Lonesome Cowboy: Randolph Scott in RIDE LONESOME (United Artists 1959)

Posted on June 14, 2018 by gary loggins

Randolph Scott and director Budd Boetticher teamed again for RIDE LONESOME, their sixth of seven Westerns and fourth with writer Burt Kennedy. Scott’s a hard case bounty hunter bringing in a killer, joined in his trek by an old “acquaintance” with an agenda of his own. Everyone’s playing things close to the vest here, and the stark naked desert of Lone Pine’s Alabama Hills, with its vast emptiness, plays as big a part as the fine acting ensemble.

Ben Brigade (Scott) has captured the murderous Billy John and intends to bring him to justice in Santa Cruz. Coming to a waystation, he finds Sam Boone and his lanky young companion Whit, known outlaws who’ve heard the territorial governor is granting amnesty to whoever brings in Billy. Also at the station is Mrs. Crane, whose husband has been murdered by marauding Mescaleros. Sam’s interested in forming a partnership and taking Billy…

View original post 394 more words

Film Review: Game Night (dir by John Francis Daley and Jonathan Goldstein)

Posted on June 13, 2018 by Lisa Marie Bowman

In this time of division and conflict, can we all agree that Game Night is a damn funny movie?

The film tells the story of three couples who regularly get together for, as the title suggests, a game night. Ryan (Billy Magnussen) and Sharon (Sharon Horgan) are quirky and a little bit daffy. Kevin (Lamorne Morris) and his wife, Michelle (Kylie Bunbury) are generally dependable and Michelle has a really interesting story about the time that she met a man who may have been Denzel Washington but probably wasn’t. Meanwhile, Annie (Rachel McAdams) and Max (Jason Bateman) are an ultracompetitive married couple, frustrated in their attempts to conceive a child but always confident in their ability to win any game that they play. At one time, Gary (Jesse Plemons) and his wife used to be a part of the group but, after they got divorced, Max and Annie stopped inviting him. You really can’t blame them. Gary’s seriously creepy.

And then there’s Brooks Davis (Kyle Chandler).

Brooks is Max’s brother and, at first glance, he would appear to be everything that Max isn’t. Brooks appears to have a lot of money. He claims to have a successful career, even if no one’s quite sure what he does for a living. He drives a nice car. When he comes to town to visit his brother, he rents out a mansion. Brooks is the type of older sibling who always has an embarrassing story or two to share about his younger brother. In fact, Max feels so inadequate when compared to Brooks that it’s even interfering with Max and Annie’s efforts to have a child. When Brooks invites everyone to come to his house for a very special game night, Annie and Max are determined to beat Brooks at whatever game he’s planning on having them play.

It turns out that Brooks has hired a company to put on an interactive role-playing game. While listening to a fake FBI agent (Geoffrey Wright) explain the background of the mystery that they’re about to solve, the couples are shocked when several masked men burst into the house. Everyone’s impressed as the men beat the fake FBI agent unconscious. When the men start beating up Brooks, everyone praises Brooks for the realism of his game. After Brooks is dragged out of the house, the couples set out to solve the mystery of who is behind this kidnapping. As for the fake FBI agent, he lies on the floor motionless. Even when Ryan kicks his body, the agent doesn’t move. Everyone agrees that the agent is a really good and committed actor.

Of course, the joke is that Brooks really has been kidnapped but nobody realizes it. It’s a good joke but, to the film’s credit, it’s not the only joke. In fact, Game Night actually get funnier after everyone eventually realizes that they’re no longer playing a game. Ever after they realize that Brooks actually has been kidnapped, Annie and Max are so competitive that they still keep trying to outdo everyone else.

Annie and Max also discover that they have no choice but to involve their creepy neighbor and former friend, Gary. Jesse Plemons doesn’t have a lot of screentime but he gives a performance that is so exquisitely strange and awkward that he ends up stealing the entire movie. Watching Plemons, you both feel sorry for Gary and understand why no one wants to play with him. His desperation to be apart of the group is both exasperating and somewhat touching.

