The Joy Of Under the Electric Sky


EDC

There’s a moment in the documentary Under the Electric Sky that moved me beyond belief.

For the first 90 minutes of the film, we’ve followed different people as they experience the 2013 Electric Daisy Carnival.  Some of them are sweet, some of them are oafish, some of them are people that I would want to hang out with, and some of them I definitely would go out of my way to avoid.  The one thing that they have in common is that they love EDM and that love has brought them to Las Vegas.

One of the more likable of them is a young, wheelchair bound man named Jose.  Up until this point, we’ve seen Jose wheeling his way through the crowd, having a good time but still frustrated by the fact that he can’t see the stage from his wheelchair.  And then, while Hardwell is performing on stage, a group of strangers lift up Jose’s wheelchair, literally holding him on their shoulders so that he can see the stage.

And you know what?  I fully realize that this could have been arranged beforehand.  I understand that someone involved in production could have asked those people to lift up Jose because he or she knew it would make a perfect film moment.  But I don’t care.  It’s such a wonderful moment and it perfectly encapsulated everything that I love about the EDM scene.  It’s a moment that brought tears to my eyes when I saw it and it’s still bringing tears to my eyes as I write about it.

EDC2

As far as the rest of Under the Electric Sky is concerned, if you’re into EDM, you’ll enjoy it.  And if you’re one of those people who doesn’t get EDM — well, sucks to be you, doesn’t it?

Admittedly, the film was produced by the same people who put on the EDC and, at its weakest, it felt like a mix between an infomercial and an A&E reality show.  But at its frequent best — like in the moment described above and in the brief moments where artists like Avicii, Armin Van Buuren, and Above & Beyond open up to the camera — it’s a wonderful and heartfelt tribute to one of the most loving and misunderstood subcultures in the world.  At it’s best, Under the Electric Sky is a blast of pure musical joy and, with the world the way it is right now, we could all use a little joy.

Under the Electric Sky is currently available on Netflix and yes, I recommend it.

EDC 3

 

For Your Consideration #10: Guardians of the Galaxy (dir by James Gunn)


GuardiansoftheGalaxy

As of right now, as far as I’m concerned, Guardians of the Galaxy is the best film of 2014.

Now please understand, I live in fly-over country and that means that there’s still quite a few films that I need to see.  Next week and through the new year, I plan to see Foxcatcher, Inherent Vice, Into the Woods, Wild, and quite a few other films.  And any one of those films could, potentially, become my new favorite of 2014.

But, as of right now, Guardians of the Galaxy is my favorite.

Of course, Guardians of the Galaxy is not the type of film that will ever get a major Oscar nomination.  It’s unfairly dismissed as being pure entertainment or just a summer blockbuster.  A few critics group have been nice enough to mention it but, for the most part, Guardians of the Galaxy is not the type of film that’s going to be given serious consideration for the big awards.

Except, of course, by me.

Below are ten reasons why I think Guardians of the Galaxy deserves serious consideration:

we_are_groot_by_aktheneroth-d7tsk7n

1) Never underestimate the importance of escapism.

Usually, when a film is described as being “escapist entertainment,” it’s a back-handed compliment.  The implication is that the film may be entertaining but it has nothing to do with real world issues and therefore, it’s not as important as other films.  We’re allowed to enjoy it but we’re supposed to feel guilty about it.

But you know what?

Sometimes, we need to be able to escape.  That was certainly true this year.  2014 will not be remembered as a great year for humanity.  From January to December, it’s been an endless parade of cruelty and intolerance.  And no, we should never pretend that we live in a perfect world.  We need to be aware of what’s happening outside of our own little corner of the world.

But that doesn’t mean that we haven’t earned the right to escape for 122 minutes.  In fact, I would argue that 122 minutes of pure entertainment is something that we need to make time for if we are going to remain strong enough to face and perhaps change the realities of the world.

In short, when I walked out of the theater after watching Guardians of the Galaxy, I felt better than when I had first taken my seat.  I felt happy.  I felt enthusiastic.  I felt ready to face this fucked up world of ours.

There is a place for pure, unadulterated escapism in cinema.

Not every film has to be a somber, self-important mess like Man of Steel.

