her but enough time was spent away from the group in the prison. Michonne as a character could become too much a caricature of the badass comic book female character, but for tonight it was just refreshing to see a female character on this show as capable and clear-headed as her. There’s even a hint of the sort of friendship that seemed to have grown between Michonne and Andrea since the end of season 2. Shane may have been a bad influence (though helpful in getting Andrea out of her suicidal rut) in season 2, but here’s to hoping that Michonne will be the sort of influence that Andrea will be needing to get her to become the badass characteron the show that her character is in the comic book.
One thing that tonight’s episode also did great that we only saw hints of with the first two seasons was the action such a series could have when given a chance. This is a series about the zombie apocalypse and those trying to survive in it. While I don’t expect each episode to be as action-packed as tonight’s premiere it was an encouraging start to what looks to be the real beginning of the Glen Mazzara era of The Walking Dead.
Now onto episode 2. With tonight’s cliffhanger ending (one that really got me by surprise) it’s going to be interesting to see how Rick and the new group in the end will get along or will they. Just as long as it doesn’t take the show all of the first half of the season to do it then I am all for intergroup conflict until the walkers become a more pressing problem.
NOTES
I’m quite surprised how quickly the show got the group to the prison. So, unlike season 2 which would’ve have the group wandering around in circles for 2-3 more episodes before finding their way to the complex.
It looks like Rick has gotten tired of what must’ve been Lori’s incessant harping during the months the show timeskipped between season 2 and the premiere of season 3 tonight.
Carl still hasn’t found a way to get himself lost thus get someone else killed which could be a nice change of pace for the character.
On a good note, Carl looks to be growing up and taking a handle on becoming a useful member of the group. He even does his share of some coldblooded killing of walkers in the episode’s intro.
In fact Carol becomes quite useful as well with Rick even commenting out of hand how much she grown to become a good shot with the AK-47 she was wielding.
All the talk of ‘shipping Daryl and Carol will get even louder as the two spent a brief moment flirting with each other after the group had taken over the prison courtyard.
Lori…Lori…Lori still looks to be the emotional weak point of the group and show, but this time around everyone in the group is either tuning her out or just trying to keep her focus and attention on keeping her unborn child safe. Even Hershel makes a point to remind her that this wasn’t about her anymore and that she should stop her complaining. It’s all about the baby and that’s all he and she should care about.
Beth and Carl…too cute.
Way to cockblock our boy Carl, Hershel…
Armored zombies, ’nuff said.
Some great work by Greg Nicotero and his team over at KNB EFX. A special note would be on the gas mask walker who got it’s face unceremoniously ripped off when Rick pulled off the gas mask. As a hardcore gorehound even I had to wince at that scene. It was great!
In what could be a way to reconcile the character of Dale in the comics who lasted longer than in the show the writers may be substituting Hershel in that role. The next couple episodes will tell if that’s the case.
I think whoever is the prop guy for this show has read Max Brook’s zombie novel World War Z if the makeshift “Lobo” Glenn was wielding is any indication.
Zombie Kill Count for tonight’s episode: I stopped counting after 30.
With this being horror-theme month here at Through the Shattered Lens I thought it was time for another “Hottie of the Day” entry and one who has some experience atbeing a scream queen in horror films these past couple years.
Mary Elizabeth Winstead is better known for the role (perfectly cast and played) of Ramona Flowers in Edgar Wright’s wright’s film adaptation of Scott Pilgrim vs. The World, but she has done quite a bit of work in the horror genre. One of her earliest films was as the lead in Final Destination 3. Then she has followed that up with roles in Quentin Tarantino’s half of Grindhouse as a naive young actress being stalked by Kurt Russell’s psychotic stuntman in Death Proof. Her last couple films have also been in the field of horror as she had major roles in both The Thing prequel and the fantasy horror mash-up this past summer with Abraham Lincoln: Vampire Hunter.
Ms. Winstead has become a favorite of genre fans and not just for her All-American girl-next-door look, but for the fact that she has talent as an actress and makes the most of every role she plays even in films that critically fails. Of late her work has gotten her noticed as a contender for the end of the year awards for best performance in a film with her performance as Kate Hannah in the comedy-drama Smashed.
Whether she wins awards later this year or not, here’s to hoping that she doesn’t stop doing genre projects while moving on towards more serious work.
Gregory Solis’ Rise & Walkis the kind of zombie tale many fans of the genre think of writing day in and day out, but never get a chance either through lack of talent or just lack of motivation. Gregory Solis got to write his and on the surface it’s a decent first novel, albeit with some flaws that keeps it from being good. He has also written a very action-packed zombie story which steps on the gas from the prologue and doesn’t let up until the very end.
