Quickie Review: Night of the Comet (dir. by Thom Eberhardt)


Night of the Comet took advantage of the return of Halley’s Comet hype which ran through nation and pretty much most of the world throughout most of 1984 and into 1985. Hollywood being the opportunist industry that it was (and still is) were quick to produce and release a movie about the return of Halley’s Comet over the planet as soon as possible. The 1980’s was a good decade for the low to mid-budgeted horror and sci-fi movies which had a quick death at the box-office but which gained success and cult status in the many displays racks of the tens of thousands of video rental places. 1984’s Night of the Comet was one of these films and it typifies the cheesiness that was 1980’s scifi horror.

The film opens up with everyone partying the arrival of Halley’s Comet which could be seen in the night sky every 75-76 years. This time around the planet will pass through the comet’s tail which has only happened once and that was 65 million years in the past. People are out on the streets as night falls celebrating the Comet’s arrival and we meet two of the main characters in the film in the form of Regina (80’s genre icon Catherine Mary Stewart) and Samantha (Kelli Maroney). Two sisters who truly epitomizes the mall and valley culture of 1980’s Southern California, Regina and Samantha are not enjoying the night of the comet as Regina ends up working the night shift at the local theater she works at and Samantha is stuck at home with her stepmother and all the partygoers attending her stepmom’s party. In the span of a few sequences both Regina and Samantha end up locking themselves up somewhere quiet and safe to get away from the party going on around them.

While they stew in their own little, steel-lined hideaways the comet makes its pass over the planet with everyone who can see looking up to take a peek of the returning comet. What happens next sets up the rest of the movie. The comet seem to have turned anyone not protected behind heavy steel structures into red dust and those only half-protected end up turning into zombie-like creatures. Luckily for the two sisters they were inside such heavy steel structures when the comet did its pass over and were well-protected. The rest of the movie deals with Regina and Samantha dealing with the possibility that they may be the last people on the planet (though this soon get shotdown with the arrival of Commander Chakotay of Star Trek Voyager…I mean Robert Beltran) and trying to keep themselves from being eaten by the zombie survivors and being tested upon by shady, secret government scientists.

Night of the Comet won’t win any awards even from horror and science-fiction groups, but it will entertain to a point. For those who grew up during the 80’s the movie will bring back fond, if painful memories of just how cheesy that decade was in terms of pop culture. Catherine Mary Stewart as Regina would be seen in more cheesy horror flicks of the era. In fact, she pretty much became the PG-13 version of 80’s Scream Queen Linnea Quigley. Where Ms. Quigley wasn’t against gratuitious nudity and sex in the movies she was in, Ms. Stewart was very chaste and very girl next door in her roles.

Would I recommend this movie to people? Yes, I would but buying the dvd might be more for the hardcore horror and scifi completist since one can easily see Night of the Comet on regular and cable TV. In the end, the movie is a fun romp back through time to a weird and different era. The movie is not great, but it’s not bad either.

Top 25 Films of 2010


I’ve been slacking off about getting this particular list down and posted, but with film news being quite slow outside of Oscar-related items I thought it was time to get my lazy ass to get this done. Some of the titles I’ll mention are favorite films of 2010 for me while others only made it onto the list not because I liked or even enjoyed them, but they were just well-executed and made.

A couple of the titles I’ve listed also made their premiere’s in their home country earlier than 2010, but it wasn’t until this past year that they were shown here in the U.S. thus it qualifies as a 2010 for me. For those who have seen the very final title on my list should know that this is one title that I definitely didn’t find entertaining at all, but found it to be as daring and as subversive as another film made decades before it which received similar negative reactions from many: Pier Paolo Pasolini’s Salo.

  1. Black Swan
  2. True Grit
  3. Inception
  4. Restrepo
  5. Winter’s Bone
  6. The Fighter
  7. The King’s Speech
  8. Kick-Ass
  9. The Last Exorcism
  10. Animal Kingdom
  11. Un prophète
  12. Lebanon
  13. Let Me In
  14. Despicable Me
  15. The Social Network
  16. Scott Pilgrim vs. The World
  17. Toy Story 3
  18. Waiting for Superman
  19. How To Train Your Dragon
  20. The Town
  21. Mesrine
  22. Mother
  23. Carlos
  24. Blue Valentine
  25. A Serbian Film

The Lost Best Picture Nominee: The Patriot (dir. by Ernst Lubitsch)


So, in case you hadn’t noticed, I’ve got a love for film trivia in general and Oscar trivia in particular.  I also love to make lists.  Last night, these twin loves led to me staying up way too late making a list of every single film ever nominated for best picture.  As I looked down at that list, I thought to myself, “That’s not even a 1,000 movies.  Why it would only take a few years for me to see and then review every single film ever nominated.”  So, I am now a woman on a mission.  Well, actually, I’m on several missions but this is definitely one of them.

