Retro Television Review: Homicide: Life On The Street 5.4 “Bad Medicine”

Posted on April 5, 2026 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, drug lord Luther Mahoney returns.

Episode 5.4 “Bad Medicine”

(Dir by Kenneth Fink, originally aired on October 25th, 1996)

Someone is selling bad heroin in Baltimore. This episode opens with a montage of dead junkies being discovered. Detective Munch explains to a uniformed cop why he has to stick around until it’s firmly established that the latest dead junkie died of an overdose and not something like a hit to the back of the head. Munch says that everything he knows, he learned from his ex-partner. Hey, Munch, Bolander’s not coming back! You have to accept it.

Things are looking grim for Giardello’s detectives. Megan Russert has run off to Europe. Bolander is retired. Felton is missing. Frank is recovering from his stroke and still needs to pass his firearms exam. And now, Kellerman has been accused of taking bribes while working as an arson investigator. Kellerman is given desk duty, which means that he can’t help Lewis pursue drug kingpin Luther Mahoney (Erik Todd Dellums).

Mahoney returns in this episode, dragged into the box and accused of murdering a rival dealer. Mahoney is his usual smug snake self but Lewis and his temporary partner, Narcotics Detective Terri Stivers (Toni Lewis), are convinced that they’ve finally got him where they want him. First off, there’s a junkie who has been bullied into informing on Luther. Plus, Luther slips up and reveals that he knew some facts about the murder that were not released to the press. Is Luther Mahoney going down!?

Well, don’t get too excited. Ed Danvers informs them that their evidence isn’t enough to get a conviction. Juries don’t trust junkies. Luther could have heard the details of the murder on the street. Everyone knows that Luther is guilty but no one can prove it beyond a reasonable doubt. Luther goes free and the informant ends up dead.

Meanwhile, Frank Pambleton stops taking his medicine so that he can concentrate on passing his firearms exam. He still fails. Even though he was able to hit the target, he took too long reloading his gun. Pembleton starts to take his medicine again.

Finally, Brodie still doesn’t have anywhere to live. He stayed with Munch for one night and then voluntarily left. (The reasons why are left ambiguous but it’s suggested that Brodie came across Munch’s private drug stash and freaked out.) Brodie moves in with Bayliss and quickly makes things awkward by overanalyzing the Mighty Mouse cartoon that Bayliss is watching. Brodie explains that Mighty Mouse is an agent of chaos and Bayliss looks like he’s already realized this living arrangement is not going to work.

This was a properly cynical episode, one where the main theme seemed to be that our heroes are fighting a losing war. Giardello is running low on detectives. Kellerman is put on desk duty because of one weak accusation. Pembleton has to pass a firearms exam, despite rarely having to draw his gun. In the end, men like Luther Mahoney walk free while the addicts caught in-between end up dead in the street.

That’s life in Charm City.

Retro Television Review: Homicide: Life On The Street 4.21 “Scene of the Crime”

Posted on February 8, 2026 by Lisa Marie Bowman

This week, it’s another night in Baltimore.

Episode 4.21 “Scene of the Crime”

(Dir by Kathy Bates, originally aired on April 12th, 1996)

This week, three murders are committed in the projects of Baltimore.

The first murder occurs when a drug dealer is tossed off the roof of an apartment complex, “the towers.” Making the Lewis and Kellerman’s investigation difficult is the fact that the city has given a security contract to the Black Muslims. The Muslims have been patrolling the Towers for a year and, in that time, they’ve chased out most of the drug dealers that once terrorized the building’s residents. Kellerman feels that the Muslims are racists. Giardello says that the Muslims just caused the dealers to go to another block. Lewis, however, is a bit more conflicted. As he explains it to Kellerman, why should white neighborhoods by the only ones allowed to have their own private security force?

The second and third murders occur at another set of towers. This time, two teenage drug dealers ended up shooting each other. When Munch and Russert arrive at the scene, they are met by patrolman Stu Gharty (Peter Gerety). Gharty walks them through the scene, shows how the two dealers ended up killing each other, and then excuses himself to wait for the medical examiner. Munch is impressed with Gharty but Russert can’t help but note the thirty-minute time gap between when Gharty got the call about the shooting and when he called for homicide. Gharty confesses that, when he first arrived, he didn’t immediately enter the building, despite hearing the gunshots. Gharty was concerned for his safety. Munch understands and, even more importantly, he doesn’t believe in getting other cops in trouble. Russert, however, is angered, especially after it turns out that one of the teenagers bled to death while Gharty was waiting outside.

