Review: The Walking Dead S3E16 “Welcome to the Tombs”


“In this life now you kill or you die…or you die and you kill.” — Philip “The Governor” Blake

[some spoilers within]

We’ve finally made it to the finale of season 3 of The Walking Dead.

There’s something about tonight’s episode that was both good and bad. It had the hallmarks of this season’s showrunner, Glen Mazzara, who wanted the series to get back down to basics after a season 2 where there had been too much philosophizing and existential angst. Mazzara delivered on bringing more action to the show. The first couple episodes of this season and the mid-season finale episode showed just how action-packed the show could be and fans responded enthusiastically about this change in the show’s narrative.

Yet, with a 16-episode season there was bound to be some break in the action and it’s here that Mazzara still fell in the same trap that got Darabont removed as the showrunner and what I think got Mazzara removed from the position as well. While Mazzara’s leadership of the show’s writers weren’t as bad when it came to the more slower and introspective part of the season he still couldn’t get rid of the meandering and wheel-spinning in some of the less-action episodes. It didn’t help that while most of the characters in the show had made some great strides in characterization the one main lead who remained an enigma and a problem: Andrea.

“Welcome to the Tombs” was suppose to be the main battle that would determine who would come up as winner between Team Prison and Team Woodbury. The assault on the prison by the Governor’s larger force was fast and loud. It was sort of a “shock and awe” tactic that was meant to disorient and put the fear of God in Rick and his people. We see from the episode’s cold opening that the group looked to have voted to leave the prison before the attack and the empty cellblocks seemed to reinforce this point. It sure didn’t make for a battle that was meant to give Mazzara a climactic sendoff as showrunner this season. yet, when things were about to get real disappointing with the empty prison and the Governor and his people entering an even more silent and empty Tombs we finally saw that things were not as they appear to be.

It was a nice change that the prison group decided to stay and fight as a group even when given the chance to vote on their fate. The fact that they knew there were going to be outnumbered and outgunned also forced their hand to be more creative and sneaky in how they would counter the attack on their hard-earned home. It’s a fine and noisy welcome the Governor and his people get while in the Tombs and showed just how amateurish his army really is (with small exceptions to his small cadre of minions) when stacked up against the more veteran and hardened smaller prison group. It’s not a wonder that this supposed battle between the two groups felt more anticlimactic than explosive.

The episode itself was more character-driven than action when one got down to its basic. We learn more of the Governor, Carl and Tyreese than see explosions, gore and action during the episode’s running time. For some this was made for a so-so finale while others probably saw it as a good finale that finished off the troubled character arc for one of the show’s most hated and difficult characters to work with: Andrea.

It was her episode in the end as we finally see the reasoning for some of the ridiculously maddening decisions she’s made this season. While it’s still not easy to forgive the character (or even the actor in the role) we do get a definite answer to the question of why is Andrea so stupid (in the extreme) or naive (when one is more forgiving) in a world that eats up such sentimentality. We saw how Rick had had to adjust his personality and decision making to not allow sentiments to rule his every act and decision and we saw how successful the group became, but also distanced him from everyone else. Andrea was almost an attempt to balance out the craziness that was both Rick and the Governor, but Mazzara and his writers were never able to pull off that job. In the end, she remained a lost chance to creating a very complex character that one could sympathize instead of hating even when her actions were well-meaning and logical.

“Welcome to the Tombs” saw the ending of a third season that went a long way into fixing the show’s problems under Darabont’s guidance, but the added episodes from 13 to 16 also meant that Mazzara’s vision for the show began to run out of steam by the finale thus the more subdued (despite an explosive opening) and pensive finale. While the show’s slogging towards the finale can’t be fully laid at Mazzara’s feet as showrunner one cannot just say that his legacy was righting the troubled ship that was The Walking Dead, but also failing to finally find the right balance between zombie mayhem and action with the drama that comes with people trying to survive in a world irrevocably changed for the worst.

The Mazzara Era of The Walking Dead has come to an end. The show has become even more popular under his guidance, but it has also remained a show which remained quite uneven in how it told it’s story and wrote it’s characters. Mazzara’s leadership went a long way into fixing most of it, but time ran out for him and his vision and tonight’s finale showed that attempts to do stand-alone and more character-driven episodes during the season as a way to fill-up a 16-episode schedule should’ve been set aside for doing a finale that went just one episode. Mazzara had the right idea, but in the end he ran out of things to do to pull it off. Now it’s up to incoming showrunner Scott Gimple to continue the improvements done under Mazzara and see about fixing the rest of the problems the show has with him in charge. Maybe fourth time is the charm.

Yet, despite all this I have a feeling The Walking Dead will remain the most popular thing on TV and will continue to do so whether Gimple succeeds or not. Such is the power of the zombie genre over the imagination of people everywhere.


  • Tonight’s episode, “Welcome to the Tombs”, was directed by series veteran Ernest Dickerson and written by season showrunner Glen Mazzara.
  • Well, it looks like we didn’t have to wait too long to find out if the Governor will confront Milton about being the traitor. The same goes as to whether Daryl was going to make it back to the prison after the vents of last week’s episode.
  • The Woodbury attack on the prison was quite an operation that pretty much forgoes any sort of siege that played out in the comics. Instead the writers decided to go for a more aggressive tactic.
  • Nice to see Ma Deuce in action and where the hell did Martinez get his hands on a Milkor 40mm MGL. Weapon laws in Georgia must be much more lax in Georgia than everyone else. It’s either that or he came across a group of dead Marines.
  • We finally get to the meaning of the season finale title as the Woodbury group moves deep inside the prison and into the less than secured area that Rick and his people have begun calling the Tombs.
  • Some nice trickery from Team Prison to scare and rout Team Woodbury once they were inside the Tombs.
  • Once again, it looks like Team Prison needs a lesson in how to kill living people as opposed to zombies. I don’t think they killed anyone from Team Woodbury, except for Carl, once they were running for their lives in the prison yard.
  • Governor has gone bye-bye and even his two most loyal mions in Martinez and Bowman could see it with his work on the Woodbury Army.
  • Carl has definitely turned into a badass. Quite the boss move (or dick move depending on your stance on Lil Grimes) on the Woodbury teen trying to trick Carl into grabbing the shotgun.
  • Tense moments between Milton and Andrea back at Woodbury and the pay off was something that should please Andrea-haters.
  • Carl looks to be channeling his inner-Shane or Governor with the little speech about doing what needs to be done to his own father. It should make for an interesting season 4 now that Carl looks to be heading towards amoral territory.
  • Love how there’s now a growing rift forming between Carl and Rick. It’s something that was explored in the comic book, but never to a degree that really went anywhere. Here’s to hoping incoming showrunner Scott Gimple does a better job in exploring the father-son relationship in season 4.
  • With Andrea’s passing The Walking Dead now has just one member left from the Darabont acting troupe and that’s Melissa McBride.
  • Zombie Kill Count of tonight’s episode: Too much to count.

