The American Society of Cinematographers Has Spoken!

Posted on January 6, 2016 by Lisa Marie Bowman

The American Society of Cinematographers announced their 5 nominees for the best cinematography of 2015 and here they are:

Bridge of Spies – Janusz Kaminski
Carol – Edward Lachman
Mad Max: Fury Road – John Seale
The Revenant – Emmanuel Lubezki
Sicario – Roger Deakins

This is Roger Deakins’s 14th ASC nomiantion! If Sicario scores a best picture nomination, I wouldn’t be surprised if Deakins finally picks up an Oscar as a result.

Though a lot of critics don’t want to admit it (for obvious reasons), the guild awards are actually a far better Oscar precursor than the critic awards. If you want to know what films are popular with the people who actually make movies, look to the guild awards.

And looking at the guild awards so far, it really does appear that there are quite a few films that have wide industry support. Interestingly enough, both Sicario and Straight Outta Compton have been making something of a comeback with the guild awards. (Even though Compton was not nominated by ASC, it has been recognized by the PGA, WGA, and SAG.) As well, Bridge of Spies and Trumbo have both received more guild support than either has gotten from the critics.

For that matter, both Mad Max: Fury Road and The Big Short have received more guild support than Spotlight. I know that Sasha Stone and Jeff Wells have pretty much declared Spotlight to be unbeatable but who knows? Things could still get interesting.

(Correction: Over on Gold Derby, Sasha Stone is now predicting victory for The Big Short.)

Film Review: Suffragette (dir by Sarah Gavron)

Posted on January 6, 2016 by Lisa Marie Bowman

It’s funny (or perhaps not) when you think about it. I’ve always taken my right to vote (and, in theory at least, have some say over how I’m governed) for granted. Even before I turned 18 and officially registered, I never had any doubt that, some day, I would be able to vote for President and every other elected office. (And, even before that, I voted in student council and mock presidential elections.) Voting is something that I so take for granted that, even when I cast my first official vote in the 2004 Presidential election, it didn’t really mean much to me. Given the choice between Bush and Kerry, I wrote in the name of Charles Jay, the candidate of the Personal Choice Party. I knew nothing about Mr. Jay but I had come across his name online and I liked the idea of personal choice and I thought it would make for a funny story to tell all of my friends who were actually taking the election seriously. (Even back then, I enjoyed annoying people who actually cared.) Essentially, I threw my vote away and I did it without a second thought.

Of course, what I didn’t understand at that time was that the right to vote was something that many brave women had fought for, gone to prison for, and even died for. If I had lived before 1920, I would not have had the right to vote and I certainly would not have had the opportunity to so casually toss my vote away. Women in the U.S. did not win the right to vote until 1920. But before everyone starts in with the usual “America is so backwards!” crap, consider this. In Britain, women did not win the right to vote until 1928. Women could not vote in France until 1944 and Switzerland waited until 1984! Last year, women in Saudi Arabia voted for the first time.

The struggle of British women to gain equal rights under the law is the subject of the film Suffragette. Maud Watts (played by Carey Mulligan, my generation’s Audrey Hepburn) is a laundress living in London in 1912. She spends her day working for little money and for a male boss who, for years, has sexually harassed and abused the women working under him. Unlike a lot of the women who work at the laundry, Maud has a stable home life. She is a devoted mother and her husband, Sonny (Ben Whishaw), is supportive.

Or, at least, he seems to be at first. Things chance once Maud gets involved in the suffragette movement. It’s not just that her lecherous boss laughs at her for wanting to be treated equally, That, we expect. No, what is truly infuriating is to watch how quickly Sonny goes from being a loving husband to a monster, the type who forbids Maud from seeing her own son and then callously puts the boy up for adoption. Confronted by his wife’s demand to be treated as his equal, Sonny reveals himself to be no better than the casual misogynists that Maud must deal with, on a daily basis, at work. Raised on a diet of films where men come to their senses and justice (and love) somehow prevails, I kept expecting Sonny to see the error of his ways or for Maud to at least be reunited with her son. Needless to say, none of that happened. This is a film that never lets us forget the sacrifice involved in fighting for equal rights.