The story is a very simple one which many zombie genre fans have played, imagined and replayed it over and over in their minds. Instead of beginning the zombie story during the aftermath of the devastation an outbreak will cause, Solis instead goes right for the beginning. Call it the Z-Hour of the zombie genre. He writes about how it all begins and how quickly the contagion and its reanimated victims quickly multiply at a geometric rate to engulf a small, Northern California community. Unlike George Romero’s films which never fully explained the cause and origin of the zombie pandemic, Rise & Walk uses space debris from a meteor storm and the contents within as the cause of the zombification and the need of its victims to attack and devour the living.
Right from the get-go the action comes in fast and comes in furious. Solis doesn’t skimp on the gore and bloodletting. He describes every zombie attack on a living human with a near-pornographic detail. This splatterpunk style of writing my not be for everyone, but if one was a zombie fan then this should suit them just fine. The chaos caused by the geometrically increasing and advancing horde of zombies was one of the things Solis’ does quite well and something fans of the genre would recognize. People make dumb mistakes as they try to figure out what in the world is going on. Some make the right decisions and live while others do not and become zombies themselves or are just complete devoured.
Where Solis got the action and atmosphere down perfect for a zombie story, the main characters and their development could’ve been done much better. The main leads of Rise & Walk panic just like the rest of the humans, but they seem to recover from the shock of the situation rather too quickly and at times matter-of-factly. As the story progresses there’s really no tension or fear that the four leads (two male and two female) would come to any serious harm. Only those in the periphery of the leads seem fair game for a gruesome end (kids are not given a free pass in this book). The diminished sense of mortal danger in regards to the main leads keeps this book from rising from just being decent.
In the end, despite the flaws in how the main characters are written I will say that Rise & Walk by Gregory Solis is one good first novel from a first-time writer. It shows the writer has a modicum of talent for storytelling and he sure tells a fast-paced and mean zombie story. Fans of the genre should enjoy this book for what it is and hope that it won’t be the last from Gregory Solis.
Both Arleigh and I have devoted a lot of time on the site to talking about our mutual admiration for the films of Italian horror director Lucio Fulci. While Fulci will always have as many detractors as defenders, the fact of the matter is that Fulci has been a major and often unacknowledged influence on the direction of horror cinema. To cite just one prominent example, the disturbing and graphic body horror of The Walking Dead has less to do with Romero and everything to do with Fulci.
Fulci remains a controversial figure and that’s not surprising. For every Fulci lover, there’s a detractor. For every good horror film that he made between 1979 and 1982, there’s a terrible one that he made in the years leading up to his mysterious death. But what everyone seems to agree on is that his 1979 epic Zombi 2 is one of the best (and most important) of the post-Romero Zombie films. Zombi 2 may have been produced to take advantage of the popularity of Romero’s Dawn of the Dead but Fulci created a film that transcended its origins.
(Personally, I prefer Fulci’s film to Romero’s but that’s a discussion for another day.)
Zombi 2 is a film that’s provided us with a few scenes that we love here at the Shattered Lens. Whether it’s the scene where a zombie wrestles with a shark or the very first Fulci’s signature eyeball impaling, Zombi 2 is a film that is full of memorable scenes. Tonight, I want to highlight another moment from Zombi 2 — the conquistador scene.
As this scene begins, the film’s star are already fleeing from an army of zombies when they discover that it’s not just the recently deceased that they have to fear. This is a scene that manages to be shameless, silly, and disturbingly effective at the same time. In other words, it’s pure Fulci.
Here we are again ghouls and ghoulettes. Time for another one of my favorite horror scenes. Some might say that the film I chose my latest favorite scene from is not truly a horror film but more a thriller are so definitely wrong. Both in it’s original novel form and in Carpenter’s film adaptation, Christine is definitely a horror film that eschews overt scenes of gore and violence and goes about it’s scares in a more round-a-bout way. It’s a horror film of a Boy-meets-Girl gone wrong. My own review of the film over a year ago show’s my positive take on this 80’s classic.
One of my favorite scenes from Christine happens midway through the film that also serves as the final clue that something may just be a tad different with Archie’s car named Christine. While the scene itself is not one of horror it does show the supernatural side of this film’s plot (a bit more simplified than the original novel’s but still keeping the theme of possessed inanimate objects giving life to itself). The combination of Christine showing Archie just what she’s capable of and Carpenter’s electronic film score as it segues into a seductive tune adds to the awesomeness of this scene.
Once this scene is over the audience now knows that Archie is fully gone over to Christine’s side and that the story will end not in a very happy note, but until that happens we see just how much this particular Boy seem to have finally met his ideal Girl.
