The 2012 Oscar Nominations

Posted on January 24, 2012 by Lisa Marie Bowman

Well, it had to happen eventually. The actual, real-life Oscar nominations were announced this morning and it’s the usual handful of good nominations surrounded by a lot of boring Bleh. I guess the big news would be the upsets that I predicted –Michael Fassbender being overlooked for Demian Bichir and David Fincher failing to get a nomination for becoming a living parody with his rehash of the Girl With The Dragon Tattoo. However, before you Fincherites go out to sit in the garage with the car running, you can take solace that sweet, nonthreatening Rooney Mara was nominated for turning one of the strongest female characters ever into a simpering fool.

(Please note, that my comment about Rooney Mara reflects my opinion and does not necessarily reflect the opinions of the rest of the staff here at the Shattered Lens. At this site, as opposed to a certain other site that talks about awards on a daily basis, differing opinions are not only allowed but appreciated.)

Anyway, here’s a list of nominees. If a film is listed in bold print, that means that film also appears on my list of who and what I personally would have nominated. As should quickly become apparent, me and the Academy have agreed to disagree.

Best Picture
“The Artist”
“The Descendants”
“Extremely Loud & Incredibly Close”
“Hugo”
“Midnight in Paris”
“The Help”
“Moneyball”
“War Horse”
“The Tree of Life”

(Wow, I nominated 10 films and the Academy nominated 9 and we still only agreed on two. What upsets me about this list of nominees is that now, I’m going to have to go see Extremely Loud and Incredibly Close. Bleh.)

Best Actor
Demian Bichir, “A Better Life”
George Clooney, “The Descendants”
Jean Dujardin, “The Artist”
Gary Oldman, “Tinker Tailor Soldier Spy”
Brad Pitt, “Moneyball”

(Nice to see Oldman score his first ever Oscar nomination but seriously, no Michael Fassbender? No Michael Shannon?)

Best Actress
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl With the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Michelle Williams, “My Week With Marilyn”

(Don’t even get me started. No Charlize Theron? No Elizabeth Olsen? Did Glenn Close really look like she could pass for a man? Was Rooney Mara really all that good or were they just reacting to the fact that she’s a cute girl pretending to be troubled?)

Best Supporting Actor
Kenneth Branagh, “My Week With Marilyn”
Jonah Hill, “Moneyball”
Nick Nolte, “Warrior”
Christopher Plummer, “Beginners”
Max Von Sydow, “Extremely Loud & Incredibly Close”

(I am happy to see Hill nominated and I realize that Andy Serkis was a long shot but, seriously, no Albert Brooks?)

Best Supporting Actress
Berenice Bejo, “The Artist”
Jessica Chastain, “The Help”
Melissa McCarthy, “Bridesmaids”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”

(Yay for McCarthy! I imagine Spencer will win this one.)

Best Director
Woody Allen, “Midnight in Paris”
Michel Hazanavicius, “The Artist”
Terrence Malick, “The Tree of Life”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”

Best Original Screenplay
Woody Allen, “Midnight in Paris”
JC Chandor, “Margin Call”
Asghar Farhadi, “A Separation”
Michel Hazanavicius, “The Artist”
Kristen Wiig and Annie Mumolo, “Bridesmaids”

Best Adapted Screenplay
Alexander Payne, Nat Faxton, Jim Rash, “The Descendants”
John Logan, “Hugo”
George Clooney, Grant Heslov, Beau Willimon, “The Ides of March”
Aaron Sorkin, Steven Zaillian, “Moneyball”
Bridget O’Connor, Peter Straughn, “Tinker, Tailor, Soldier, Spy”

(Oh yay! Another chance to hear a charming Sorkin acceptance speech. Yes, that’s sarcasm. I don’t care if he did tell his daughter to go to bed last year, every pompous ass who wins an award on television does that. And seriously, The Ides of March for best screenplay?)

Best Animated Feature
“A Cat In Paris”
“Chico & Rita”
“Kung Fu Panda 2”
“Puss in Boots”
“Rango”

(I wonder if Steven Spielberg is cursing right now? No director nomination and no Adventures of TinTin.)

Best Foreign Language Film of the Year
Bullhead (Belgium)
Footnote (Israel)
In Darkness (Poland)
Monsieur Lazhar (Canada)
A Separation (Iran)

Original Score
“The Adventures of Tintin,” John Williams
“The Artist,” Ludovic Bource
“Hugo,” Howard Shore
“Tinker Tailor Soldier Spy,” Alberto Iglesias
“War Horse,” John Williams

(At the risk of sounding like I’m writing over on AwardsDaily.com, NO FILM HAD A BETTER SCORE THAN HANNA)

Best Original Song
“Man or Muppet,” The Muppets; Music and Lyric by Bret McKenzie
“Real in Rio,” Rio; Music by Sergio Mendes and Carlinhos Brown, Lyric by Siedah Garrett

(Wow! Only two nominations here! I guess they really didn’t want to have to deal with scary old Madonna showing up and I don’t blame them!)