In fact, the entire cast does a good job, bringing their often clueless characters to life. Max and Annie are a likable couple and Bateman and McAdams have a natural chemistry that makes them a lot of fun to watch. There’s a great scene where Max and Annie, still thinking that they’re just playing a game, subdue a group of criminals in a bar. Max and Annie’s clueless joy is intoxicating. They’re having fun playing at being tough and we’re having fun watching them. Of course, it eventually turns out that the gun that Annie thought was a toy is real and loaded and … well, things get a little bit messy. While the scene where Annie and Max try to figure out how to dig a bullet out of a man’s arm may have made me cringe a little, it also made me laugh. That’s a credit to both Bateman and McAdams, who made the scene both real and funny at the same time.

Anyway, I really enjoyed Game Night. Clocking in at 100 minutes, it’s a briskly paced and good-natured comedy that never makes the mistake of lingering for too long over its own cleverness. Director Jonathan Goldstein and John Francis Daley both redeem themselves for 2015’s Vacation. If, earlier this year, you missed this one when it was in theaters, see it now and have a good time.

Well of Loneliness: Randolph Scott in THE TALL T (Columbia 1957)

Posted on June 12, 2018 by gary loggins

cracked rear viewer

I’ve told you Dear Readers before that Randolph Scott stands behind only John Wayne in my personal pantheon of great Western stars. Scott cut his cowboy teeth in a series of Zane Grey oaters at Paramount during the 1930’s, and rode tall in the saddle throughout the 40’s. By the mid-50’s, Scott and his producing partner Harry Joe Brown teamed with director Budd Boetticher and writer Burt Kennedy for seven outdoor sagas that were a notch above the average Westerns, beginning with SEVEN MEN FROM NOW. The second of these, THE TALL T, remains the best, featuring an outstanding supporting cast and breathtaking location cinematography by Charles Lang, Jr.

Scott plays Pat Brennen, a friendly sort trying to make a go of his own ranch. Pat, who comically lost his horse to his old boss in a wager over riding a bucking bull, hitches a ride with his pal Rintoon’s…

View original post 449 more words

What Lisa Watched Last Night #182: Stalked By My Doctor: Patient’s Revenge (dir by Doug Campbell)

Posted on June 11, 2018 by Lisa Marie Bowman

On Sunday night, I watched the third chapter in the Stalked By My Doctor franchise, Patient’s Revenge!

Why Was I Watching It?

The obvious answer is that I was watching it because it was on Lifetime. This summer, Lifetime is going to be premiering a new movie every Sunday. Given my obsession with Lifetime movies, it shouldn’t be hard to guess what I’ll be doing on most Sunday nights.

Of course, at the same time, I absolutely loved both Stalked By My Doctor and Stalked By My Doctor: The Return. There was no way that I was going to miss the next chapter in the saga of Dr. Albert Beck.

And finally, there’s the Eric Roberts factor. Quite a few of us here at the TSL Bunker are fascinated by the always interesting, often downright bizarre career of Eric Roberts. He’s a talented and always quirky actor who apparently really likes to work. The appeal of Eric Roberts is you never know where he’s going to turn up. You can find him in theaters. You can find him on Lifetime. You can find in him in blockbusters and you can find him in short students films. You can even find him in music videos. Eric Roberts is everywhere! And, even more importantly, he’s always willing to throw himself into every role that he plays, no matter how bizarre that role may be.

What Was It About?

Following the events of the second Stalked By My Doctor film, Dr. Albert Beck (Eric Roberts) was put on trial for kidnapping Sophie Green (Brianna Joy Chomer). Despite all of the evidence against him, Dr. Beck was acquitted. (Perhaps it had something to do with the way he smiled and waved at one certain juror during the trial…) Now, Dr. Beck is teaching at a college in Arizona. To most people, Dr. Beck appears to be perfectly normal, if understandably anxious. However, it doesn’t take long to discover that Dr. Beck still has plenty of issues.

For instance, the first time he steps into a classroom, he immediately imagine all of his students undressing in front of him. Whenever Beck talks to himself, he imagines that he sees another Dr. Beck sitting in front of him. The imaginary Dr. Beck wears a Hawaiian shirt and always seems to disagree with whatever the real Dr. Beck wants to do.

Following Beck’s acquittal, Sophie has started dressing in all black. She’s also secretly transferred to Dr. Beck’s school, where she immediately starts to circulate a petition to get him fired. However, Dr. Beck apparently has a new girlfriend. Her name is Melissa (Anna Marie Dobbins) and she appears to be just as obsessed with Dr. Beck as Dr. Beck once was with Sophie. When Melissa says that she’ll do anything to protect Dr. Beck, she’s not exaggerating. Soon, Melissa is taking things further than even Dr. Beck could have predicted…

What Worked?