Instead, having lost everything that previously defined her life, Maud throws herself into the battle for women’s rights. And, as Suffragette makes clear, that meant a lot more than just winning the right to vote.

It’s an inspiring story and both Carey Mulligan and Helena Bonham-Carter (who plays another suffragette) give powerful performances. At the same time — and this is something that many critics need to understand and acknowledge — you can love a film for what it has to say while, at the same time, acknowledging that it doesn’t totally work as a piece of cinema. Suffragette is not a perfect film and reviewing it, I found myself torn between praising the film’s message and criticizing director Sarah Gavron’s frequently uninspired cinematic technique. (From a strictly cinematic point of view, Suffragette will play better on television than on a big movie screen.)

Perhaps for me, the film’s great weakness was casting Meryl Streep in the role of real-life activist Emmeline Pankhurst. Ms. Pankhurst was the leader of the Suffragette movement and is an inspiring historical figure. Unfortunately, as soon as Meryl shows up for her four-minute cameo, it becomes impossible to see her as being anyone other than Meryl Streep, a wealthy white woman who — unlike the real-life Ms. Pankhurst — will never be sent to prison for demanding the right to vote. When Meryl shows up as Ms. Pankhurst, it takes the viewer out of the historical reality of the film. You’re no longer watching a group of brave women risking their lives and demanding to be treated equally under the law. Instead, you’re just watching a Meryl Streep cameo.

Throughout the film, Maud stays in a succession of safe houses and decrepit offices. She always has a picture of Ms. Pankhurst near her and occasionally, she looks to it for strength and guidance. However, since the picture of Ms. Pankhurst is really just a picture of Meryl Streep, it again serves to take the viewer out of the film. Perhaps if Meryl Streep had more screen time, she would be able to get us to think of her as being Ms. Pankhurst but since she’s only onscreen for four minutes, she instead just serves to distract from the film’s message.

(Personally, I would have cast either Emma Thompson and Kristin Scott Thomas in the role of Ms. Pankhurst, two great actresses who would could have portrayed her charisma without being quite as distracting as Meryl Streep.)

As I said earlier, Suffragette is not a perfect film but it does teach an important lesson that needs to be learned, especially by those of us who occasionally take our rights for granted. It’s a film that reminds us that years ago, brave women fought for everything that we have now and it’s a film that encourages us to keep fighting. It’s not a perfect film but it’s a film that deserves to be seen.

2015 in Review: Lisa’s Picks For The 16 Worst Films Of The Year

Posted on January 6, 2016 by Lisa Marie Bowman

There’s always a little bit of risk involved in making a list of the 16 worst films of the year. People take movies very seriously and, often times, the crappiest of films will have very passionate (and very ignorant) defenders. I was reminded of this in November when I wrote my review of The Leisure Class and I discovered that there actually are a few misguided dumbfug toadsuckers who actually enjoyed that movie.

But you know what? Even with that risk, I always enjoy making out my worst-of-the-year list. Let’s be honest: stupid people tend to like stupid movies. And it’s important to point out that stupidity. Only by pointing it out can we hope to defeat it. I’m sure that some people will disagree with some of my picks. After all, people initially disagreed with me when I announced that Man of Steel was the worst film of 2013. However, just 2 years later, most people now realize that I was right. There were also people who insisted, in 2011, that Another Earth was a great movie. Again, they now realize that they were wrong and I was right.

So, with all that in mind, here are my picks for the 16 worst films of 2015! For the most part, 2015 was a pretty good year for cinema. However, there were still a number of terrible films released and here’s 16 of them.

(Why 16? Because Lisa doesn’t do odd numbers!)