Best Achievement in Art Direction
“The Artist”
“Harry Potter and the Deathly Hallows Part 2”
“Hugo”
“Midnight in Paris”
“War Horse”

Best Achievement in Cinematography
“The Artist”
“The Girl With the Dragon Tattoo”
“Hugo”
“The Tree of Life”
“War Horse”

Best Achievement in Costume Design
“Anonymous”
“The Artist”
“Hugo”
“Jane Eyre”
“W.E.”

(Really? Anonymous? I guess they were really impressed with Derek Jacobi’s scarf.)

Best Documentary Feature
“Hell and Back Again”
“If a Tree Falls: A Story of the Earth Liberation Front”
“Paradise Lost 3: Purgatory”
“Pina”
“Undefeated”

(I finally saw Paradise Lost 3 last night, too late to include it on my personal list of Oscar nominees, but I strongly recommend it. It’s a truly powerful documentary.)

Best Documentary Short Subject
“The Barber of Birmingham: Foot Soldier of the Civil Rights Movement?”
“God Is the Bigger Elvis”
“Incident in New Baghdad”
“Saving Face”
“The Tsunami and the Cherry Blossom”

Best Achievement in Film Editing
“The Artist”
“The Descendants”
“The Girl With the Dragon Tattoo”
“Hugo”
“Moneyball”

Best Achievement in Makeup
“Albert Nobbs”
“Harry Potter and the Deathly Hallows Part 2”
“The Iron Lady”

Best Animated Short Film
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lessmore
La Luna
A Morning Stroll
Wild Life

Best Live Action Short Film
“Pentecost”
“Raju”
“The Shore”
“Time Freak”
“Tuba Atlantic”

Best Achievement in Sound Editing
“Drive”
“The Girl With the Dragon Tattoo”
“Hugo”
“Transformers: Dark of the Moon”
“War Horse”

Best Achievement in Sound Mixing
“The Girl With the Dragon Tattoo”
“Hugo”
“Moneyball”
“Transformers: Dark of the Moon”
“War Horse”

Best Achievement in Visual Effects
“Harry Potter and the Deathly Hallows Part 2”
“Hugo”
“Real Steel”
“Rise of the Planet of the Apes”

‘Transformers: Dark Side of the Moon”

So, what can I say? Obviously, with a few exceptions, I don’t agree with the Academy but that’s okay. I know what I like and I’m more than happy to leave room on the bandwagon for someone with a brain made of stone.

Lisa And The Academy Agree To Disagree

Posted on January 25, 2011 by Lisa Marie Bowman

The Oscar nominations were announced today and, for the most part, it’s pretty much what you would expect. Below is the list of nominees. If a nominee listed in bold print, that means they also appeared on my own personal list of nominations.

Best motion picture of the year

Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone

(The Academy and I agree on five of the ten nominees. That’s actually more than I was expecting.)

Performance by an actor in a leading role

Javier Bardem (Biutiful)
Jeff Bridges (True Grit)
Jesse Eisenberg (The Social Network)
Colin Firth (The King’s Speech)
James Franco (127 Hours)

(The only real surprise here is Bardem. I haven’t seen Biutiful but I’ve heard amazing things about it.)

Performance by an actor in a supporting role

Christian Bale (The Fighter)
John Hawkes (Winter’s Bone)
Jeremy Renner (The Town)
Mark Ruffalo (The Kids Are All Right)
Geoffrey Rush (The King’s Speech)

(Yay for John Hawkes! Some people are surprised that Andrew Garfield wasn’t nominated for The Social Network. I’m disappointed he wasn’t nominated for Never Let Me Go.)

Performance by an actress in a leading role

Annette Bening (The Kids Are All Right)
Nicole Kidman (Rabbit Hole)
Jennifer Lawrence (Winter’s Bone)
Natalie Portman (Black Swan)
Michelle Williams (Blue Valentine)

(I’m happy to see Lawrence and Portman recognized but I still so wish that the Academy had recongized Noomi Rapace and Katie Jarvis as well. I knew it wouldn’t happen but still…)

Performance by an actress in a supporting role

Amy Adams (The Fighter)
Helena Bonham Carter (The King’s Speech)
Melissa Leo (The Fighter)
Hailee Steinfeld (True Grit)
Jacki Weaver (Animal Kingdom)

(Weaver — Yay!)

Achievement in directing

Darren Aronofsky (Black Swan)
David O Russell (The Fighter)
Tom Hooper (The King’s Speech)
David Fincher (The Social Network)
Joel Coen and Ethan Coen (True Grit)

(The snubbing of Christopher Nolan for Inception is probably the closest thing to an outrage that the Oscars will produce this year.)