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: “Made to Suffer”
  9. Episode 9: “The Suicide King”
  10. Episode 10: “Home”
  11. Episode 11: “I Ain’t a Judas”
  12. Episode 12: “Clear”
  13. Episode 13: “Arrow on the Doorpost”
  14. Episode 14: “Prey”
  15. Episode 15: “This Sorrowful Life”

Review: The Walking Dead S3E14 “Prey”


“Killing the Governor doesn’t save your friends.” — Milton Mamet

[some spoilers within]

Last week we saw what would amount as a sort of UN Summit between two warring parties in AMC’s The Walking Dead. Just like other peace summits the two parties involve would agree on something then turn around and do the opposite once they were away from each other. It neatly set-sup the last three remaining episodes this season to finally getting this war between Rick’s group and the Governor’s into full gear.

Yet, three whole episodes of just the two groups shooting it out might sound exciting but could quickly become repetitive. I mean there’s only so many people on both sides to kill and that’s only in one full episode of nonstop battle. No, what we get with the first of the final three is an episode wholly dedicated to the Governor and Woodbury preparing for what they think will be their first and only strike necessary to deal with Rick and the prison group. It’s an episode that looks to be a throwaway that literally ends right where it began.

“Prey” is probably going to be an episode that many will not look too kindly at. For one thing, it’s an Andrea-centric episode and it’s been a worst kept secret that many fans of the show have no love for the Andrea character. Yet, this episode goes a long way in helping re-establish the character as the badass that she was originally created as in the comic book. There’s no hesitation in the character to finally make the decision to abandon Woodbury and try and make her way back to the prison. She does this while alone and armed with only the small pocket knife she carries at all times. It’s a situation that most characters on the show would find daunting yet Andrea proceeds anyway if just to warn Rick and the others in the prison what the Governor has planned for them.

Of all the episodes in this series, so far, this one really relied heavily on the horror tropes of the zombie genre. Yes, the episodes actually included a lot of zombies to really heighten the danger Andrea finds herself in as she treks her way back through the Georgia wilderness alone. Yet, it’s not the zombies themselves who really make this episode a truly horror and tension-filled one. It’s the appearance of the Governor who has found out about Andrea’s plans to warn Rick and must now hunt her down to prevent this from happening. It’s what gives the episode it’s title.

The cat-and-mouse game between Andrea and the Governor had some very nice moments when the two maneuvered their way through the abandoned warehouse which was chosen as the location of their one-on-one face-off. We get to see more of the Governor’s growing sociopathic tendencies (something the show has begun to ramp up in the last couple episodes). There’s a great moment when we think Andrea has finally run out of luck and cornered between a stairwell full of zombies in one end and the Governor on the other end when she turns the tables on her pursuer. It’s a move that we might see from Rick, Daryl or, even, Glenn, but something that most fans of the show couldn’t imagine this hated character in pulling off.

The episode did well for Andrea, but overall it did have it’s drawbacks. By concentrating so much on the Governor and Andrea and very little on the growing discontent from one of the Governor’s most trusted lieutenants back in Woodbury we don’t get too excited over the apparent sabotage of the pit zombies being gathered for the next meeting with Rick. The suprise gotcha moment when Andrea was almost home was another bit of storytelling that looked to be more lazy than shocking. It detracted from the strength showed by Andrea in outwitting the Governor, but also made the latter seem like he was some sort of unkillable slasher villain who has the many lives of a cat.

It’s not surprising to see that the episode had two writers in showrunner Glen Mazzara and Evan Reilly. Most of the show’s episodes tend to stick to one writer and let them run with that particular episode’s narrative. By having two writers in this time around could be a clue in the behind-the-scenes issues producers of the show had with Mazzara to the point that he was replaced for the upcoming season. The episode had both the good and bad that has saddled the series since it’s inception. The good being more zombie action and less standing around and just talking. It had the worst things as well with letting a story lead to nowhere which this one seems to have in a narrative sense though in terms of fleshing out certain characters it did it quite well.

The final two episodes this season will tell if season 3 was an unqualified success or still a series that had flaws to work out. So far, reactions to this season is leaning to the former, but if Mazzara had lost control of the story he wanted to tell this season then the climax of the season may be more of a fizzle than a sizzle.