16) Stockholm, Pennsylvania (dir by Nicholas Beckwith)

15) Aloha (dir by Cameron Crowe)

14) The Lazarus Effect (dir by David Gelb)

13) The Woman In Black 2: The Angel of Death (dir by Tom Harper)

12) The Stranger (dir by Guillermo Amoedo)

11) Get Hard (dir by Etan Coen)

10) Fantastic Four (dir by Josh Trank)

9) War Room (dir by Alex Kendrick)

8) Tommorrowland (dir by Brad Bird)

7) Jenny’s Wedding (dir by Mary Agnes Donoghue)

6) The Gallows (dir by Craig Lofing and Travis Cluff)

5) Tooken (dir by John Asher)

4) The Last House on Cemetery Lane (dir by Andrew Jones)

3) Vacation (dir by Jonathan Goldstein and John Francis Daley)

2) The Leisure Class (dir by Jason Mann)

And finally, it’s time to name the worst film of 2015!

And the winner is….

1) Ted 2 (dir by Seth McFarlane)

(Feel free to also check out my picks for 2010, 2011, 2012, 2013, and 2014!)

Agree? Disagree? Leave a comment and let us know! And if you disagree, please let me know what movie you think was worse than Ted 2!

Tomorrow, I will be posting my 10 favorite songs of 2015!

Previous Entries In The Best of 2015:

Playing Catch-Up With Two Documentaries: 3 1/2 Minutes 10 Bullets and The Wolfpack

Posted on January 6, 2016 by Lisa Marie Bowman

3 1/2 Minutes Ten Bullets (Dir by Marc Silver)

On November 23rd, 2012, an SUV pulled up to a gas station in Jacksonville, Florida. Inside the SUV were four teenage boys, all of whom were black. A car pulled up next to the SUV. Inside the car was a man and his girlfriend. They were both white.

The man was named Michael Dunn and reportedly, he was annoyed by the loud rap music that was being played in the SUV. He told his girlfriend that he hated “thug music.” He got out of his car and asked them to turn down the music. What happened next depends on who you ask. The driver of the SUV says that he turned down the music but then his friend, Jordan Davis, turned it back up. Michael Dunn claims that Jordan Davis opened a door and pointed something at him that looked like a shotgun.

What everyone agree on is that Dunn grabbed his own gun and proceeded to fire it into the SUV, killing Jordan Davis. Everyone also agrees that no shotgun was ever found in the SUV.

Michael Dunn was tried for the murder of Jordan Davis and the attempted murder of the other three teenagers. Dunn claimed he was acting in self-defense. He was “standing his ground.” Dunn’s first murder trial ended in a mistrial. His second trial ended with his conviction.

3 1/2 Minutes Ten Bullets was filmed during the two trials and it is infuriating. Though Michael Dunn was not interviewed for the film, we do hear recordings of some of the calls he made to his girlfriend while he was in prison and it is chilling to listen to him as he continues to insist that he did nothing wrong. Even when confronted by the fact that no shotgun was found in the SUV, Dunn continues to insist that the four teenagers had to have been armed. After all, he says, they were listening to “thug music!” If you had any doubt about the type of person Michael Dunn was before watching this documentary and hearing his voice, that doubt will be gone after watching 3 1/2 Minutes.

Even more importantly, 3 1/2 Minutes features extensive interviews with Jordan’s friends and family, all of whom express their sadness and anger with such articulation that it’s impossible not to get infuriated when Dunn and others casually dismisses them as being “thugs.”

3 1/2 Minutes is a powerful and moving documentary that should be seen by anyone who is interested in taking a serious look at race in America.

The Wolfpack (dir by Crystal Moselle)

I had mixed feelings about The Wolfpack.

On the one hand, The Wolfpack is a fascinating story about seven siblings who — after spending 14 years locked away in a New York apartment — finally start to enter the real world. Everything that the siblings know about the world, they learned through the movies. Inside the apartment, they obsessively recreate their favorite movies, with an elaborate production of Pulp Fiction being a definite highlight. When they go out into the real world, they do so dressed like the characters from Reservoir Dogs.

(Except, of course, for the one time that one of them goes out while dressed like Michael Myers from Halloween. That leads to some trouble with the authorities…)

Watching these brothers (and one sister) as they talked about their unconventional childhood and as they discovered what the world was like outside of their apartment, it was impossible for me not to be moved. I was touched by their love for each other and I related to their obsession with the movies. I hoped that they would survive in the outside world. I was happy for them but, at the same time, I was scared for them. I knew that their new opportunities would come with a certain loss of innocence.