Adapted screenplay

127 Hours – Danny Boyle & Simon Beaufoy
The Social Network – Aaron Sorkin
Toy Story 3 – Michael Arndt (screenplay); John Lasseter, Andrew Stanton and Lee Unkrich (story)
True Grit – Joel Coen and Ethan Coen
Winter’s Bone – Debra Granik & Anne Rosellini

Original screenplay

Another Year – Mike Leigh
The Fighter – Scott Silver, Paul Tamasy and Eric Johnson (screenplay); Keith Dorrington, Paul Tamasy and Eric Johnson (story)
Inception – Christopher Nolan
The Kids Are All Right – Lisa Cholodenko and Stuart Blumberg
The King’s Speech – David Seidler

Best animated feature film of the year

How to Train Your Dragon
The Illusionist
Toy Story 3

(I haven’t seen The Illusionist yet but I’m looking forward to it because the previews look great, it’s based on a script by Jacques Tati, and I love all things French. Still, I kinda wish that Despicable Me had been nominated just so Arleigh could see the minions at the Academy Awards.)

Best foreign language film of the year

Biutiful (Mexico)
Dogtooth (Greece)
In a Better World (Denmark)
Incendies (Canada)
Outside the Law (Hors-la-loi) (Algeria)

Art direction

Alice in Wonderland – Robert Stromberg (production design), Karen O’Hara (set decoration)
Harry Potter and the Deathly Hallows Part 1 – Stuart Craig (production design), Stephenie McMillan (set decoration)
Inception – Guy Hendrix Dyas (production design), Larry Dias and Doug Mowat (set decoration)
The King’s Speech – Eve Stewart (production design), Judy Farr (set decoration)
True Grit – Jess Gonchor (production design), Nancy Haigh (set decoration)

Achievement in cinematography

Matthew Libatique (Black Swan)
Wally Pfister (Inception)
Danny Cohen (The King’s Speech)
Jeff Cronenweth (The Social Network)
Roger Deakins (True Grit)

Achievement in costume design

Colleen Atwood (Alice in Wonderland)
Antonella Cannarozzi (I Am Love)
Jenny Beavan (The King’s Speech)
Sandy Powell (The Tempest)
Mary Zophres (True Grit)

(That’s right, I ended up going 0 for 5 as far as Costume Design is concerned. Which I guess goes to prove that I have better taste than the Academy.)

Best documentary feature

Exit Through the Gift Shop (Banksy and Jaimie D’Cruz)
Gasland (Josh Fox and Trish Adlesic)
Inside Job (Charles Ferguson and Audrey Marrs)
Restrepo (Tim Hetherington and Sebastian Junger)
Waste Land (Lucy Walker and Angus Aynsley)

(If Banksy wins, I’ll be happy. I have a feeling the award will go to Inside Job, however. As a documentary, Inside Job reminded me a lot of Capt. Hindsight from the South Park Coon Vs. Coon And Friends trilogy. Also, I’m a little bit surprised that Waiting for Superman wasn’t nominated. I’m even more surprised that I actually saw enough feature documentaries last year to even have an opinion. Also, interesting to note that Restrepo — a very nonpolitical look at military in the mid-east — was nominated while The Tillman Story, a much more heavy-handed and stridently political documentary was not.)

Best documentary short subject

Killing in the Name (Nominees to be determined)
Poster Girl (Nominees to be determined)
Strangers No More (Karen Goodman and Kirk Simon)
Sun Come Up (Jennifer Redfearn and Tim Metzger)
The Warriors of Qiugang (Ruby Yang and Thomas Lennon)

(It’s always interesting that nobody knows what these movies are about yet their producers always end up giving the longest speeches at the Oscars. I’m hoping that Poster Girl wins because the actual producers have yet to be determined. I imagine that means there might be some sort of legal action going on which means that, if it wins on Oscar night, there might be a big fight at the podium. Plus, I like the title. It makes me want to walk up to people I barely know, lean forward, and go, “Can I be your poster girl?”)

Achievement in film editing

Andrew Weisblum (Black Swan)
Pamela Martin (The Fighter)
Tariq Anwar (The King’s Speech)
Jon Harris (127 Hours)
Angus Wall and Kirk Baxter (The Social Network)

Achievement in makeup

Adrien Morot (Barney’s Version)
Edouard F Henriques, Gregory Funk and Yolanda Toussieng (The Way Back)
Rick Baker and Dave Elsey (The Wolfman)

Achievement in music written for motion pictures (original score)

John Powell (How to Train Your Dragon)
Hans Zimmer (Inception)
Alexandre Desplat (The King’s Speech)
AR Rahman (127 Hours)
Trent Reznor and Atticus Ross (The Social Network)

Achievement in music written for motion pictures (original song)

Coming Home (from Country Strong, music and lyrics by Tom Douglas, Troy Verges and Hillary Lindsey)
I See the Light (from Tangled, music by Alan Menken, lyrics by Glenn Slater)
If I Rise (from 127 Hours, music by AR Rahman, lyrics by Dido and Rollo Armstrong)
We Belong Together (from Toy Story 3, music and lyrics by Randy Newman)

(I’ll just say it now — 4 nominations and I didn’t agree with a single one of them. Seriously, they could have nominated up to 5 songs but instead of giving at least one nomination to Burlesque, they just nominated 4 songs. What a load of crap.)

