Robert Eggers shifts to Lycanthropy in the Werwulf trailer!


I’m kind of liking this trend of Robert Eggers in putting out something spooky/creepy on Christmas. His latest film, Werwulf borrows about 80 percent of the main cast from his remake of Nosferatu. Aaron Taylor-Johnson, Lily-Rose Depp, Ralph Ineson, and of course, Willem Dafoe are all on hand here. Even composer Robin Carolan and Cinematographer Jarin Blaschke are back. I’m curious to know what his take on werewolves are here. Will get something spectral, like Michael Wadleigh’s Wolfen or perhaps it’s a bit more personal, like Leigh Whannell’s Wolf Man? Either way, we’ll find out this holiday season. 

Enjoy!

Scenes I Love: Jason and the Argonauts


Today would have been Ray Harryhausen’s birthday.

In honor of the man and his legacy, today’s scene that I love comes from 1963’s Jason and the Argonauts.  The skeleton army was one of Harryhausen’s greatest creations.

8 Shots From 8 Films: Special Robert Evans Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

96 years ago today, Robert Evans was born in New York City.  He started out working in his brother’s clothing business but a chance meeting with actress Norma Shearer led to him becoming an actor.  And while Evans, by his own account, was not a particularly good actor, he did prove himself to be very skilled at playing the games of Hollywood.  Evans eventually moved from acting to production, first as an executive at Paramount and then as an independent producer.

He lived a life as glamorous and tumultuous as the stars of his pictures and his memoir, The Kid Stays In The Picture, is considered to be one of the classic show biz autobiographies.  He hung out with cinematic rebels like Jack Nicholson and Robert Towne and counted Secretary of State Henry Kissinger as a friend.  He suggested that Francis Ford Coppola should direct The Godfather and, when Paramount put pressure on Coppola to cut the film down to two hours, it was Evans who famously announced that a two-hour Godfather was nothing more than a trailer.  He lost Ali MacGraw to Steve McQueen and, again by own account, he lost a lot of potentially productive years to cocaine.  (The Cotton Club scandal is one of the wildest in the history of Hollywood, though it should be noted that Evans himself was never charged with any wrongdoing.)  But, for all that he lost, Evans continues to gain admirers as being the epitome of the producer who was willing to take chances.  For all of his flamboyance, Evans had an eye for good material and the willingness to protect his directors.  In many ways, he was as important to the cinematic revolution of the 70s as the directors that he hired.  When Evans passed away in 2019, it was truly the end of an era.

Here, in honor of the birth and legacy of Robert Evans, are 8 Shots from 8 Films that Evans produced, either as studio chief at Paramount or as an independent producer.

8 Shots From 8 Robert Evans Films

Rosemary’s Baby (1968, dir by Romnn Polanski, DP: William A. Fraker)

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

The Cotton Club (1984, dir by Francis Ford Coppola, DP: Stephen Goldblatt)

The Two Jakes (1990, dir by Jack Nicholson, DP: Vilmos Zsigmond)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Monday Live Tweet Alert: Join Us for Rolling Vengeance!


 

As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be ROLLING VENGEANCE!

If you want to join this watch party, just hop onto Mastodon, pull up Rolling Vengeance on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Music Video of the Day: Paradise City by Guns N’ Roses (1988, directed by Nigel Dick)


Paradise City seems to be the Guns N’ Roses song that’s liked even by people who don’t like Guns N’ Roses.

Paradise City is a good song and a good video.  The video keeps things effectively simple, with clips of the band performing the song at Giants Stadium mixed in with behind-the-scenes footage of the band.  All of the members of the band look like they’re getting along and, at no point, do Slash and Axl look like they’re about to come to blows.  It’s a look at Guns N’ Roses that definitely goes against their later reputation for intraband strife.

This is what I like to call a “They sure can play” video because the emphasis is on the band as professional musicians who know what they’re doing and who aren’t just spending all of their time doing drugs and entertaining groupies.  I’m usually not a fan of these type of videos because they often feel phony but it works for Guns ‘N Roses because they really could play.

Enjoy!