Unfortunately, there is one nominee that its doubtful that I — or anyone else will ever see — and that is 1928’s The Patriot.  Not only was it the last silent film to be nominated for best picture but it’s also the only nominee to subsequently become a “lost” film.  With the exception of a few publicity stills and the film’s trailer, all trace of The Patriot has vanished.  Maybe there’s a copy of it sitting in the corner of someone’s attic.  It has happened in the past, after all.  More likely though, the Patriot is simply gone. 

Here’s the trailer:

The Patriot was based on the 1801 assassination of Tsar Paul I of Russia.  Paul was played by Emil Jannings who, the previous year, had won the very first Academy Award for Best Actor for his performance in The Last Command.  Paul’s assassin — the patriot of the title — was played by character actor Lewis Stone who later played almost everyone’s father in the 1930s.  Director Lubitsch was, like Jannings, a relatively recent arrival from Germany.

The Patriot was an expensive, “prestige” presentation that was pretty much doomed the moment that Al Jolson spoke in The Jazz Singer.  With audiences now obsessed with “talking pictures,” the silent Patriot was a box office bomb.  Paramount hastily withdrew the film from circulation, added a few sound effects (though no dialogue because of Jannings’s thick German accent), and then re-released the film with the little success.  The Patriot — the last silent film nominated — lost to the first sound film to win Best Picture, Broadway Melody.

The box office failure of The Patriot pretty much drove the last nail into the coffin of the silent film era.  Jannings reacted to the coming of sound by returning to his native Germany and continuing his film career there.  He co-starred with Marlene Dietrich in Josef von Sternberg’s The Blue Angel.   As Germany’s most distinguished actor, Jannings was a supporter of Adolf Hitler and he appeared in several Nazi propaganda films during World War II.  In 1945, following the fall of the Third Reich, Jannings reportedly carried his Oscar with him as he walked through the streets of Berlin.  He died in Austria in 1950 at the age of 65. 

Lewis Stone, meanwhile, prospered in sound films and was a busy character actor until he died of a heart attack in 1953.  Reportedly, he dropped dead while chasing some neighborhood children who had been throwing rocks at his garage.

Ernest Lubitsch also had a very succesful career in Hollywood and specialized in sophisticated romantic comedies and musicals.  While Jannings was making propaganda films for Hitler, Lubitsch was directing the anti-Nazi comedy, To Be Or Not To Be.  He died of a heart attack in 1947, reportedly while having sex with a starlet who was auditioning for a role in his latest film.

The Patriot remains lost.

Lisa And The Academy Agree To Disagree


The Oscar nominations were announced today and, for the most part, it’s pretty much what you would expect.  Below is the list of nominees.  If a nominee listed in bold print, that means they also appeared on my own personal list of nominations.

Best motion picture of the year

Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

(The Academy and I agree on five of the ten nominees.  That’s actually more than I was expecting.)

Performance by an actor in a leading role

Javier Bardem (Biutiful)
Jeff Bridges (True Grit)
Jesse Eisenberg (The Social Network)
Colin Firth (The King’s Speech)
James Franco (127 Hours)

(The only real surprise here is Bardem.  I haven’t seen Biutiful but I’ve heard amazing things about it.)

Performance by an actor in a supporting role

Christian Bale (The Fighter)
John Hawkes (Winter’s Bone)
Jeremy Renner (The Town)
Mark Ruffalo (The Kids Are All Right)
Geoffrey Rush (The King’s Speech)

(Yay for John Hawkes!  Some people are surprised that Andrew Garfield wasn’t nominated for The Social Network.  I’m disappointed he wasn’t nominated for Never Let Me Go.)

Performance by an actress in a leading role

Annette Bening (The Kids Are All Right)
Nicole Kidman (Rabbit Hole)
Jennifer Lawrence (Winter’s Bone)
Natalie Portman (Black Swan)
Michelle Williams (Blue Valentine)

(I’m happy to see Lawrence and Portman recognized but I still so wish that the Academy had recongized Noomi Rapace and Katie Jarvis as well.  I knew it wouldn’t happen but still…)

Performance by an actress in a supporting role

Amy Adams (The Fighter)
Helena Bonham Carter (The King’s Speech)
Melissa Leo (The Fighter)
Hailee Steinfeld (True Grit)
Jacki Weaver (Animal Kingdom)

(Weaver — Yay!) 