Three words: Dancing Eric Roberts. At one point, out of nowhere, Dr. Beck starts to sing to Sophie. He takes her hand and the two of them start to dance by the side of the road. Of course, it’s another one of Dr. Beck’s fantasies but who cares? It’s a brilliantly strange and unexpected moment and it’s also a perfect example of what makes the Stalked By My Doctor films so much fun. Dr. Beck is such a flamboyantly unhinged character that literally anything can happen.

Just as in the previous two films, Eric Roberts appears to be having the time of his life in the role of Dr. Beck. He’s just so weaselly and desperate to be viewed as normal that it becomes fascinating to watch him try to fool everyone. Each Stalked By My Doctor film starts with the question of just how far Dr. Beck is going to go this time and, thanks to Roberts, it’s always a lot of fun to discover the answer. Rather brilliantly, in this installment, Roberts plays up Beck’s befuddlement. Often times, not even Dr. Beck can believe how crazy he is!

(“Did I do that?” Beck sincerely asks himself at one point.)

Brianna Joy Chomer and Anna Marie Dobbins also did good work in their roles. Dobbins, especially, seemed to be having a lot of fun outcrazying Dr. Beck.

There’s a twist towards the end of the movie, of course. You might see the twist coming but it’s still entertaining. In fact, the whole film is entertaining. This is a fun and over-the-top Lifetime melodrama, one that knows better than to take itself too seriously. With each wink at the audience, it invites us to relax and enjoy.

What Didn’t Work?

It all worked!

“Oh my God! Just like me!” Moments

Much like Sophie, I used to always wear black. And, much like Melissa, I’ve learned that pretending to faint is a good way to become the center of attention.

Lessons Learned

You can’t keep a good doctor down!

Forgotten Horror: THIRTEEN WOMEN (RKO 1932)

Posted on June 9, 2018 by gary loggins

cracked rear viewer

I pride myself on having seem almost every horror film made during the 1930’s, though once in a while an obscure title comes along whose attention has escaped me. But how on Earth did I miss THIRTEEN WOMEN, especially with a cast headlined by Irene Dunne (of all people!) and Myrna Loy ? This fast-paced thriller involving hypnosis, astrology, and serial murder is downright nasty, and has been cited as a precursor to the “slasher” genre… not to mention a whole lot of fun!

We begin with circus performer June Raskob receiving a letter from the mysterious Swami Yogadashi with her horoscope attached, predicting impending doom in the stars for her. But it’s her sister who dies, plunging to her death during their trapeze act (shown in gruesome detail), and poor June goes hopelessly insane. The scene shifts to exotic half-caste Ursula Georgi, who has the Swami under her hypnotic…

View original post 487 more words

A Hidden ‘Poil’: THREE MEN ON A HORSE (Warner Brothers 1936)

Posted on June 7, 2018 by gary loggins

cracked rear viewer

Frank McHugh got a rare starring role in the comedy THREE MEN ON A HORSE, based on the hit Broadway play by George Abbott and John Cecil Holmes. McHugh was usually cast as the funny friend of fellow members of “Hollywood’s Irish Mafia “ James Cagney and Pat O’Brien, but here he takes center stage as a meek, hen-pecked type who has an uncanny knack for picking winning horses – as long as he doesn’t bet on them!

Greeting card writer Erwin Trowbridge is beset by a whiney wife, obnoxious brother-in-law, and bullying boss. After a row with wifey brought on by meddling bro-in-law, Erwin leaves his humble Ozone Park, Queens abode and decides to skip work and get sloshed. Stumbling into a seedy hotel bar frequented by Runyonesque gamblers, Erwin gives them a winning pony – then passes out. The three mugs, Patsy, Charlie, and Frankie, bring him up…

View original post 380 more words

Insomnia File #35: Donnie Brasco (dir by Mike Newell)

Posted on June 5, 2018 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

Last night, if you happened to be awake at 2:30 in the morning, you could have turned over to Starz and watched the 1997 film, Donnie Brasco.