Thank God.

2) The unappreciated subtext of Ronan

However, Guardians of the Galaxy is not pure escapism.  Much as in this case of The Purge Anarchy and Capt. America: The Winter Soldier, there is a deeper subtext to the film.  You just have to be willing to look for it.

One of the more frequent complaints about Guardians of the Galaxy is that the villain, Ronan (Lee Pace), isn’t particularly interesting and it is true that, when compared to Tom Hiddleston’s Loki or Iron Man’s villains, Ronan does seem to be a bit bland.  His goals and his motivation are pretty simple.  He destroys stuff and he kills people.  Why?  Because he’s the bad guy.

But, let’s take a closer look at Ronan.  Ronan is a fanatic who believes that only his way is the correct way and only his beliefs are pure.  Anyone who has different beliefs must be unpure and therefore, if they don’t agree to convert to his way of believing, Ronan is justified in destroying them.

Does that sound familiar to anyone?

For all the complaints that Ronan was a one-dimensional villain, the same can be said of Joseph Kony, Kim Jong-un, and Jihadi John, and Fred Phelps.  The same can be said about a lot of evil people but that does not make them any less evil or dangerous.  Ronan may be a simple villain but he’s also the type of villain that we can find all over the world.

The one thing that all Ronan-style fanatics have in common is a complete lack of imagination and humor.  When Peter Quill stood up to Ronan by dancing, it was more than just a crowd-pleasing scene in a big action movie.  It was a call-to-arms to not allow ourselves to be held hostage by the Ronans of the world.  It was a plea to not let the fanatics among us steal our imagination and our right to find joy in our own individual way.

In short, it was a lesson that the entire world needs to learn.

Guardians_of_the_Galaxy_43350

3) I Am Groot

Yes, yes, I know.  At this point, we’ve all had to listen to hundreds of friends, relatives, and strangers who have gotten it into their heads that they can perfectly imitate Vin Diesel saying, “I am Groot.”  But, seriously — there’s a reason why everyone fell in love with that catch phrase and that’s because both Diesel and the film do more with those three words that most actors can do with a four-page monologue.

And if you didn’t tear up when you heard, “We are Groot,” then I’m sorry.  You may be too cynical for your own good.

4) Introducing … James Gunn!

If you’ve read my review of Super or Arleigh’s review of Slither, then you know that James Gunn has long been a favorite of ours.  One of the joys of the success of Guardians of the Galaxy has been watching him become a favorite of everyone else as well.  And he deserves every bit of that success.  Working within the confines of the summer blockbuster genre, Gunn has created a film that works as both a superior action movie and as a quirky comedy.  With Guardians, James Gunn proved that it is possible to make a mainstream film without selling out your own individual style.

5) Introducing … Chris Pratt!

Even before he played Peter Quill, Chris Pratt was one of those actors who I have always been happy to see on screen.  He just has such a naturally likable presence.  But nothing he had done previously had prepared me for the pure joi de vivre that he brought to the role of Peter Quill.  Whether he was trying to convince people to call him Star-Lord or hilariously attempting to “rally the troops” or daring Ronan to a dance-off, Chris Pratt was a joy to watch.  If nothing else, Guardians of the Galaxy is the film that proves that Chris Pratt is a star (perhaps even a Star-Lord).

6) And let’s not forget Michael Rooker and Benicio Del Toro

Michael Rooker and Benicio Del Toro are both such quirky and unpredictable actors that I’m always happy to see either one of them on screen.  Having both of them in one movie is even better.  Rooker is perhaps the only actor alive who could not only be believable as a blue-skinned alien with an Alabama accent but who could also make that character into one of the most compelling in the film.  As for Del Toro, I know that his defiantly eccentric performance was controversial but personally, I loved the strange energy he brought to all of his scenes.

GuardiandoftheGalaxy

7) And …. everyone else!

One thing that I really loved about Guardians of the Galaxy is that there were no wasted roles.  Every character — from Peter to Zoe Saldana’s Gamora to John C. Reilly’s upright military guy to the people who only had a line or two — felt real.  For a lot of viewers (including me), Rocket Raccoon (voiced by Bradley Cooper) was an easy favorite.