Achievement in directing

Darren Aronofsky (Black Swan)
David O Russell (The Fighter)
Tom Hooper (The King’s Speech)
David Fincher (The Social Network)
Joel Coen and Ethan Coen (True Grit)

(The snubbing of Christopher Nolan for Inception is probably the closest thing to an outrage that the Oscars will produce this year.)

Adapted screenplay

127 Hours – Danny Boyle & Simon Beaufoy
The Social Network – Aaron Sorkin
Toy Story 3 – Michael Arndt (screenplay); John Lasseter, Andrew Stanton and Lee Unkrich (story)
True Grit – Joel Coen and Ethan Coen
Winter’s Bone – Debra Granik & Anne Rosellini

Original screenplay

Another Year – Mike Leigh
The Fighter – Scott Silver, Paul Tamasy and Eric Johnson (screenplay); Keith Dorrington, Paul Tamasy and Eric Johnson (story)
Inception – Christopher Nolan
The Kids Are All Right – Lisa Cholodenko and Stuart Blumberg
The King’s Speech – David Seidler

Best animated feature film of the year

How to Train Your Dragon
The Illusionist
Toy Story 3

 (I haven’t seen The Illusionist yet but I’m looking forward to it because the previews look great, it’s based on a script by Jacques Tati, and I love all things French.  Still, I kinda wish that Despicable Me had been nominated just so Arleigh could see the minions at the Academy Awards.)

Best foreign language film of the year

Biutiful (Mexico)
Dogtooth (Greece)
In a Better World (Denmark)
Incendies (Canada)
Outside the Law (Hors-la-loi) (Algeria)

Art direction

Alice in Wonderland – Robert Stromberg (production design), Karen O’Hara (set decoration)
Harry Potter and the Deathly Hallows Part 1 – Stuart Craig (production design), Stephenie McMillan (set decoration)
Inception – Guy Hendrix Dyas (production design), Larry Dias and Doug Mowat (set decoration)
The King’s Speech – Eve Stewart (production design), Judy Farr (set decoration)
True Grit – Jess Gonchor (production design), Nancy Haigh (set decoration) 

Achievement in cinematography

Matthew Libatique (Black Swan)
Wally Pfister (Inception)
Danny Cohen (The King’s Speech)
Jeff Cronenweth (The Social Network)
Roger Deakins (True Grit) 

Achievement in costume design

Colleen Atwood (Alice in Wonderland)
Antonella Cannarozzi (I Am Love)
Jenny Beavan (The King’s Speech)
Sandy Powell (The Tempest)
Mary Zophres (True Grit)

(That’s right, I ended up going 0 for 5 as far as Costume Design is concerned.  Which I guess goes to prove that I have better taste than the Academy.)

Best documentary feature

Exit Through the Gift Shop (Banksy and Jaimie D’Cruz)
Gasland (Josh Fox and Trish Adlesic)
Inside Job (Charles Ferguson and Audrey Marrs)
Restrepo (Tim Hetherington and Sebastian Junger)
Waste Land (Lucy Walker and Angus Aynsley)

 (If Banksy wins, I’ll be happy.  I have a feeling the award will go to Inside Job, however.  As a documentary, Inside Job reminded me a lot of Capt. Hindsight from the South Park Coon Vs. Coon And Friends trilogy.  Also, I’m a little bit surprised that Waiting for Superman wasn’t nominated.  I’m even more surprised that I actually saw enough feature documentaries last year to even have an opinion.  Also, interesting to note that Restrepo — a very nonpolitical look at military in the mid-east — was nominated while The Tillman Story, a much more heavy-handed and stridently political documentary was not.)

Best documentary short subject

Killing in the Name (Nominees to be determined)
Poster Girl (Nominees to be determined)
Strangers No More (Karen Goodman and Kirk Simon)
Sun Come Up (Jennifer Redfearn and Tim Metzger)
The Warriors of Qiugang (Ruby Yang and Thomas Lennon)

(It’s always interesting that nobody knows what these movies are about yet their producers always end up giving the longest speeches at the Oscars.  I’m hoping that Poster Girl wins because the actual producers have yet to be determined.  I imagine that means there might be some sort of legal action going on which means that, if it wins on Oscar night, there might be a big fight at the podium.  Plus, I like the title.  It makes me want to walk up to people I barely know, lean forward, and go, “Can I be your poster girl?”)

