A Few Thoughts on … Lucifer 1.1 (“The Pilot”)


Lucifer

So, earlier tonight, I watched the first episode Lucifer.  Lucifer is the new cop show on Fox.  It’s about an eccentric crime solver who uses unorthodox methods to solve crimes and his partner, with whom he shares sexual tension and the occasional sardonic aside.  It sounds a lot like Elementary, Castle, the X-Files revival, and a whole lot of other TV shows of the past, present, and future as well.

The main difference between Lucifer and those other shows is that the title character is the Devil.  That’s right.  The Devil has gone from starring in Milton’s Paradise Lost to working with the LAPD to solve crimes.

(In high school, one of my best friends read Paradise Lost and ended up getting a huge crush on Satan.  I wonder if she watched Lucifer tonight.)

From what I understand, Lucifer is loosely based on a comic book series in which Lucifer gets bored with ruling Hell and comes to Los Angeles, where he runs a piano bar and spends a lot of time considering whether or not there really is such a thing as free will.  And that actually sounds pretty interesting.  That sounds like it would make for an edgy, thought-provoking series.

What is not particularly interesting is the idea that Lucifer would come to Los Angeles, open a piano bar, and then decide to spend his time helping the LAPD solve crimes.  It really sounds like the punchline to an overtold joke, doesn’t it?  “She’s a non-nonsense detective.  He’s the Prince of Darkness.  Together, they fight crime.”

There were a few things that I did like about the pilot.  I liked the fact that it opened and closed with No Rest For The Wicked, even though that song’s going to be stuck in my head for the next few days.  I thought Lauren German did a pretty good job as Detective Chloe Dancer.  There were a few scenes — mostly the ones that featured Lucifer hanging out at his piano bar — that were shot and acted in a entertainingly over-the-top style.  I like the idea that Lucifer can terrify people whenever he feels like it.  I think Tom Ellis could be really good in the title role but not if the series insists on straight-jacketing him into a typical “eccentric detective” role.

My advice to this show?  Get Chloe Dancer out of the LAPD as quickly as possible.  The character has potential and I can easily imagine Lauren German and Tom Ellis developing a really amazing chemistry but having to deal with a case-a-week format is going to rob this show of everything that could potentially make it special.  So, get Chloe off of the LAPD.  Have her work as a head of security for Lucifer’s bar or something.  Keep them together but forget about solving crimes.  Instead, allow Lucifer to truly explore the philosophical and theological concepts that were merely hinted at in the pilot.  It might not win the show a huge audience but it will win it a loyal and intelligent audience.  At the very least, it should be enough to score 6 seasons and a movie.

Lucifer has potential but not as a cop show.

Playing Catch-Up With The Lesser Films of 2015: Get Hard, Paul Blart: Mall Cop 2, Pixels, The Wedding Ringer


SPOILER ALERT!

One or more of the films reviewed below will appear on my list of the 16 Worst Films of 2015!  Can you guess which one(s)?

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Get Hard (dir by Etan Cohen)

Will Ferrell is funny and Kevin Hart is funny and you would think that putting them together in one movie would be especially funny but … nope.  Get Hard, which I watched on HBO a few weeks ago, is incredibly not funny.  Ferrell plays a hedge fund manager who is convicted of fraud and embezzlement and it’s a sign of how haphazard this film is that I was never really sure whether he was supposed to be guilty or not.  Anyway, Ferrell is terrified of going to prison but fortunately, he runs into Kevin Hart.  Hart is playing the owner of a car wash here, a mild-mannered family man who simply wants to be able to afford to send his daughter to a good school.  However, Ferrell assumes that, since Hart is black, Hart must be an ex-con.

So, Ferrell hires Hart to teach him how to survive in prison and Hart agrees.  And, to be honest, this is not a terrible idea for an edgy satire but the film pulls it punches and never really exposes or challenges the racism that led to Ferrell hiring Hart in the first place.  Instead, it’s more interested in making homophobic jokes about prison rape (there’s a particularly long and unpleasant scene where Ferrell attempts to learn how to give a blow job that feels like it was lifted from a deservedly forgotten 90s film) and eventually, it devolves into a painfully predictable action film.

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Paul Blart: Mall Cop 2 (dir by Andy Fickman)

I know what someone out there is saying.

“YOU’VE NEVER EVEN SEEN THE FIRST PAUL BLART: MALL COP!!!  WHO THE HELL ARE YOU TO REVIEW THE SEQUEL!?”