Benjamin “Lefty” Ruggiero (Al Pacino) has spent his entire life as a loyal Mafia soldier. It’s the only life that he knows and he can tell you some stories. He remembers the early days, back when men like Lucky Luciano, Frank Costello, and Meyer Lansky were in charge of things. Lefty is proud to say that, over the years, he’s successfully carried out over 20 hits. Lefty is lucky enough to be an associate of an up-and-comer nicknamed Sonny Black (Michael Madsen). While Sonny was in prison, Lefty kept an eye on Sonny’s family. Lefty feels that Sonny owes him. Whether Sonny feels the same way isn’t always quite clear.

Lefty’s problem is that everyone loves him but few people respect him. The aging Lefty is viewed as being a relic and, at most, they merely tolerate his constant bragging. Lefty may fantasize about the big bosses knowing who he is but, when he tries to greet one of them at a party, it becomes clear that he doesn’t have the slightest idea who Lefty is. Lefty spends his time worrying that he’s dying and dreaming of one last opportunity to make a name for himself.

In fact, perhaps the only really good thing that Lefty has going for him is his friendship with Donnie Brasco (Johnny Depp). Donnie is a jewel thief, a tough and volatile orphan who Lefty introduces to Sonny. Sonny is immediately impressed with Donnie. In fact, Sonny thinks so highly of Donnie that he assigns Donnie to look over his operations in Florida. Lefty can only watch as his protegé’s star starts to eclipse his own. But that’s not necessarily a bad thing. As Lefty explains it, Donnie’s success is also Lefty’s success because Lefty is the one who brought Donnie into the crew. Of course, if Donnie ever fails, the failure will be on Lefty as well.

As for Donnie … well, his name isn’t actually Donnie. His real name is Joe Pistone and he’s a FBI agent. When he first agreed to work undercover, he was told that the assignment would only last for a few months. Instead, the months turn into years and, piece by piece, Joe vanishes as he transforms into Donnie. The formerly soft-spoken college graduate is soon beating up waiters and chopping up bodies in basements. His wife (Anne Heche) fears that her husband may no longer exist. “I am not becoming like them,” Joe/Donnie says at one point, “I am them.”

Donnie Brasco is hardly the first film to examine life in the Mafia. It’s not even the first movie about an undercover FBI agent who manages to worm his way into the mob’s hierarchy. What sets Donnie Brasco apart are the performances of Pacino, Depp, Heche, Madsen, and, as a talkative mob associate, Bruno Kirby. As played by Pacino, Lefty may be a hardened killer but he’s also just a working class guy who wishes that his boss would just show him a little appreciation. Lefty may be capable of casually shooting a guy in the back of the head but, at the same time, there’s something heartbreakingly sad about the sight of him tearing up a greeting card that he hoped to personally deliver to the big boss. As for Johnny Depp, he gives a surprisingly restrained performance, rarely raising his voice except when he’s yelling at his family. Donnie may appear outwardly calm but the stress of losing his identity is always present in his eyes.

Interestingly, for a mob movie, there’s little violence to be found in Donnie Brasco. It’s not until 90 minutes in that we get the expected scene of rival mobsters getting ambushed and gunned down. Donnie Brasco isn’t about violence. Instead, the film’s heart is to be found in the story of Lefty and Donnie’s odd friendship. Instead of being about who is going to kill who, this film is about Lefty’s desire to be something more than he is and Joe’s struggle to remember who he used to be before he became Donnie. It’s a touching and effective gangster film and one to keep an eye out for.

Previous Insomnia Files:

Pre Code Confidential #20: SAFE IN HELL (Warner Brothers 1931)

Posted on June 5, 2018 by gary loggins

cracked rear viewer

“Wild Bill” Wellman gave us some of the wildest movies of the Pre-Code Era: THE PUBLIC ENEMY, NIGHT NURSE, FRISCO JENNY, HEROES FOR SALE, WILD BOYS OF THE ROAD. But for sheer, unadulterated sleaze, you can’t beat SAFE IN HELL, chock full of lust, murder, shady characters, and a marvelous performance by the virtually forgotten Dorothy Mackaill.