Best animated short film

Day & Night (Teddy Newton)
The Gruffalo (Jakob Schuh and Max Lang)
Let’s Pollute (Geefwee Boedoe)
The Lost Thing (Nick Batzias, Shaun Tan and Andrew Ruhemann)
Madagascar, carnet de voyage (Madagascar, a Journey Diary) (Bastien Dubois)

(I’ve actually seen Day & Night since it was shown before Toy Story 3. I thought it went on a little bit too long, to be honest.)

Best live action short film

The Confession (Tanel Toom)
The Crush (Michael Creagh)
God of Love (Luke Matheny)
Na Wewe (Ivan Goldschmidt)
Wish 143 (Ian Barnes and Samantha Waite)

Achievement in sound editing

Inception (Richard King)
Toy Story 3 (Tom Myers and Michael Silvers)
Tron: Legacy (Gwendolyn Yates Whittle and Addison Teague)
True Grit (Skip Lievsay and Craig Berkey)
Unstoppable (Mark P Stoeckinger)

Achievement in sound mixing

Inception (Lora Hirschberg, Gary A Rizzo and Ed Novick)
The King’s Speech (Paul Hamblin, Martin Jensen and John Midgley)
Salt (Jeffrey J Haboush, Greg P Russell, Scott Millan and William Sarokin)
The Social Network (Ren Klyce, David Parker, Michael Semanick and Mark Weingarten)
True Grit (Skip Lievsay, Craig Berkey, Greg Orloff and Peter F Kurland)

(I would have probably had more matches in the sound category if I actually knew the difference between sound editing and sound mixing.)

Achievement in visual effects

Alice in Wonderland (Ken Ralston, David Schaub, Carey Villegas and Sean Phillips)
Harry Potter and the Deathly Hallows Part 1 (Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi)
Hereafter (Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell)
Inception (Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb)
Iron Man 2 (Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick)

So there you go. I went 50/50 on the Best Picture nominations and — well, it all pretty much went downhill from there, didn’t it? Oh well.

If Lisa Marie Determined The Oscar Nominees…

Posted on January 22, 2011 by Lisa Marie Bowman

With the Oscar nominations due to be announced this week, now seems like a good time to indulge in something I like to call “If Lisa Marie Had All The Power.” Listed below are my personal Oscar nominations. Please note that these are not the films that I necessarily think will be nominated. The fact of the matter is that the majority of them will not. Instead, these are the films that would be nominated if I was solely responsible for deciding the nominees this year. Winners are listed in bold.

Best Picture

Animal Kingdom

Black Swan

Exit Through The Gift Shop

Fish Tank

Inception

The King’s Speech

Never Let Me Go

127 Hours

Somewhere

Winter’s Bone

Best Actor

Patrick Fabian in The Last Exorcism

Colin Firth in The King’s Speech

James Franco in 127 Hours

Andy Garcia in City Island

Ben Stiller in Greenberg

Best Actress

Katie Jarvis in Fish Tank

Jennifer Lawrence in Winter’s Bone

Natalie Portman in Black Swan

Noomi Rapace in The Girl With The Dragon Tattoo

Emma Stone in Easy A

Best Supporting Actor

Christian Bale in The Fighter

Aaron Eckhardt in Rabbit Hole

Andrew Garfield in Never Let Me Go

John Hawkes in Winter’s Bone

Ben Mendelsohn in Animal Kingdom

Best Supporting Actress

Elle Fanning in Somewhere

Rebecca Hall in Please Give

Chloe Grace Moretz in Kick-Ass

Hailee Steinfeld in True Grit

Jacki Weaver in Animal Kingdom

(That’s right, everyone. It’s a tie between the youngest nominee and the oldest nominee. Don’t you just love the Oscars?)

Best Director

Andrea Arnold for Fish Tank

Darren Aronofsky for Black Swan

Danny Boyle for 127 Hours

Sofia Coppola for Somewhere

Christopher Nolan for Inception

Best Original Screenplay

Animal Kingdom

Black Swan

Fish Tank

Inception

The King’s Speech

Best Adapted Screenplay

Never Let Me Go

127 Hours

Rabbit Hole

Toy Story 3

Winter’s Bone

Best Editing

Black Swan

Exit Through the Gift Shop

Inception

127 Hours

Somewhere

Best Cinematography

Black Swan

Somewhere

True Grit

Twelve

Winter’s Bone

Best Art Direction

Black Swan

Harry Potter and the Deathly Hallows, Part One

Inception

The King’s Speech

Scott Pilgrim Vs. The World

Best Sound Mixing

Black Swan

Inception

Secretariat

Stone

Toy Story 3

Best Sound Editing

The Expendables

Inception

Scott Pilgrim Vs. The World

Secretariat

Toy Story 3

Best Costume Design

Black Swan

The Girl With The Dragon Tattoo

Harry Potter and the Deathly Hallows, Part One

Robin Hood

The Wolf Man

Best Original Score

Black Swan

Inception

Machete

127 Hours

Tron: Legacy

(Yes, I know that the Academy has ruled that the original score for Black Swan is not eligible to be nominated. However, these are my nominations and I make the rules.)