Well, listen — it’s true.  I’ve never seen the first film and the only reason I watched the second one (on HBO at a friend’s house, which means that it literally cost me nothing) was because I had heard how terrible it was and I figured that I should see it before making out my list of the worst films of the year.  But, even with that in mind, I think I can still give this film a fair review.

(At the very least, I’ll try.  Dammit, I’ll try.)

Paul Blart: Mall Cop 2 is one of those films that is so forgettable that you forget about it while you’re watching.  Kevin James plays Paul Blart, a mall security guard who goes to Las Vegas for a security guard convention and ends up getting involved in thwarting a big heist.  It’s a comedy, though I can’t think of a single time I laughed.  Paul Blart: Mall Cop 2 was not quite the abomination that I had been led to expect.  It was, in no way, comparable to Birdemic, April Rain, or Man of Steel.  Instead, it was just an incredibly empty and soulless film.  It was a zombie movie that existed only to eat money.

One thing that is frustrating about a film like Paul Blart: Mall Cop 2 is that Kevin James seems like he could actually survive appearing in a good film, if he could just get a chance to make one.  He’s likable and he’s got an everyman quality about him.  But, for now, he seems to be trapped in films where he either plays Paul Blart or he’s surrounded by talking animals.

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Pixels (dir by Chris Columbus)

Speaking of Kevin James, he’s also in Pixels!  He plays William Cooper.  When he was a kid, he was obsessed with playing video games.  Now that he’s an adult, he’s the President of the United States!  And he still keeps in contact with his best friend from childhood, Sam.  Sam, needless to say, will never be President.  When Sam was a kid, he was traumatized when he lost a national video game championship.  Now that he’s an adult, he installs home-theater systems and he’s played by Adam Sandler…

When Earth is invaded, it turns out that the aliens are under the impression that video games are real!  So, they recreate a bunch of classic video game characters and send them off to do havoc.  Who better to stop them than the President and Sam?  And who better to help than a nerdy conspiracy theorist (Josh Gad) and Eddie Planet (Peter Dinklage), the same guy who cheated in order to defeat Sam at the video game championship….

If you’re thinking that sounds like way too much plot for a silly comedy about video games coming to life, you’re right.  Pixels has some cute moments (though, based on the comments and occasional laughter of the middle-aged people in the theater around me, I get the feeling that a lot of the film’s video game-themed humor was a bit too “before my time” for me to fully appreciate) but oh my God, it was such an unnecessarily busy movie.  The idea behind Pixels had some potential but the film refused to take advantage of it.

I’ve said this before and I always get some strange looks but I honestly do think that — if he would actually break out of his comfort zone and stop doing movies that mostly seem to be about finding an excuse to hang out with his friends — Adam Sandler could be an acceptable dramatic actor.  Check out his work in Punch-Drunk Love, Funny People, Reign Over Me, Spanglish, and even the first half of The Cobbler.  (Tarantino even wrote the role of Donny Donowitz in Inglourious Basterds with Sandler in mind.)  The fact that Sandler could be doing good work makes his continual bad work all the more frustrating and annoying.

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The Wedding Ringer (dir by Jeremy Garelick)

And speaking of Josh Gad…he’s also in The Wedding Ringer!  For that matter, so is Kevin Hart.  Hart plays a guy who, for a sizable fee, will pretend to the lifelong best friend (and best man) for grooms who do not have enough real friends to fill out a wedding party.  Hart refuses to get emotionally involved with his clients but that all changes when, despite himself, he becomes friends with Josh Gad, who is on the verge of getting married to Kaley Cuoco.

The Wedding Ringer got terrible reviews but it also was very popular with audiences and I imagine a lot of that had to do with the relationship between Hart and Gad.  Both of them give very sincere performances that elevate some otherwise unpromising material.  The Wedding Ringer wasn’t good (it’s predictable, it’s portrayal of Kaley Cuoco’s character verges on misogynistic) but, at the same time, it wasn’t as bad as it was made out to be.  In the end, it was pretty much a typical January film.

I'm so excited!  I'm so excited!  I'm so ... wait a minute, am I just here because this is a post about bad movies?

I’m so excited! I’m so excited! I’m so … wait a minute, am I just here because this is a post about bad movies?

Which of these four films will make my list of the worst 16 films of 2015?  The answer shall be revealed soon!