Scantily clad Gilda Karlson (Mackaill) is a New Orleans prostitute, and there’s no doubt about it right from the get-go! We see her lounging around as she takes a call from her madam (Cecil Cunningham) to go out on a job and show a john a good time. That john turns out to be Piet van Saal (Ralf Harolde), the man she was caught in flagrante delicto with by his wife, leading to her current sordid life. Piet tries to rekindle that old flame (for a price, of course), but Gilda turns him…

View original post 699 more words

What Lisa Watched Last Night #181: Nightclub Secrets (dir by Joe Menendez)

Posted on June 3, 2018 by Lisa Marie Bowman

Last night, I watched the latest Lifetime Movie Network premiere, Nightclub Secrets!

Why Was I Watching It?

Because it was on the Lifetime Movie Network, of course!

However, I also have to say that I really liked the title. Usually, whenever the word “secrets” appears in the title of a Lifetime movie, it’s a good sign. And, let us not forget, this title not only promised us secrets but nightclub secrets as well! As anyone who has watched 54 can tell you, nightclubs are full of secrets…

What Was It About?

It’s the story of two sisters and their alcoholic mother. Rachel (Rachel Hendrix) is wild and does mysterious things. Zoe (Kate Mansi) reads mysteries and teaches a creative writing class, in which she encourages her students to be sadists when it comes to coming up with difficulties for their characters to overcome.

It’s also the story of a murder. When Zoe is informed that Rachel’s been murdered, she decides to investigate her sister’s secret life. It leads to the shy and repressed Zoe getting a job as a “bottle girl” at the same nightclub where her sister worked. How many secrets can you fit in a nightclub? It’s time for Zoe to find out!

What Worked?

I liked the sibling relationship between Rachel and Zoe. It rang true and it’s authenticity provided some needed depth to the film’s plot. Kate Mansi, who played Zoe, has done a quite a few Lifetime films and always does a good job of striking the right balance between emotional honesty and melodramatic fun. As well, I thought Gigi Rice did a good job playing the alcoholic mother.

Towards the end of the film, there was an enjoyably absurd twist. I won’t spoil it in this review but it was still fun, even if it did demand quite a suspension of disbelief.

What Did Not Work?

For a movie that was called Nightclub Secrets, the film really didn’t feature enough secrets about the nightclub. I was hoping for something that would be a little bit more fun and sordid like Confessions of a Go Go Girl or maybe Babysitter’s Black Book. Instead, this movie was a pretty much a standard Lifetime murder mystery that just happened to feature a nightclub.

“Oh my God! Just like me!” Moments

I related to both of the sisters. I can be wild like Rachel. I can be shy like Zoe. Zoe and I both love solving a mystery. That said, I don’t know if I’d ever want to work in a nightclub, if just because I’m not a huge fan of crowds, drunks, or, for that matter, working. So, if I got a job in a nightclub, I supposed it would have to be one of those struggling nightclubs that no one ever goes to. Of course, those nightclubs always go out of business after a few weeks so it probably really wouldn’t be worth the trouble to even apply for the job.

On an unrelated note, I used to live near a nightclub where you were required to bring your tax return if you wanted to get inside. If you didn’t make a certain amount of money, you weren’t allowed to enter. Needless to say, on any given night, you could find the least likable people in the world standing in line outside of the place. If any business was ever begging to be the target of a wacky, Ocean’s 11-style heist, it was that place. Of course, the last time I drove by there, it had been turned into a Gold’s Gym.

Lessons Learned

It’s not easy being a bottle girl.

Stop the Presses!: Howard Hawks’ HIS GIRL FRIDAY (Columbia 1940)

Posted on June 2, 2018 by gary loggins

cracked rear viewer

In my opinion, Howard Hawks’ HIS GIRL FRIDAY is one of the greatest screwball comedies ever made, a full speed ahead movie that’s pretty much got everything a film fan could want. A remake of the 1930 Lewis Milestone classic THE FRONT PAGE (itself an adaptation of Ben Hecht and Charles MacArthur’s Broadway smash), Hawks adds a delightful twist by turning ace reporter Hildy Johnson into editor Walter Burns’ ex-wife… and casting no less than Rosalind Russell and Cary Grant in the roles!

The two stars are in top form as the bickering ex-spouses, with their rapid fire banter nothing short of verbal dynamite. Grant in particular spouts off words quicker than a rapper (where did he get all that wind!) and his facial expressions and comic squeals (reminiscent of Curly Howard!) are simply priceless! Roz is more than his match as Hildy, with one lightning-fast zinger after another. Miss…

View original post 438 more words