Achievement in film editing

Andrew Weisblum (Black Swan)
Pamela Martin (The Fighter)
Tariq Anwar (The King’s Speech)
Jon Harris (127 Hours)
Angus Wall and Kirk Baxter (The Social Network) 

Achievement in makeup

Adrien Morot (Barney’s Version)
Edouard F Henriques, Gregory Funk and Yolanda Toussieng (The Way Back)
Rick Baker and Dave Elsey (The Wolfman)

Achievement in music written for motion pictures (original score)

John Powell (How to Train Your Dragon)
Hans Zimmer (Inception)
Alexandre Desplat (The King’s Speech)
AR Rahman (127 Hours)
Trent Reznor and Atticus Ross (The Social Network)

Achievement in music written for motion pictures (original song)

Coming Home (from Country Strong, music and lyrics by Tom Douglas, Troy Verges and Hillary Lindsey)
I See the Light (from Tangled, music by Alan Menken, lyrics by Glenn Slater)
If I Rise (from 127 Hours, music by AR Rahman, lyrics by Dido and Rollo Armstrong)
We Belong Together (from Toy Story 3, music and lyrics by Randy Newman)

(I’ll just say it now — 4 nominations and I didn’t agree with a single one of them.  Seriously, they could have nominated up to 5 songs but instead of giving at least one nomination to Burlesque, they just nominated 4 songs.  What a load of crap.)

Best animated short film

Day & Night (Teddy Newton)
The Gruffalo (Jakob Schuh and Max Lang)
Let’s Pollute (Geefwee Boedoe)
The Lost Thing (Nick Batzias, Shaun Tan and Andrew Ruhemann)
Madagascar, carnet de voyage (Madagascar, a Journey Diary) (Bastien Dubois)

(I’ve actually seen Day & Night since it was shown before Toy Story 3.  I thought it went on a little bit too long, to be honest.)

Best live action short film

The Confession (Tanel Toom)
The Crush (Michael Creagh)
God of Love (Luke Matheny)
Na Wewe (Ivan Goldschmidt)
Wish 143 (Ian Barnes and Samantha Waite) 

Achievement in sound editing

Inception (Richard King)
Toy Story 3 (Tom Myers and Michael Silvers)
Tron: Legacy (Gwendolyn Yates Whittle and Addison Teague)
True Grit (Skip Lievsay and Craig Berkey)
Unstoppable (Mark P Stoeckinger)

Achievement in sound mixing

Inception (Lora Hirschberg, Gary A Rizzo and Ed Novick)
The King’s Speech (Paul Hamblin, Martin Jensen and John Midgley)
Salt (Jeffrey J Haboush, Greg P Russell, Scott Millan and William Sarokin)
The Social Network (Ren Klyce, David Parker, Michael Semanick and Mark Weingarten)
True Grit (Skip Lievsay, Craig Berkey, Greg Orloff and Peter F Kurland)

 (I would have probably had more matches in the sound category if I actually knew the difference between sound editing and sound mixing.)

Achievement in visual effects

Alice in Wonderland (Ken Ralston, David Schaub, Carey Villegas and Sean Phillips)
Harry Potter and the Deathly Hallows Part 1 (Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi)
Hereafter (Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell)
Inception (Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb)
Iron Man 2 (Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick)

So there you go.  I went 50/50 on the Best Picture nominations and — well, it all pretty much went downhill from there, didn’t it?  Oh well.

Your Highness (Official Trailer)


With all the talk of Natalie Portman as the front-runner to win Best Actress in this upcoming Oscars (hope I didn’t just jinx her chances) for her role as Nina in Aronofsky’s Black Swan it would seem she has two films to follow her critically-acclaimed performance. One just came out this weekend and not what many of her fans would consider as worthy of her talents after what she did in Black Swan.

I am talking about the romantic-comedy No Strings Attached where she is paired up with one Ashton Kutcher. To say that critics didn’t like this film would be an understatement. The fact that it was the number one film during it’s first weekend release just boggles the mind.

The other film she has coming out soon after Black Swan if the fantasy comedy directed by the guy who made the hilarious Pineapple Express (David Gordon Green) and stars Danny McBride, James Franco, Zooey Deschanel and Justin Theroux. The film is called Your Highness and Portman plays the warrior Isabel and in the trailer shows that she can dish it out when it’s time to be fightin’ ’round the world.

Though I’m sure that one thing which sold this fantasy comedy to her male fans (probably quite a bit of her female fans as well) is the bit where she’s about to go bathe in the river. That and her wearing period style corset and such. Well, just go watch the trailer and decide for yourself.

What Lisa Marie Watched Last Night: Road House (dir. by Rowdy Herrington)


The other night, I watched an old Patrick Swayze movie called Road House.  The movie was on Channel 64, which is also known as the Ion Network.  Anyway, the movie started at 8:00 and I was really, really tired for some reason so, as the movie started, I made the mistake of grabbing a pillow and curling up on the couch with the cat and, no offense to the memory of Patrick Swayze but, as soon as he showed up on my TV screen, my eye lid started to get so heavy.  My sister Erin sat down beside me and said, “Are you falling asleep?”  “No,” I said and then I was out like a light.