Guardians-of-the-Galaxy-rocket-with-gun

However, if I had to pick a best performance, I’d go with Dave Bautista as Drax.  Bautista did so much with so little.  As written, Drax is a physical dynamo with a need for revenge and absolutely no sense of humor.  That’s a pretty standard character for a film like this.  However, Bautista did so much with that character that poor, literal-minded Drax ultimately became one of the most intriguing characters in the film.  My favorite Drax moment came when, in response to hearing that everything goes over his head, he explained that nothing could go over his head because he would reach up and grab it.

8) That soundtrack

I have to admit that I didn’t care as much for Interstellar as some people did.  One of my big problems with the film came down to Hans Zimmer’s score.  It was so loud and overbearing that I actually found myself covering my ears.  But what really bothered me was how unnecessary it was.  Whenever Matthew McConaughey or Anne Hathaway made a profound statement or the spaceship started to shake, the music would suddenly blast in my ear.  It was like having Hans Zimmer in my head, repeatedly shouting, “IMPORTANT!  IMPORTANT!  EXCITING!  EXCITING!”

BLEH!

And it made me appreciate how much I loved the soundtrack of Guardians of the Galaxy.  By using songs that you would never expect to see in a science fiction epic, that soundtrack both mocked the genre’s natural tendency towards self-importance and also forced us to take another look at familiar scenes.  From the minute Peter started dancing to Come and Get Your Love, I knew that I was watching a special movie.

9) The Prison Break

From planning to execution, this was without a doubt one of the best action sequences of the year.  From Rocket laying out his overly complicated plan while Groot tries a much simpler method in the background to Peter asking for the guy’s leg to the use of The Pina Colada Song, this was a perfect scene.

10) And finally … Dancing Groot!

Dance

And those are just a few reasons why I think Guardians of the Galaxy is the best film I’ve seen this year so far.

Guardians-of-the-Galaxy-gang

(For a differing opinion, check out Ryan’s review here.)

 

For Your Consideration #9: Under the Skin (dir by Jonathan Glazer)


Under the Skin is one of the most brilliantly divisive films of the year.  To some, it’s a pretentious mess, a collection of seemingly random scenes and obscure themes.  To me, however, it is one of the most haunting films that I’ve ever seen.  It’s a film that’s full of mysteries and questions, one that often demands that we supply our own answers.  It’s one of the best films of the year and anyone who disagrees needs to rewatch it.

From the opening scene, Under the Skin is a dream of dark and disturbing things.

In Scotland, a silent motorcyclist (Jeremy McWilliams) finds a young woman’s dead body lying on the side of the road.  He picks up the body and puts it in the back of a van.  Inside the van, a naked woman (played by Scarlett Johansson) takes the dead woman’s clothes.  As soon becomes apparent, both the motorcyclist and the woman are not human.  They’re aliens and they’ve come to Earth on a mission that is deliberately left obscure.  Though they never speak to each other, the motorcyclist always seems to be nearby.

The woman drives the van across Scotland.  She stops men in the street and, after asking for directions, then attempts to coerce them into her van.  (What makes these scenes especially effective is that the majority of them actually feature Johansson talking to nonactors who just happened to be nearby when she drove up.)  The woman smiles and flirts and has little trouble convincing the majority of the men she meets to get into the van with her.

She drives them to an isolated building where the men follow her inside.  As they step into a pitch black room, both the woman and her latest man start to undress.  The naked man starts to walk towards the woman and is so hypnotized by the sight of her that he doesn’t even realize that the floor has become liquified and he’s sinking.  As Johansson watches coldly, each man eventually vanishes, leaving behind only his empty skin.

(Warning: The two scenes below are definitely NSFW.  Watch with caution.)

Detached from her surroundings, the woman can only watch as real human beings go about their lives.  When she sees a man unsuccessfully try to save a drowning couple on the beach, she reacts by striking the man on the head with a rock.  She drags the man away, leaving the couple’s terrified toddler on the beach.  When the motorcyclist later visits the beach, he too ignores the child.  (Perhaps no scene left me more disturbed and inspired more nightmares than this one.)

