Hi there, wonderful readers!
As I mentioned earlier, I am getting some rest this week. Retro Television Reviews will return next week, on June 8th!
Hi there, wonderful readers!
As I mentioned earlier, I am getting some rest this week. Retro Television Reviews will return next week, on June 8th!
Leave it to Josh Safdie to make an anxiety-ridden film about ping pong.
That’s not a complaint, by the way. Both with his brother Benny and working solo on this film, Josh Safdie has proven himself to be a master at making anxiety compelling. Much more so than Benny’s 20205 offering, The Smashing Machine, Josh’s Marty Supreme keeps you off-balance. Marty Supreme may be set in the 50s but it’s deliberately shot in the gritty style of 70s-era Scorese and Lumet. Meanwhile, the background music is largely made up of classic songs from the 80s. Timothee Chalamet may play the title role of Marty Mauser, a shoe salesman who also happens to be a ping pong champion. And the film may also feature recognizable actors like Odessa A’Zion, Gwyneth Paltrow, Fran Drescher, and Emory Cohen (remember him?). But the majority of the cast is made up of people best-known for not being actors. Shark Tank co-host and aspiring lead of Canada Kevin O’Leary plays Paltrow’s husband and Marty’s occasional sponsor. Director Abel Ferrara plays a gangster who is searching for his dog. Penn Jillette plays a New Jersey farmer who shoots first and asks questions later. David Mamet, Isaac Mizrahi, early internet sensation Ted Williams, former New York mayoral candidateJ ohn Catsimatidis, rapper Tyler The Creator, and performance artist Sandra Bernhard all show up in small roles, creating a very New York atmosphere that somehow feels both familiar and artificial. Watching the movie is like living the tourist’s dream of traveling to New York, seeing your favorite Manhattan celebrities hanging out in Brooklyn, and then having them curse you out for owing them money.
As is to be expected from a Safdie film, Marty Mauser is not always a sympathetic protagonist. He’s been having an affair with the married Rachel (Odessa A’Zion) but, even after he finds out that Rachel is pregnant, that doesn’t stop him from having a purely sexual relationship with former actress Kay Stone (Gwyneth Paltrow), the wife of businessman Milton Rockwell (Kevin O’Leary). Marty thinks that he’s the world’s best ping pong player, which is why he has a hard time accepting being humiliated at the hands of Japan’s champion, Endo (Koto Kawaguchi). Marty’s efforts to return to Japan for a rematch lead to an at times dizzying array of complications. Marty is the type who will steal his lover’s necklace just to return it and apologize after learning that it was only worth two bucks because it was costume jewelry. Fortunately, Marty is played by Timothee Chalamet, who gives such an energetic and charismatic performance that it’s hard not to be charmed by the character even while his actions might upset, annoy, or even offend you. The film never claims that Marty is the best ping pong player in the world. Only Marty claims that. Instead, the film shows just how unshakeable Marty’s belief in himself is. It’s hard not to like someone who refuses to accept defeat.
In many ways, Marty is a quintessential American figure. He believes in himself and he’s not going to apologize for it. Both the character and the film celebrate the individualism that make America unique. That 50s setting really does make sense. Marty truly is the post-war American, dedicated and unapologetic. And, in that context, the film’s “stunt” casting, for lack of a better description, makes sense as well. David Mamet, Kevin O’Leary, Penn Jillette, Abel Ferrara, John Catsimatidis, and so many of the other familiar faces that float through Marty Supreme: they’re all people who have gone their own way, even at the risk of alienating the establishment.
Marty Supreme was nominated for 9 Oscars but failed to win any of them. Indeed, the amount of negative stories that were breathlessly reported about the film’s director and lead actor after the nominations were announced indicates that there was an organized whisper campaign against the film. (In a sad sign of the time, there was a good deal of negative backlash online from the dishrag brigade, who were upset that the film’s lead character was Jewish.) Despite being the best of the nominated films, Marty Supreme lost to One Battle After Another.
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 2 Lave 2 Lantula!
If you want to join this watch party, just hop onto Mastodon, pull up 2 Lava 2 Lantula on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi: The Next Generation, which aired from 2001 to 2015! The series can be streamed on YouTube and Tubi.
Oh no, Emma’s got a cause!
Episode 2.19 “Fight For Your Right”
(Dir by Chris Deacon, originally aired on February 2nd, 2003)
This episode is a good example of Emma being the worst.