Luckily, Erin turned on the DVR as soon as she heard the sound of my asthmatic wheeze of a snore so when I woke up at 3 in the morning, I sat up and proceeded to watch the final 80 minutes of Road House.

Why Was I Watching It?

Because almost every guy I know seems to be in love with this movie.  When Patrick Swayze died, I though about Dirty Dancing and Donnie Darko.  But almost every guy I know — from my friend Jeff to my cousins in Arkansas to my boss at work to my online friends on twitter — was going, “Road House!”  So, I watched it to see if I could maybe understand what makes the male mind tick.  Plus, I was bored and really, really tired.  And I couldn’t find the remote to change the channel.  (Turns out it was actually underneath me, lost in the cushions of the couch.)

What’s It About

Patrick Swayze plays Dalton, who is apparently a legendary “cooler,” which apparently is what you call a bouncer who thinks he’s too good to be called a bouncer.  He get hired to be a boun–oh, sorry, a cooler — at a bar called the Double Deuce that is located down in Jasper, Missouri.  So, Swayze goes down there and starts cleaning the place up and then it turns out that the entire town is controlled by Brad Wesley (played with a true joie de vivre by Ben Gazzara) and Wesley wants…well, I’m not sure what he wants, to be honest.  I mean, seriously, I was so tired when I started watching this movie.  I’m sure I missed all sorts of nuance and such.  But anyway, Gazzara wants something and Swayze won’t let him have it so there’s a lot of fights at the road house and a car dealer ship gets destroyed and a barn blows up and then eventually Patrick Swayze rips out some guy’s throat with his bare hands.

In between all of this, Swayze recruits his mentor (Sam Elliott) to  come  down and help out.  This leads to Elliott getting murdered but nobody ever thinks to say, “Hey, Patrick — maybe if you had just let Gazzara do his thing, Sam Elliott would still be alive today.”  Also, Swayze romances a local doctor played by Kelly Lynch.  She used to be Gazzara’s girlfriend and she gets upset after seeing Swayze rip out someone’s throat with his bare hands.  But then she ends up skinny dipping  with him about fifteen minutes later so I guess she got over it.

Did I mention that Patrick Swayze rips out someone’s throat with his bare hands?

What Worked

Road House is one of those “so-bad-its-good” type films.  This is a film that sets out to be manly and ends up being so manly that it becomes ludicrous.  But guys are almost always fun to watch when they’re trying to be all guy-like.  (Though not always, as will be discussed under the heading of What Didn’t Work.)

Ben Gazzara is a lot of fun in the role of Brad Wesley.  Seriously, he looks like he had so much fun playing the part.  Usually, it annoys me when a film’s main female character is revealed to be the ex of a total and  complete psycho (and I’m looking at you, Love and Other Drugs) but it totally works here because seriously, Ben Gazzara is the man. 

And Sam Elliott provides all sorts of grizzled, beer-soaked, chain-smoking, unwashed sexiness.

The film features a lot of countryside that doesn’t look much like Missouri but it’s still really pretty.  (Missouri’s really pretty too.  You rock, Missouri!)

Since this film was being shown on television, all of the bare asses and visible nipples were edited out as were all the four-letter words.  However, it was that really weird, half-ass style of editing where you hear Patrick Swayze yelling, “FU—-CK YOU, WESLEY!”  Also, whenever anyone said the F-word, a big blurry dot suddenly appeared over their mouth.  That may not sound like much but at 3 in the morning, it really can cause you to giggle.

At one point, one of the bad guys grabs Patrick Swayze from behind and goes, “I used to FU—-CK Guys like you in prison!”  That line made me laugh way too much.  Plus, the guy saying it was really hot but then Patrick Swayze used his bare hands to rip out of the guy’s throat and that kind of ruined the whole mood.

What Didn’t Work

Well, technically, the entire film didn’t work but that’s kind of the whole point.  Still, for a film that’s supposed to be so bad that it’s good, Road House is still not that good.  It never quite reaches the level of Troll 2 or The Room.  Quite frankly, there’s waaaaaaaaaay too much testosterone rampaging through this movie and the whole time I watched, I kept on thinking about the violence that seems to define day-to-day existence for far too many people. 

Add to that, all of the men seemed to be beating each other up mainly because they were all actually in love with each other but refused to be honest with themselves about it.  Seriously, this movie has some issues.

