4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we pay tribute to the year 2004! It’s time for….
4 Shots From 4 2004 Films
Before Sunset (2004, dir by Richard Linklater, DP: Lee Daniel)
Sideways (2004, dir by Alexander Payne, DP: Phedon Papamichael)
Primer (2004, dir by Shane Carruth)
Dawn of the Dead (2004, dir by Zack Snyder, DP; Matthew F. Leonetti)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!
This week, Ponch learns about shock rock!
Episode 6.4 “Rock Devil Rock”
(Dir by John Astin, originally aired on October 31st, 1982)
It’s a Halloween episode of CHiPs!
Moloch (Don Most) is a singer who wears frightful makeup and sings songs like “Devil Take Me” but, once he takes off the makeup, he’s a rather meek and mild-mannered drummer who feels that he’s been forced to embrace an image that doesn’t fit him. His manager (Peter Marshall) is convinced that Moloch can be the biggest star ever. His manager is also trying to kill Moloch in order to guarantee that Moloch’s new record will hit the top of the charts. He’s even included backwards messages in Moloch’s music. Moloch will die …. Moloch will die….
Most of the Highway Patrol believes that Moloch is faking the numerous attempts on his life. However, Ponch believes that Moloch is being targeted. Luckily, Ponch is able to save Moloch because this is….
The Highway Patrol also holds their annual Halloween party. Elvira, Mistress of the Dark shows up as herself and shares a dance with Ponch. Ponch dresses up like a matador. Bobby shows up as a Musketeer. Getraer dresses up like General Patton but he doesn’t get to dance with Elvira. That’s Ponch’s job.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Crime Story, which ran on NBC from 1986 to 1988. The entire show can be found on Tubi!
This week, Luca prepares for Vegas.
Episode 1.15 “Torello On Trial”
(Dir by Gary Sinise, originally aired on January 16th, 1987)
Buh-bye, Chicago!
Seriously, this is a huge episode.
It doesn’t start out as a huge episode. It starts out as just another courtroom drama. Mike Torello has been called by Ray Luca’s defense attorney to testify about the accusations that Frank Homan made against him. By defending himself against Homan’s false claim that Torello was on the take, Torello will also be destroying the credibility of the state’s case against Luca, Phil Bartoli, and Paulie. Torello’s not happy about it. He’s even less happy when U.S. Attorney Brietel’s aggressive cross-examination reveals that Torello actually does have several acquaintances who are connected to the mob. Of course, most of those acquaintances have been killed over the past few episodes. As Brietel puts it, violence tends to follow Torello around.
Fortunately, the next day, David Abrams requests to be allowed to cross-examine Torello. David reveals that Torello was a decorated soldier in Korea. He reveals the Torello has been given regular commendations by the Chicago Police Department. David makes Torello look like a saint.
As a result, the jury decides that Homan is not a credible witness. Luca, Paulie, and Bartoli are all acquitted. Brietel is told that the Justice Department has decided to drop the indictment against Torello. Torello tells Brietel that the blood of anyone killed by Luca will be on his hands. Brietel is not having a good day.
The first 35 minutes or so of this episode were solid but still felt like a standard and slightly predictable episode of Crime Story. It wasn’t until the last 10 minutes or so that this episode really took off.
At a conference held immediately after Luca and company are acquitted, Manny Weisbrod convinces Chicago gangster Dom Tranchita (Joseph Ragno) to agree to invest ten million dollars in Luca’s plan to take over Las Vegas. In return for the money, Manny agrees to allow Dom to continue to deal drugs in Chicago. Luca and Paulie make plans to immediately head to Las Vegas to start their new lives.
The night, before leaving town, Luca drops in on Tranchita and shoots him dead. Then, Luca goes over to Bartoli’s house and kills him as well. We’re reminded that Luca is someone who can kill without hesitation. It doesn’t matter that he and Bartoli worked together. Luca is cleaning up all of the loose ends before he leaves Chicago.
Meanwhile, Torello is invited to a meeting in a hotel. U.S. Deputy Attorney General Patrick Hallahan (Jann Wenner) tells him that the Justice Department is setting up a national task force to take down Luca and that it’s going to be headquartered in Chicago and Las Vegas. He asks Torello to be in charge of it. Torello says that he has no interest in working with the same Justice Department that tried to throw him in prison. Hallahan reveals that Brietel has been “reassigned to Anchorage” and that David Abrams will be working with Torello. The members of the Major Crimes Unit will be reassigned to the strike force.
There’s only one condition. As much as Torello wants to take Luca down, he’s going to have to wait until he has enough evidence to take down the entire organization with him.
Torello nods. He’s going to Vegas!
It makes sense really. Torello has nothing left in Chicago. He’s divorced, he has no real friends outside of the other members of the Major Crimes Unit. Torello’s only purpose in life is to stop Ray Luca. What choice does Torello have but to follow him to Vegas? Torello is obsessed and, if he had to stay in Chicago while Luca went to Vegas, he would have been miserable. It’s good for the government and good for the show that Torello agreed to take charge of the task force. But, as the episode ends, it’s hard not to feel that it won’t be good for Torello’s mental health.