At the same time, it frustrated me that less time was spent on the circumstances that led to them never leaving that apartment for 14 years. Or, perhaps, I should say that it angered me that they didn’t seem to be as angry as I was. The father was obviously mentally ill and, while it would be easy to just dismiss him as a monster, I couldn’t help but feel that the truth was perhaps a bit more complex.

The Wolfpack is a fascinating documentary and it’s currently available on Netflix!

Artwork of the Day: Man Story

Posted on January 6, 2016 by Dazzling Erin

Artist Unknown

Playing Catch-Up With The Lesser Films of 2015: Get Hard, Paul Blart: Mall Cop 2, Pixels, The Wedding Ringer

Posted on January 5, 2016 by Lisa Marie Bowman

Image Credit: http://www.sliceofscifi.tv/tag/trivia/ Please be sure to check them out!

SPOILER ALERT!

One or more of the films reviewed below will appear on my list of the 16 Worst Films of 2015! Can you guess which one(s)?

Get Hard (dir by Etan Cohen)

Will Ferrell is funny and Kevin Hart is funny and you would think that putting them together in one movie would be especially funny but … nope. Get Hard, which I watched on HBO a few weeks ago, is incredibly not funny. Ferrell plays a hedge fund manager who is convicted of fraud and embezzlement and it’s a sign of how haphazard this film is that I was never really sure whether he was supposed to be guilty or not. Anyway, Ferrell is terrified of going to prison but fortunately, he runs into Kevin Hart. Hart is playing the owner of a car wash here, a mild-mannered family man who simply wants to be able to afford to send his daughter to a good school. However, Ferrell assumes that, since Hart is black, Hart must be an ex-con.

So, Ferrell hires Hart to teach him how to survive in prison and Hart agrees. And, to be honest, this is not a terrible idea for an edgy satire but the film pulls it punches and never really exposes or challenges the racism that led to Ferrell hiring Hart in the first place. Instead, it’s more interested in making homophobic jokes about prison rape (there’s a particularly long and unpleasant scene where Ferrell attempts to learn how to give a blow job that feels like it was lifted from a deservedly forgotten 90s film) and eventually, it devolves into a painfully predictable action film.

Paul Blart: Mall Cop 2 (dir by Andy Fickman)

I know what someone out there is saying.

“YOU’VE NEVER EVEN SEEN THE FIRST PAUL BLART: MALL COP!!! WHO THE HELL ARE YOU TO REVIEW THE SEQUEL!?”

Well, listen — it’s true. I’ve never seen the first film and the only reason I watched the second one (on HBO at a friend’s house, which means that it literally cost me nothing) was because I had heard how terrible it was and I figured that I should see it before making out my list of the worst films of the year. But, even with that in mind, I think I can still give this film a fair review.

(At the very least, I’ll try. Dammit, I’ll try.)

Paul Blart: Mall Cop 2 is one of those films that is so forgettable that you forget about it while you’re watching. Kevin James plays Paul Blart, a mall security guard who goes to Las Vegas for a security guard convention and ends up getting involved in thwarting a big heist. It’s a comedy, though I can’t think of a single time I laughed. Paul Blart: Mall Cop 2 was not quite the abomination that I had been led to expect. It was, in no way, comparable to Birdemic, April Rain, or Man of Steel. Instead, it was just an incredibly empty and soulless film. It was a zombie movie that existed only to eat money.

One thing that is frustrating about a film like Paul Blart: Mall Cop 2 is that Kevin James seems like he could actually survive appearing in a good film, if he could just get a chance to make one. He’s likable and he’s got an everyman quality about him. But, for now, he seems to be trapped in films where he either plays Paul Blart or he’s surrounded by talking animals.