  • Tonight’s episode was written by Evan Reilly and season 3’s showrunner Glen Mazzara w/ series newcomer Stefan Schwartz directing.
  • From the sound of it the backstory of Michonne’s pet zombies in the series looks to be very different from the comic book. It definitely adds to some subtle hints during the season that Michonne doesn’t like to be touched in an aggressive manner by men.
  • Another change we see in this episode’s cold opening is the Governor prepping the chains he must have made specifically for Michonne. In the comic book series the set-up was already there and hinted at being used by the Governor.
  • Milton looks to be regretting the fact more and more that he has attached himself to someone who has gone over the deep end and never returning.
  • Yet, he still seems willing to protect the Governor despite all of it.
  • Tyrese may be a beast with the clawhammer but he’s awful with a firearm.
  • Andrea could easily have convinced Tyrese better if she just described what the Governor has done and plans to do instead of being all cryptic.
  • Tyrese is just too damn reasonable. I guess not spending an extended amount of time with Rick hasn’t made him cynical.
  • Wow, Allen is such a douche. I repeat, Allen is such a douche.
  • Hate the character or not, Andrea looks to h ave become very self-sufficient and a badass in her own right since the end of season 2.
  • There’s the Tyrese fans of the comic book should remember and love.
  • Andrea definitely did a lot to help repair whatever character-flaws she had that made fans of the show hate her so much. It wasn’t a full recovery but it was in the right step.
  • It was a nice homage scene with the zombies in the stairs that Andrea lets in to a scene in the original Dawn of the Dead in the tenement building where zombies in the basement breakthrough to attack the National Guardsmen and police. One can see it at the 4:57 mark
  • Seems Andrea has taken the place in the torture room that had been reserved for Michonne in the comic books.
  • Another great work by KNB EFX with the zombie make-up and kill gags. Special mention goes to the burned zombies in the pit who were still animated but looking like some very well-smoked brisket ready to be sliced and served.
  • Milton really has no skill whatsoever of being a good liar, at all.
  • Tonight might have been one of the more horror-centric episodes of the series. This is surprising considering it’s suppose to be a horror tv series. From the slasher-like way the sequence between the Governor and Andrea in the abandoned warehouse to the final gotcha moment before Andrea could make it into the safety of the prison this was an episode that worked all your typical horror genre tropes to the hilt.
  • Zombie Kill Count of tonight’s episode: 25 or more seen (another 20+ off-screen). Tonight definitely had a huge kill count.

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: Made to Suffer
  9. Episode 9: The Suicide King
  10. Episode 10: Home
  11. Episode 11: I Ain’t a Judas
  12. Episode 12: Clear
  13. Episode 13: Arrow on the Doorpost

Review: The Walking Dead S3E12 “Clear”


“The good people, like you, die. The bad people too. But weak people, like me, we have inherited the Earth.” — Morgan Jones

Tonight’s episode marks the halfway point of this second half of this third season. This second half has been all about setting up the war that’s brewing between the Woodbury and Prison camps. We’ve seen some unsuccessful attempts to defuse the explosive situation between the two groups (mostly Andrea being her usual clueless self) and some interesting group additions on both sides. Last week’s episode saw Merle trying to build bridges and make nice with the people in Rick’s group he had a part in torturing and trying to kill. The surprising part of the episode was seeing a huge departure from the comic book narrative: Tyrese and his small group making it into Woodbury and seeming to side with the Governor (well, at least Allen and his son Ben) in his war against Rick and his people. This change looks to be one of the this season’s gamechangers. With Tyrese in the Governor’s camp the chance of him and Rick ever finding a common bond looks to have been made quite difficult.

“Clear” looks to be one of this season’s somewhat standalone episodes. The interesting thing about tonight’s episode is that it brings Rick right back to where he started when the series first began. His town looks to have seen better times as it looks like someone has turned Main Street into some sort of zombie trap with sharpened stakes, triplines and cages with live birds as bait. The scene looks like a set-up for what Max brooks has termed the LaMOE scenario.

What is LaMOE you ask?

It means Last Man On Earth and that Main Street and then the sinper on the roof of the building that starts shooting at Rick, Michonne and Carl look like a prime example of one. Yes, the unknown gunman was a LaMOE but as soon as they incapacitate him Rick finds to his surprise that this crazed gunman was someone he knows well from a year ago when he first came out of his pre-zombie apocalypse coma.

One of the characters from season 1 which many have been wanting to make a return was the first person Rick meets for the first time: Morgan Jones. It was this man who gave Rick the lay of this new zombie land and gave him the rules on how to survive. It was Morgan Jones and his young son Duane who was this show’s last symbol of normalcy before everything turned into a living hell for Rick even after he found his family. It’s now been a year since Rick last spoke with Morgan and the time since hasn’t been good for the latter.

The sequence where he finally recognizes Rick as someone he knows who is still alive was one of this show’s more emotional scenes. Then an even stronger scene follows it as we find out from Morgan’s emotional monologue of what happened since Rick left. His retelling of Duane’s fate was an emotional rollercoaster not just for Morgan who had to relive the awful memory but also for Rick who sees in Morgan someone he’s on the path to becoming since he lost Lori earlier this season. This made Rick’s attempt to bring Morgan back from the brink and join them at the prison even more telling. The fact that Morgan refuses almost destroys the last hope Rick has in seeing himself redeemed. This realization was then tempered by a revelation from Michonne that she understand what Rick is going through emotionally and mentally and that it was ok.

“Clear” shows Rick seeing a mirror-image of himself in Morgan and despite the latter’s fatalistic look on what life he has left it leaves Rick with both a sense of melancholy that the future will not be as bright as he hopes it will be, but also some hope that he’s seen what could happen to  him if he gives up all hope. It helped that Lennie James returning as Morgan Jones was such a standout in not just tonight’s episode but also the whole series as a whole. James’ heartbreaking performance as Morgan truly made tonight’s episode one of the strongest this season, if not, one of the best in this show’s three year span, so far. It definitely brought out a great performance from Andrew Lincoln who reacted to Morgan’s circumstance with equal parts horror, pity and compassion. The fact that Rick doesn’t get to redeem (hopefully a temporary thing) Morgan (and in some small part his own self) only adds to the notion that Rick can’t save them all and that when he can’t that he needs to move on instead of internalizing the hurt of failure.

The other subplot in tonight’s episode saw Carl look both a badass and a young, reckless kid. On the one hand, Carl looks to be more stable than his father Rick, but his mission to retrieve a personal item from one of the cafe’s in town shows just how much a child Carl still is. It was during this part of tonight’s episode that we finally get to see Michonne become a much more fully-realized character instead of just glowering in the background.

Michonne’s character looked like she was going to be similar to Morgan’s character in tonight’s episode in that she worked best as a lone wolf. While it looked like she never reached LaMOE status as Morgan, there was a sense that she felt more at ease when just worrying about herself. She’s seen what happens when she finally cares for someone and it bites her in the ass (Andrea), but tonight we also saw how Rick’s group is actually one that she could truly belong even if it means opening herself up more to them and risking being hurt again.

“Clear” was clearly one of this show’s strongest episodes and the fact that it had Lennie James in the cast list was no accident. His only other appearance on The Walking Dead all the way back in the extended pilot is also considred one of this show’s best. While it looks like tonight might’ve been a one-off Morgan appearance there’s always hope that Rick and his people will run into this LaMOE when things become desperate for them. I sure hope that tonight’s episode was not the last time we see Morgan Jones as played by the great Lennie James.