Best Visual Effects

Harry Potter and the Deathly Hallows, Part One

Inception

Scott Pilgrim Vs. The World

Splice

Tron: Legacy

Best Makeup

Harry Potter and the Deathly Hallows, Part One

Let Me In

127 Hours

Splice

The Wolf Man

Best Song

“Better Days” from Eat Pray Love

“Bound Together” from Burlesque

“Dear Laughing Doubters” from Dinner For Schmucks

“Sticks and Stones” from How To Train Your Dragon

“You Haven’t Seen The Last of Me” from Burlesque

Best Documentary Feature

Best Worst Movie

Exit Through the Gift Shop

Joan Rivers: A Piece of Work

Restrepo

Winnebago Man

Best Animated Feature

How To Train Your Dragon

A Town Called Panic

Toy Story 3

(Again, I am aware that the Academy ruled that A Town Called Panic isn’t eligible and again, I don’t care.)

Best Foreign Language Film

The Girl With The Dragon Tattoo (Sweden)

Mother (South Korea)

OSS 117 – Lost in Rio (France)

Police, Adjective (Romania)

A Prophet (France)

(While the Academy considers one submission per country for this award, I’m simply using it to recognize the best foreign language film released in the U.S. last year. Or, at least, the best one that I got a chance to see.)

So, since I love lists, here’s a final tally of films by nominations:

10 Nominations — Black Swan

9 Nominations — Inception

7 Nominations — 127 Hours

5 Nominations — Somewhere, Winter’s Bone

4 Nominations — Animal Kingdom, Fish Tank, Harry Potter and the Deathly Hallows, The King’s Speech, Toy Story 3

3 Nominations — Exit Through The Gift Shop, The Girl With The Dragon Tattoo, Never Let Me Go, Scott Pilgrim Vs. The World

2 Nominations — Burlesque, How To Train Your Dragon, Rabbit Hole, Secretariat, Splice, Tron: Legacy, True Grit, The Wolf Man

1 Nomination — Best Worst Movie, City Island, Dinner For Schmucks, Easy A, Eat Pray Love, The Expendables, The Fighter, Greenberg, Joan Rivers: A Piece of Work, Kick-Ass, The Last Exorcism, Machete, Mother, OSS 117 — Lost in Rio, Please Give, Police, Adjective, A Prophet, Restrepo, Robin Hood, Stone, A Town Called Panic, Twelve, Winnebago Man

0 Nominations — The Social Network

And lastly, here’s a tally by imaginary Oscars won:

5 Oscars — Black Swan

2 Oscars — Toy Story 3

1 Oscar — Animal Kingdom, Burlesque, Exit Through The Gift Shop, Fish Tank, The Girl With The Dragon Tattoo, Harry Potter and the Deathly Hallows, Inception, Never Let Me Go, 127 Hours, Scott Pilgrim Vs. The World, Somewhere, Tron: Legacy, Twelve, Winter’s Bone, The Wolf Man

0 Oscars — The Social Network

(One final note: A big thank you to my sister, Erin Nicole Bowman, who created the banners used in this post.)

The New York Toadsuckers Have Spoken

Posted on December 13, 2010 by Lisa Marie Bowman

As I mentioned in my last post, the New York Film Critics Circle voted on and announced their picks for the best films of the year today. Looking over the winners, all I can say is — YAWN!

Best Film:
The Social Network

Best Director:
David Fincher, The Social Network

Best Screenplay:
The Kids Are All Right

Best Actress:
Annette Bening, The Kids Are All Right

Best Actor:
Colin Firth, The King’s Speech

Best Supporting Actress:
Melissa Leo, The Fighter

Best Supporting Actor:
Mark Ruffalo, The Kids Are All Right

Best Cinematography:
Black Swan

Best Animated Film:
The Illusionist

Best Non-fiction Film:
Inside Job

Best Foreign Language Film:
Carlos

Best First Feature:
Animal Kingdom

Over on Awardsdaily.com, the response to the New York Critics was: “NO ONE wrote a better screenplay than Aaron Sorkin this year.”

(And yes, they specifically put that statement in bold print with NO ONE capitalized, just to make sure that the point came through.)

Really? NO ONE? It’s time to admit the truth — The Social Network has gone from being a movie to being a cult. Apparently, even suggesting that any other movie might deserve an honor or two this year is an act of heresy. Sorry, New York Film Critics. Prepare yourself to be eaten by lions while the Sorkinites watch and cheer.