Pixels (dir by Chris Columbus)

Speaking of Kevin James, he’s also in Pixels! He plays William Cooper. When he was a kid, he was obsessed with playing video games. Now that he’s an adult, he’s the President of the United States! And he still keeps in contact with his best friend from childhood, Sam. Sam, needless to say, will never be President. When Sam was a kid, he was traumatized when he lost a national video game championship. Now that he’s an adult, he installs home-theater systems and he’s played by Adam Sandler…

When Earth is invaded, it turns out that the aliens are under the impression that video games are real! So, they recreate a bunch of classic video game characters and send them off to do havoc. Who better to stop them than the President and Sam? And who better to help than a nerdy conspiracy theorist (Josh Gad) and Eddie Planet (Peter Dinklage), the same guy who cheated in order to defeat Sam at the video game championship….

If you’re thinking that sounds like way too much plot for a silly comedy about video games coming to life, you’re right. Pixels has some cute moments (though, based on the comments and occasional laughter of the middle-aged people in the theater around me, I get the feeling that a lot of the film’s video game-themed humor was a bit too “before my time” for me to fully appreciate) but oh my God, it was such an unnecessarily busy movie. The idea behind Pixels had some potential but the film refused to take advantage of it.

I’ve said this before and I always get some strange looks but I honestly do think that — if he would actually break out of his comfort zone and stop doing movies that mostly seem to be about finding an excuse to hang out with his friends — Adam Sandler could be an acceptable dramatic actor. Check out his work in Punch-Drunk Love, Funny People, Reign Over Me, Spanglish, and even the first half of The Cobbler. (Tarantino even wrote the role of Donny Donowitz in Inglourious Basterds with Sandler in mind.) The fact that Sandler could be doing good work makes his continual bad work all the more frustrating and annoying.

The Wedding Ringer (dir by Jeremy Garelick)

And speaking of Josh Gad…he’s also in The Wedding Ringer! For that matter, so is Kevin Hart. Hart plays a guy who, for a sizable fee, will pretend to the lifelong best friend (and best man) for grooms who do not have enough real friends to fill out a wedding party. Hart refuses to get emotionally involved with his clients but that all changes when, despite himself, he becomes friends with Josh Gad, who is on the verge of getting married to Kaley Cuoco.

The Wedding Ringer got terrible reviews but it also was very popular with audiences and I imagine a lot of that had to do with the relationship between Hart and Gad. Both of them give very sincere performances that elevate some otherwise unpromising material. The Wedding Ringer wasn’t good (it’s predictable, it’s portrayal of Kaley Cuoco’s character verges on misogynistic) but, at the same time, it wasn’t as bad as it was made out to be. In the end, it was pretty much a typical January film.

I’m so excited! I’m so excited! I’m so … wait a minute, am I just here because this is a post about bad movies?

Which of these four films will make my list of the worst 16 films of 2015? The answer shall be revealed soon!

The ADG Nominates Crimson Peak … and some other films…

Posted on January 5, 2016 by Lisa Marie Bowman

The PGA wasn’t the only guild to announce nominations today! The Art Director’s Guild announced their nominees for the best of 2015 as well. And here they are! (And yay to the ADG for nominating Crimson Peak!)

THE NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2015 ARE:

1. PERIOD FILM

BRIDGE OF SPIES
Production Designer: ADAM STOCKHAUSEN

CRIMSON PEAK
Production Designer: THOMAS E. SANDERS

THE DANISH GIRL
Production Designer: EVE STEWART

THE REVENANT
Production Designer: JACK FISK

TRUMBO
Production Designer: MARK RICKER

2. FANTASY FILM

CINDERELLA
Production Designer: DANTE FERRETTI

JURASSIC WORLD
Production Designer: EDWARD VERREAUX

MAD MAX: FURY ROAD
Production Designer: COLIN GIBSON

STAR WARS: THE FORCE AWAKENS
Production Designers: RICK CARTER, DARREN GILFORD

TOMORROWLAND
Production Designer: SCOTT CHAMBLISS

3. CONTEMPORARY FILM

EX MACHINA
Production Designer: MARK DIGBY

JOY
Production Designer: JUDY BECKER

THE MARTIAN
Production Designer: ARTHUR MAX

SICARIO
Production Designer: PATRICE VERMETTE

SPECTRE
Production Designer: DENNIS GASSNER

The PGA Gives New Life To Sicario and Straight Outta Compton!