  • Tonight’s episode, “Clear”, was written by next season’s new showrunner in Scott M. Gimple w/ series newcomer Tricia Brock in the director’s chair.
  • That was some coldhearted shit that Rick w/ Michonne and Carl pulled on that lone hiker on the road. Considering all the issues these people have had with strangers I think most people would agree with just driving past the guy.
  • Looked like the makeshift sign telling one Erin that her people were going to Stone Mountain didn’t end up going well for this Erin as the zombie with Erin wristband showed in the cold opening.
  • Oh shit on a cracker! news that Lennie James would return as Morgan Jones was received well by fans of the show, but the fact that he shows up in tonight’s episode should be a delight to fans all-around.
  • Love the different looks given by Rick and Michonne after seeing Carl gun down Morgan. From Rick it was that look that he can’t believe his son just did what he did. Michonne’s expression was more of respect like seeing Carl was truly turning into a true badass.
  • That is some very inventive booby traps laid out by Morgan.
  • That is also a lot of guns. I am envious.
  • Makes one wonder how Morgan got a hold of all those guns.
  • Rick and Morgan seem to have more in common. They’ve both lost people they love but where Morgan’s son Duane was unable to defend himself the same turned out differently for Carl who seems to be turning out a better survivor in this new world that his father.
  • Stupid actions by Carl to retrieve something for Judith, but it was a nice moment which helps both Carl and Michonne bond together. Plus, it was a nice, compassionate gesture Carl wanted to give his baby sister.
  • Chandler Riggs’ performance during his scenes with Michonne was up and down, but it was mostly up and it was nice to see that realization on Rigg’s performance that Michonne was someone he could trust.
  • Michonne actually smiled in tonight’s episode which helped opened up the character to something other than a glowering badass.
  • Will this be the last we see of Lennie James as Morgan on this show? After tonight’s episode I’m hoping the answer is no.
  • Hitchhiker looks like he should’ve been more quiet after trying to catch up to Rick and his group.
  • Zombie Kill Count of tonight’s episode: 9 (6-8 more off-screen)

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: Made to Suffer
  9. Episode 9: The Suicide King
  10. Episode 10: Home
  11. Episode 11: I Ain’t a Judas

Review: The Walking Dead S3E11 “I Ain’t a Judas”


“You once said this wasn’t a democracy. Now you have to own up to it.” — Hershel Greene

This Sunday wasn’t just the premiere of a new episode of The Walking Dead, but also the airing of the 85th Academy Awards Show. So, my ind was being pulled in two directions all night. This will account for the lateness for this latest episode review. When I finally was able to actually sit down and watch “I Ain’t no Judas” properly with no distractions I found the episode to be one of the better set-up and filler entries in this highly popular, but uneven series.

This latest episode finds Rick’s leadership being questioned by those in his group. Whether it’s Glenn who is still angry at the treatment he and Maggie received from the Governor and his lackeys. It didn’t help Glenn’s temper much that one of those lackeys happen to be one Merle Dixon and now becoming a part of Rick’s group by necessity. If it wasn’t Glenn then there’s Hershel who knows what Rick has been going through mentally and the cause of it and sympathizes, but at the same time wants Rick to cowboy up and take responsibility once more for naming himself their dictator. It was a nice moment to see Hershel voice what every fan of the show has probably been saying since the death of Lori in the first half of this third season. While Rick going through some mental instability does make for some interesting paths the show can take in the future it doesn’t help this current narrative where the prison group must now contend with the Governor and his army which has them outmanned, outgunned and literally put under siege.

The surprising part of this episode was to have Rick’s own son advice him to relinquish the role of leader to someone else. Let Hershel or Daryl take charge from now so Rick can find some peace and time to mourn what he has lost. Chandler Riggs as an actor still has a ways to go before one can call him a very good child actor, but this scene was another step towards that as we see him not just as a young child having to grow up quickly but as one of the grown-ups who has taken it upon himself to lead the group. That scene alone shows just how much Rick has fallen into despair and how much more tough-minded Carl has become. One could easily see the son taking over as leader in the future either sooner or later.

The rest of the episode was focused more on Andrea as she finally realizes that the two groups she has come to see as family were now gearing up for a bloody war that she knows there’ll be no winners. On one side is the people of Woodbury who she come to care about and want to see protected. Then there’s her previous “family” which some have called a band of killers, but who she knows better as misunderstood and scared enough to lash out violently at any hint of violence from the Governor and his people.

It’s interesting to note that while both sides were gearing up for a fight that could easily have been avoided as Andrea puts it to Rick and the Governor, this also makes her look so cluelessly naive. She might have learned how to survive alone in the wilds and take on zombies without flinching, but she still clings to the old ways that everyone should and could get along. Andrea continues to either ignore or hope for the best when it comes to the Governor and his inner circle when she knows deep down that the Governor instigated everything and put this war into motion. It was a nice moment when Andrea meets up with Michonne once more in the prison and the latter pretty much acts like she has been vindicated in her decision to leave Woodbury. Andrea was wrong and continues to make the wrong decisions. Sooner or later she will have to pick a side and the way the show has deviated from the comic books there’s no telling that she would pick Rick and her old group over the Woodbury group.

For a set-up and filler episode this was one of the better one for the series as regular series writer Angela Kang seems to have a better grip on the series narrative and the characters. While the episode was one of the so-called “talky ones” it didn’t drag the pacing down. Part of that has to be due to the reunion of Andrea and the old group and the tension that came with it being written and handled well by all involved. Then when things did look like it was about to slow down we got Greg Nicotero and his gore-wizards at KNB EFX come up with one of the more gruesome and disturbing zombie gore scenes for the show. For a series that’s been quite liberal in showing gore and violence on the screen the impromptu curb-stomping and limb-chopping done by Andrea and Milton on a zombie was even more gruesome than usual.

There’s now 5 more episodes left to this third season and we’re seeing the two sides begin to moves pieces on the proverbial board as the inevitable final showdown between Team Rick and Team Governor will resolve itself by season’s end. There’s a good chance not everyone will make it out alive by the time this third season ends. The question now is whether the writers will follow the comic book path and abandon the prison and go back on the road or will the survivors of the two warring parties finally unite to create a safe haven for everyone.