That said, the screenplay for The Kids Are All Right had all the depth of a sitcom. And Mark Ruffalo’s supporting performance was good but nothing that couldn’t have been done by just about any other scruffy actor in Hollywood. And while Annette Bening did a good job with her role, this is the year of Natalie Portman in Black Swan, Noomi Rapace in The Girl With The Dragon Tattoo, Katie Jarvis in Fish Tank, and Jennifer Lawrence in Winter’s Bone. This was a year in which so many actresses gave unique, unexpected performances in roles that redefined the stereotypical cinematic female lead. Annette Bening was good but so many were great.

It’s also interesting to note that The Illusionist (which I haven’t seen and know very little about) was named best animated feature as opposed to the presumed favorite, Toy Story 3. Just a few months ago, the general assumption seemed to be that Toy Story 3 would easily pick up a best picture nod but it seems like that storyline’s been forgotten in all the hype surrounding The Social Network.

The L.A. Film Critics Have Spoken

Posted on December 13, 2010 by Lisa Marie Bowman

A whole lot of critics’ groups announced their picks for the best films and performances of the year today and the New York Film Critics are voting as I type. I’m on lunch from work right now so a full list will have to wait until later tonight. For now, I’m just going to share the choices made by the Los Angeles Film Critics. The L.A. Critics are one of the big three as far as critics groups are concerned.

As I’ve said before, I think professional film critics are overrated but I just love awards. And, of course, all of these December awards tend to serve as a precursor for who and what will receive Oscar nominations next year. At their best, these groups can remind Academy voters of films and performances that they might otherwise overlook. Certainly, if Jacki Weaver receives a deserved nomination for Animal Kingdom, it’ll be largely due to organizations like the National Board of Review and the L.A. Film Critics.

Anyway, since my time is limited, I’m going to simply post the winners and then add a few comments on my own.

PICTURE:

“The Social Network”
Runner-up: “Carlos”

DIRECTOR:

Olivier Assayas, “Carlos,” and David Fincher, “The Social Network” (tie)

ACTOR:

Colin Firth, “The King’s Speech”
Runner-up: Edgar Ramirez, “Carlos”

ACTRESS:

Kim Hye-ja, “Mother”
Runner-up: Jennifer Lawrence, “Winter’s Bone”

SUPPORTING ACTOR:

Niels Arestrup, “A Prophet”
Runner-up: Geoffrey Rush, “The King’s Speech”

SUPPORTING ACTRESS:

Jacki Weaver, “Animal Kingdom”
Runner-up: Olivia Williams, “The Ghost Writer”

SCREENPLAY:

Aaron Sorkin, “The Social Network”
Runner-up: David Seidler, “The King’s Speech”

FOREIGN LANGUAGE FILM:

“Carlos”
Runner-up: “Mother”

ANIMATION:

“Toy Story 3″
Runner-up: “The Illusionist”

DOCUMENTARY / NON-FICTION FILM:

“Last Train Home”
Runner-up: “Exit Through the Gift Shop”

CINEMATOGRAPHY:

Matthew Libatique, “Black Swan”
Runner-up: Roger Deakins, “True Grit”

MUSIC/SCORE:

Alexandre Desplat, “The Ghost Writer,” and Trent Reznor and Atticus Ross, “The Social Network” (tie)

PRODUCTION DESIGN:

Guy Hendrix Dyas, “Inception”
Runner-up: Eve Stewart, “The King’s Speech”

NEW GENERATION:

Lena Dunham, “Tiny Furniture”

DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO:

“Film Socialism”

LEGACY OF CINEMA AWARDS:

Serge Bromberg, “Henri-Georges Clouzot’s Inferno,” and the F.W. Murnau Foundation and Fernando Pena for the restoration of “Metropolis”

CAREER ACHIEVEMENT:

Paul Mazursky

The main news here, I guess, is just how well foreign language films did in the voting. I haven’t seen Carlos and seeing as how I’m basically in fly-over country, I doubt I’ll get a chance to see it before the Oscar nominations are announced. I do have Mother on DVD and I’m going to watch it sometime before the start of the new year. It’s also nice to see some attention being given to A Prophet.

Obviously, I’m disappointed not to see more love for Black Swan but I guess it’s to be expected as Black Swan is one of those films that people either love madly or hate with a passion. I think that’s why The Social Network will win big at the Oscars this year. It’s well-made and offensive only if you’re 1) female or 2) Mark Zuckerberg.

The 2010 Oscars: Best Documentary: The Toadsuckers Are Narrowing It Down

Posted on November 18, 2010 by Lisa Marie Bowman

Here’s some more news from the toadsuckers and dumbfugs who make up the Academy of Motion Pictures Arts and Sciences. These are the people who give out the Academy Awards and who continue to insist that Crash, Titanic, Gladiator, Braveheart, Gandhi, The Sound of Music, Rocky, American Beauty, The Greatest Show on Earth, and How Green Was My Valley were all great films. Yes, those people.

