Hottie of the Day: Melissa Giraldo


The newest hottie of the day share similarities with four previous hotties. This latest choice for our hottie feature is the lovely Melissa Giraldo.

Ms. Melissa Giraldo come straight from Medellin, Colombia. Like her lovely sisters the Davalos Twins, Daniela Tamayo and Sandra Valencia she is also one of the more popular models in South America as her work in the swimwear and lingerie industry has made her quite sought after to model companies’ products. Melissa has become one of the exclusive models for PHAX swimwear and also Besame Lingerie. She has also appeared many times in magazines as the featured pin-up and continues to expand to new fields in modeling such as runway shows both in her local Colombia and throughout South America.

Like the other South American models featured in this site’s “hottie of the day” she has gained quite a loyal following outside of Colombia and South America due to the spread of her pictorials over the internet. Only time will tell when she will finally explode in popularity here in the US. I wouldn’t be surprised if she becomes one of the new Victoria’s Secret Angels in a year or two.

Lisa Marie Does 6 Trailers In The Snow

I was so happy today and it didn’t  even have anything to do with the movies, either!  Early this afternoon, I was watching my cat twitch in his sleep (he has very violent dreams, apparently) when I happened to look out my bedroom window and you know what I saw?  Snow!  “Yay!” I yelled, waking up the cat. 

Now, I know that everyone else in the country gets a blizzard every other month but I live in Texas so snow is kind of a big deal to me.  I jumped off my bed, threw my Hello Kitty robe on, and went running down stairs.  I threw open the door, ran out to the front porch, and then slipped and fell right on my backside. 

My neighbor stared at me from his yard.  “Are you okay?” he asked. 

“Yay!”  I replied, “it’s snowing!”

He nodded and then went, “Better hope those power lines don’t ice over or we might be without electricity.”

At that point, I resolved to never speak to my neighbor again.

So, I was very, very happy but now, the snow’s gone.  It’s moved along to Arkansas and Mississippi.  Now, the only thing falling rom the sky is freezing rain and the roads will probably be really icy and scary when I’m going to work tomorrow.  So, as I sit here all kinds of pantsless with a big purple bruise on my ass, I’m cheering myself up by putting together the latest installment of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.

1) The Dunwich Horror

From 1970: Dean Stockwell kidnaps and brainwashes Sandra Dee and he’s doing it all in the name of all mighty Cthulhu.  This is actually kind of a fun film as long as you can get the image of H.P. Lovecraft spinning in his grave out of your mind.

2) Curtains

I’ve never seen this 80s slasher film but I’ve read about its troubled production on various web sites.  I’m kinda embarrassed to admit it but I actually get scared when I see this trailer.  First off, that mask is disturbing.  And secondly, that doll…

3) Black Belt Jones

Fortunately, even if this world does occasionally give us a demon doll, it can also give us a Black Belt Jones.  I loved the trailer as soon as I saw Gloria Hendry shooting the dishes…

4) Frightmare

From Peter Walker, comes one of the greatest British horror films ever made.  It’s all about cannibalism, psychology, and fire place pokers.

5) Faceless

Jess Franco has directed close to a thousand films and approximately 12 of them are worth watching.  This is one of the lucky dozen, a remake of Eyes Without A Face.  The film gave Brigitte LaHaie her best role outside of the films of Jean Rollin and it also co-stars the great Caroline Munro.  And since it’s a Franco film, Howard Vernon plays a character named Dr. Orloff.  Plus, its got that cute little panther animation at the start of the trailer.

6) Electra Glide In Blue

Finally, it’s up to Robert Blake to restore some order.  This is actually a fairly interesting little movie as long as you realize that it’s such a 70s film, it might as well be wearing a suit with lapels stretching all the way to the end of the shoulders.

Review: Cthulhu Saves The World

Cthulhu Saves the World, an Xbox 360 indie game from Zeboyd Entertainment, the same people who brought us Breath of Death VII: The Beginning.

Once again Zeboyd Entertainment resurrects the feel of an old school 16-bit RPG with the graphics and sound feeling like they’re right out of an old SNES RPG.

The plot of this game is that the evil Cthulhu is defeated in battle and is under a curse that makes him lose all his powers.  The only way to regain them is to become a true hero.

Really the first thing that comes to mind is this… what would H. P. Lovecraft think if he were still alive today?  First there’s the three-parter of South Park featuring Cthulhu and now this.  He’s either rolling in his grave now or if he had a sense of humor he’d laugh.  No telling unfortunately.

It features the gameplay and graphics of Breath of Death VII, but with improvements.  For starters you can save anywhere but in battle which is a major improvement.  It was annoying that you could only save at inns in Breath of Death VII.  The game has still image cut scenes which are really cool, and of course there’s the dialogue.  Some of the funniest dialogue I’ve seen in a game.  Constantly breaking the fourth wall which in parody games is always a nice little treat.  In addition to Cthulhu you have 6 other party members you can choose from to form your party having up to 4 characters.

Like Breath of Death VII each time you level up you have two options to customize customize your character, whether it be new spells, new effects for current spells, improving stats and more.