  • Tonight’s episode, “I Ain’t no Judas”, was directed by series regular and make-up effects maestro Greg Nicotero and written by series regular Angela Kang.
  • Even with most of the group of the mind to take Merle out the back and feed him to the zombies for his actions while in Woodbury I actually do believe he’s the best chance this group has got against the Governor and, in his heart, Daryl knows this too.
  • Great to see Hershel doing more than just trying to channel his inner-Dale and actually letting it be known to Rick and everyone else that their leader needs to get his mind out of his ass and get to leading.
  • Which is what Carl seems to think Rick has lost the will and stomach for. Hershel and Carl are both right. Whether Rick listens to one or the other is a different matter altogether with the ghost of Lori leading him at the moment.
  • Tonight’s episode was Andrea-centric and I think it suffers not because of dealt with the story from her perspective but because the actor playing Andrea just seem to have lost any sense of portraying the character with any subtlety at all. Just how much better would the Andrea character would be if it was being played by someone else is something future pundits would be talking about for years to come.
  • Glenn, Glenn, Glenn…you seem to have become this season’s second half idiot with the way you’ve been acting. Nice work by Steven Yeun, but this current state of the Glenn character could easily derail one of the show’s more pragmatic and even-handed characters. He’s really toeing the line of turning into a hysterical character ready to pop-off at anyone at a moment’s notice.
  • Hate him or not, Merle’s a survivor and understands his best chance of living is with Rick’s group despite being outnumbered. Great scene between him and Hershel who looks to try and bridge the gap between the Merle he probably hates for putting Maggie and Glenn through the ringer while in Woodbury and the Merle he knows has the skills the group needs to weather the storm on the horizon that is Woodbury and the Governor.
  • Not many zombie kills tonight but there was one highlight scene that will go into KNB EFX’s growing portfolio of great zombie effects work. It’s a scene that has arms being chopped off and a curb-stomping sequence that would make those who winced at a similar scene on American History X turn away from the tv.
  • The episode ends with Beth Greene singing a song (she’s become like the groups bard or something) straight out of Tom Waits’ 1999 album, Mule Variations, and that alone makes “I Ain’t no Judas” worth watching.
  • Zombie Kill Count of tonight’s episode: 3 zombies (a very slow zombie-killing episode).

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: Made to Suffer
  9. Episode 9: The Suicide King
  10. Episode 10: Home

Review: The Walking Dead S3E09 “The Suicide King”


“You came through like always.” — Hershel Green

[some spoilers within]

It’s been months of waiting since the exciting mid-season finale of The Walking Dead‘s third season. This season has been quite a revelation in that it put some of the lost faith fans of the show had after the very uneven 2nd season under the split caretakers of Frank Darabont (fired after the first half of season 2) and Glen Mazzara (took over after Darabont’s departure). Under Mazzara’s guidance as the show’s showrunner the show has done a great job at fixing some of the major issues the show had been criticized about throughout season 2.

Season 3 has been faster-paced and didn’t rely too much on the use of exposition info-dumps to explain what was going on in the show. The action during the first half of season 3 wasn’t just for the thrill that fans wanted more of, but also allowed the show to show rather than tell the episodes. This was something that had been a major problem under Darabont’s guidance. Mazzara realized the problems and did some major course-correcting on the show’s narrative that even major detractors of the series had to concede that the show had breathed new life to what had become something that stagnated.

The Walking Dead broke for it’s mid-season winter hiatus with the excellent “Made to Suffer” episode. With two months of waiting to go through some things occurred behind-the-scenes on the show that could affect the series going forward with the second half of season 3 and the show’s future, in general. First, AMC announced that a fourth season of the show was being greenlit (worst kept secret), but the second news was more of a downer as the network announced that showrunner Glen Mazzara was leaving the show. Rumors as to why he was leaving has been flying since the announcement with creative differences between Mazzara and the show’s executive producer and comic book creator Robert Kirkman. We may never know the full details on what occurred behind-the-scenes, but it looks like The Walking Dead as a series may go through another course-correction that may help of hurt the show. Time will tell and hopefully incoming showrunner Scott Gimple (also one of the series’ veteran writers) will keep the show going on the positive end of the ledger.

“The Suicide Kings” marks the second half of season 3 and we pick up pretty much where the mid-season left-off with the Governor pitting the Dixon brothers against each other to appease the Woodbury mob who has just been violently woken up from their “idyllic” existence inside the walls of the town. The scene itself was milked for tension as we’re not sure (once the deathmatch began) whether Merle was actually going to kill Daryl in order to prove his loyalty to the Governor. Fortunately, this doesn’t last too long as the two brothers soon fight back-to-back against the Woodbury guards leading shackled walkers towards them. But it was the timely intervention of Team Rick and his well-trained “commandos” who finally broke the Dixon brothers out of the precarious situation and also shatter whatever illusion of safety the Woodbury residents had been holding onto even after the initial raid by Team Rick.

The  bulk of the episode showed the two opposing groups having to deal with the effects of the raid and rescue by Rick’s group against the Governor and the town of Woodbury.

For a cold opening this one is pretty up there in setting the tone for a show’s return. We see how much Rick values Daryl as a member of his group that he would be willing to return to a place that hates him right now in order to rescue his right-hand man. It also helped showed how much the events that took place prior to this episode was affecting the Governor. With tear gas spreading and chaos reigning he calmly walks through it all with no care as to the safety of the people he declared himself as their protector or even as to his own safety. We see in these early moments a man who has lost everything he has cared about and just want blood from those he blames for his loss. The Governor during the rest of the episode looks to be setting himself up for a war and one he intends to win. He’s not out to rule over a grateful flock. In fact, he seems relieved to not having to pretend to be a benevolent leader anymore.

Rick, on the other hand, continues to crack under the weight of leadership. His decision concerning the Dixon brothers has begun to cause dissension amongst his own people not to mention that whatever psychological toll the death of Lori during the first half of the season really has gone away but has gotten worst. Andrew Lincoln’s performance as he becomes unhinged at the end of the episode was quite telling as it helps the viewers look at him less and less as a badass leader, but one with concern that he might be as big a danger to the group as the Governor. Even his own son Carl looks to be setting himself as a better leader of the group than his own father. Carl still mourns and worries about what he had to do to Lori, but at the same time we can see that he’s able to move on from such a traumatic event to help protect the group.