Plus, Ben Gazzara ends up dead at the end of the film which really upset me because he’s the most likable character in the entire film!  At the very least, he’s got a really nice house.

Both Swayze and Elliott are apparently meant to be legendary bouncers.  They’re so legendary that apparently everyone on the entire planet knows who they are.  Now, I’m curious — are there really legendary bouncers?  I mean, is there like an in-house magazine that all the coolers and bouncers and barmaids subscribe to?  Maybe Patrick Swayze’s character was on the cover a few times.  I mean, I can accept that maybe Swayze would be legendary in a few cities were he had worked but would the citizens of Jasper, Missouri really have the slightest idea who he is? 

“Oh My God!  Just like me!” Moments

Uhmmm…I’m thinking.  There really weren’t any moments that made me go, “Oh my God!  Just like me!”  I mean, I don’t know Tae Kwon Do, I don’t really drink all that much, I’ve never ripped out anyone’s throat with my bare hands, I’ve never fired a shotgun at Ben Gazzara, and I don’t cover myself in body oil before going outside shirtless and practicing Tai Chi.  

Oh, wait a minute!  Much like Kelly Lynch in this movie, I would probably totally freak out if my boyfriend ripped out some guy’s throat.  In fact, I would probably freak out even more than she did.  I mean, even if — like Patrick Swayze in this movie — he made things right by dumping the corpse in a lake and then screaming, “FUCK YOU!” at Ben Gazzara, there’s no way you’d get me to go skinny dipping with him after all of that.  Because the whole time, I would just be like, “That’s great you got everyone to kill Ben Gazzara, sweetie but seriously, I saw you rip someone’s larynx out of their freaking throat.  So, just stand six feet away and keep your hands where I can see them.”

Agck!  Now, I’m kinda freaking out about my own throat.  I mean, is it that easy to do?  *Shudder*  I probably never should have given this that much thought…

Lessons Learned:

Protect your throat at all times.  Seriously, I’m going to start wearing a stainless steel choker every time I leave the house. 

 

Falling Skies (Official Trailer)


It looks like while vampires and zombies may be battling it out as the “monster of the moment” the past couple of years there’s an oldie quietly sneaking up behind them to try and take up the general public’s attention.

The first shot was a little film from South Africa called District 9. I think more than a few people saw that little film. Then last year we had a film from two special-effects brothers called Skyline. That particular shot wasn’t as good as the previous title mentioned. In fact, it was godawful though not without it’s perverse entertainment value one gets from watching a very awful film that still manages to entertain (though probably not in the way it’s creators intended to).

In less than a couple of months a film called Battle: Los Angeles will hit the bigscreen and will hopefully be a tad better than the similar plotted Skyline. This one has another South African directing it so that may be a good thing.

Coming this June is a tv series that also follows a similar theme of “alien invasion” with the DreamWorks Television series Falling Skies from producer Steven Spielberg and screeenwriter Robert Rodat. The show will premiere on TNT and stars Noah Wylie, Moon Bloodgood, Will Patton and Dale Dye. From what brief snippets of information that has been released about it the show looks to be similar in tone to Spielberg’s own War of the Worlds where it’s about the human armed resistance trying to retake their cities and the planet back from the alien invaders.

It definitely seems to be a very ambitious show and one that hopefully has a much leaner and efficient take on the alien invasion story than the current remake of V: The Series on ABC. That one had many hoping for a sci-fi to make a great return to network tv and instead we got aliens meets True Blood.

Here’s to hoping Falling Skies doesn’t have aliens wanting to have sex with humans and instead aliens just wanting to kill and/or eat humans instead. I think that would make for a much better show.

 

 

Song of the Day: Terra’s Theme from Final Fantasy VI (Uematsu Nobuo)


For the latest entry to the “song of the day” feature I go back to my younger years. I’m talking about when I was still barely into my 20’s. My choice for the new song of the day is Japanese composer Uematsu Nobuo’s main title theme for the Squaresoft (before they became Square-Enix) fantasy role-playing game Final Fantasy VI.

The song is “Terra’s Theme” (in the original Japanese it was called “Tina’s Theme”) and starts off the game. The version above is the piano solo version which Square-Enix produced as part of the special “Final Fantasy Piano Collections” cd releases which took all the video game music for each game in the Final Fantasy series game and remade them into piano solo pieces. Uematsu’s original composition for Final Fantasy VI (also for most of the game’s in the series he composed the music for) were very heavily-influenced by classical music traditions and one can really hear it in this main theme.