It’s only when the woman picks up a man with a severe facial disfigurement (a poignant performance from a nonactor named Adam Pearson) that she finally starts to show some emotion.  The man is as much of an outsider as she is, with the main difference being that he can’t hide who he really is under a disguise.  The woman feels sorry for him and this sudden shock of empathy causes her to reconsider her mission.

However, even as the woman attempts to flee to the Scottish highlands, the motorcyclist is never far behind.  And, unfortunately, neither are real humans…

Under the Skin is pure cinema, a collection of scenes that alternate between being naturalistic and surreal, disturbingly serious and darkly humorous.  Perhaps appropriately for a film about appearances, Under the Skin is a movie that is full of haunting images, the type that, 8 months after first being seen, remain vivid in your mind.  It’s up to the viewers to decide what those images mean.

(For all of the discussion that I’ve seen online about what Under the Skin is truly about, it seems pretty obvious to me that the main message of the film is that guys are so led by their penis that they’ll even allow themselves to sink into a liquid void if there’s a chance they might get laid beforehand.)

Under the Skin has been a player (albeit a minor one) in the precursors leading up the Oscars.  A few of the braver critical groups have nominated it for best picture and have also honored Scarlett Johansson for her wonderful work as an outsider who is both slowly discovering what it means to be human while also dealing with the reality that, try as she might, she will never truly belong in this world.  However, with all that in mind, Under the Skin is probably too divisive and unique a film to ever truly appeal to the Academy.

But that’s okay.

Under the Skin is also a film that we’ll still be discussing years from now.

Film Review Under the Skin

 

Here Are The 79 Songs That Could Win An Oscar!


Okay, this new is really late but, as always, better late than never!

Last Friday, the Academy announced that 79 songs had been judged to be eligible to be nominated for Best Original Song!

Now, if you know anything about me, you know that I love long lists and playing “what if.”  Quite a few Oscar commentators have said that Patty Smith is so obviously going to win the Oscar for her song from Noah that it’s pointless to even speculate about anyone else.  Well, that may indeed be the case but hey, it’s still fun to look at all of these possibilities and wonder “What if…”  Speculation is never pointless, as long as it’s fun.

“It’s On Again” from “The Amazing Spider-Man 2″
“Opportunity” from “Annie”
“Lost Stars” from “Begin Again”
“Grateful” from “Beyond the Lights”
“Big Eyes” from “Big Eyes”
“Immortals” from “Big Hero 6″
“The Apology Song” from “The Book of Life”
“I Love You Too Much” from “The Book of Life”
“The Boxtrolls Song” from “The Boxtrolls”
“Quattro Sabatino” from “The Boxtrolls”
“Ryan’s Song” from “Boyhood”
“Split The Difference” from “Boyhood”
“No Fate Awaits Me” from “The Disappearance of Eleanor Rigby: Them”
“Brave Souls” from “Dolphin Tale 2″
“You Got Me” from “Dolphin Tale 2″
“All Our Endless Love” from “Endless Love”
“Let Me In” from “The Fault in Our Stars”
“Not About Angels” from “The Fault in Our Stars”
“Until The End” from “Garnet’s Gold”
“It Just Takes A Moment” from “Girl on a Bicycle”
“Last Stop Paris” from “Girl on a Bicycle”
“Ordinary Human” from “The Giver”
“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”
“Find A Way” from “The Good Lie”
“Color The World” from “The Hero of Color City”
“The Last Goodbye” from “The Hobbit: The Battle of the Five Armies”
“Chariots” from “The Hornet’s Nest”
“Follow Me” from “The Hornet’s Nest”
“Something To Shoot For” from “Hot Guys with Guns”


“For The Dancing And The Dreaming” from “How to Train Your Dragon 2″
“Afreen” from “The Hundred-Foot Journey”
“Yellow Flicker Beat” from “The Hunger Games: Mockingjay – Part 1″
“Heart Like Yours” from “If I Stay”
“I Never Wanted To Go” from “If I Stay”
“Mind” from “If I Stay”
“Everything Is Awesome” from “The Lego Movie”
“Call Me When You Find Yourself” from “Life Inside Out”
“Coming Back To You” from “Life of an Actress The Musical”
“The Life Of An Actress” from “Life of an Actress The Musical”
“Sister Rust” from “Lucy”


