Trailer: Interstellar (3rd Official)


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Will Interstellar be as  much a game changer as Kubrick’s own 2001: A Space Odyssey? Some are already hyping that it may just be on that very level.

Now, let’s not crown Christopher Nolan upcoming film (his first since concluding his Dark Knight trilogy) as an instant classic when we haven’t seen anything outside of the trailers released. Yet, the teases and brief explanation of the film’s plot hints at something that may just turn out to be incredible.

I know at least one person here at Through the Shattered Lens who is bursting at the seams at trying not to overhype the film for himself. It may just be a losing battle if his reactions to this latest Interstellar trailer is any indication.

Interstellar is set for a limited release on November 5, 2014 (70mm and 35mm film formats) then wide on November 7, 2014 on digital format.

Trailer: Exodus: Gods and Kings (Official)


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Ridley Scott has been instrumental in bringing back the sword-and-sandal epic when he unleashed Gladiator to audiences everywhere in the summer of 2000. Since then he has made many films which range from black comedy to historical epic right up to horror and a war film.

With Exodus: God and Kings, Scott returns to the sword-and-sandal epic but now with a heavy dose of the Biblical as he adapts the Old Testament Book of Exodus. A film working on the same scope and scale as Cecil B. Demille The Ten Commandments released in 1956, this latest adaptation of Moses, Ramses and the exodus of the Israelites from Egypt looks to put the epic back in 2014.

With each passing year, more and more of Scott’s films have taken on the unavoidable sheen of the CGI as his visuals attempt to recreate time and places of Earth’s past. For some, Scott’s been more miss than hit with the last couple films yet they all remain visual feasts and Exodus: Gods and Kings looks to continue that streak. Whether the film will be good storytelling will be something that’s still to be decided.

Exodus: Gods and Kings is set for a December 12, 2014 release date.

Horror Review: All Souls Day (dir. by Jeremy Kasten)


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All Souls Day was part of the wave of zombie films that continues to flood the direct-to-video (and at times straight to cable) market. This particular zombie movie was written by Mark A. Altman who also wrote the campy and very B-movie-like House of the Dead 2. This was a  zombie flick which actually improved on Uwe Boll’s own House of the Dead that doesn’t really come as a surprise. All Souls Day was Altman’s second try at another zombie movie and while this second attempt wasn’t as fun as his previous one it still managed to be a watchable and interesting zombie movie.

The film’s set in a dusty Mexican town that hides a dark secret from its past. A young couple (played by Marisa Ramirez and Travis Wester) happen upon what seems like an abandoned town. They soon come across a funeral procession and when they inadvertently interrupt the ritual all hell literally breaks loose. It doesn’t help the couple that the only person who seems to be real in this town was the sheriff whose own past ties in with the secret of the town. It was very good to see genre veteran David Keith in the role of the town sheriff. His limited time in the movie was pretty good.

When the town’s people (who by now have shown themselves to be zombies) begin to lay siege on the young couple in the town’s only hotel the rest of the movie gradually shows more of what made this particular Mexican town a death trap for any passerby who happen to come across it on All Souls Day. Soon enough help comes in the form of the young couple’s two friends who arrive in town only to get themselves stuck in the same dire situation the original couple find themselves in.

The resolution of the movie was handled well and it brought a nice supernatural origin and reason as to why the town’s population has turned into flesh-eating zombies. The performances in the film could be seen as being mixed. The more veteran performers like Jeffrey Combs, David Keith, Danny Trejo (as the town’s manipulative patriarch) and Laura Herring perform their roles well without being too over-the-top. The actors playing the pair of young couples on the other hand go from very good to awful in the span of moments in some of the scenes. It’s really this mixed bag in the cast’s performance which keeps All Souls Day from turning into one of those hidden gems in a hill of crap that most zombie flicks turn out to be.

The gore effects in this film was pretty good in the small amount of sequences where the zombies end up doing what they do best once they get a hold of someone. While I was hoping for more of the grue in this particular zombie movie I wasn’t too surprised why it didn’t have more. Other than the pair of young couple there really wasn’t much living people for these zombies to munch on. The film itself show’s it’s low-budget origins in that it looks like something one would see premiere on a random Saturday night on the SyFy Channel. The film actually did premiere on that channel when it was still called SciFi. It’s a look that says TV instead of film, but despite that little nitpick it doesn’t distract much from the experience.

Now, most zombie films of the low-budget variety tend to just have badly done make-up effects. With All Souls Day the filmmakers seem to have done an end-around that budgetary problem by taking a page out of the classic Italian zombie flicks of the 1980’s by making these undead dry, decayed creatures. It’s something that worked well for the Fulci zombies and here it works as well.

All Souls Day was not a great zombie film by any stretch of the imagination, but it had enough entertaining moments and some genuine scary sequences to make it an enjoyable hour and a half of horror viewing on any October night.

Horror Trailer: Dead Snow: Red vs. Dead


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Yes, this was a sequel that we did not see coming. The original film was a good enough piece of zombie horror that brought back some nostalgic feelings of that very obscure zombie subgenre called Nazi zombies. Dead Snow helped put Tommy Wirkola, it’s director, on the map since it earned him the gig to direct the highly-unappreciated Hansel & Gretel: Witch Hunters. The kinetic, gory action from Dead Snow was highly evident in his first Hollywood offering.