Will Carl be able to go against Rick when the time comes and a decision has to be made as to who should lead the group? We shall see if the writers will explore this aspect of the father-son dynamic as the season rolls onto it’s season finale.

As for the rest of the cast we get to know a bit more of Tyrese and his people. One, Tyrese seems like a genuinely good person just looking for a safe place for his sister Sasha and the rest of what had been a group of 25 people. Two, we learn that Allen and his son Ben of Team Tyrese are setting themselves up for a rude awakening if they think Carl and Carol will be easy to overpower for their guns thus take over the prison for themselves. If these two only knew what Carl has had to do since the end of season 2 they’d be backing away in fear of the original Lil’ Asskicker.

There’s also the interesting subplot developing between Glenn and Maggie. The two lovebirds look to be going through a personal crisis since their escape from Woodbury and the attentions of the Governor. Where Maggie seems to be holding up quite well considering the near-rape she had to go through with the Governor, Glenn on the other hand looks to be playing up the role of the furious significant other who wants revenge on the Governor and Woodbury for what they put his lover through. Maggie, as we can see from her reaction to Glenn’s behavior throughout the episode is none too grateful for being treated like she’s helpless. It looks like there’s some interesting times in store for the show’s resident couple.

“The Suicide Kings” is an apt title for tonight’s episode as we see the opposing kings of the show looking like they’re heading down a path of suicide to punish those they think has caused them heartache and loss but also to finally end the suffering they’re going through. The Governor wants war while Rick just wants and end to everything as a way to get away from the demons and heartache he’s currently going through this season. Time to see which king will finally get their wish by season’s end.


  • Tonight’s episode was written by series regular Evan Reilly and directed by newcomer Lesli Linka Glatter.
  • While he comes off as quite the mad scientist during the early episode of the season it looks like Milton (played by Dallas Roberts) doesn’t seem to be quite sure of the Governor as a leader to follow especially during the “fight club” sequence in the beginning of the episode.
  • Nice to see Merle being Merle (funny and great performance by Michael Rooker) by rewarding Rick and his group rescuing him from Woodbury by mouthing off. Seeing Rick pistolwhip Merle then seeing the look of silent thanks from Daryl was a great moment. Daryl may be sticking with Merle because of their shared blood, but Daryl understands how much more of a big brother Rick has been to him. This makes his reluctant choice to side with Merle in the end to be so bittersweet. Daryl knows his true place is with Rick, but blood calls much stronger.
  • Glenn, Glenn, Glenn….why are you being such a dumbass. Just goes to show that when it comes to man trying to stand up for their woman (or man) sometimes they let their balls do the thinking instead of their brain.
  • When it looked like Carol was about to revert back to being useless, catatonic Carol when she found out about Daryl’s decision to leave the group she surprised me (and probably many) by taking things in stride after having a cry over the initial news. I do hope that the season continues to explore the unique relationship and bond which seem to have grown between Carol and fan-favorite Daryl Dixon.
  • Chandler Riggs continues to improve as an actor this season though at times hints pop up just how much of a newbie he is to the craft. Yet, when it comes to being the silent, badass type he does seem to pull off the type well.
  • When Rick was holding baby Judith in his arms once he got back to the prison there was a moment, just moment, when the look on his face made it seem like he didn’t like what he was seeing when looking down at her and wanted to bash her wee baby head against the wall. Maybe he thought he saw some Shane in her or maybe he thought it would be better off if she never grew up in a world as uncaring and horrific as the world this show has created.
  • Andrea is a character that seems like the writers continually on the cusp of finding the role for, but always comes off as unforgivably stupid or just irritatingly cocksure of herself despite always making the worst decisions each and every time she’s confronted by hard choices. Maybe it’s not the character but the actor Laurie Holden’s performance that’s hampering what should’ve been one of the show’s bedrock, badass characters. Instead, it looks like she’s just a character that’s now on borrowed time with the show’s writers just looking to find a way to give her the proper exit.
  • Rick, my man, looks to be unraveling before our eyes, not to mention in front of the rest of the group, with his hallucination of what could only be Lori’s ghost in the end of the episode as he’s contemplating the decision to whether let Tyrese and his people stay or leave.
  • Zombie Kill Count of tonight’s episode: 13 seen (possibly 8 more off-screen)

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”
  8. Episode 8: Made to Suffer

Review: The Walking Dead S3E08 “Made to Suffer”


“I’m afraid of terrorists who want what we have.” — Philip “The Governor” Blake

[spoilers within]

We’ve finally reached the mid-season finale of season 3 of The Walking Dead. It’s one that changes the dynamics on both groups we’ve come to know through this season’s first half. The season has been a tale of two cities. We have the one with the imposing prison where Rick and his people have chosen to use as their safe haven though losing a couple of their own in the process of doing so. On the other side is the almost-idyllic town of Woodbury where it’s leader in the Governor plots to keep his charges safe but also unaware of what truly transpires before his charming smile. It’s not just about the differences between the two groups of survivors but between the men who lead them.

“Made to Suffer” begins with a new group of survivors in a forest being attacked by a number of zombies. It’s a small group of five and we learn quickly enough the name of the group’s leader. It’s a name that’s been speculated on since the start of the show over two year ago. There were rumors that the writers had decided that the character might not ever make it to the show since it was already starting to bulge around the edges with some many names both main and supporting. While the secret about this character (who was an integral part of the comic book for almost five years) appearing on the show was revealed a couple weeks ago tonight saw the first appearance of Tyreese to the merry band of survivors.

The introduction of Tyreese should make for an interesting second half to this season as we get another Alpha Male to compete for the leadership role on the show that already has Rick and the Governor. For the moment Tyreese and his small group of survivors must contend with a much more resourceful leader-in-training in Carl who has been left behind to protect the other half of the group in the prison while Rick and his group went onto Woodbury.