“You Fooled Me” from “Merchants of Doubt”
“Million Dollar Dream” from “Million Dollar Arm”
“Spreading The Word/Makhna” from “Million Dollar Arm”
“We Could Be Kings” from “Million Dollar Arm”
“A Million Ways To Die” from “A Million Ways to Die in the West”
“Way Back When” from “Mr. Peabody & Sherman”
“America For Me” from “A Most Violent Year”
“I’ll Get You What You Want (Cockatoo In Malibu)” from “Muppets Most Wanted”
“Something So Right” from “Muppets Most Wanted”
“We’re Doing A Sequel” from “Muppets Most Wanted”
“Mercy Is” from “Noah”
“Seeds” from “Occupy the Farm”
“Grant My Freedom” from “The One I Wrote for You”
“The One I Wrote For You” from “The One I Wrote for You”


“Hal” from “Only Lovers Left Alive”
“Shine” from “Paddington”
“Still I Fly” from “Planes: Fire & Rescue”
“Batucada Familia” from “Rio 2″
“Beautiful Creatures” from “Rio 2″
“Poisonous Love” from “Rio 2″
“What Is Love” from “Rio 2″
“Over Your Shoulder” from “Rudderless”
“Sing Along” from “Rudderless”
“Stay With You” from “Rudderless”
“Everyone Hides” from “St. Vincent”
“Why Why Why” from “St. Vincent”
“Glory” from “Selma”
“The Morning” from “A Small Section of the World”
“Special” from “Special”
“Gimme Some” from “#Stuck”
“The Only Thing” from “Third Person”
“Battle Cry” from “Transformers: Age of Extinction”
“Miracles” from “Unbroken”


“Summer Nights” from “Under the Electric Sky”
“We Will Not Go” from “Virunga”
“Heavenly Father” from “Wish I Was Here”
“So Now What” from “Wish I Was Here”
“Long Braid” from “Work Weather Wife”
“Moon” from “Work Weather Wife”

Begin_Again_film_poster_2014

Here Are The 7 Semi-Finalists for The Best Hair, Makeup, And Fake Nose Oscar!


Foxcatcher

Foxcatcher

Here’s a little bit of late Oscar news.  Two days ago, the Academy announced the 7 semi-finalists for the Academy Award for Best Hair and Makeup.

And the semi-finalists are:

The Amazing Spider-Man 2 (Did that come out this year?  Wow.)

Foxcatcher (Don’t get me started on noses.)

The Grand Budapest Hotel

Guardians of the Galaxy (yay!)

Maleficent (yay!)

Noah (uhmmm … yay?)

The Theory of Everything

Update your Oscar picks accordingly…

Mal

Here Are The Results From Chicago!


Here’s what the Chicago Film Critics picked for being the best of 2014.  A full list of their nominees can be found here.

Picture: “Boyhood”

Director: Richard Linklater, “Boyhood”

Actor: Michael Keaton, “Birdman”

Actress: Julianne Moore, “Still Alice”

Supporting Actor: J.K. Simmons, “Whiplash”

Supporting Actress: Patricia Arquette, “Boyhood”

Original Screenplay: Wes Anderson, “The Grand Budapest Hotel”

Adapted Screenplay: Gillian Flynn, “Gone Girl”

Animated Feature: “The Lego Movie”

Documentary: “Life Itself”

Foreign: “Force Majeure”

Editing: Tom Cross, “Whiplash”

Cinematography: Emmanuel Lubezki, “Birdman,” and Robert D. Yeoman, “The Grand Budapest Hotel”

Here’s What Won In Toronto! Love you, Canada!


Love you, Canada!

Love you, Canada!

Here are the Toronto Film Critics Awards.

BEST PICTURE
“Boyhood” (Mongrel Media)
Runners-up
“The Grand Budapest Hotel” (Fox Searchlight)
“Inherent Vice” (Warner Bros.)