Anyway, along with giving out Oscars for best picture, best director, and all the other awards that the general public actually cares about, the Academy also gives out an Oscar for Best Documentary Feature. Occasionally, this category does get some notice. For instance, there’s always the chance that Michael Moore will win another Oscar and start foaming at the mouth like a rabid dog again and Al Gore might give another award-winning power point presentation in the near future. But for the most part, most people just see Best Documentary as just another roadblock on the journey between Best Supporting Actress and Best Picture.

Which is a shame because Best Documentary is usually a pretty fun category to try to predict. Since hardly anyone has seen (or heard) of the majority of the nominees, you can simply pick one at random, say something vaguely serious-sounding about it, and people will assume that you’re far smarter than you ever possibly could be. For me, the best thing about the documentary category is that, since you’ll probably never actually see most of the films nominated, your final opinion on the winner is often based on the acceptance speech. If the documentarian gives a funny or sentimental speech then suddenly you realize that Gabby: The Girl Who Could Have Been is the greatest freaking documentary ever made. And if his speech is strident or angry or boring then you’ll spend the next week wondering how the Academy could ever honor a piece of trash like Pelosi: Amazon From The Bay.

Anyway, the Documentary Branch of the Academy announced the 15 finalists for the Oscar for Best Feature-Length Documentary of 2010. From these 15, the final five nominees will be determined.

Here’s the list:

“Client 9: The Rise and Fall of Eliot Spitzer,” Alex Gibney, director (ES Productions LLC)
“Enemies of the People,” Rob Lemkin and Thet Sambath, directors (Old Street Films)
“Exit through the Gift Shop,” Banksy, director (Paranoid Pictures)
“Gasland,” Josh Fox, director (Gasland Productions, LLC)
“Genius Within: The Inner Life of Glenn Gould,” Michele Hozer and Peter Raymont, directors (White Pine Pictures)
“Inside Job,” Charles Ferguson, director (Representational Pictures)
“The Lottery,” Madeleine Sackler, director (Great Curve Films)
“Precious Life,” Shlomi Eldar, director (Origami Productions)
“Quest for Honor,” Mary Ann Smothers Bruni, director (Smothers Bruni Productions)
“Restrepo,” Tim Hetherington and Sebastian Junger, directors (Outpost Films)
“This Way of Life,” Thomas Burstyn, director (Cloud South Films)
“The Tillman Story,” Amir Bar-Lev, director (Passion Pictures/Axis Films)
“Waiting for ‘Superman’”, Davis Guggenheim, director (Electric Kinney Films)
“Waste Land,” Lucy Walker, director (Almega Projects)
“William Kunstler: Disturbing the Universe,” Emily Kunstler and Sarah Kunstler, directors (Disturbing the Universe LLC)

If Exit Through the Gift Shop (which is currently my choice for the best film of 2010) had failed to appear on this list, I would have thrown a fit. Luckily, there it is. Will it make the final five? It better.

As for the other finalists, I’ve only seen Restrepo and Waiting for Superman and they’re both deserving of at least a nomination. However, I’m hoping that the film about William Kunstler gets a nomination just because I’m hoping that whoever presents the award this year will mispronounce Kunstler and get the Academy broadcast fined by the FCA.

It’s also interesting to note that I’ve probably gone to more documentaries this year than any other. And yet, I’ve only seen 3 of the 15 finalists. Certainly, I guess I could go see Inside Job this weekend but do I really need a documentary to tell me that the economy is fucked up? Seriously. The trailer — featuring Matt Damon interrogating a bunch of Wall Street types — just comes across as being incredibly smug. Client 9 should be opening up down here in Dallas pretty soon as well and I’ll probably see it but I’m not going to cry if I miss the opportunity to spend two hours with Eliot Spitzer.

To me, the best documentaries of 2010 include — along with Restrepo, Waiting for Superman, and Exit Through The Gift Shop (the best film of 2010, did I mention that?) — Winnebago Man, Joan Rivers: A Piece of Work, The Best Worst Movie, and (arguably) Catfish.

The toadsuckers disagree.

For Your Oscar Consideration

Posted on November 4, 2010 by Lisa Marie Bowman

It’s November and that means that we have now officially entered Oscar season. For the next two months, movies specifically designed to win awards will be released in theaters across America. Movies like Fair Game, The King’s Speech, True Grit, For Colored Girls, Another Year, and 127 Hours will be presented for “your consideration,” as they always put it in the Oscar ads. Don’t get me wrong, I’m looking forward to seeing quite a few of those films. Fair Game looks like its going to be a bit of a pain (seriously, Sean Penn, it’s great you were right about Iraq and all but get over yourself) and For Colored Girls seems like it’ll be one of those films that people are scared to admit disliking. However, The King’s Speech looks like it might be a funny and sweet little movie and 127 Hours looks like it might be the film that proves that James Franco is a major hottie who could use and abuse me in any way he…uhmm, sorry, where was I? Oh yeah — Oscar season!

The unfortunate thing about Oscar season is that often it seems that movies that were released before the end of the year are either totally forgotten or only given a few sympathy nods. So, here’s my personal list of a few contenders that, though released pre-Oscar season, I think are just as deserving of consideration as Fair Game.