Posted on January 5, 2016 by Lisa Marie Bowman

The Producers Guild of America announced their nominees today and guess what? Ex Machina, Sicario and Straight Outta Compton made the cut! In general, the PGA is a good precursor for the actual Oscar nominations so that’s good news for both of those films. (Among the films snubbed: Star Wars: The Force Awakens and Carol!)

Here are the nominees:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

Ø The Big Short

Producers: Brad Pitt & Dede Gardner, Jeremy Kleiner

Ø Bridge of Spies

Producers: Steven Spielberg, Marc Platt, Kristie Macosko Krieger

Ø Brooklyn

Producers: Finola Dwyer & Amanda Posey

Ø Ex Machina

This film is in the process of being vetted for producer eligibility

Ø Mad Max: Fury Road

Producers: Doug Mitchell & George Miller

Ø The Martian

Producers: Simon Kinberg, Ridley Scott, Michael Schaefer, Mark Huffam

Ø The Revenant

Producers: Arnon Milchan, Steve Golin, Alejandro G. Iñárritu, Mary Parent, Keith Redmon

Ø Sicario

Producers: Basil Iwanyk, Edward L. McDonnell, Molly Smith

Ø Spotlight

Producers: Michael Sugar & Steve Golin,

Straight Outta Compton

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

Ø Anomalisa

Producers: Rosa Tran, Duke Johnson, Charlie Kaufman

Ø The Good Dinosaur

Producer: Denise Ream

Ø Inside Out

Producer: Jonas Rivera

Ø Minions

Producers: Chris Meledandri, Janet Healy

Ø The Peanuts Movie

Producers: Craig Schulz, Michael J. Travers

Rockin’ in the Film World #2: THE BLUES ACCORDIN’ TO LIGHTNIN’ HOPKINS (1968)

Posted on January 5, 2016 by gary loggins

cracked rear viewer

“The blues had a baby”, sang Muddy Waters, “and they called it rock’n’roll”. One of rock’s many parents was the legendary Texas country bluesman Sam “Lightnin'” Hopkins. Lightnin’s phenomenal guitar wizardry is heard echoing in everything from The Animals to Led Zeppelin and beyond, and it’s given a fine showcase in this 45 minute documentary by filmmaker Les Blank. Blank gives us an amazing time capsule of life in 1960’s Centerville, Texas, a predominately black rural community midway between Dallas and Houston. We follow Lightnin’, with his ever-present shades and hip flask of whiskey, as he visits his hometown, jamming with friends like Mance Lipscomb, greeting relatives, attending a rodeo, and playing at a BBQ party. This short, cinema verite film lets the man himself tell the story through his music and tales of a life in the blues.

Les Blank began as an industrial filmmaker before deciding to follow his own…

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2015 in Review: The Best of Lifetime

Posted on January 5, 2016 by Lisa Marie Bowman

Today, I continue my look back at 2015 by posting my picks for the best of Lifetime! My nominees for the best Lifetime films and performances are listed below, with the winners starred and listed in bold! Congratulations to all the nominees and winners and thank you for making this one of the most entertaining years in my long history of watching Lifetime movies!

Best Picture
Babysitter’s Black Book, produced by Robert Ballo and Ken Sanders.
Cleveland Abduction, produced by David A. Rosemont and Stephen Tolkin
*A Deadly Adoption, produced by Fritz Manger, Max Osswald, Will Ferrell, and Adam McKay.*
If There Be Thorns, produced by Richard D. Arredondo and Harvey Kahn.
A Mother’s Instinct, produced by Oliver De Caigny and Timothy O. Johnson
Patient Killer, produced by Barbie Castro.
The Secret Life of Marilyn Monroe, produced by Joseph Boccia, Don Carmody, and David Cormican.
The Spirit of Christmas, produced by Andrea Ajemian
Stalked By My Neighbor, produced by Robert Ballo.
The Unauthorized Beverly Hills 90210 Story, produced by Ian Hay.