BEST ACTOR
Tom Hardy, “Locke”
Runners-up
Ralph Fiennes, “The Grand Budapest Hotel”
Jake Gyllenhaal, “Nightcrawler”

BEST ACTRESS
Marion Cotillard, “The Immigrant”
Runners-up
Julianne Moore, “Still Alice”
Reese Witherspoon, “Wild”

BEST SUPPORTING ACTOR
J.K. Simmons, “Whiplash”
Runners-up
Josh Brolin, “Inherent Vice”
Edward Norton, “Birdman Or (The Unexpected Virtue of Ignorance)”

BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Runners-up
Tilda Swinton, “Snowpiercer”
Katherine Waterston, “Inherent Vice”

BEST DIRECTOR
Richard Linklater, “Boyhood”
Runners-up
Paul Thomas Anderson, “Inherent Vice”
Wes Anderson, “The Grand Budapest Hotel”

BEST SCREENPLAY, ADAPTED OR ORIGINAL
“The Grand Budapest Hotel”, screenplay by Wes Anderson
from a story by Wes Anderson & Hugo Guinness
Runners-up
“Boyhood”, written by Richard Linklater
“Inherent Vice”, screenplay by Paul Thomas Anderson
based on the novel by Thomas Pynchon

BEST FIRST FEATURE
“The Lunchbox”, directed by Ritesh Batra
Runners-up
“John Wick”, directed by Chad Stahelski
“Nightcrawler”, directed by Dan Gilroy

BEST ANIMATED FEATURE
“The Tale of the Princess Kaguya” (GKids)
Runners-up
“Big Hero 6″ (Walt Disney Studios)
“How to Train Your Dragon 2″ (20th Century Fox)
“The Lego Movie” (Warner Bros.)

BEST FOREIGN-LANGUAGE FILM
“Force Majeure” (filmswelike)
Runners-up
“Ida” (filmswelike)
“Leviathan” (Mongrel Media)

BEST DOCUMENTARY
“The Overnighters” (filmswelike)
Runners-up
“Citizenfour” (Entertainment One)
“Manakamana” (filmswelike)

JAY SCOTT PRIZE FOR AN EMERGING ARTIST
Albert Shin, director of “In Her Place”

Here Are The Houston Film Critics Nominations!


houston_skyline

I love it when groups from my home state make their voice known.  Here are the Houston Film Critics nominations!

Best Picture
A Most Violent Year, A24 Films
Birdman, Fox Searchlight Pictures
Boyhood, IFC Films
Guardians of the Galaxy, Marvel
Inherent Vice, Warner Bros.
Nightcrawler, Open Road Films
Selma
The Grand Budapest Hotel, Fox Searchlight Pictures
The Imitation Game, The Weinstein Compaany
Whiplash, Sony Pictures Classics

Director
Alejandro G. Iñárritu, Birdman
Damien Chazelle, Whiplash
Paul Thomas Anderson, Inherent Vice
Richard Linklater, Boyhood
Wes Anderson, The Grand Budapest Hotel

Actor
Bendict Cumberbatch, The Imitation Game
Eddie Redmayne, Theory Of Everything
Jake Gyllenhaal, Nightcrawler
Michael Keaton, Birdman
Tom Hardy, Locke

Actress
Essie Davis, The Babadook
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Marion Cotillard, Two Days, One Night
Reese Witherspoon, Wild

Supporting Actor
Andy Serkis, Dawn of the Planet of the Apes
Edward Norton, Birdman
Ethan Hawke, Boyhood
J.K. Simmons, Whiplash
Josh Brolin, Inherent Vice
Mark Ruffalo, Foxcatcher

Supporting Actress
Emma Stone, Birdman
Jessica Chastain, A Most Violent Year
Kiera Knightley, The Imitation Game
Patricia Arquette, Boyhood
Tilda Swinton, Snowpiercer

Screenplay
Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris Jr., Armando Bo; Birdman
Damien Chazelle, Whiplash
Dan Gilroy, Nightcrawler
Richard Linklater, Boyhood
Wes Anderson, The Grand Budpest Hotel

Animated
Big Hero 6
How to Train Your Dragon 2
The Book of Love
The Boxtrolls
The Lego Movie

Cinematography
Emmanuel Lubezki, Birdman
Hoyte van Hoytema, Interstellar
Robert Elswit, Nightcrawler
Robert Yeoman, The Grand Budapest Hotel
Roger Deakins, Unbroken