Emma and Ashley approach Principal Raditch and tell him that they don’t want genetically modified foods in the cafeteria. Raditch tells them to buzz off, which is the right response when you consider that Raditch is probably just following the orders of the school board. Emma responds by standing outside the school and handing out flyers that announce that Sheila the lunch lady is “poisoning” the students with the food she’s serving.
Now, to me, this is the moment that Emma goes from being a young idealist to being arrogant brat. Sheila works for the school. She’s a lunch lady. I doubt she lives in a nice big house like Emma. Sheila probably needs the job. Emma is accusing Sheila of poisoning people. When Ellie sensibly points out that saving money with GM food — as opposed to the expensive organic crap that Emma wants the school to serve — allows Degrassi to give free meals to poor students, Emma accuses Ellie of not caring about the fact that the students might get cancer in 20 years. Principal Raditch finally comes out and tells Emma that she’s not allowed distribute “propaganda” on school property.
And again, it seems to me that Radtich is within his rights. Number one, why isn’t Emma in class? Number two, Emma is accusing a school employee of being a potential murderer. Number three, Emma is causing a disruption on school property.
The show disagrees with me. The show wants me to say, “Yay, Emma!” Even when Emma goes into the cafeteria and accidentally starts a food fight by knocking Toby and JT’s lunch on Jimmy, we are meant to be on Emma’s side. When Emma gets offended at Raditch’s insistence that she apologize to Sheila, we’re meant to be on her side. One thing that we don’t see is who gets stuck cleaning up the cafeteria after the food fight. I’m going to assume that it was probably the same Sheila that Emma accused of poisoning the students.
Emma is suspended for the day so she stands across the street and holds a sign, claiming that her right to free speech has been violated. Raditch tells Emma that if she doesn’t apologize on the next day’s video announcement, she’ll be suspended for a week.
At home, Emma asks Snake what she should do. Snake encourages her to …. NOT APOLOGIZE! Well, he doesn’t directly say that but he doesn’t say that she should apologize either. Snake, in case you had forgotten, is not only Emma’s teacher but also her stepfather. Spike is on a trip so he’s the only parent at home. Snake, at this point, should be saying, “This is a dumb protest and you should at least apologize to Sheila. No matter what else happens, you’re not getting your organic food in the cafeteria so there’s nothing to be accomplished with any of this.”
Instead, the next morning, Snake just sits there with a big dumbass grin on his face when Emma goes on the video announcements and refuses to apologize. Okay, Snake, do you think it’s cool that a school employee has been accused of poisoning the students? Oh, and Snake — are you the one who is going to call Spike to tell her that you got her daughter suspended from school for a week? Spike, who had to fight so hard for the right to go to school when she was pregnant with Emma, will certainly appreciate hearing that!
Seriously, Emma is the worst! But the only she’s the worst is because this show was convinced that she was the best. One gets the feeling that Emma’s character was a case wish-fulfillment for the show’s writers. Imagine a world where you can be obnoxious and self-righteous and everyone loves you for it!
There is a B-plot and, to be honest, it probably should have been the A-plot. Spinner, jealous that Jimmy’s parents buy him everything, steals Jimmy’s CD player and attempts to sell it. When Jimmy finds out, he overturns a trash can. Spinner takes a job at the cafeteria to earn money and gives Jimmy back the CD player.
“You are my best friend!” Spinner says.
“Was,” Jimmy replies.
Oh my God! Spinner and Jimmy, no! Actually, Spinner and Jimmy were always ending their friendship and then eventually restoring it. They’ll be fine. Still, their storyline was a lot more interesting than Emma’s latest crusade.
When in doubt, always focus on Spinner. That’s a lesson the writers should have taken to heart.
It’s hard to believe that it’s June already.
I’ll be on a much-needed vacation during the upcoming week but I’ve already got so many movie reviews scheduled to drop that I doubt anyone will notice. My Retro Television Reviews will return on June 8th!
Films I Watched:
Live Tweets:
4 Shots From 4 Films:
Scenes I Love:
Songs of the Day:
Music Videos of the Day:
Artworks of the Day:
Heroes and Villains Of The Day:
Links From Last Week:
News From Last Week:
Links From The Site:
These predictions are still too early to really be taken seriously. The year is getting off to a slow start as far as the Oscars are concerned. That said, here are my predictions for May!
Check out my predictions for March and April!
