Retro Television Review: Homicide: Life On The Street 5.12 “Betrayal”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, Kellerman finally clears his name and Bayliss takes the job too personally …. again!

Episode 5.12 “Betrayal”

(Dir by Clark Johnson, originally aired on January 1oth, 1997)

It’s finally time for Detective Kellerman to testify in front of the Grand Jury.  At first, Kellerman is thinking of taking the Fifth so that he won’t have to testify about what any of the other members of the Aron squad may or may not have done.  However, when Kellerman realizes that another member of the squad has named him in order to try to make a deal with the prosecutor, Kellerman changes his mind.  He says that he will testify.  He will throw his career away.  He’ll do it because he’s not going to let anyone think that he’s a dirty cop.  The prosecutor (Rebecca Boyd) is so moved that she allows Kellerman to testify that he never took a bribe but then declines to ask any follow-up questions.  Kellerman is cleared.

This, of course, is something that would never happen in real life.  A prosecutor declining to ask follow-up questions because she respects the witness?  Seriously?  That said, if it means the bribery storyline is finally wrapped up and Kellerman can return to active duty, I’m happy.

Meanwhile, Pembleton and Bayliss investigate the death of a teenage girl who was found abandoned on the side of the road.  When it’s revealed that the victim was horribly abused, Bayliss — of course — takes the case personally.  For Pembleton, it’s just another case.  It’s what he does for a living and he knows better than to get personally involved.  For Bayliss, it’s a crusade.  At the end of the episode, Bayliss reveals that he was abused as a child.  He also says that he no longer wants to be Pembleton’s partner.

WHAT!?

Dammit, Bayliss, we just got Pembleton back and now you don’t want to work with him!?

Don’t get me wrong.  This was a good episode but it did leave me feeling a bit frustrated.  Hopefully, Bayliss and Pembleton will make up soon.  The Kellerman bribery subplot went on forever.  Here’s hoping the same doesn’t happen with Bayliss and Pembleton’s divorce.

Shattered Politics #63: Primary Colors (dir by Mike Nichols)


Primaryposter

Jack Stanton (John Travolta) is the charismatic governor of an unnamed Southern state.  After spending his entire life in politics, Jack is finally ready to run for President.  Even more ready is his equally ambitious wife, Susan (Emma Thompson).  Jack proves himself to be a strong candidate, a good speaker who understands the voters and who has the ability to project empathy for almost anyone’s situation. He’s managed to recruit a talented and dedicated campaign staff, including the flamboyant Richard Jemmons (Billy Bob Thornton), Daisy Green (Maura Tierney), and journalist Henry Burton (Adrian Lester).  Henry is the son of a civil rights leader and, as soon as they meet, Jack talks about the first time that he ever heard Henry’s father speak.  Within minutes of first meeting him, Henry believes in Jack.

The problem, however, is that there are constant hints that Jack may not be worthy of his admiration.  There’s the fact that he’s a compulsive womanizer who is given to displays of temper and immaturity.  When one of Jack’s old friends reveals that Jack may have impregnated his daughter, Jack and Susan respond with a pragmatic ruthlessness that takes Henry by surprise.

When one of Jack’s mistresses threatens to go public, Henry is partnered up with Libby (Kathy Bates) and sent to dig up dirt on her and her sponsors.  When the former governor of Florida, Freddie Picker (Larry Hagman), emerges as a threat to derail Jack’s quest for the nomination, Henry and Libby are again assigned to research Picker’s background.  Libby is perhaps the film’s most interesting character.  Recovering from a mental breakdown, Libby has no trouble threatening to shoot one political opponent but she’s still vulnerable and idealistic enough that it truly hurts her when Jack and Susan repeatedly fail to live up to her ideals.  As an out lesbian, Libby is perhaps the only character who has no trouble revealing her true self and, because of her honesty, she is the one who suffers the most.

First released in 1998 and based on a novel by Joe Klein, Primary Colors is an entertaining and ultimately rather bittersweet dramedy about the American way of politics.  John Travolta and Emma Thompson may be playing Jack and Susan Stanton but it’s obvious from the start that they’re meant to be Bill and Hillary Clinton.  And while it takes a few minutes to get used to Travolta’s attempt to sound Southern, this is ultimately one of his best performances.  As played by Travolta, Jack Stanton is charming, compassionate, self-centered, and ultimately, incredibly frustrating.  One reason why Primary Colors works is because we, as an audience, come to believe in Jack just as much as Henry does and then we come to be just as disillusioned as Libby.  Emma Thompson’s performance is a little less obviously based on Hillary.  Unlike Travolta, she doesn’t attempt to imitate Hillary’s voice or mannerisms.  But she perfectly captures the steely determination.

Primary Colors captures both the thrill of believing and the inevitability of disillusionment.  It’s definitely a film that I will rewatch in the days leading up to 2016.