Tonight’s episode was all about the confrontation between Prison vs Woodbury that’s been building up all throughout this first half of the third season. The fact that the writers made this confrontation not last through most of the third season is another sign that this season is more about keeping the story on the move instead of stopping to contemplate on the nature of the new world and its affect on those left behind. This narrative style of less is more has done wonders in making the show regain the tension that was built during the truncated first season, but was almost wasted in the sophomore effort.

With the Rick group sneaking into Woodbury to rescue Maggie and Glenn we get to finally see how the two competing groups would stack up when put up against each other. To say that Rick and his people look to be the better survivors would be an understatement. As we’ve learned throughout this first half of season 3 Rick has honed his band of survivors into an efficient group of killing machines. They move in precise, military-like manner to the point that even the Governor could see it and knew they were outclassed despite his group’s numerical superiority. It’s a testament to the hardship Rick and his people had to go through during the months between season 2 and 3 out in the wilderness in a day-to-day survival mode. It’s made his group hardened veterans with no weak links. On the other hand, the Governor has kept such a tight grip on power and information flow with the survivors in Woodbury that most were ill-equipped to deal with any attack of sufficient force.

One cannot say that Rick’s own methods were better than the Governor’s but the difference between the two seem to be that where the former sheriff’s deputy acted like a dictator in his own way he also kept everyone in the loop with what he wanted to do. The same couldn’t be said about the Governor who seemed to keep most everyone except for a handful of confederates at arm’s length. Even one of his most trusted lieutenant’s in Merle he didn’t fully trust. This differences between these two leaders meant a successful, albeit a costly one, rescue operation by episode’s end.

By the end of the episode we also find out that things might not be right with Rick mentally as we were led to believe after his bout with the prison telephone. The weight of leadership looks to be creating strains on Rick that could prove detrimental to the survival of those he cares about as we await the season’s return in a couple months. We also learn that the Governor doesn’t stand betrayal too easily as we see his reaction to the return of Michonne and the aftermath of that return. Both leaders are now set to suffer the consequences of their two groups meeting up. Rick losing two of his people (though as we see at the cliffhanger ending to the episode that there’s still hope for a fan favorite to survive) and the Governor losing whatever grip on humanity he might have had with the true death to his zombie daughter Penny.

This mid-season finale has been everything the season has been remaking the show to be. It’s been fast, thrilling and bare bones. We still don’t know too much about some of the side characters on the show, but we get glimpses to their changes through actions rather than long-winded expository scenes that weighted down the second season. Tonight’s episode shed a light on characters and their motivations and most of it through dialogue-free sequences. Even the speech made by the Governor in the end showed a lot about this man’s personality and done so without making it sound like it was for the audiences benefit and not to move the story forward.

It’s going to be a long two month wait, but as we’ve seen with the show’s fans even during a maddening and frustrating season 2 it’s a fan-base that will come back and come back hungry for more of The Walking Dead. The question now is whether this prison vs Woodbury story arc will finish this second half of the season or will we continue to see the prison as a setting for the show beyond season 3.


  • Tonight’s episode was directed by series regular Billy Gierhart and written by series producer and creator of the comic book, Robert Kirkman.
  • Welcome Tyreese and his ever-present claw-hammer.
  • A name from the comics but used on a throwaway character (same as the comic) appear in the cold opening: Donna.
  • Now we have an idea why the prison doesn’t seem to be running out of zombies even after the initial clear out by Rick and his people then after Rick’s Killpocalypse rampage during episode 5.
  • Glenn definitely is made of sterner stuff this season and has a MacGuyver streak in him by creating makeshft shivs out of a zombies splintered forearm bones.
  • Axel is still an unknown factor on the show despite helping Rick and his group earlier in the season, but his interaction with both Beth and Carol was both creepy and hilarious.
  • Carl doesn’t like Axel making the moves on his woman.
  • Nice move by Mazzara and the producers to bring back Jon Bernthal to make a brief, but important cameo, in tonight’s episode as Shane.
  • Despite being outnumbered it’s really interesting to note how much more dangerous Rick’s group when compared to the Governor and his Woodbury Bunch. Even the Governor admits that his people are survivors and not military who he thinks Rick and his people are.
  • Carl is becoming more and more like Rick: Taking charge though he doesn’t seem to want to and looking at the world through a pragmatist’s eyes.
  • Even Tyreese can see that Carl is more man than boy now. Carl has improved and gotten a major reset this season while another character like Andrea just continues to stump the writers.
  • Fight between Michonne and the Governor was even better than the one between Rick and Shane from season 2 and that’s saying something considering those two’s fight was one brutal of a fight.
  • We end the episode with a side profile view of the Governor’s face that’s literally a cover artwork from the comic book.
  • Zombie Kill Count of tonight’s episode: 12.

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”
  7. Episode 7: “When the Dead Come Knocking”

Review: The Walking Dead S3E07 “When the Dead Come Knocking”

“I’ll call the cops!” — unnamed hermit

[some spoilers within]

We’re getting close to the halfway point of season 3 of the Walking Dead. It’s been a season of many surprises and most of it coming from what looks like a soft reset by the show’s newest showrunner Glen Mazzara. He and his writers seem to be on a mission to fix the myriad of problems and issues the show ended up showing during it’s first full-length season with it’s second one. We don’t get as many prolonged quiet and slow moments that sucked any sort of momentum the show’s episodes would gather. We’ve also seen episodes this season that seemed much tighter in a narrative sense. No more dangling subplots that would stretch over several episodes. There was a concern that the fate of Carol would remained unanswered after the game-changer fourth episode of the season, but the writers didn’t stretch out the mystery as we saw it answered during last week’s episode.

Last week we saw a moment in the show that somewhat mirrors the original comic book source as Merle was able to take both Glenn and Maggie hostage and back to Woodbury. Something similar happens in the comic book, but other than Glen being the common participant in both iterations the show’s writer continue to mine the original source but do so in their own way and giving the moment more of an emotional impact moving forward than the original ever had. So, we find two of Rick’s group in dire straits while finding a surprise newcomer just outside the prison fence.

Tonight’s episode, “When the Dead Come Knocking”, and it marks the show’s penultimate entry this season before the mid-season finale that looks to pit the season’s two groups of survivors against each other. While we don’t actually see the two groups finally confront each other we get a lot of pieces being moved across the show’s board that the mid-season finale should be quite an apocalyptic event.