While the piano solo version is quite a haunting melody which gives some clues to the character of Terra Branford. The two versions below are the original video game music which is really a well-done MIDI file to allow it to be encoded into the game cartridge when it was first released for the SNES system. The other one is a live recording of Uematsu himself conducting an orchestra. While all three have become one of my favorite pieces of music of all kinds (not just video game music) it is the piano solo which solidified “Terra’s Theme” as one of the best songs I’ve ever heard.

Terra’s Theme (Live Orchestral)

Terra’s Theme (Original Video Game Music)

Lisa Marie Does The Fouke Monster And Five Other Trailers


Isn’t he cute?  That happy little fellow is The Fouke Monster and he’s here because he’s the star of the very first trailer in this week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.

1) The Legend of Boggy Creek (1972)

Before I talk about this trailer, allow me to share a few facts: my family used to live in Fouke, Arkansas!  I’ve been down to Boggy Creek!  I never saw the famous Fouke Monster but I went out looking for him a few times!  Anyway, this is the trailer for The Legend of Boggy Creek, which is a documentary about an apeman that supposedly lives in the area (though, according to Wikipedia, he hasn’t been spotted since ’98 so maybe he drowned or moved to Missouri).  This film is somewhat infamous because it features reenactments of various monster sightings, some of which star people who actually lived in Fouke at the time and who play themselves (and a few of them later sued once the film came out).  It was also the first film directed by Charles B. Pierce, who directed a lot of independent films in Arkansas and North Texas, including the classic The Town That Dreaded Sundown.  Sadly, Pierce passed away last year at the age of 71.

2)  Mean Mother (1974)

This is one of those trailers that I discovered while randomly searching Youtube and, I have to be honest, my first thought was that it was a parody trailer.  But no, after researching the manner, I can say that Mean Mother is a real movie.  It was apparently yet another one of the cinematic offerings of the late Al Adamson.

3) The Night Child (1976)

This Italian film is one of the countless Omen/Exorcist rip-offs that came out in the 70s.  Actually, The Night Child is an indirect rip-off of those two films as it’s actually a rip-off of a previous Italian version of the Exorcist, Beyond The Door.  What I especially love about this trailer is the “Keeping telling yourself, she’s only a child,” line which is obviously meant to recall the “Keep telling yourself, it’s only a movie…” tagline from Last House On The Left.

4) The Young Nurses (1973)

“Meet today’s women…beautiful, liberated, and ready for action!  They’re the young nurses and they’re growing up fast!”  I love the narrator of this trailer.  I’ve heard his voice in several exploitation trailers from the early 70s and he just has a way of delivering the sleaziest lines in the most cheerful, harmless way.  I’d love to know who he was and if he’s still with us.

5) Nosferatu The Vampyre (1980)

Oh.  My.  God.  Okay, I saw this movie a few years ago and I was watching it by myself at 3 in the morning with all the lights off while there was a thunderstorm going on outside and there was this howling wind that kept on making all the windows shake.  I got so scared, it’s not even funny.  This is a remake of the silent classic.  It stars Klaus Kinski, Bruno Ganz, and Isabelle Adjani and was directed by the one and only Werner Herzog.

6) Julia (1974)

“Why don’t you come along and see me this week?  And bring your girlfriend…”  This trailer was specifically designed to promote this film in Australia.  Needless to say, that’s not actually Sylvia Kristel providing the voice over.  

If Lisa Marie Determined The Oscar Nominees…


With the Oscar nominations due to be announced this week, now seems like a good time to indulge in something I like to call “If Lisa Marie Had All The Power.”  Listed below are my personal Oscar nominations.  Please note that these are not the films that I necessarily think will be nominated.  The fact of the matter is that the majority of them will not.  Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year.  Winners are listed in bold.

Best Picture

Animal Kingdom

Black Swan

Exit Through The Gift Shop

Fish Tank

Inception

The King’s Speech

Never Let Me Go

127 Hours

Somewhere

Winter’s Bone

Best Actor

Patrick Fabian in The Last Exorcism

Colin Firth in The King’s Speech

James Franco in 127 Hours

Andy Garcia in City Island

Ben Stiller in Greenberg

Best Actress

Katie Jarvis in Fish Tank

Jennifer Lawrence in Winter’s Bone

Natalie Portman in Black Swan

Noomi Rapace in The Girl With The Dragon Tattoo

Emma Stone in Easy A

Best Supporting Actor

Christian Bale in The Fighter

Aaron Eckhardt in Rabbit Hole

Andrew Garfield in Never Let Me Go

John Hawkes in Winter’s Bone

Ben Mendelsohn in Animal Kingdom



Best Supporting Actress

Elle Fanning in Somewhere

Rebecca Hall in Please Give

Chloe Grace Moretz in Kick-Ass

Hailee Steinfeld in True Grit

Jacki Weaver in Animal Kingdom

(That’s right, everyone.  It’s a tie between the youngest nominee and the oldest nominee.  Don’t you just love the Oscars?)