Now, it looks like his time with the Nazi zombies (or are they zombie Nazis) wasn’t over as we now have the sequel that’s begun to play in the film festival circuit since the start of 2014. From the trailer shown it looks like Wirkola has turned the gory action past 10 and into 11 for this follow-up.

The comedy looks to be more in the forefront this time around as he introduces a trio of would-be America zombie hunters. What’s a European action horror-comedy be if it didn’t include bumbling, stereotypical Americans. I almost require that they be included in such films.

Dead Snow: Red vs. Dead still hasn’t been given a U.S. theatrical release. It may bypass the theaters in the U.S. altogether and just head straight for home video. Either way be on the look out for Nazi zombies in Tiger I tanks.

Horror Song of the Day: Theme from The Fog (by John Carpenter)


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It’s that time of year again for the gang here at Through the Shattered Lens. October has become a sort of official month for the site with much of the posts and articles being related in some manner to all things horror (or close enough to it).

To start off 2014’s Horror Month here at Through the Shattered Lens I’ve chosen a wonderful and creepy piece of horror film music courtesy of the Master himself, John Carpenter.

It’s a great piece of atmospheric music that more than adds to the encroaching horror that is the film’s title. John Carpenter has done most of the soundtracks to his films and his use of electronic keyboards and synthesizers have become such a unique signature in all his films. The last couple years have seen a sort of revival for Carpenter’s type of electronic/synthesizer compositions. One recent film which made great use of this particular style was Jim Mickle’s Cold In July.

The theme to The Fog remains a favorite of horror fans and its influence on filmmakers today is a nice testament to well-earned classic status.

Trailer: Taken 3 (Official)


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Why are bad guys still messing with Liam Neeson…I mean Bryan Mills. He literally took on an Albanian gang in Paris (of all places) who were kidnapping young, female tourists to sell to Parisian sex-slave auctioneer who only did business with a very exclusive clientele. Then the hometown relatives of said Albanian gangsters tried to take him out. That didn’t work out so well.

Now, this coming January just when Bryan thought his life as a retired government worker with a unique set of skills can finally enjoy retirement with his lovely daughter and rekindle his relationship with his ex-wife people are out to be quite the killjoy once again.

Taken 3 will see Liam Neeson back as Bryan Mills, Maggie Grace as his daughter Kimmy and joined by Forest Whitaker as an LAPD inspector tasked with taking him down for a murder he didn’t commit. Once again this sequel will be helmed by that French director with the awesome name: Olivier Megaton.

Some people say Taken 3 (will not call it Tak3n) is just a rehash of The Fugitive, but I disagree. Richard Kimble never broke people’s throats and shot many people in their heads to find those responsible. The throat breaking alone puts Bryan Mills heads above Richard Kimble.

Taken 3 is set for January 9, 2015 release date.

Review: Gotham S1E02 “Selina Kyle”


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Tonight’s Gotham picked up where the “Pilot” left off and that’s the fallout from the murders of Thomas and Martha Wayne. We find out during the episode that the Wayne family was considered one of the two pillars of the Gotham community which kept the city’s order and status quo. The other pillar being Don Carmine Falcone was a nice touch by the writers. It was this little piece of world-building information that is gradually selling me into this series even this early in it’s freshman season.

The history of Batman, the Wayne family and the underworld which permeates Gotham has been told and retold so many times that it’s hard to imagine that anything new could be added to keep things fresh to hardcore fans of the character and the world. It’s actually been a major problem for comic book and film screenwriters when it’s time to come up with something new and not have it become such a major deviation from the character canon to alienate fans.

Showrunner Bruce Heller must’ve seen something within the backstory and history of some of Batman’s adversaries because he looks to be setting up Carmine Falcone and Fish Mooney as the two main antagonists for season 1. In the comics and in the films we don’t really get to explore these two characters very closely. They’re described as underworld mob bosses and, at times, seen as brutish thugs who just happen to be the heads of their criminal enterprises.

“Selina Kyle” is the title of tonight’s episode though we don’t really see the title character until much later in the episode. The episode itself dealt with a new case for the Gordon and Bullock duo who are still feeling their way around each other. It doesn’t help that Bullock seems to be getting tired of Gordon’s “holier-than-thou” attitude towards him and the rest of the force considering he and many in the force think Gordon killed Cobblepot in the previous episode. We, the audience, know better, but Gordon knows he has to continue to sell that assumption made by everyone.

While tonight’s episode wasn’t as overly busy with cramming as many Batman characters and locations it was still quite packed. In addition to building on the Gordon and Bullock relationship, we also have the episode’s main story about teen runaways being grabbed off the streets by unknown parties. Then there’s still the Wayne murders which the pilot episode showed wasn’t really solved. Will the murders of Bruce’s parents take up the bulk of the first season (I sure hope it doesn’t) or will it get a good enough resolution to help move the season’s narrative towards other more interesting storylines.