The best part about this game is it’s only 240 MS points ($3).  Yeah Breath of Death VII was only 80, MS points, but trust me, the $2 extra is well worth it as this is the superior game.

If you enjoyed Breath of Death VII, I cannot recommend this game enough.  Zeboyd Entertainment I look forward to your future games.

Review: Open Range (dir. by Kevin Costner)

2003 marked a sort of a small comeback for Kevin Costner both as a director and as an actor. The work in question was the very well-done Western, Open Range. Open Range was a moderately budgeted film which has more in common with Costner’s first directorial work, Dances with Wolves than his last big-budget flop, The Postman.

The film was an adaptation of the Lauran Paine novel, The Open Range Men, and it captures much of the themes found in the novel. This was probably due to the fact that screenwriter Craig Storper didn’t deviate from the novel’s basic story. There were no superfluous action sequences and gunfights to ratchet up the action. Everything about Open Range was about the gradual and inevitable final confrontation between the “free-grazers” and the “barbed-wire” men. The free-grazers were played by Kevin Costner and Robert Duvall as Charles Waite and Boss Spearman, respectively. On the other side of the conflict was Michael Gambon playing Denton Baxter, the ruthless land-baron whose attempt to keep the free-grazers from grazing on his land also hides another agenda. Caught in-between these two strong-willed groups were the people in the town Baxter pretty much controls through his “town marshal” (played with fake bravado by James Russo) and the herd helpers under Boss Spearman’s employ.

The theme of freedom to roam the open country versus the rights of a landowner echoes throughout the film. Set in the latter end of the 19th-century, Open Range shows the clash of the more natural ways of the Old West slowly eroding to be replaced by the more industrial, monopolistic practices that became prevalent during the 1880’s, also known in US History as the Gilded Age. Even the personalities of the conflicting characters mirror this theme as the free-grazers only want to use the land as it has been used for years upon years and thats sharing between all men of the West. The land-baron has other ideas in mind and everything boils down to him owning everything around him, even if it means using ruthless tactics to gather even more property.

Open Range also has a bit of modernism in its subplot of Charley Waite’s growing attraction to the sister of the town doctor and the same sister’s well-rounded characterization. It’s not often that a traditional Western shows women in a very positive light instead of the usual submissive and stay-at-home characters of Western’s past. This could also be attributed to the wonderful, underrated performance by Annette Bening who plays Sue Barlow, the doctor’s sister and Charley Waite’s love interest. Bening doesn’t play Sue as the traditional Western female. She also doesn’t go overboard and turn Sue into a 20th-century feminist. She instead plays the character as someone who knows her place in the world, but also one who is strong-willed and willing to stand for what is right.

Open Range was a wonderful throwback to what made such modern Westerns like Unforgiven and Tombstone such a success both for traditionalists and new fans. Kevin Costner’s direction was very low-key. Allowing the story to tell itself at its own pace until the final confrontation. The final gunfight in the end gets a lot of well-earned attention from critics and fans. The entire sequence takes at least 10-15 minutes from start to finish. The fight itself was done in a realistic fashion. There was no sharpshooter dead-eyes in this film, but individuals who had skill but still missed. It was a fight where it wasn’t who was the fastest, but who was the calmest under fire. There’s also a suddenness to the brutality in the final gunfight that demystifies the old-style Western shootouts of past. Some complained that the film was very slow and took too long to get to the “good stuff”, but I actually thought the gradual pacing of most of the film’s length gave the final confrontation even more impact. Costner seem to have learned the lesson all good directors know: less means more.

Open Range won’t go down as a great piece of film making. It surely won’t go down as one of the best in history. What Open Range did accomplish was putting the Western back to its epic and majestic roots, but at the same time keeping the intimacy of a character-driven story. In time, Open Range would probably go down as one of the underrated gems of the last decade and find a place next to its closest comparison, Unforgiven, as one of the best Westerns of the new era.

AMV of the Day: Something Fishy (Bumblebee Tuna AMV)

I’ll readily admit, I’m not a huge fan of AMVs.  Don’t get me wrong, when they’re good, they’re really fun and entertaining to watch.  The thing is, 99% of AMVs suck.  Seriously, most of them are just a mashup of some fan’s favorite scenes from an anime put to a song they like that really don’t fit together.  But, the ones that are good, tend to be really good.  You can tell when someone takes the time and the effort to put together something that they can be proud of.

This AMV is one of those good ones.  There hasn’t been anyone yet that I’ve shown this to that hasn’t gotten hopelessly hooked on it.  It’s the perfect blend of a high energy song, clips that make sense with the words of the song, and really good editing.  It was made by JaddziaDax, but I’m not certain where it premiered at.  All I do know is that it is impossible to watch this and not wind up singing along on the subsequent playthroughs.  And there will be subsequent playthroughs.  The first time I watched it, I immediately had to play it again, and again, and before I knew it I was on my fifth consecutive viewing.  Now that’s a sign of a good AMV!  So, feel free to watch this, but just be forewarned, you might not be able to look at a can of Bumblebee Tuna without thinking of this AMV again.