We do get a lot of Michonne finally doing more than glower at everyone around her and get hints at some personal issues that might be something leftover from before the zombie apocalypse. Her reaction to Rick grabbing her arm spoke volumes and why she was so intent to keeping Andrea with her. Her distrust of men could mean many things, but the fact that she’s willing to help Rick get his people back from the Governor speaks volume to Rick as a leader. Where the Governor charmed and cajoled and promised Michonne that she was free to go the same didn’t happen with Rick. He was literally quite the opposite. He bullied, demanded and promised her nothing but confinement until her motives could be better ascertained. While she might not be trust Rick right now it looks like Michonne prefers his no-BS way of doing things to the disingenuous one by the Governor.

It’s the difference between how Rick deals with strangers and how the Governor does things when in the same situation that tonight’s episode focuses on. While Rick has become hardened by his time in this new world of zombies since awakening from his coma he still seems to retain a semblance of the humanity that he’s been trying to leave behind in an attempt to keep his people alive. We’ve seen Rick do some unforgivable things this season, but we still hope that he doesn’t go full-on Col. Kurtz. It’s Rick’s attempts to balance cold-hearted pragmatism with his sense of right and wrong idealism that has made this character much more complex than it’s comic book counterpart.

On the other side we have the Governor who continues to pull the wool over Andrea’s eyes who still fails to see that the haven she has decided to stay in is quite rotten to the core and it all starts with it’s “benevolent” leader. We see less and less of his charming side and more of the sociopath he’s turning out to be. Tonight helps cements the idea that the Governor never came back from whatever abyss he went through in the beginning of the zombie apocalypse. He has stayed there in the justification that what he does he does so for the greater good of everyone. Yet, we see how even his inner circle of fighters and muscle fear him. It doesn’t help that the Governor was more than willing to use the prospect of rape to get what he wants.

So, we have this season’s two leaders on a trajectory, especially after tonight’s episode, to finally meet. On one side we have Rick who has gone through his own brand of hell on earth and seem to have come out the other side just as resolute, but still with some compassion to keep his humanity intact. On the other is the Governor who looks like Rick’s opposite mirror image. A man willing to do the worst and beyond if it means he keeps what he thinks is his.

There was some decent moments in tonight’s episode and most of it involved Glenn and Maggie as we saw just how far the two were willing to go to keep the information the Governor wants from him. It took an entire episode of the two lovebirds (and by now, especially after tonight we should finally realize the survivors really do love each other) to finally crack and it’s interesting to see who it was of the two who finally spilled the beans and for the reason why they finally broke. It was some fine work by both Steven Yeun (who got his  Hulk out moment as he goes one-on-one with a zombie while tied down) and Lauren Cohan (who also had to go through some major indignities that made tonight’s episode very difficult to watch). Even David Morrissey shined with his performance tonight as the Governor even if it meant watching him attempt some very awful things to his two new “guests”.

“When the Dead Come Knocking” is quite an apt title as the episode ends on a cliffhanger note with Rick, Michonne, Daryl and Oscar arriving outside the walls of Woodbury. The title could mean their arrival means more zombies will be following them to cause havoc on both sides. Or it could mean that death has come in the form of Rick’s group and it’s finally come for the Governor and his people. Either way one looks at it the mid-season episode next week look to be epic and a bloodbath waiting to happen.


  • Tonight’s episode was directed and written by two newcomers to the series with Dan Sackheim and Frank Rezulli respectively.
  • Things are not going to be looking good for our erstwhile hero Glenn Rhee. His character has definitely grown some since his appearance way back in Season 1. The tough times he and the rest of the group has had to live through looks to have toughen him up some.
  • Michael Rooker continues to be quite a surprise this season. He might have dialed back some of his redneck, racist histrionics from season 1 but he still gives off that same aura but a bit more wilier.
  • Love how Daryl has become Carl’s big brother this season. Makes one wonder what those two went through together in the time between season 2 and this season.
  • While still not the best child actor the scene between Chandler Riggs and Andrew Lincoln was a nice poignant moment between father and son concerning Lori and Lil’ Asskicker aka Judith.
  • Andrea makes an appearance several times tonight and each and every time the air seems to get sucked out of the room and the episode slows down. Even the potential that is Milton in these scenes seem to be lessened because of her in the same scenes.
  • Glenn just went all straight warrior on that zombie. He may not be the biggest in the group but he sure can fight.
  • As I thought it would be it looks like Maggie’s role in being a prisoner in Woodbury takes the place of another character’s in the same situation in the comics.
  • With all the zombie killing and the deaths of characters in this show’s three seasons the scene between Maggie and the Governor might have been the hardest to watch.
  • Interesting how nonchalant Rick and his people have become when its just a lone zombie bearing down on them.
  • Oscar looks to be fitting in well as T-Dog’s replacement in the group. Though I love his reaction when he realized what Rick, Daryl and Michonne were going to do with the unnamed LaMOE (Last Man On Earth) whose cabin they group escaped a big group of zombies to.
  • I this episode might have been the very first time we saw the zombies swarm and devour a body (outside of poor Secretariat in the pilot episode) in full daylight. The gore on the show whenever someone gets eaten seems to always occur in low light or night time.
  • Funniest moment in tonight’s episode: man being devoured by a horde of zombies then the show cuts to a KFC commercial.
  • If people think the relationship between Glenn and Maggie is one of convenience should have it changed after tonight’s episode.
  • For all his charms and good looks it looks like the Governor might have just earned himself the undying hatred of many of the show’s fans with tonight’s episode as we see more and more of his sociopathic tendencies.
  • Despite Daryl having become Rick’s right-hand man through it all it will be interesting to see which side he will pick when he finally meets up with Merle again next episode. As the saying goes, “Blood is blood.”
  • Zombie Kill Count of tonight’s episode: 17.

Past Season 3 Episode Review

  1. Episode 1: “Seed”
  2. Episode 2: “Sick”
  3. Episode 3: “Walk With Me”
  4. Episode 4: “Killer Within”
  5. Episode 5: “Say the Word”
  6. Episode 6: “Hounded”