Documentary
Citizenfour
Glen Campbell: I’ll Be Me
Jodorowsky’s Dune
Life Itself
The Overnighters

Foreign
Force Majeure
Ida
Leviathan
The Raid 2
Two Days, One Night

Original Score
Alexander Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Antonio Sánchez, Birdman
Hans Zimmer, Interstellar
Johann Johannson, The Theory of Everything

Original Song
Big Eyes, Big Eyes
Everything is Awesome, The Lego Movie
Glory, Selma
I’m Not Going to Miss You, Glen Campbell: I’ll Be Me
Lost Stars, Begin Again

Texas Independent Film Award
Above All Else
Boyhood
Hellion
Joe
No No: A Dockumentary
Stop the Pounding Heart

Best Poster
Birdman
Godzilla, IMAX
Guardians of the Galaxy, Primary Theatrical
Inherent Vice
The Grand Budapest Hotel

Technical Achievement
Birdman – Creation of single long take for bulk of film
Boyhood – Filming over 12 years
Dawn of the Planet of the Apes – creation of ape characters

Worst Film of the Year
Blended
Dumb and Dumber To
Left Behind
The Identical
Transformers: Age of Extinction

Like A Mythical Beast Rising From The Ashes, Here’s What Won In Phoenix!


Birdman

Here are the winners of The Phoenix Critics Circle awards!  You can see a full list of their nominees here.

Best Picture — Birdman

Best Comedy Film — The Grand Budapest Hotel

Best Horror or Sci-Fi Film — Snowpiercer

Best Mystery or Thriller Film: Nightcrawler and Gone Girl

Best Actor — Micheal Keaton in Birdman

Best Actress — Reese Witherspoon in Wild

Best Supporting Actor — J.K. Simmons in Whiplash

Best Supporting Actress — Emma Stone in Birdman

Best Director — Alejandro G. Inarritu for Bidrman

Best Screenplay — Birdman

Best Animated Film — The LEGO Movie

Best International Film — Force Majeure and Ida

Here Are The Florida Film Critics Circle Nominations!


richard-linklaters-boyhood-movie-film-still-ellar-coltrane

And awards season continues!  The Florida Film Critics are somewhat unique in that they apparently only have three nominees per category.  What fun is that?  Add to that, three is an odd number and you know how I feel about odd numbers…

ANYWAY — here are the nominees:

(h/t to Awards Daily)

BEST PICTURE
Birdman
Boyhood
The Grand Budapest Hotel

BEST ACTOR
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman
Eddie Redmayne – The Theory of Everything

BEST ACTRESS
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl
Reese Witherspoon – Wild

BEST SUPPORTING ACTOR
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash

BEST SUPPORTING ACTRESS
Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Emma Stone – Birdman

BEST ENSEMBLE
Birdman
Boyhood
The Grand Budapest Hotel

BEST DIRECTOR
Wes Anderson – The Grand Budapest Hotel
Alejandro Gonzalez Iñárritu – Birdman
Richard Linklater – Boyhood

BEST ORIGINAL SCREENPLAY
Birdman
Boyhood
The Grand Budapest Hotel

BEST ADAPTED SCREENPLAY
Gone Girl
Inherent Vice
The Theory of Everything

BEST CINEMATOGRAPHY
Birdman
The Grand Budapest Hotel
Interstellar

BEST VISUAL EFFECTS
Dawn of the Planet of the Apes
Guardians of the Galaxy
Interstellar

BEST ART DIRECTION/PRODUCTION DESIGN
The Grand Budapest Hotel
Interstellar
Into the Woods

BEST SCORE
Gone Girl
Interstellar
Under the Skin

BEST DOCUMENTARY
Citizenfour
Life Itself
Jodorowsky’s Dune

BEST FOREIGN-LANGUAGE FILM
Ida (Poland)
Force Majeure (Sweden)
The Raid 2 (Indonesia)

BEST ANIMATED FEATURE
Big Hero 6
How to Train Your Dragon 2
The Lego Movie

PAULINE KAEL BREAKOUT AWARD
Jennifer Kent – The Babadook
Damien Chazelle – Whiplash
Gugu Mbatha-Raw – Belle/Beyond the Lights