1) Best Picture — Exit Through The Gift Shop

People either love this film or they hate it. I love it. I think it’s a great mindfuck and, as of now, it’s my favorite film of 2010. In a perfect world, it would not only be the first documentary to be nominated for best picture but the first one to win as well. Unfortunately, the Mainstream hates having its mind fucked. Which is why I say — Grindhouse Victory for Exit Through The Gift Shop!

2) Best Picture — Animal Kingdom

This grim yet compelling Australian crime thriller plays like an unromanticized version of The Town, which is probably why it will be no where to be seen once the nominations are announced. Animal Kingdom also features award worthy work from actors Jacki Weaver, Ben Mendelsohn, Guy Pearce, and director David Michod.

3) Best Picture — Scott Pilgrim Vs. The World

Yes, it crashed and burned at the box office and it’s been the victim of an anti-Michael Cera backlash but Scott Pilgrim Vs. The World was one of the best and most original films of the summer. If the best movies succeed by creating their own unique worlds, then Scott Pilgrim Vs. The World deserves to be recognized as one of the best.

4) Best Picture — Never Let Me Go

Mark Romanek’s low-key but affecting adaption of Kazou Ishiguro’s award-winning novel takes a familiar Sci-Fi plot — clones are raised in seclusion so that their organs can eventually be harvested — and turns it into a haunting meditation on life, death, love, and fate. Carey Mulligan, who deserved the Oscar last year for An Education, holds the film together with quiet strength while Kiera Knightley and Andrew Garfield make the most of the more showy supporting roles.

5) Best Actor — Patrick Fabian, The Last Exorcism

Yes, Fabian will never be nominated because The Last Exorcism was a box office flop, a horror film, and it had an ending that generated a lot of negative word of mouth. However, I believe that Fabian gave the best performance of the year (so far) in this film. One reason why that over-the-top ending upset so many viewers was because Fabian had kept the film so grounded in reality that the sudden appearance of the supernatural almost felt like a betrayal. Incidentally, I think that Fabian’s performance was meant to be an homage to former child evangelist Marjoe Gortner. (And yes, I realize that’s like the 100th time I’ve casually mentioned Marjoe Gortner on this site. It doesn’t mean anything. Or does it?)

6) Best Actress — Noomi Rapace, The Girl With The Dragon Tattoo

The Mainstream has pretty much already declared Annette Bening to be the winner for her work in The Kids Are All Right but the Grindhouse knows that 2010 was the year of The Girl With The Dragon Tattoo.

7) Best Actress — Katie Jarvis, Fish Tank

Fish Tank probably played too early in the year to be properly remembered by the Academy but that doesn’t change the fact that it’s one of the best films of the year. Playing an angry but naive British teen, Katie Jarvis gives a fearlessly vulnerable performance. Just consider the harrowing scene where, after kidnapping her older lover’s daughter, she realizes what a mistake she’s made.

8 ) Best Supporting Actor — John Hawkes, Winter’s Bone

While I hope Winter’s Bone, at the very least, receives nominations for best picture, best actress for Jennifer Lawrence, and a best director nod for Debra Granik, I fear that John Hawkes will be forgotten. That’s a shame because Hawkes, arguably, gives the strongest performance in the film. As Lawrence’s drug addicted uncle, Hawkes is both scary and heroic. If Lawrence represents hope for the future, Hawkes epitomizes the doom of the present.

9) Best Supporting Actress — Chloe Grace Moretz, Kick-Ass

If Moretz is nominated, it’ll probably be for her performance in Let Me In. However, good as she was in that film, I think her performance in Kick-Ass is even better. Playing the controversial character of Hit-Girl, Moretz was the film’s foul-mouthed, borderline-psychotic heart.

10) Best Cinematography — Twelve

Yes, Twelve is a dire film that manages to turn a good book into a silly melodrama but the movie is gorgeous to look at.

11) Best Original Score — Machete

As performed by the band Chingon (which features the film’s director, Robert Rodriguez, on guitar), Machete’s score was much like the film itself: over-the-top, shameless, and a lot of fun. In much the same way that Hans Zimmer’s score made you believe in the world of Inception, Machete’s score literally forces the viewer into the proper Grindhouse mindset.

12) Best Original Song — “Pimps Don’t Cry” from The Other Guys

Oh, why not?

13) Best Feature-Length Documentary — Best Worst Movie

A charming documentary about the making of that infamous film, Troll 2, Best Worst Movie is also a look at how a movie can be so amazingly bad that it eventually becomes a beloved classic.

14) Best Animated Feature — A Town Called Panic

This surreal, French, stop-motion film only played for a week down here in Dallas and I nearly didn’t get to see it. I’m glad I did because, seriously, this movie — oh my God. The best description I’ve heard of it comes from Empire Magazine where it was referred to as being “Toy Story on absinthe.” Of course, since apparently California can’t even handle legalized weed, it’s probably hoping too much that they’ll be willing to drink the absinthe.