Best Director
Jason Bourque for A Mother’s Instinct
Doug Campbell for Stalked By My Neighbor.
*Rachel Goldenberg for A Deadly Adoption*
Alex Kalymnois for Cleveland Abduction
Vanessa Parise for The Unauthorized Beverly Hills 90210 Story
Casper Van Dien for Patient Killer

Best Actor
Shaun Benson in Kept Woman
Dan Castellaneta in The Unauthorized Beverly Hills 90210 Story
*Will Ferrell in A Deadly Adoption*
Travis Hammer in The Bride He Bought Online
Adam Kaufman in A Mother Betrayed
Eric Roberts in Stalked By My Doctor

Best Actress
Josie Bissett in A Mother’s Instinct
Anna Camp in Caught
Kimberly Elise in Back to School Mom
Kelli Garner in The Secret Life of Marilyn Monroe
*Taryn Manning in Cleveland Abduction*
Kelcie Stranahan in Stalked By My Neighbor

Best Supporting Actor
Ken Camroux-Taylor in Sugarbabies
MacKenzie Gray in If There Be Thorns
Richard Harmon in A Mother’s Instinct
*Patrick Muldoon in Patient Killer.*
Eric Roberts in A Fatal Obsession
Peter Strauss in Sugar Daddies.

Best Supporting Actress
Angeline Appel in Babysitter’s Black Book.
Barbie Castro in Patient Killer
Olivia d’Abo in Stolen From The Suburbs
Sarah Grey in A Mother’s Instinct
Jessica Lowndes in A Deadly Adoption
*Samantha Munro in The Unauthorized Beverly Hills 90210 Story*

Best Adapted Screenplay
*Cleveland Abduction, written by Stephen Tolkin*
If There Be Thorns, written by Andy Cochran.
The Secret Life of Marilyn Monroe, written by Stephen Kronish and J. Randy Taraborrelli.
Seeds of Yesterday, written by Darren Stein.
Turkey Hollow, written by Tim Burns and Christopher Baldi.
Wuthering High School, written by Delondra Williams.

Best Original Screenplay
*Babysitter’s Black Book, written by Richard Kletter and Michele Samit*
A Deadly Adoption, written by Andrew Steele.
The Murder Pact, written by John Doolan
Patient Killer, written by Bryan Dick and Brian D. Young.
Stalked By My Neighbor, written by Doug Campbell.
Stolen From The Suburbs, written by Alex Wright

Best Cinematography
*Cleveland Abduction, Richard Wong.*
Fatal Obsession, Ronnee Swenton.
If There Be Thorns, James Liston.
The Murder Pact, Branden James Maxham.
Patient Killer, Bernard Salzmann
The Spirit of Christmas, Michael Negrin.

Best Costume Design
Grace of Monaco, Gigi Lepage
If There Be Thorns, Shanna Mair, Rebekka Sorensen.
Kept Woman
*The Secret Life of Marilyn Monroe, Gersha Phillips.*
Seeds of Yesterday, Claire Nadon.
The Spirit of Christmas, Jennifer Lynn Tremblay.

Best Editing
Babysitter’s Black Book, Ely Mennin
Cleveland Abduction, Henk Van Eeghen.
*A Deadly Adoption, Bill Parker.*
A Mother’s Instinct
Stalked By My Neighbor, Clayton Woodhull.
The Unauthorized Beverly Hills 90210 Story, Allan Lee.

Best Makeup and Hairstyling
*Cleveland Abduction, Dugg Kirkpatrick, Susan R. Prosser, Tina Roesler Kewin, Alan Tuskes, Alicia Zavarella*
Grace of Monaco
If There Be Thorns, Jenine Lehfeldt, Tana Lynn Moldovanos.
The Secret Life of Marilyn Monroe. Jordan Samuel, Cliona Furey
The Spirit of Christmas
The Unauthorized Beverly Hills 90210 Story, Amber Crombach.