Yes, I know it’s another trailer for a zombie series. Even with my love for all things zombie fiction, I must admit that we’ve reached beyond the point of oversaturation. There’s more and more bad zombie fiction (in TV, film, books, etc.) than there are good ones. Once in awhile we will get something that puts a new spin or adds something new to the zombie genre.
We saw this with 2016’s The Girl with All the Gifts and South Korea’s Train to Busan. Even the darling of all things zombie fiction, AMC’s The Walking Dead has hit a new low in ratings (yet still continues to be the highest rated cable series).
Netflix is now jumping into the zombie pool to take it’s pound of flesh with it’s South Korean production of a zombie series set during Korea’s medieval Joseon dynastic period. It’s a blend of court intrigue and survival horror.
The series is called Kingdom and from all promotional materials released since it was first announced, the series looks to bring the zombie genre into a time period we rarely see the genre appear. Rarely do we see zombie fiction on the big or small screen set in a time period other than modern times.
Netflix will release Kingdom worldwide on January 25, 2019 with a second season already set for production early 2019.
The Wachowskis, Andy and Lana, have a new film set for release in early 2015. Jupiter Ascending was suppose to come out in 2014, but things happened and now it’s been pushed back for a February 2015 release.
Such a drastic delay in release usually means something major on the negative side of the ledger has occurred and the studio in charge of it’s release have little to no faith in the film. Has Warner Bros. Studios lost faith in the latest Wachowski offering? Is Jupiter Ascending the hot mess that it has been rumored about? Is the grandiose space opera the film is being made out to be making studio exec’s nervous?
So, many questions that most people who like to dwell on the in’s and out’s of filmmaking and the business of making them are probably asking themselves.
My only concern is that the Wachowskis have taken the extra time to make the film they set out to make. They’re one of the few filmmakers who seem to always get to do the sort of dream projects that more successful directors rarely get a chance to or even attempt to try. Whether it’s The Matrix,Speed Racer or Cloud Atlas, the Wachowskis have danced to their own tune and for some reason Warner Bros. continue to give them big-budgets after big-budgets to get their next dream project made into reality.
Here’s to hoping Guardians of the Galaxy being such a huge success will help this upcoming space opera turn it’s February release (usually a place where films go to die) into a new addition to the resurgence of the space opera.