Best Picture
The Adventures of Cliff Booth
Digger
Dune Part Three
Fatherland
Fjord
I Play Rocky
Primetime
Project Hail Mary
The Social Reckoning
Wild Horse Nine
Best Director
David Fincher for The Adventures of Cliff Booth
Phil Lord and Christopher Miller for Project Hail Mary
Cristian Mungiu for Fjord
Pawel Pawlikowski for Fatherland
Denis Villeneuve for Dune: Part Three
Best Actor
Tom Cruise in Digger
Rami Malek in The Man I Love
John Malkovich in Wild Hose Nine
Robert Pattinson in Primetime
Dominic Sessa in Tony
Best Actress
Daisy Edgar-Jones in Sense and Sensibility
Sandra Huller in Fatherland
Mikey Madison in The Social Reckoning
Julianne Moore in No One Cares
Renate Reinsve in Fjord
Best Supporting Actor
Steve Buscemi in Wild Horse 9
Colman Domingo in Michael
Matt Dillon in I Play Rocky
John Goodman in Digger
Jeremy Strong in The Social Reckoning
Best Supporting Actress
Sandra Huller in Project Hail Mary
Scarlett Johansson in Paper Tiger
Tao Okamoto in All Of A Sudden
Parker Posey in Wild Horse Nine
AnnaSophia Robb in I Play Rocky
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.
This week, Kellerman finally clears his name and Bayliss takes the job too personally …. again!
Episode 5.12 “Betrayal”
(Dir by Clark Johnson, originally aired on January 1oth, 1997)
It’s finally time for Detective Kellerman to testify in front of the Grand Jury. At first, Kellerman is thinking of taking the Fifth so that he won’t have to testify about what any of the other members of the Aron squad may or may not have done. However, when Kellerman realizes that another member of the squad has named him in order to try to make a deal with the prosecutor, Kellerman changes his mind. He says that he will testify. He will throw his career away. He’ll do it because he’s not going to let anyone think that he’s a dirty cop. The prosecutor (Rebecca Boyd) is so moved that she allows Kellerman to testify that he never took a bribe but then declines to ask any follow-up questions. Kellerman is cleared.
This, of course, is something that would never happen in real life. A prosecutor declining to ask follow-up questions because she respects the witness? Seriously? That said, if it means the bribery storyline is finally wrapped up and Kellerman can return to active duty, I’m happy.
Meanwhile, Pembleton and Bayliss investigate the death of a teenage girl who was found abandoned on the side of the road. When it’s revealed that the victim was horribly abused, Bayliss — of course — takes the case personally. For Pembleton, it’s just another case. It’s what he does for a living and he knows better than to get personally involved. For Bayliss, it’s a crusade. At the end of the episode, Bayliss reveals that he was abused as a child. He also says that he no longer wants to be Pembleton’s partner.
WHAT!?
Dammit, Bayliss, we just got Pembleton back and now you don’t want to work with him!?
Don’t get me wrong. This was a good episode but it did leave me feeling a bit frustrated. Hopefully, Bayliss and Pembleton will make up soon. The Kellerman bribery subplot went on forever. Here’s hoping the same doesn’t happen with Bayliss and Pembleton’s divorce.
Seeing as how today is Clint Eastwood’s birthday, it seems only appropriate that our song of the day should come from the score of one of his best films. From 1973’s Magnum Force, here is Lalo Schifrin’s theme:
Today, we wish a happy 96th birthday to the one and only Clint Eastwood!
Clint Eastwood is an American icon. In many ways, his persona epitomizes all of the contrasts and extremes of the American experience. A political conservative who specializes in playing taciturn and rather grouchy men, he is also one of our most humanistic directors, specializing in films that often question the traditional view of history and morality. He may have first become a star in Europe but Clint Eastwood is definitely an American original.
In honor of his birthday, I’m sharing a scene that I love from 1971’s Dirty Harry. In this scene, Detective Harry Callahan (Clint Eastwood) meets the Mayor of San Francisco (John Vernon). The mayor is concerned that there’s a psycho on the loose, gunning people down and demanding money. Callahan’s annoyed that he’s spent a lot of time sitting in a waiting room. Things pretty much go downhill from there.
There’s so much that I love about this scene. Both Eastwood and Vernon do a wonderful job playing off of each other. The Mayor may be in charge of the city but Callahan probably didn’t vote for him. One thing that I especially love about this scene is the look of annoyance that crosses Harry’s face whenever he’s interrupted.
And, of course, there’s that final line! Eastwood does a great job explaining Harry’s “policy” but ultimately, it’s Vernon’s “I think he’s got a point,” that provides the perfect closing note.
Happy birthday, Mr. Eastwood!