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It’s in the last twenty or so minutes of the episode that we finally get to see Selina Kyle. Camren Bicondova has such a unique look that it’s a bit jarring seeing her, at first. Yet, it’s the actress’ very exotic-look that hints at Bruce Wayne and Batman’s one true love turning into quite the seductive beauty. Yet, tonight’s episode just portrayed Selina Kyle as a tough, street-savvy runaway whose major role this season is the fact that she knows who really killed the Waynes.

Now, what really made tonight’s episode keep the series on an upward trend would be the two characters mentioned in the beginning: Carmine Falcone and Fish Mooney.

These two characters have become more interesting in just two episodes than throughout all the thousands of stories told about Batman through the comics, films and cartoons. As played by John Doman and Jada Pinkett Smith respectively, Falcone and Mooney make the show really interesting. These are not costume wearing villains or mentally-scarred antagonists. They’re hardcore criminals, but who have learned how to work within the system that is Gotham’s elite society. Where the show pushes forward that the Wayne family has been and continues to be a longstanding pillar of Gotham community, the show also seems to intimate that it does so with a sort of tacit acknowledgement of the seedier side of Gotham.

John Doman’s performance as Carmine Falcone continues to impress. There’s an almost paternal quality to the character but one that never tries to hide the brutality that’s made him the boss of all of Gotham’s criminal underworld. There was such a nice transition from polite businessman to sociopath mob boss in a space of a heartbeat during Falcone’s impromptu meeting with Mooney that one had to rewatch the scene more than once to pick it up.

Of course, many will point out that Jada Pinkett Smith as Mooney was just as good, but in a much more showier fashion. No disagreement in this corner. Smith’s performance is the opposite of Doman’s and it will be interesting how the power play between the two bosses will develop and how it’ll affect the rest of the cast of characters on Gotham.

This show still has growing pains to go through, but tonight’s episode was a good way in working through it while still trying to tell a compelling story. One thing Heller seems to have gotten right (whether by accident or deliberately) with this show’s writing is that he’s made the villains more interesting than it’s supposed heroes. That’s always been the case with Batman outside the comics and this show just continues to perpetuate it.

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Trailer: Inherent Vice (Official)


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The arrival of a new Paul Thomas Anderson film seems to always be a time for excitement. P.T. Anderson’ films can never be called boring. They’re all entertaining on some level for even those who don’t quite get Anderson’s quirky-style of storytelling.

I’ve admired all of Anderson’s films. Have I liked all of them? Not really, but I can understand why many anticipate each and every new film he releases like it was the second coming.

I have no idea what’s going in just going by the trailer, but it does have a noir vibe going for it. Plus, it has Joaquin Phoenix and Josh Brolin.

Inherent Vice is set to premiere on October 4, 2014 during the New York Film Festival before going wide release on December 12, 2014.

Trailer: Big Hero 6 (2nd Official)


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Big Hero 6 is the next offering from the Walt Disney Animation Studios. While Pixar has the reputation of being the top animation house within Disney, the last couple years have seen the Walt Disney Animation house taking most of the glory. First, there was the surprise hit Tangled which was soon followed up by Wreck-It-Ralph which was both a success with critics and audiences alike. Then last year we saw the unstoppable juggernaut that was Frozen.

Frozen was originally thought to be a weak offering due to a weird marketing campaign, but it soon changed both critics and audiences minds when it came out in November 2013. From there on it just stayed in the weekly top 10 box-office for months.

Now we have Big Hero 6 which brings one of the more obscure Marvel Comics properties to the big-screen. This film looks to take the characters from the original comics, but the story itself looks to be something wholly original. So, fans who have been waiting for either Pixar or Disney to create an animated film using more recognizable heroes from Marvel’s massive library will have to wait just a bit longer.

Big Hero 6 will make it’s premiere at the Tokyo International Film Festival on October 23, 2014 with a wide release on November 7, 2014.

Trailer: Jupiter Ascending


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The Wachowskis, Andy and Lana, have a new film set for release in early 2015. Jupiter Ascending was suppose to come out in 2014, but things happened and now it’s been pushed back for a February 2015 release.

Such a drastic delay in release usually means something major on the negative side of the ledger has occurred and the studio in charge of it’s release have little to no faith in the film. Has Warner Bros. Studios lost faith in the latest Wachowski offering? Is Jupiter Ascending the hot mess that it has been rumored about? Is the grandiose space opera the film is being made out to be making studio exec’s nervous?

So, many questions that most people who like to dwell on the in’s and out’s of filmmaking and the business of making them are probably asking themselves.

My only concern is that the Wachowskis have taken the extra time to make the film they set out to make. They’re one of the few filmmakers who seem to always get to do the sort of dream projects that more successful directors rarely get a chance to or even attempt to try. Whether it’s The Matrix, Speed Racer or Cloud Atlas, the Wachowskis have danced to their own tune and for some reason Warner Bros. continue to give them big-budgets after big-budgets to get their next dream project made into reality.

Here’s to hoping Guardians of the Galaxy being such a huge success will help this upcoming space opera turn it’s February release (usually a place where films go to die) into a new addition to the resurgence of the space opera.