Best Director

Andrea Arnold for Fish Tank

Darren Aronofsky for Black Swan

Danny Boyle for 127 Hours

Sofia Coppola for Somewhere

Christopher Nolan for Inception

Best Original Screenplay

Animal Kingdom

Black Swan

Fish Tank

Inception

The King’s Speech

Best Adapted Screenplay

Never Let Me Go

127 Hours

Rabbit Hole

Toy Story 3

Winter’s Bone

Best Editing

Black Swan

Exit Through the Gift Shop

Inception

127 Hours

Somewhere

Best Cinematography

Black Swan

Somewhere

True Grit

Twelve

Winter’s Bone

Best Art Direction

Black Swan

Harry Potter and the Deathly Hallows, Part One

Inception

The King’s Speech

Scott Pilgrim Vs. The World

Best Sound Mixing

Black Swan

Inception

Secretariat

Stone

Toy Story 3

Best Sound Editing

The Expendables

Inception

Scott Pilgrim Vs. The World

Secretariat

Toy Story 3

Best Costume Design

Black Swan

The Girl With The Dragon Tattoo

Harry Potter and the Deathly Hallows, Part One

Robin Hood

The Wolf Man

Best Original Score

Black Swan

Inception

Machete

127 Hours

Tron: Legacy

(Yes, I know that the Academy has ruled that the original score for Black Swan is not eligible to be nominated.  However, these are my nominations and I make the rules.)

Best Visual Effects

Harry Potter and the Deathly Hallows, Part One

Inception

Scott Pilgrim Vs. The World

Splice

Tron: Legacy

Best Makeup

Harry Potter and the Deathly Hallows, Part One

Let Me In

127 Hours

Splice

The Wolf Man

Best Song 

“Better Days” from Eat Pray Love

“Bound Together” from Burlesque

“Dear Laughing Doubters” from Dinner For Schmucks

“Sticks and Stones” from How To Train Your Dragon

“You Haven’t Seen The Last of Me” from Burlesque

Best Documentary Feature

Best Worst Movie

Exit Through the Gift Shop

Joan Rivers: A Piece of Work

Restrepo

Winnebago Man

Best Animated Feature

How To Train Your Dragon

A Town Called Panic

Toy Story 3

(Again, I am aware that the Academy ruled that A Town Called Panic isn’t eligible and again, I don’t care.)

Best Foreign Language Film

The Girl With The Dragon Tattoo (Sweden)

Mother (South Korea)

OSS 117 – Lost in Rio (France)

Police, Adjective (Romania)

A Prophet (France)

(While the Academy considers one submission per country for this award, I’m simply using it to recognize the best foreign language film released in the U.S. last year.  Or, at least, the best one that I got a chance to see.)

So, since I love lists, here’s a final tally of films by nominations:

10 Nominations — Black Swan

9 Nominations — Inception

7 Nominations — 127 Hours

5 Nominations — Somewhere, Winter’s Bone

4 Nominations — Animal Kingdom, Fish Tank, Harry Potter and the Deathly Hallows, The King’s Speech, Toy Story 3

3 Nominations — Exit Through The Gift Shop, The Girl With The Dragon Tattoo, Never Let Me Go, Scott Pilgrim Vs. The World

2 Nominations — Burlesque, How To Train Your Dragon, Rabbit Hole, Secretariat, Splice, Tron: Legacy, True Grit, The Wolf Man

1 Nomination — Best Worst Movie, City Island, Dinner For Schmucks, Easy A, Eat Pray Love, The Expendables, The Fighter, Greenberg, Joan Rivers: A Piece of Work, Kick-Ass, The Last Exorcism, Machete, Mother, OSS 117 — Lost in Rio, Please Give, Police, Adjective, A Prophet, Restrepo, Robin Hood, Stone, A Town Called Panic, Twelve, Winnebago Man

0 Nominations — The Social Network

And lastly, here’s a tally by imaginary Oscars won:

5 Oscars — Black Swan

2 Oscars — Toy Story 3

1 Oscar — Animal Kingdom, Burlesque, Exit Through The Gift Shop, Fish Tank, The Girl With The Dragon Tattoo, Harry Potter and the Deathly Hallows, Inception, Never Let Me Go, 127 Hours, Scott Pilgrim Vs. The World, Somewhere, Tron: Legacy, Twelve, Winter’s Bone, The Wolf Man

0 Oscars — The Social Network

(One final note: A big thank you to my sister, Erin Nicole Bowman, who created the banners used in this post.)