This turned out to be a great episode, To be honest, I was starting to get a little bit bored with Crime Story. But now, with the story heading in a new direction, I can’t wait to see what happens!
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for The Surrogate!
You can find the movie on Prime and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
Taxi Driver is 50 years old but it’s still one of cinema’s most definitive portraits of urban paranoia and societal detachment. Travis (played by Robert De Niro) obsesses on the city that he harshly judges even though he’s as much a part of New York as those who he wishes will be washed away.
This scene features Robert De Niro, Martin Scorsese, and Paul Schrader at their definite best. I imagine that, for a lot of people, this is one of those scenes that solidified their opinions on New York City. For the record, the last time I was in New York, everyone was fairly pleasant. They weren’t exactly friendly but I also didn’t get my bag stolen. (Those of us who don’t live in New York tend to assume that we’ll get mugged as soon as we leave JFK.)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy birthday to actor Robert De Niro. It’s time for….
4 Shots From 4 Robert De Niro Films
Taxi Driver (1976, dir. Martin Scorsese, DP: Michael Chapman)
The King of Comedy (1982, dir by Martin Scorsese, DP; Fred Schuler)
Once Upon A Time In America (1984, dir by Sergio Leone, DP: Tonino Delli Colli)
Casino (1995, dir by Martin Scorsese, DP: Robert Richardson)
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, I will be hosting Zombie 5: Killing Birds!
If you want to join this watch party, just hop onto Mastodon, pull up Zombie 5: Killing Birds on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, we discover that Daniel Baldwin will not be returning to Homicide.
Episode 5.21 “Partners and Other Strangers”
(Dir by Leslie Libman and Larry Williams, originally aired on May 9th, 1997)
A call to investigate what appears to be a suicide leads Pembleton and Brodie to an isolated house in Baltimore. The dead man has been found with a shotgun in his hands and his face blown apart. It’s not until Pembleton looks at the dead man’s ID that he discovers that the man is former Detective Beau Felton.
Played by Daniel Baldwin, Felton was originally a major character on Homicide. He was the cynical, sweaty detective who had an affair with Megan Russert, a partnership with Kay Howard, and a marriage with a crazy woman who wouldn’t let him see his kids. Felton is the one who Robin Williams yelled at for being an insensitive ass in the Bop Gun episode. As the series progressed and the focus shifted from characters like Felton and Bolander to Pembleton and Bayliss, Felton was given less and less too. Daniel Baldwin was fired from the series at the end of season 3. Felton was said to have been suspended for his rowdy behavior at a convention.
The episode fills us in on what happened to Felton after his suspension. He apparently retired from the force and then stopped returning phone calls. He disappeared and everyone else moved on. At first, the squad room wonders if they could have done anything to prevent Felton’s suicide. Howard and Lewis (who lost his previous partner to suicide and who nearly lost Kellerman to the same thing) are especially hit hard. We get several flashbacks to the episodes that featured Felton and we’re reminded of just how much Daniel Baldwin used to sweat when he was on the show.
Dr. Cox takes a look at the skull fragments and the blood splatter and she realizes that Felton didn’t kill himself. He was shot in the back of the head and then someone tried to make it look like he committed suicide. Pembleton, Howard, and Bayliss are now investigating the murder of Beau Felton and they’re getting some help.
Megan Russert flies in from France to offer up her skills as an investigator. If I remember correctly, Russert was never that good of a detective but it’s nice that she showed up.
Detective Paul Falsone (Jon Seda), from the auto theft squad, says that Felton was working with a notorious group of car thieves. Falsone wants to help the investigation for …. reasons, I guess.
Even if I didn’t already know that Falsone and Gharty are going to become regular characters during season six, it would be obvious from the introductions they’re given in this episode. Peter Gerety, who later played a sympathetic judge on The Wire, is fine in the role of Gharty. But I can already tell that Falsone is going to annoy me. Some of it is because his character is the type of cliche that Homicide has, to this point, avoided. He’s a young rebel who gets results …. HIS WAY! From the minute he shows up, he’s telling Howard and Pembleton how they should conduct their investigation and it’s kind of annoying. I mean, who the Hell is this jerk? As played by Jon Seda, Falsone mumbles the majority of his dialogue and he just doesn’t seem like he belongs on Homicide.
This is a two-parter so we’ll see how the investigation wraps up (or doesn’t) next week. Oddly, I have to admit that Felton’s death didn’t really have the type of emotional impact that the show seemed to think that it would. Unlike the lovably eccentric Crosetti, Felton was never really that interesting of a character. Far more impactful than the squadroom thinking about all of the times Felton acted like a jerk was the scene where Pembleton followed Bayliss to his uncle’s home. Later, Pembleton told Bayliss that he now understood why Bayliss has been missing work. In the past, this would have led to a fight between the two of them but both Bayliss and Pembleton have grown over the season. Pembleton apologizes for following Bayliss. (“I’m a detective. It’s what I do.”) Bayliss opens up about how he’s struggling with the concept of forgiveness. As always, the show’s heart is with Bayliss and Pembleton.