This was an excellent episode of Homicide, one that was smart enough to paint anyone as being all good or all bad. Ishmael Al-Hadj (Victor Williams), the head of the Muslim security force, is an anti-white fanatic but Lewis has a point when he says that Ishmael and his men have largely kept peace in the Towers in a way that the police have not been able to do so. In the end, Ishmael turns over the name of the murderer but only after he knows that the man is no longer in Baltimore.

As for Stu Gharty, Russert is absolutely correct when she says that he failed to do his duty but, largely due to Peter Gerety’s empathetic performance, it’s hard not to sympathize with Gharty. As Russert herself admits, Gharty has been a good cop for years but, that one night, he allowed his fear to get the better of him. Russert, who is still thinking like a captain despite being demoted, feels that one moment of weakness cannot be overlooked. Just about everyone else disagrees. Whereas Russert and Kay Howard sees someone who failed to do his job, a detective like Munch looks at Gharty and sees a 54 year-old cop who is just a few years away from getting reassigned a desk job on account of his age and who made one mistake because he didn’t want his family to get a call telling them that he was dead. At one point, Gharty says he’s thinking of just taking retirement. Of course, he didn’t. Instead, he returned a few seasons later as a regular.

This episode also featured Munch preparing for the return of Bolander. After calling Bolander multiple times, Munch finally got him to agree to drop by the Waterfront Bar. Of course, Bolander never showed up. And it makes sense, really. After getting shot and nearly dying during the previous season, Bolander was obviously done with being a cop. (And, of course, Ned Beatty was no longer on the show.) Still, there was something rather poignant about Munch’s growing realization that his partner and his hero was no longer going to be around.

Next week, the season comes to an end!

Retro Television Review: Homicide: Life On The Street 3.12 “Partners”

Posted on May 18, 2025 by Lisa Marie Bowman

This week, the bar finally opens!

Episode 3.12 “Partners”

(Dir by John McNaughton, Originally aired January 20th, 1995)

As you can tell by the title, this episode was all about partners.

For instance, Megan Russert realized that her former partner from narcotics, Douglas Jones (Robert Clohessy, with his Bronx accent), has been beating up his wife, Natalie (Lily Knight). He regularly puts her in the hospital, though Natalie always insists that she either fell down the stairs or walked into a door. Jones, who is now working homicide during the night shift and under Russert’s command, insists that he would never hurt his wife. When Russert asks Jones’s former boss if Jones had been having any trouble while working narcotics, he refuses to give her specifics. It’s a boys club and the boys protect each other. Eventually, Natalie ends up shooting Jones with his own gun, probably killing him. (We’re told that he’s barely holding on.) This storyline was well-acted and well-written but watching it, I was reminded of just how awkwardly this show tends to use Russert. Because she commands a different shift, she doesn’t really get much interaction with the other main characters. Her affair with Beau Felton has never really made sense. From what I understand, Russert was created by NBC demanded more personal drama and some glamour. Isabella Hofman does about as good a job as anyone could with her often underwritten character but there’s really just not much for her to do.

Meanwhile, with Pembleton under suspension and threatening to quit, Bayliss doesn’t have a regular partner. His attempt to partner up with Lewis ends in disaster when Lewis’s bad (albeit hilarious) driving leads to Bayliss getting a minor concussion. Fortunately, Pembleton does return to the Homicide Department, though not before nearly burning down his kitchen while trying to make dinner. Unfortunately, before Pembleton can return to his job, he has to take the fall for offering to drop the investigation into Congressman Wade’s false kidnapping report. Andre Braugher perfectly plays the scene in which Pambleton testifies in court. It’s easy to see the emotional and mental pain that Pembleton feels as he essentially commits perjury, taking the blame and letting Commissioner Harris of the hook. Pembleton is forced to compromise and it eats away at his soul. At the same time, he also gets to return to doing what he does best. Early on in the episode, Giardello acknowledges that he and Pembleton are not friends. “I’ve never been to your house, I’ve never met you’re wife …. I am not your friend ….” but Giardello explains that Pembleton is a good detective. He turns “red names black” and that’s why he wants and needs Pembleton to return.

Bayliss, Lewis, and Munch finally open their bar and, at the end of the episode, it looks like the entire city of Baltimore has turned out. Bolander even looks like he’s having a good time! Munch raises a glass in a toast to the best partners that anyone could hope for and I got tears in mismatched eyes. Seriously, I was so happy to finally see that bar open! It was also nice to see everyone else happy for once. That doesn’t often happen on Homicide.